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The picture of dorian gray imagery
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In the Victorian era where vanity was the main attraction, Oscar Wilde’s
The Picture of Dorian Gray gave insight into the true horrors that came of
this sinful nature. Wilde was a very controversial figure and he meant to
stir the pot when he wrote this disputed story. He believed that literature
was not only meant for the imagination, but for the moral mind as well. In
The Picture of Dorian Gray he depicts the importance of becoming a well
rounded individual and also explains himself. In one of his many letters he
states “Basil Hallward is what I think I am: Lord Henry what the world
thinks me: Dorian what I would like to be- in other ages, perhaps.” He was
a man before his time and he exposed the reality that every person is a
sinner, including himself. Wilde used the world around him to portrait the
distorted view of the Victorian era he had come to know. (Shuman 1-2)
This wonderful story takes place in the glorious setting of London,
England, where we are introduced immediately to Basil Hallward and Dorian
Gray. Basil, an amateur artist, is stunned by Dorian’s appearance and is
compelled to paint him; he continually attempts to protect him from the
dangers of negative influences such as Lord Henry Wotton. Although, Basil
and Lord Henry are a choice pair of friends, Basil refuses to allow him
meet Dorian. As luck would have it, Lord Henry first meets Dorian while
he’s eloquently playing the piano and is immediately intrigued by his
youthful innocence. Dorian, being the naive young man he is, listens to all
of Lord Henry’s “quality” advice and from there on in he starts to
transform.
Dorian Gray had only returned to London because of the death of his uncle,
Lord Kelso, who left him all his affluence....
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...liver Park. Perf. Ben Barnes and Colin Firth. Prescience, 2009. DVD.
Fellner, Richard L. “Forever Young? The Dorian Gray Syndrome.” Pattaya Mail. Pattaya Mail Media Group, 09 Sept. 2011. Web.
Mustafa, Jamil M. “Literary Contexts In Novels: Oscar Wilde’s “The Picture of Dorian Gray.” Literary Contexts In Novels: Oscar Wilde’s ‘The Picture of Dorian Gray’ (2006): 1. Literary Reference Center.
Shuman, Baird R. “The Picture of Dorian Gray.” Mcgill’s Survery of World Literature. By Steven G. Kellman and Frank N. Mcgill. Pasadena, CA: Salem, 2009. 1-2.
Stableford, Brian. “The Picture of Dorian Gray.” Cyclopedia Of Library Places (2003): 1, Literary Referance Center.
Wilde, Oscar, and Richard Ellmann. The Picture of Dorian Gray and Other Writing. New York: Bantam, 1982.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
2.) Hawthorne, Nathaniel. "Young Goodman Brown". printed in: A Handbook of Critical Approaches to Literature: Fourth Edition. Editors Wilfred L. Guerin, Earle Labor, Lee Morgan, Jeanne C. Reesman, John R. Willingham. Oxford University Press, Oxford. 1999.
Wilde, Oscar. The Picture of Dorian Gray. Michael Patrick Gillespie, Editor. Norton Critical Edition. New York: W.W. Norton & Company, Inc., 2007.
Ruddick, Nicholas. "'The Peculiar Quality of My Genius': Degeneration, Decadence, and Dorian Gray in 1890-91." Oscar Wilde: The Man, His Writings, and His World. New York: AMS, 2003. 125-37. Rpt. in Nineteenth-Century Literature Criticism. Ed. Jessica Bomarito and Russel Whitaker. Vol. 164. Detroit: Gale, 2006. Artemis Literary Sources. Web. 27 Apr. 2014.
“The Picture of Dorian Gray” is a novel written by Oscar Wilde. The story takes place in England, where the artist Basil Hallward paints a portrait of the young and beautiful Dorian Gray. During his stay at the artist’s studio, he gets introduced to Lord Henry who later becomes one of the most influential people in his life. Dorian Gray becomes aware of his amazing beauty and youthfulness due to the portrait and wishes that the portrait ages instead of him. His wish comes true, Dorian remains beautiful and youthful while the portrait changes. Lord Henry becomes his best friend and motivates him to live in abundance, to sin and always strive for beauty. After a while, Dorian discovers that his portrait doesn’t only age, but also changes face expression as a result of all his sins and evil deeds. Dorian gets anxious by the fact that the portrait shows his evil soul and is scared that somebody will see it, therefore he hides it. The portrait haunts Dorian although it’s hidden. As Dorian’s sins gets worse, he feels that he can’t handle the pressure anymore and decides to destroy the portrait that shows his true self.
Wilde, Oscar. The Picture of Dorian Gray; For Love of the King. London: Routledge/Thoemmes Press, 1993.
During this time an artist was seen as an important figure to society because he was able to visually create and give meaning to beautiful things, which was considered art. Art and beauty became correlated this way. Sometime it is thought that artwork has to be significantly beautiful to be considered art. Basil believes that he has created his one and only master piece, which is the picture of Dorian Gray. He sees so much of himself in the art that becomes insecure about his masterpiece. In Victorian times the artist was always more important than the artwork because of what he could possibly represent in the eyes of society as an artist. This allowed Basil to become insecure about his artwork, he did not want to be judged based off of his artworks that he put some much of himself into; artistically and intelligently. This is the reason he becomes too reluctant to exhibit his artwork, “I know you will laugh at me,” he replied, “but I really can’t exhibit it. I have out too much of myself into it.” (6). This statement by Basil shows his insecurities and afraid of judgement as an artist. it also depicts that he is very concerned with the reaction and judgements of others because he tells Lord Henry his reason for not wanting to exhibit his painting Dorian, which he becomes very drawn and attracted to. Basil pushes Victorian gender roles by showing
The Picture of Dorian Gray is a rich story which can be viewed through many literary and cultural lenses. Oscar Wilde himself purposefully filled his novel with a great many direct and indirect allusions to the literary culture of his times, so it seems appropriate to look back at his story - both the novel and the 1945 film version - in this way.
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.
Basil Hallward, a painter, knows the corruptive influence that Lord Henry can impose upon his model, Dorian Gray. Basil does not want Lord Henry to even meet Dorian because he is afraid that Dorian will be influenced and ruined. Basil begs Henry by saying, "Don't spoil him. Don't try to influence him. Your influence would be bad. The world is wide, and has many marvelous people in it. Don't take away from me the one person who gives to my art whatever charm it possesses: my life as an artist depends on him" (Wilde 10). Right from the beginning Wilde begins to show what type of person Lord Henry is. Lord Henry's influences pose a threat to Dorian. Basil is well aware of this.
Wilde, Oscar, and Michael Patrick. Gillespie. The Picture of Dorian Gray: Authoritative Texts, Backgrounds, Reviews and Reactions, Criticism. New York: W. W. Norton &, 2007. Print.
The picture of Dorian Gray. The Electronic Classics Series, The Pennsylvania State University. p. 3/ Retrieved January 3, 2014 from http://www2.hn.psu.edu/faculty/jmanis/oscar-wilde/dorian-gray.pdf
In conclusion, it has been reiterated that Lord Henry's influence, the changes in Dorian, and the immorality of the yellow book further enforced The Picture of Dorian Gray as a moral book. Oscar Wilde allows for those who could understand the real meaning of the novel by comprehending the importance of these three things to discern that he fully intended on writing this novel as a moral book.
...n goes on to murder Basil in a moment of pure hatred, allowing Lord Henry to ultimately succeed in his aims of winning Dorian’s soul.
Set in the late 19th Century, Oscar Wilde wrote his only novel The Picture of Dorian Gray, which is a story about debauchery and corruption of innocence and well known as a "Gothic melodrama." Violent twists and a sneaky plot make this novel a distinct reflection of human pride and corrupt nature.