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Reason versus emotion in poetry
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Poetry Essay
The modern poem, “Of Modern Poetry”, and the two postmodern poems, “Words” and “Losing a Language” all embody the central theme of the usage and style of a particular type of language. They all show how poetry can successfully personify the feelings that one feels and how poetry should be written. What sets apart the poetic style of both modernism and postmodernism is that both attempted to diverge from the traditional proses of 19th century, specifically, from realism. Both also tend to form around the philosophy of subjectivity as both explore the inner emotions of characters and thus use it to develop ideas and conceptions in the reader’s mind. A sense of order and generalized opinions are left behind in both modern and
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Both modernism and postmodernism deviate from the classical guidelines for writing good poetry and take an approach that advocates for a more personalized style in which writers write about their lives and stray away from imitating the standards or rules of classical good or worthy writing. Personal styled language is emphasized among many modern and postmodern works and thus allow the reader to reflect upon his or her own identity and beliefs. Even though the shift from modernism to postmodernism brought changes in the works of many authors, there were still common shared features left in both philosophical movements such as the use of a particular type of language and it’s impact on the readers perspective and the author’s ideology. This system of writing embodied in both modern and postmodern writing illustrates language as a fundamental element that embodies one’s individuality, uniqueness, and the underlying apparatus that allows for the expression of one’s values, beliefs, attitudes, and personal growth. Postmodern poet Sylvia Plath exemplified this stance in that she wrote about her own experiences and the way that language could be used to detail …show more content…
Much of his work served as examples for other poets and writers of the time period. His work was fundamental in the development and advancement of modernist work. In his poem, “Of Modern Poetry”, Stevens writes about the way that poetry should be written and how it is vital for poetry to change from traditional methods to the modernist style and how by doing so would help the reader understand the contemporariness of the era. The first two lines in Steven’s poem set the theme, topic, and tone. Stevens writes out the ways that poetry must conform to changing times and he uses the rest of the poem to expound on his first two lines. Stevens believed that poetry should be written about personal lives and the emotions and mindsets that one has; he wanted people to write about how they lived their lives. Stevens believed poetry “must Be the finding of a satisfaction,” thus poetry should be easier to write and understand (Stevens). Poetry must give one faith and courage in a cruel and unjust world filled with darkness and evil. Poetry should be written about how writing poetry gives one hope and the beauty of the nature of poetry is shown through that writing. Stevens was writing during the time of World War II and this made a huge impact on his writing because he was writing on how to fill in the gaps made by the changing world. In a way, poetry was a type of medication to cure one from the vile world
The Editors of Encyclopædia Britannica. "Sylvia Plath (American author)." 23 September 2013. Encyclopedia Britannica Online. 9 April 2014 .
Pollitt, Katha. "A Note of Triumph [The Collected Poems]". Critical Essays on Sylvia Plath. Ed. Linda W. Wagner. Boston: G. K. Hall & Company, 1984. 67 - 72.
During a time when women didn't have many rights or received much recognition, Sylvia Plath was born in Jamaica Plain, Massachusetts on Oct. 27, 1932 (Rosenberg 10). Her parents would've never expected their daughter would one day become such a success in a male-dominated profession of writing. At an early age, her writing career started to kick off, as well as the start of many dark events that would become the inspiration for her writings. When I first read "Blackberrying" by Plath, I simply thought that it was a simple story about going to pick blackberries only to then get distracted by the lure of the sea. But after reading it a few more times, I started to pick up on the subtleties that lay within the poem.
The three poems explore styles of a poet continually re-inventing himself. The transition from romanticism to modernism while discussing personal relations and civil concerns depicts the enduring power of poetry that can relate to any contextual audience. Hence, the timeless appeal of his poetry, coupled with the textual integrity in the themes, shapes personal responses and evokes interpretations from readers regarding the ambivalence in his work.
Often times we look through people and not truly at them. Sylvia Plath was one person who was looked through a lot when she desperately wanted to be noticed. As a striving poet and author in a time period where women were not expected to perform such tasks Sylvia struggled to keep it all together. Although she had her high points, like we all do, it remains apparent that she was battling with a deep inner conflict. Sylvia brings her emotional burden to life in her first novel The Bell Jar. Feminism, communism and a suicide attempt are all intertwined in this biography. The life of a not only a tortured poet but a struggling mother is obvious throughout her work. In order to grasp the lasting impression of Sylvia Plath, we have to understand where she comes from, how the critics and the people of her time viewed her, and the impact she left for the rest us.
Sylvia Plath's poems evoke the worst of subjective fallacies. Probably some of our charged reactions are symptomatic of the times and the culture; but more of them seem to stem from the always-too-easy identification between troubled poet and what might be the tone of imagery and rhythm of the poem considered. Because Plath worked so intensively in archetypal imagery (water, air, fire as bases for image patterns, for example), many of her poems could be read as either "dark" wasteland kinds of expressions, or as the reverse, as death-by-water, salvation poems--destruction implied, but also survived, phoenix-like.
Aesthetic form in modern poetry, then, is based on a space-logic that demands a complete reorientation in the reader's attitude toward language. Since the primary reference of any word-group is to something inside the poem itself, language in modern poetry is really reflexive. The meaning-relationship is completed only by the simultaneous perception in space of word-groups that have no comprehensible relation to each other when read consecutively in time. Instead of the instinctive and immediate reference of words and word-groups to the objects or events they symbolize and the construction of meaning from the sequence of these references, modern poetry asks its readers to suspend the process of individual reference temporarily until the entire pattern of internal references can be apprehended as a unity.
"About." Personal Blog, n.d. Web. 15 Nov. 2015. [When finding an explanation for the similarities between the writers, it is important to play close attention to biographies. In case the psychoeconomic factors that Ruonco describes are true, then biography constitutes most of the development of the Sylvia Plath affliction. Moreover, the biography provides an insight into the views of the author for a better and more accurate understanding of her poetry. Furthermore, it is imperative to use her auto-statement since she referres to her "muse" as something out of her control which can be traced to Kaufman's
Print. Kehoe, John. " Young, Talented, And Doomed: The Life Of Sylvia Plath." Biography 3.5 (1999): 88. Academic Search Complete.
Known for her distinctive voice and exploration of dark, violent emotions, Sylvia Plath was one of the most acclaimed poets of the twentieth century. In her poems she discusses many common themes such as family relations, marriage, self-image and death in unique ways. Among these topics, she expresses a particularly original perspective on motherhood and its effect on the individual that often deviates completely from the traditional view of child rearing. In her poems “Moonrise,” “Heavy Woman” and “Morning Song,” Plath conveys the idea that motherhood, although necessary, is a personal as well as physical sacrifice that involves much pain and suffering.
Giles, Richard F. “Sylvia Plath.” Magill’s Critical Survey of Poetry. Ed. Frank N. Magill, b. 1875. Pasadena: Salem Press, 1992.
When a reader experiences Sylvia Plath, immediately he is aware that he has never read anything like it. Other poets may have similar styles, treat on similar themes -- they may even have worked on the same ideas at the same time or been compared as equals -- but none so wholly creates a personal yet open world and method of existence as Plath.
Sylvia Plath." Contemporary Literature Fall 1996: 370-90. Rpt. in Contemporary Literary Criticism. Ed. Jeffrey W. Hunter and Deborah A. Schmitt. Vol. 111. Detroit: Gale Group, 1999. Literature Resource Center. Web. 22 Apr. 2014.
Through her dark and intense poetry, Sylvia Plath left an eternal mark on the literary community. Her personal struggles with depression, insecurities, and suicidal thoughts influenced her poetry and literary works. As a respected twentieth century writer, Sylvia Plath incorporated various literary techniques to intensify her writing. Her use of personification, metaphors, and allusions in her poems “Ariel,” “Lady Lazarus,” and “Edge”, exemplifies her talent as a poet and the influence her own troubled life had on her poetry.
Sylvia Plath A small girl whose father dies when she was only ten years old grows up to become to be one of the most iconic poets of the confessional movement. This is the story of Sylvia Plath, a poet who grew up during The Great Depression and was a big part of the feminist movement. She wrote in a unique and mostly dark kind of style, which made herself recognizable throughout the poetry community. Sylvia Plath’s relationship with her father and husband are revealed in the content and confessional style of poetry.