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Minister's black veil of ambiguity
Minister's black veil of ambiguity
Minister's black veil of ambiguity
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One of literatures greatest quality is allowing the reader’s mind to uncover subliminal messages in an attempt to form their own understandings and ideas. Perhaps, this particular process is commonly described in the idiom “reading between the lines.” While many writers have implanted this literary aspect into their works, this essay focuses on a specific parable written by Nathaniel Hawthorne entitled The Minister’s Black Veil. Notably, a parable is a simple story used to illustrate a moral or spiritual lesson. The characters and setting of which Hawthorne uses to get his point across creates an overwhelming atmosphere that increases the power of his message. An analysis of Nathaniel Hawthorne’s The Minister’s Black Veil offers readers an opportunity to interpret and evaluate the various themes and symbols used by Hawthorne to convey an implicit, but yet meaningful lesson.
The setting and characters that Hawthorne utilizes in The Minister’s Black Veil provides support and makes his claim more effective. The setting is set in the 1800s in Milford, Massachusetts which is a town southwest of Boston. The people of this puritan town are gathering for service on Sunday and at this time the protagonist of this story is revealed. Reverend Mr. Hooper is described in the story to be a neatly dressed gentleman roughly around the age of thirty. Mr. Hooper is also the town minister and has the reputation of a good preacher. It is clear that the residents of the town accept Mr. Hooper and speak very highly of him, but this also changes on Sunday when Reverend Mr. Hooper enters the meeting house to preach his sermon wearing a black veil. From this very moment, the image and reputation of Mr. Hooper changes drastically from the perspective of th...
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...r which he could breed an influential story filled with themes and symbols. The actions of Reverend Mr. Hooper united with the puritanism time period gave value to Hawthorne’s message. The symbolism of the black veil as secret sin offered a complex, but yet crucial subject to be addressed. Themes such as reaction to change, fear of the unknown, and no one is free from sin provide insight into human nature and are worthy of evaluation. Hawthorne uses this parable to express the ideal that sin is a flaw of everyone and cannot be escaped. When people deceive themselves of their transgressions, they forget that each and every last person falls short of God’s glory.
Works Cited
Hawthorne, Nathaniel. The Heath Anthology Of American Literature: Early Nineteenth Century, 1800-1865. Ed. Paule Lauter. 6th ed. B. Belmont: Wadsworth Publshing Company, 2009. 2431-2439. Print.
In Nathaniel Hawthorne’s short story “The Minister’s Black Veil”, the reader is introduced to Parson Hooper, the reverend of a small Puritan village. One Sunday morning, Hooper arrived to mass with a black veil over his impassive face. The townspeople began to feel uneasy due to their minister’s unusual behavior. When Parson appeared, “Few could refrain from twisting their heads towards the door; many stood upright….” (Monteiro 2). Throughout the story Hooper does not take off the black veil and the townspeople, including Reverend Clark from a nearby village, treat him as if he were contagious disease. A veil typically is used to represent sorrow, but in this story it is used to represent hidden sins. No one exactly knows why he
In “The Minister’s Black Veil,” for example, Hawthorne describes how, “perhaps the palefaced congregation was almost as fearful a sight to the minister, as his black veil to them”(2). This directly contrasts the “light” faces of the members of the congregation with the darkness of the minister’s veil. By stating that the minister was just as afraid of the people as the people were of him, Hawthorne indicates that the people fear the minister due to the abrupt reveal of his mysterious sin, but the minister also somewhat fears the people and the secrets they hold deep within their hearts. The people of the town are supposedly pure and innocent, yet it is clear that many of the citizens carry the burden of their own evils. Although the minister boldly comes forward with his own sin, he still feels the pain of the loneliness, scorn, and spite that has come with his statement. Hawthorne represents the discomfort the guilty townspeople feel when in the presence of Mr. Hooper when he describes how they were, “conscious of lighter spirits the moment they lost sight of the black veil” (3). Once again, this use of light and dark imagery supports Hawthorne’s argument that people, even those who claim to be pure and innocent, are capable of sin. The townspeople in Mr. Hooper’s community feel the burden of their own sins when they come in
Throughout Hawthorne’s short stories which examine secret sin based in Puritan societies, the protagonist, Mr. Hooper, a preacher in Milford, describes to his wife “Do not desert me though this veil must be between us here on earth” (32). Hooper who has arrived at a point where his community and wife have abandoned him while on his deathbed realizes that he is deserted because of his secret sin. This description of utter loneliness is in contrast with Hawthorne’s portrayal of Hooper, who once was a prominent priest in the Milford area. Hawthorne’s depiction of Mr. Hooper’s secret sin, taking form in the black veil alters his life indefinetely. In Nathaniel Hawthorne’s short stories, the author identifies secret sin as the cause of isolation, relationship struggles, and the community’s behavior.
Lathrop, G. P., ed. "Hawthorne, Nathaniel." The Reader's Encyclopedia of American Literature. Binghamton, New York: Vail-Ballou, 1962. 439-40. Print.
This short story reflects the Puritans’ lifestyle in the early colonial stage by using the black veil of Reverend Hooper to guide people through the sinful and struggling life of the Puritans. “The Minister’s Black Veil” is only one of the great stories written by Nathanial Hawthorne, and there are more Romanticism books like The Scarlet Letter and The House of the Seven Gables, and they also talk about the changes and struggles of human
The gothic characteristics that are found in Edgar Allan Poe’s “The Fall of the House of Usher” and Nathaniel Hawthorne’s “The Minister’s Black Veil” delve into the dark side of the human mind where secret sin shrouds the main characters in self anguish and insanity. Both Poe and Hawthorne focus on how much of a burden hiding sins from people can be, and how the human mind grows weak and tired from carrying such a burden. Poe illustrates that with his perturbed character Roderick Usher who was rotting from the inside like his “mansion of gloom” (Poe 323). Hawthorne dives deep into the mind of one Mr. Hooper, a minister, a man admired by all, until he starts wearing a black veil to conceal his face because “ The subject had reference to secret sin” (Hawthorne 311) . An analysis of both Mr. Hooper and Roderick Usher show through their speech, actions, behaviors, and interaction with other humans, the daily strain of hiding sin from one another.
...t to acknowledge that fact than to live your life a lie. By keeping sin secret from the world like Dimmesdale, your conscience eats at your spirit until you are no longer able to live a healthy, normal life. Hooper's demeanor and sermons scared everyone into seeing their own sins and when looking at his black veil, they saw their own faults, which petrified them for they knew they were pretending to be one of the elect, and that none of them could be perfectly sinless. The horror and the hate people felt towards both the black veil and the scarlet letter was an outward manifestation of the horror and hate they all had for their own sins. Thus it brings us back to the theme that Hawthorne makes so clear in both the Scarlet Letter and "The Minister's Black Veil," that though manifested sin will ostracize a person from society, un-confessed sin will destroy the soul.
Witchcraft and a Black Veil The setting of “The Minister’s Black Veil” by Nathaniel Hawthorne occurs in Milford, Massachusetts which is less than 60 miles from Salem, a small town famous for putting hundreds of people on trial and sentencing several to death as a result of accusing them of witchcraft. The thematic historical similarities between the Salem Witch Trials and Hawthorne’s “The Minister’s Black Veil” is apparent through the use of gothic imagery, supernatural effects on the funeral and wedding, and hysterical emotion elicit on the townspeople by Mr. Hooper’s veil. The use of gothic imagery is subtly present throughout the tale of Mr. Hooper, a minister who one day begins to hide his face behind a stark black veil.
Nathaniel Hawthorne's "The Minister's Black Veil" illustrates the dangers of secret sin. Allowing guilt from things done in the past, things that cannot be changed, can ruin lives. The life of the secret-carrier will be devastated, along with the lives of that person's most loved ones. Hawthorne uses various types of figurative language in his works to portray his message. "The Minister's Black Veil” is no exception; Hawthorne uses symbolism and suggestion to add depth and mystery.
There is no end to the ambiguity in Nathaniel Hawthorne’s “The Minister’s Black Veil”; this essay hopes to explore this problem within the tale.
“Nathaniel Hawthorne.” The Norton Anthology: American Literature, edited by Baym et al. New York: W.W. Norton and Co., 1995.
Nathaniel Hawthorne in “The Minister’s Black Veil” is able to show the hypocrisy and the overemphasis of the Puritan people and their beliefs by engaging the reader in this short story by using “a gentlemanly person” (409) who decides to start wearing a black veil over his face. As Milford’s finest gather on “the porch of [the] meeting house” (409) and enjoy the hope of another Sunday service, the townspeople’s sunny disposition and picturesque setting soon changes as Parson Hooper emerges with a “simple piece of crape” covering his face. This unusual appearance of the Reverend to the townspeople even has some of them feeling faint and forcing some women “of delicate nerves to leave the service” (410). Even though Parson Hooper’s demeanor and his polite and gracious behavior is the same as always, and his preaching is much more interesting and entertaining, the townspeople perceive their minister far differently. As Parson Hooper continues to don the veil, people start to stare at him and rumors begin to fly, especially since his sermon dealt with the topic of secret sin. As the people make him a social pariah, Parson Hooper becomes a representation of hidden sin and an object of dread. Even as death knocks on his door, Parson Hooper still will not allow himself to be unveiled, in fact, Hooper finally reveals that no one should be afraid of him, but of one another because “men avoided me, and women shown no pity, and children screamed and fled” (417) all because of a simple black veil. Through the use of symbols, Hawthorne is able to use this short story to prove that the community people and the Puritan’s religion and their beliefs are hypocritical and over zealous.
Throughout Nathaniel Hawthorne 's literary work, The Minister 's Black Veil, the sensation of the veil, the separation it creates from good things in life, and the persistence of the black veil on earth symbolize sin in mankind. During the whole parable, Mr. Hooper is restrained by the black veil and cannot live a free, enjoyable life. Also, people around him cannot tolerate the overwhelming, dark feeling that the black veil generates. Similarly, sin can take over people’s lives and create a feeling of hopelessness and gloom. Hawthorne’s parable overall demonstrates power and impact of sin on
In the short story, “The Minister’s Black Veil,” Nathaniel Hawthorne tells the Mr. Hooper’s black veil and the words that can describe between him and the veil. Hawthorne demonstrates how a black veil can describe as many words. Through the story, Hawthorne introduces the reader to Mr. Hooper, a parson in Milford meeting-house and a gentlemanly person, who wears a black veil. Therefore, Mr. Hooper rejects from his finance and his people, because they ask him to move the veil, but he does not want to do it. In Nathaniel Hawthorne’s “The Minister’s Black Veil”, Mr. Hooper’s black veil symbolizes sins, darkness, and secrecy in order to determine sins that he cannot tell to anyone, darkness around his face and neighbors, and secrecy about the black veil.
Waggoner, Hyatt. “Nathaniel Hawthorne.” In Six American Novelists of the Nineteenth Century, edited by Richard Foster. Minneapolis: University of Minnesota Press, 1968.