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Analyze the Merchant of Venice from a feminist point of view
Feminist study in merchant Venice
Discuss the character of Portia with reference to the Merchant of Venice
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Oprah Winfrey, Diane Sawyer, and J.K. Rowling are some of the most influential and powerful people in America. These women are known for how they exude their confidence and independence. This is contradictory to how women were perceived during the Renaissance. The women of this time period were given no rights and had no power to do anything. In Shakespeare’s The Merchant of Venice, the female characters are presented as strong women, who are not confined to the ideal woman position of the Renaissance and serve as independent characters.
Jessica displays her strong-minded characteristic through her ability to make her own decision, despite the ideals of the male figures around her. Shylock is Jessica’s Jewish father, who has greatly conflicting ideas compared to the ideas of Jessica. Jessica is “ashamed to be [her] father’s child” (II.iii.16) and she plans to run off with her love, Lorenzo, and
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“become a Christian and [his] loving wife” (II.iii.20). Jessica begins to develop her own beliefs and values. She does not strictly follow what her father preaches simply because he is a high figure in her life. She allows herself to do what she believes is best for herself. Jessica makes her own decision on this situation. She does this similarly with Lorenzo, her eventual husband. Jessica is boasting of Portia, one of the leading characters of the play. Lorenzo becomes jealous and believes that Jessica must feel the same way about him. Jessica has her “opinion too of that” (III.v.73). Jessica doesn’t immediately begin to praise her husband as she did with Portia. Although she loves her husband and looks to him as the new male figure in her life, her independence continues to peak through as she doesn’t succumb to him being the head of the household and being molded by that position. Jessica defies the common role of the woman as she begins to become her own person. Portia and Nerissa both identify as these strong women through the positions of power that they hold. When Bassanio describes Antonio of Portia, he describes of a woman “in Belmont is a lady richly left, and is fair” (I.i.160-1). Portia is of high class in Belmont. Since her father is not present, she is holding the position of her father that he had left with his passing. She has to be the guiding force for this island. Portia displays leadership similarly with her lady-in-waiting, Nerissa. When Antonio, Bassanio, Portia’s husband, goes to court to see what the outcome of his bond is, Portia and Nerissa disguise themselves as men and act as the officiators of the court. Portia goes on to make the main decision of the court, what Shylock should do with Antonio (IV.i). Portia and Nerissa go against the ideas of the Renaissance. They prove that women can uphold to the standards of males as they solve the predicaments that the males fail to know how to fix. Although women are in par with the positions of the men in the play, women are also conveyed as weaker characters. Many people argue that women within this play are not viewed as these progressive characters, who challenge the ideas of the Renaissance.
It is true that when Bassanio and Portia become engaged she says that “what is mine to you and yours is now converted” (III.ii.167-8). It is true that she is quick to give up all her possessions to Bassanio. However, at the beginning of the scene, when Portia reunites with Bassanio, she says “I pray you tarry, pause a day or two before you hazard, for in choosing wrong I lose your company” (III.ii.1-3). Portia seems to want to be with Bassanio, not for her lack of independence but, because she truly cares for Bassanio. Portia even goes on to be nervous and flustered, as she continued to talk to Bassanio. This shows how some sort of love has come over her, making her unknowledgeable of what to do in this situation. Portia does not want to leave Bassanio’s side and with that, she shares her livelihood not because of a lack of strength and power but because she wants a form of union with Bassanio, as a result of Portia’s love for
him. As Shakespeare presents these strong women, his point of view on women seems to be positive. He shows that even in times in which women are limited by the boundaries set by the society, Shakespeare still believes in the power that women have. He believes that women are not a part of the stereotypes of the Renaissance but instead, similar to the strong powerful figures that are apparent in our world today.
In the Merchant of Venice, Shylock a jewish money lender living in the city of Venice, has a daughter named Jessica. Shylock believes that he had raised Jessica in a manner that was just right for her. He had always thought that Jessica was the type of girl that just listens to what she is told to do and does not question or deny the request. But this was not so, Jessica somewhere growing up picked up the trait and thought that her father was not always correct and that he in fact was sometimes a bad person towards other people. She had as well noticed that being jewish was not the best thing for her. Jessica did not like the attacking of jews or the discriminated yelling by the anti semitic christians. She had decided it was time to leave her father's home, the home where she had been raised by a not so pleasant man. We see in the play that after she had ran away Shylock was very hurt, crying to himself.
Critique Of The Constancy Upon Women At The Time in William Shakespeare's The Merchant of Venice
Shakespeare's The Merchant of Venice exemplifies a principle that is as unfortunately true in our time as it was in his - he who has money also has love, sex, and above all, power. In this case, the use of 'he' is deliberate; 'she,' in the Elizabethan era, rarely had either financial independence or much control over the course of her life. Portia, the deceitful heroine of the play, is a major exception. To put it bluntly, Portia is enormously rich. This unique position allows her to meddle in the affairs of the unsuspecting and somewhat dim male characters, and eventually gives her unprecedented power of self-determination. However, the play is more than a tale of feminine wiles overcoming male dullness of wit. Portia's wealth and intelligence may fuel her successes in marriage and the courtroom, but in each case it is her ability to usurp traditionally masculine roles that guarantees her victory. As Portia exploits the codependence of wealth, masculinity, and public power in her society, she becomes the only woman in the play who consistently controls her own destiny.
Point #2. Portia creates a way of controlling the future of the relationship between herself and Bassanio. Portia gives Bassanio a ring with the words, "I give you this ring, which when you part from, lose, or give away, / Let it presage the ruin of your love".
In William Shakespeare’s tragic play Othello there are numerous instances of obvious sexism aimed at the three women in the drama -- Desdemona, Emilia and Bianca – and aimed at womankind generally. Let us delve into this subject in this paper.
William Shakespeare’s The Tempest provides dialogue that portrays the social expectations and stereotypes imposed upon women in Elizabethan times. Even though the play has only one primary female character, Miranda, the play also includes another women; Sycorax, although she does not play as large a roll. During many scenes, the play illustrates the characteristics that represent the ideal woman within Elizabethan society. These characteristics support the fact that men considered women as a mere object that they had the luxury of owning and were nowhere near equal to them. Feminists can interpret the play as a depiction of the sexist treatment of women and would disagree with many of the characteristics and expectations that make Miranda the ideal woman. From this perspective, The Tempest can be used to objectify the common expectations and treatment of women within the 16th and 17th Centuries and compare and contrast to those of today.
In Shakespeare’s The Merchant of Venice, the scene opens to reveal a society controlled by men. Men, who live in the foreground of Venetian society, wield their power in business, government, and family life. In the background, women conduct their lives quietly. They are subservient to their husbands and fathers and are regarded as helpless and in need of male guidance in areas of decision making. Though in Shakespeare’s time such a societal structure was largely acceptable, the modern reader views the subjugation of women with aversion, and the ways in which Shakespeare presents the female characters in this play perhaps show that he too was not entirely comfortable with the unbalanced scale of power between men and women.
The question has been proposed whether Portia was her own woman, and if after she married Bassanio would she still be the protector of her fortune. I researched for evidence to the theory that Portia was not her own, her fortune was not her own, and she was bound financially to her husband after marriage. There is nothing out of the ordinary about this particular arrangement, and I don't feel that the relationship should continue to be hailed as a progressive, feminist relationship.
Statement of intent: The role of women in William Shakespeare’s play Othello is portrayed through the behaviors and actions of Desdemona, Emilia, and Bianca. William Shakespeare integrates his Elizabethan society to create the patriarchal Venetian society in the play. Women in his society were seen as inferior to the men. The three women play a significant role in different social stratification. How are women submissive, possessions, bold, and degraded to sex objects and whores? How have they displayed unconventional acts and boldness?
The Women of Othello All through history, the role of women and their place in the general public has tremendously changed. William Shakespeare’s Othello was established during a time period where the role of women and their collective value were downgraded in the Venetian and Elizabethan era. During the Venetian era, women were dominated by their sexual orientation. The Venetian era had a patriarchal society.
If he had been more daunted by Christian influence, he might have been forgiven, as Jessica is subjectively exonerated. He is not contrite and it is believed that his appalling birth cannot be absolved (Bonnell). All of the characters are defined by Shylock. Launcelot Gobbo, Shylock’s servant, treats his father disrespectfully, but this disdain is not ill-received by the audience; like the other examples of inequity, Launcelot’s apathetic attitude toward his near-blind father is inexplicably tolerated by past and contemporary society (Picker). Launcelot’s contempt is generally assumed to be a result of his underprivileged upbringing, if it is noted at all.
The Merchant of Venice is a play set in a very male and Christian dominated society where other religions and women rights weren’t very well accepted by the community. However Portia, a rich woman who had previously been controlled by men, triumphs as she manipulates tricks and saves the lives of the men.
In his novel, Othello, he uses the courage of the women in his literature to depict how women should be treated, and to contrast from how little respect they once obtained. The society in Shakespeare’s Othello is strongly dominated by men who were the political and military leaders of their homeland during the Elizabethan era. These men are expected to stay loyal to their reputations and to uphold the strong sense of character that earned them their positions in the first place. In contrast, during the Elizabethan period of time women were viewed as weak second-class citizens and inferior to males, with their only job being to serve their men.
Bassanio was so grateful towards Balthazar that he was able to place Balthazar of above importance to Portia his wife. Portia then compares Bassanio giving up her beloved ring to if she were to give her body to the doctor as a parallel. Prior to the men being made aware of Portia and Nerissa’s disguises, they explain their reasoning’s as a necessity. Once Bassanio and Gratiano know the truth, they apologize with fear as they now know the power these two women posses. Gratiano ends the play by stating “I’ll fear no other thing so sore as keeping safe Nerissa’s ring” (V, I, 324-325). Gender roles are now reversed as the play concludes which shows that gender itself is a social construct and is not
Scene i. 364-368. See the corresponding section. Consequently, Shylock was found guilty of plotting the death of a Venetian citizen. Portia’s arguments against Shylock depicts her as an intelligent woman because she is the most highly educated in the courtroom as she solely saves Antonio’s life when Gratiano, Bassanio, and even the Duke could not save Antonio from Shylock’s knife. Jessica shows strength and bravery when she leaves home from her father for Lorenzo.