Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Essay on the movie matrix
Movie analysis on the matrix
Plato on reality
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Essay on the movie matrix
Senses: The Reality of Experiencing the World
In 1999, Hilary Putnam, a modern American philosopher, created a megahit movie called The Matrix. This movie was created to explain Putnam’s perception of the problem of skepticism and society’s knowledge of reality. Putnam presented an idea that could completely alter and destroy the thoughts of the human race, if it was true. The thought experiment behind the movie consisted of our brains being severed from all the nerves connected to sensory inputs connected to a giant computer. The computer is controlled by a man that sits at the keyboard of this super computer to input data. As a result, this data is transformed to the brain and processes information as if it were obtained through one’s senses. In conclusion, the brain believes what it experiences, even if the man at the monitor determines what the individual should experience. Although Putnam’s idea became popular, Putnam was not the first philosopher to suggest that there could be a problem with seeing and understanding reality.
In addition to The Matrix, the works of two other philosophers must be considered when thinking on this topic- Plato’s classic work The Republic and Rene Descartes Meditations on First Philosophy. First, we must observe the basis of the recent perception of the idea. The Matrix reveals that knowledge can be overbearing for one to handle alone. As a result, some individuals desire to be ignorant to truth. Some believe “Ignorance is bliss” (Wachowski, 1999, pg. 1). In The Matrix, Neo realizes that he has been living in a dream his whole life. “The Matrix” is the computer program that has controlled him and the entire human race his entire life. Morpheus, who is “a leader of a group of dissidents who ar...
... middle of paper ...
...kewise to be contrary to his goodness to allow me to be occasionally deceived; and yet it is clear that this is permitted (1951, pg. 3).” In other words, it depends on our perception of the real Creator, God, when observing if we can be certain that our beliefs are true. John 14:6 states, “Jesus saith unto him, I am the way, the truth, and the life: no man cometh unto the Father, but by me” (KJV). Jesus is truth. When we believe in Him and act accordingly, we can be certain that our beliefs are true. Therefore, the only way to be certain that one’s beliefs are true is if they are in Jesus, the Way, the Truth and the Life.
References
Descartes, R., & Lafleur, L. J. (1951). Meditations on first philosophy. New York: Macmillan.
Wachowski, Andy, and Lana Wachowski. (1999). The Matrix. Directed by Andy Wachowski and Lana Wachowski. Los Angeles: Warner Bros. Pictures
When the trailer for this film was first introduced to the public, many expected The Matrix to be just another science-fiction film with phenomenal special effects which lacked an intriguing plot. The majority of the reviews definitely put an end to this misconception. Most of the reviews written on this film eloquently complement the Wachowski brothers on their excellent story line. The Biblical references of this film incorporated with the phenomenal cinematography distinguish The Matrix from all other science-fiction films in which the main characters are on a race to save humanity. "The script, written by the Wachowski brothers is intelligent but carefully not geeky."2
The Matrix series is much more than an action-packed sci-fi thriller. After one view of this film for the second and third time, we start to notice a great deal of symbolism. This symbolism starts to paint a completely different picture than the images of humans battling machines. It is a religious story, with symbols deeply set in the Christian faith. The Matrix contains religious symbolism through its four main characters, Morpheus, Neo, Trinity and Cypher. In that each character personifies the “Father,” the “Son,” “Satan,” and the “Holy Spirit” of the Christian beliefs only shown through the amazing performances of the actors. A critic by the name of Shawn Levy said "The Matrix slams you back in your chair, pops open your eyes and leaves your jaw hanging slack in amazement."(metacritic.com)
When I first announced to my parents that I was going to marry my current wife, the first words out of my father’s mouth were, “But she’s from another culture.” My father and mother, although being generally good people, are the products of an older system of beliefs. It is the matrix I was raised with, and that dictated my earlier learning experience. Fortunately for me, I chose to risk alienating my parents, and told them that if they ever mentioned “different cultures” to me again, it would be the last time we would be on speaking terms. I chose to ignore the matrix I was presented with, and the happiness and peace of mind that came from that decision have shaped my life ever since. I share this example because it is the key point of what I want the reader to understand from the comparison in this paper. It is a comparison between two choices made by two different primary players from the movie The Matrix and Octavia Butler’s novel Dawn.
In one of Plato’s works called The Allegory of the Cave he goes over what it means to get higher knowledge and the path you have to take to get to this higher knowledge. Plato also goes over how this higher knowledge or enlightenment will affect people and how they act. He ties this all together through what he calls the cave. Plato tells Glaucon a sort of story about how the cave works and what the people within the cave have to do to get to the enlightenment. A while down the road the Wachowski siblings with the help of Warner Brothers Studios made a movie titled The Matrix. This movie follows the came concept that Plato does in the cave. With saying that the world that Neo (the main character) was living in was in fact not real but a made
This student of Philosophy now sees the movie The Matrix in a whole new way after gaining an understanding of some of the underlying philosophical concepts that the writers of the movie used to develop an intriguing and well thought out plot. Some of the philosophical concepts were clear, while others were only hinted at and most likely overlooked by those unfamiliar with those concepts, as was this student when the movie first came out in theaters all those many years ago. In this part of the essay we will take a look at the obvious and not so obvious concepts of: what exactly is the Matrix and how does it related to both Descartes and Plato, can we trust our own senses once we understand what the Matrix is, and how Neo taking the Red Pill is symbolic of the beginning of the journey out of Pl...
Deep within the cave the prisoners are chained by their necks and have a limited view of reality. Around them, by the distant light of the fire, they only see shadows and outlines of people or objects. From their conclusions of what they may think is real, are false. “The Matrix” parallels Plato’s “Allegory of the Cave” in a number of ways. Similar to the prisoners of the cave the humans trapped in the modern day puppet-handlers (the machines) want them to see. In the movie, Neo is a computer hacker, and on day he suddenly realizes that his world is fake, by finding out the truth after he was released from the pod. Neo discovers that what he has been presented with his entire life is only reflections or merely shadows of the truth. The theme is recognized throughout the movie as we see many objects, as well as Neo, reflected in other objects. The puppet-handlers (the machines) represent what Plato calls the influential and powerful members of society. The objects making the shadows in “The Allegory of the Cave” are also creating a false conclusion for the prisoners. In “The Matrix” the puppet-handle...
One of the key questions raised by Rupert Sheldrake in the Seven Experiments That Could Change the World, is are we more than the ghost in the machine? It is perfectly acceptable to Sheldrake that humans are more than their brain, and because of this, and in actual reality “the mind is indeed extended beyond the brain, as most people throughout most of human history have believed.” (Sheldrake, Seven Experiments 104)
“ They see only their own shadows, or the shadows of one another, which the fire throws on the opposite wall of the cave”(Plato 1). This is from the article “ Allegory of the Cave” and there are oppressors in the story who are hiding the truth from the people who know nothing but what they are taught by them. In the film The Matrix, it shows a man named Neo who gets help from a man from the real world to help him escape. Neo finally sees the truth of the world he was living in and realize it was a lie and a illusion to him and the others who still don 't know the real world. He is being train to fight and go back and defeat the system of the machines who are controlling the people who are blinded. The Matrix parallels Plato “Allegory of the
Let me briefly explain a simplified plot of The Matrix. The story centers around a computer-generated world that has been created to hide the truth from humans. In this world people are kept in slavery without their knowledge. This world is designed to simulate the peak of human civilization which had been destroyed by nuclear war. The majority of the world's population is oblivious to the fact that their world is digital rather than real, and they continue living out their daily lives without questioning their reality. The main character, Neo, is a matrix-bound human who knows that something is not right with the world he lives in, and is eager to learn the truth. He is offered the truth from a character named Morpheus, who proclaims that Neo is “the One” (chosen one) who will eventually destroy the Matrix, thereby setting the humans “free.” For this to happen, Neo must first overcome the Sentient Program agents who can jump into anyone's digital body. They are the Gate Keepers and hold the keys to The Matrix.
The matrix, as presented in the eponymous film, operates as an Althusserian Ideological State Apparatus (ISA). The Matrix1 presents a world in which "the state [as] a 'machine' of repression" is made literal where robots rule the land (Althusser 68). It is true that they rule by force (sentinels and agents) and these constitute the Repressive State Apparatus, but their primary force of subjugation is the matrix, their ISA. The film traces the path of one man, Neo, in his painful progress from the ideology of the matrix to the "real world," or the ideology of the "real."2
The Matrix, once being released was a world-famous film that involved a lot of thinking and the ability to interpret complex ideas. However, these two topics of fate and freewill were creatively and smartly submerged in this film. The pill, jujitsu and Oracle scene were three main examples of the effect this all had on The Matrix, however there were a few others scattered throughout the film. It remained to be quite a mysterious concept but gradually as more in-depth thoughts came to mind, it seemed to be quite interesting. By exploring these themes it forces us to think if we are in a Matrix and what are reaction would be like if we were to find out that the world we lived in was a fake, never our true reality.
George Orwell, 20th century award winning novelist of 1984 wrote, “ He who controls the past controls the future. He who controls the present controls the past.” This quote was meant as a warning against totalitarian rule. Within the book 1984, the panoptic gaze instills a sense of fear within the people as even their language is altered to aid the Party in their mission to dominate society. The Matrix applies a much more literal reality of a panopticon, and the surveillance of humans goes deeper than just monitoring and swaying behavior, as their actions are all controlled and premeditated.
The movie "Matrix" is drawn from an image created almost twenty-four hundred years ago by the greek philosopher, Plato in his work, ''Allegory of the Cave''.The Matrix is a 1999 American-Australian film written and directed by the Wachowski brothers. Plato, the creator of the Allegory of the Cave was a famous philosopher who was taught by the father of philosophy Socrates. Plato was explaining the perciption of reality from others views to his disciple Aristotle. The Matrix and the Allegory of the Cave share a simmilar relationship where both views the perciption of reality, but the Matrix is a revised modern perciption of the cave. In this comparison essay I am going to explain the similarities and deifferences that the Matrix and The Allegory of the Cave shares.In the Matrix, the main character,Neo,is trapped in a false reality created by AI (artificial intelligence), where as in Plato's Allegory of the Cave a prisoner is able to grasp the reality of the cave and the real life. One can see many similarities and differences in the film and the allegory. The most important similarity was between the film and the Allegory is the perception of reality.Another simmilarity that the movie Matrix and the Allegory of the Cave shares is that both Neo and the Freed man are prisoners to a system. The most important difference was that Neo never actually lived and experienced anything, but the freed man actually lived and experinced life.
The Matrix is a 1999 science fiction film written and directed by The Wachowskis, starring Keanu Reeves and Laurence Fishburne. It tells a story of a future in which reality to most humans is actually a computer program called "the Matrix”. In "the Matrix” humans are really sleep while their bodies are fed on my machines. The movie while directed to entertain audiences but also gave us many insights into philosophy. Many scenes in this movie reflect Descartes, and his many writings explaining them in a visual manner. In this paper I will show various examples of philosophy within the scenes and give commentary explaining each scene.
... The Matrix trilogy: Cyberpunk reloaded. London: Wallflower & Co. Hayward, S. (2006). The 'Secondary'.