I chose to write about the comparison of two of Edgar Allan Poe’s stories. The two stories that I chose to write about are “The Masque of the Red Death” and “The Fall of the House of Usher”. Both of these stories create and have a gothic mood to them, which draws you in as a reader. The story of the masque of the red death is written about the black plague that was spreading across Europe at the time, and the story of the fall of the house of usher is written about a sickness or a disease that affects the characters of the story. In Edgar Allen Poe’s story of the “The Masque of the Red Death “, it is narrated by an unknown onlooker within the castle itself. In both stories with the narrator being an onlooker or as an unnamed friend as in “The fall of the House of Usher” forces or draws the reader to feel a part of the story itself. “The Masque of the Red Death” is about a prince who is rich that invites a thousand of his close knights and people of nobility to his castle where he has it sealed up to keep the plague from reaching his guest and his self. Edgar Allan Poe made the rooms of the castle in this story to be bazaar with all seven chambers of the castle different colors that went in one direction from east to west representing a life cycle. The last chamber was colored black with red stained windows that represented the final stage of life or death. The prince and his guest did not dare to enter this chamber because they feared death and were terrified of the idea of it (2012). In this story the prince and his guest think that they are safe and have a masque ball, while at the party they drink and are having a good time not thinking of the plague that is ravishing the country around them nor the poor that are being stric... ... middle of paper ... ...ks that he has buried his twin sister alive. He says that the noises that they are hearing are in fact his sister trying to escape the tomb. In a hysterical state he yells saying that she is behind the door when suddenly she rushes in with bloody robes and attacks Roderick as she dies. Then Roderick is scared to death by fear (SparkNotes Editors 2002). As the unknown friend runs out of the house it collapses and crumbles to the ground. The theme of this story was that the house could represent the family in the sense that as the family tree dies with Roderick so does that of the house. Both stories main theme was about the fear of death from prince Prospero’s fear of death in the form of the plague to Roderick’s fear of death from the haunting of his house. The story of “The Fall of The House of Usher” is about revenge, revenge from the sister being buried alive.
Edgar Allan Poe's writing style is based on the supernatural and the unknown. In The Masque of the Red Death, Prince Prospero invites the revelers to come to the castle to party until the danger of pestilence is gone. The party was interrupted by an intruder who was dressed in all black (like the Grim Reaper) and was associated with the plague of the "red death." The reaper killed everyone one by one in the end. The Masque of the Red Death is an allegory. An allegory is symbols that are presented in the story that have two levels of meaning. An example can be the clock in the story. The clock told time and represented the time they had left before they died. There were seven chambers that were different colors, and the last chamber was black, which was the last chamber that represented death. I think the seven rooms symbolized the days until you die and the clock symbolized the time until you died.
The deaths and dangers in the world we face are sometimes made of ourselves and of our fears. In the dark story The Masque of the Red Death the danger being unavoidable death that Prince Prospero shuns away but comes back to kill him. In Young Goodman Brown, the protagonist fears that his faith will be loss and nothing will be good in the world anymore. Both these stories are’ descriptive and use many symbols that connect to fear. While the protagonists in Young Goodman Brown and The Masque of the Red Death are both fearful, Goodman Brown fears of losing his innocence and runs off to find faith but loses it on the way, and the prince in The Masque of Red Death fears losing his riches.
Roderick and the fall of the house of usher have a deceiving appearance. Poe introduces “In this was much that reminded me of the specious totality of woodwork which has rotted for long years in some neglected vault with no disturbance from the breath of the external air” (312). After meeting Roderick and going inside the house, which appear to be normal, it is revealed that the interior is deteriorated. This home is void of others existence, excepting Roderick and Lady Madeleine. He has “A cadaverous of complexion, an eye large,liquid and luminous beyond comparison, lips somewhat thin and very pallid.” (363). It appears to the readers that Roderick has lost his soul due to his ghostly appearance. His illness has taken a toll on his outward appearance.”The ‘House Of Usher’ an appellation which seemed to include… both the family and the family mansion” (311). The house of usher reflects what is going on within the family. Craziness and neglection engulf Roderick’s as much the house. Roderick’s mental illness and the house are
In Edgar Allan Poe's "The Fall of the House of Usher" Poe created a feeling of loneliness, oppression, and Fear using Gothic elements , symbolism, and suspense. Poe literature uses a writing style that generally contains suspense, symbolism, and gothic literature in order convey the very real idea that not all stories have a happy
"The Fall of the House of Usher" which revolves around a nameless narrator who goes to visit Roderick Usher, a boyhood friend who has been feeling very physically and emotionally ill and requested the narrators presence. Roderick lives in this dark and gloomy, run-down house which has been in his family for many years with his twin sister. Soon after arriving the twin sister is said to be dead for she has apparently no pulse. She had been suffering from an unknown illness and Roderick decides to bury her in the basement of the house.
Authors use various styles to tell their stories in order to appeal to the masses exceptionally well and pass the message across. These messages can be communicated through short stories, novels, poems, songs and other forms of literature. Through The Masque of the Red Death and The Raven, it is incredibly easy to get an understanding of Edgar Allen Poe as an author. Both works describe events that are melodramatic, evil and strange. It is also pertinent to appreciate the fact that strange plots and eerie atmospheres are considerably evident in the author’s writings. This paper compares and contrasts The Masque of the Red Death and The Raven and proves that the fear of uncertainty and death informs Edgar Allen Poe’s writings in the two works
The author, Edgar Allan Poe, using illusion or misdirection keeps the reader is suspense throughout this story called "The Masque of the Red Death". Symbolism such as the colored rooms, the impressive clock, the feeling of celebration being at a party all makes this story feel like a fairytale. Poe used this fairytale style and converts it into a nightmare in disguise.
Edgar Allen Poe, in the short story “The Masque of the Red Death”, shows how people may try to outsmart death and surpass it, but in the end they will die since death is inevitable. He reveals this in the book by showing all the people closed up in the abbey that belongs to Prince Prospero. They are trying to escape the “Red Death” and think that they can escape the death by hiding away in the abbey. They manage to stay safe for six months but in the end they all die after the stroke of midnight during the masquerade ball Prince Prospero puts on from the Red Death itself which appears after midnight and leaves no survivors in the end. Poe develops the theme of how no one can escape death through the use of the point of view, the setting, and symbolism.
"The prince had provided all the appliances of pleasure. There were buffoons, there were improvisatori, there were ballet-dancers, there were musicians, there was Beauty, there was wine. All these and security were within. Without was the 'Red Death,'" (209). As Edgar Allen Poe set the scene for his story, he also created an ominous mood and a sense of suspense supported by the setting. He details the fun and amusement inside the prince's abbey, in contrast to the horror and doom outside, and the reader's curiosity is piqued, because such bliss cannot be maintained for long. Throughout the story Poe explicates and changes elaborate environments to build the suspenseful energy and create a strong structure. In "The Masque of the Red Death," setting is employed to organize motives and action, and to focus the reader on the climax. Poe targets the culminating point of his story using rich descriptions of the abbey, the masquerade, and the clock.
Poe uses major themes that are shown throughout the whole story in multiple different stories. In The Tell-Tale Heart and The Masque Of the Red Death we see themes that appear largely in both stories such as time and versions of reality. In The Tell-Tale Heart we see three different perspectives of reality that basically can be three different stories that are told depending on the person who’s story you view from. In The Masque of the Red Death there are several different types of reality that range from the poor sick and dying of the kingdom that are locked out of the castle to the rich members of the kingdom who are in a dream like atmosphere and which even includes the prince 's version of reality as well where he believes he can simply just close the door on the disease. The realities in the story even range all the way to the reality of the the Red Death itself who does not see social classes or status but just goes after anyone for no reasons, but just cause chaos and suffering. The other theme also includes how time ties both of the stories together. In The Tell-Tale Heart the unnamed main character and narrator is completely obsessed with time. For several nights in a row he goes into the old man 's room precisely at the same time and and he does the same exact procedure every single night. He then after the murder he commits hears the heart of the dead man that resembles a ticking clock. Next, in The Masque of the Red Death we see time being represented in the orientation of the rooms from east to east, the colors of the rooms and what they represent of stages of life, and finally the clock in the black room that is counting down the time until the death of everyone at the party. Edgar Allen Poe writes his stories with similar themes , but finds a way to have the theme have a different representation in every story and how the
For a writer, stylistic devices are key to impacting a reader through one’s writing and conveying a theme. For example, Edgar Allan Poe demonstrates use of these stylistic techniques in his short stories “The Masque of the Red Death” and “The Fall of the House of Usher.” The former story is about a party held by a wealthy prince hiding from a fatal disease, known as the Red Death. However, a personified Red Death kills all of the partygoers. “The Fall of the House of Usher” is about a man who visits his mentally ill childhood companion, Roderick Usher. At the climax of the story, Roderick’s twin sister, Madeline, murders him after he buries her alive. Edgar Allan Poe’s short stories employ the stylistic decisions of symbolism, dream-like imagery, and tone to affect the reader by furthering understanding of the theme and setting and evoking emotion in readers.
Fear is a prominently depicted theme in this short story. From the start of the short story, you are able to sense the fear through the words of the narrator. The words of the narrator convey that the setting as a fearful place, the House of Usher. When the narrator makes his way towards the House of Usher, the sense of mystery and fear takes over, intimately causing the narrator to shiver. The setting itself was not the only detail conveying fear, further in the story we encounter Roderick. Roderick is the excellent example of fear, as exemplified when he said: “I have, indeed, no abhorrence of danger, except in its absolute effect--in terror. In this unnerved—in this pitiable condition--I feel that the period will sooner or later arrive when I must abandon life and reason
The Fall of The House of Usher is an eerie, imaginative story. The reader is captured by the twisted reality. Many things in the story are unclear to the reader; but no less interesting. For instance, even the conclusion of the story lends it self to argument. Did the house of Usher truly "fall"? Or, is this event simply symbolism? In either case, it makes a dramatic conclusion. Also dramatic is the development of the actual house. It seems to take on a life of its own. The house is painted with mystery. The narrator himself comments on the discerning properties of the aged house; "What was it, I paused to think, what was it that so unnerved me in the contemplation of the house of Usher" (54)? The house is further developed in the narrator's references to the house. "...In this mansion of gloom" (55). Even the surroundings serve the purpose. The narrator describes the landscape surrounding as having, "... an atmosphere which had no affinity with the air of heaven, but which had reeked up from the decayed trees, and the gray wall, and the silent tarn a pestilent and mystic vapor, dull, sluggish, faintly discernible, and leaden hued" (55). This fantastic imagery sets the mood of the twisted events. Roderick Usher complements the forbidding surroundings terrifically. His temperament is declining and he seems incessantly agitated and nervous. And, as it turns out, Roderick's fears are valid. For soon enough, before his weakening eyes, stands the Lady Madeline of Usher. This shocking twist in the story is developed through the book that the narrator is reading. The last line that he reads is, "Madman! I tell you that she now stands without the door" (66)! Without suspecting such an event, the reader soon finds Lady Madeline actually standing at the door. She is described as having, "...blood on her white robes, and the evidence of some bitter struggle upon every portion of her emaciated frame" (66). This line not only induces terror but invites debate. Upon seeing the woman the reader has to consider the cause of her death.
Edgar Allan Poe is undoubtedly one of American Literature's legendary and prolific writers, and it is normal to say that his works touched on many aspects of the human psyche and personality. While he was no psychologist, he wrote about things that could evoke the reasons behind every person's character, whether flawed or not. Some would say his works are of the horror genre, succeeding in frightening his audience into trying to finish reading the book in one sitting, but making them think beyond the story and analyze it through imagery. The "Fall of the House of Usher" is one such tale that uses such frightening imagery that one can only sigh in relief that it is just a work of fiction. However, based on the biography of Poe, events that surrounded his life while he was working on his tales were enough to show the emotions he undoubtedly was experiencing during that time.
Edgar Allan Poe's short stories, "The Telltale Heart" and "The Masque of the Red Death" are two very different stories. One is about a simple man, perhaps a servant, who narrates the tale of how he kills his wealthy benefactor, and the other is about a prince who turns his back on his country while a plague known as The Red Death ravages his lands. Yet, there are some similarities in both. Time, for instance, and the stroke of midnight, seem to always herald the approach of impending death. Both are killers, one by his own hand, the other by neglecting his country. One seeks peace, the other seeks pleasure, but both are motivated by the selfish need to rid themselves of that which haunts them, even at the expense of another's life. However, the point of this critique will show that their meticulous plans to beat that which torments them are undone by a single flaw in their character - overconfidence.