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Masculinity and stereotypes in movies
Masculinity and stereotypes in movies
Essays about masculinity in media
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This was my first time viewing The Love Witch by Anna Biller. I enjoyed every aspect of it. It was extremely theatrical and intellectual. I also loved the actress who played Elaine and how she performed the character. It was an overperformance that painted Elaine as the ultimate femme fatale, she is the literal personification of male fear towards women. Elaine is beautiful, powerful, charming, and uses love magic to get her way. This film explores archetypes of sex, desire, and love through a unique female gaze. One thing that stuck with me the most was something Anna said before the film started. She was talking about how feminist film theory influenced her work but how some people(specifically men) didn’t get that upon viewing the film. Some people have criticized The Love Witch because it portrays a beautiful, sexual, women and …show more content…
However, when Anna spoke about the film, she talked about how women also like to see pretty, sexy, beautiful things. I always think that to myself. There are films where the women is gazed at and it makes me super uncomfortable (think Martin Scorsese), but there are also films like The Love Witch, where I enjoy the gaze. I enjoy it because it’s a female one. Most people like to forget that women also enjoy looking at other beautiful women. In this film, Elaines beauty and charm is seen as an innate female power to be used to her advantage. She is strong, narcissistic, and gets what she wants out of the men who surround her. In Film and the Masquerade: Theorising the Female Spectator by Mary Ann Doane, she states that since the cinema caters to a male gaze, women are somewhat forced to adopt it. She talks about “distance” from the object of desire, and says that women are
How does the film support or negate tgis point? In Visual Pleasure and Narrative Cinema, Mulvey states that, “Traditionally, the woman displayed has functioned on two levels: as erotic object for the characters within the screen story, and as erotic object for the spectator within the auditorium, with a shifting tension between the looks on either side of the screen.” (Mulvey 40). A woman’s role in the narrative is bound to her sexuality or the way she draws attention away from the narrative.
This essay argues that the film Bridesmaids transcends traditional representations of feminine desire that exhibits women as spectacles of erotic pleasure, through the symbolic reversal of gender identity in cinematic spaces. By discussing feminist perspectives on cinema, along with psychoanalytic theory and ideological narratives of female image, this essay will prove Bridesmaids embodies a new form of feminine desire coded in the space of the comedic film industry.
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
The case is made that woman are more noticed by men when they have the big butts and fake hair. The female actors in the movie do not make much attempt to discredit this accusation, furthermore accepting the rhetoric that all males like the fake girls they see in the magazine and that’s the reason all women do this. This is a seamless example of how popular culture has continued to view woman and how woman continue to fall victim to the stereotypes of popular culture. During the exchange of ideas about the female stereotypes there are references made about famous Hollywood elites such as Beyoncé which places more light on the fact that popular culture plays a huge role in female
In 1996, the Wachowskis wrote and directed the noir crime thriller, Bound. In this film, the directors turned some of the archetypes of film noir on its head. Most notably, the role of women in film. Film theorist, Laura Mulvey, claims that the main role of women in film is to function as a source of pleasure, to be objectified, to be passive and at the command of male fantasy. This relationship of looking and being looked at causes each gender to have a particular presence within film; the male is active and the female is passive (Mulvey, 1975). However, in Bound, the character Violet, who is obviously objectified by the gaze of the male characters, does not hold a passive role within the film itself. Violet is a force that acts upon the narrative, manipulating events and scenes to her favor, along with actively controlling male gaze and using it to her advantage. Film theorist, Tania Modleski argues that there are passive and active roles within films that have connotations with “femininity” and “masculinity”, but these roles do not have to apply to the gender or outward appearance of characters that they align with. Modleski focuses more on the actions, not the outward appearances, of the film
These movies allowed female characters to embody all the contradictions that could make them a woman. They were portrayed as the “femme fatale” and also “mother,” the “seductress” and at the same time the “saint,” (Newsom, 2011). Female characters were multi-faceted during this time and had much more complexity and interesting qualities than in the movies we watch today. Today, only 16% of protagonists in movies are female, and the portrayal of these women is one of sexualization and dependence rather than complexity (Newsom, 2011).
It is no secret that there is an obvious difference of how women are portrayed in the media versus men. This movie discussed female characters never having lead roles and stated that when they did it ended in the women depending on, loving, or having to have a man. One young high school girl said, “Women never play the protagonist. The girls are
know beauty in any form”(86). We are so conditioned to see female beauty as what men
Gender and the portrayal of gender roles in a film is an intriguing topic. It is interesting to uncover the way women have been idealized in our films, which mirrors the sentiments of the society of that period in time. Consequently, the thesis of this essay is a feminist approach that seeks to compare and contrast the gender roles of two films. The selected films are A few Good Men and Some Like it Hot.
The idea of male gaze in cinema is best addressed by Laura Mulvey in her article “Visual Pleasures and the Narrative Cinema”. One idea she looks at is the notion that women are related to the image, and men assume the role as bearer of the look. She quotes “In their traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote to-be-looked-at-ness.” The traditional exhibition role is what Sarah Polley must overcome in order to express female and national identity in a position of strength. In order to do this she must alter some the traditional constructions associated with the gaze in cinema to bring in order to critique the gaze that is male.
Kubrick’s Gaze In Laura Mulvey’s article “Visual Pleasure and Narrative Cinema” she uses the concept of scopophilia, or pleasure obtained through looking at things, to discuss the portrayal of women in film as passive sexual objects, while inferring that it is the active male “gaze” that objectifies them. Mulvey’s ideas are extremely relevant to Stanley Kubrick’s final film Eyes Wide Shut, in which the themes of sexuality and voyeurism are abundant. Gender roles are very clearly defined in Eyes Wide Shut. Men control the “gaze” and obtain scopophilic pleasure by looking at women.
Feminism is a movement that supports women equality within society. In relation to film, feminism is what pushes the equal representation of females in mainstream films. Laura Mulvey is a feminist theorist that is famous for touching on this particular issue of how men and women are represented in movies. Through her studies, she discovered that many films were portraying men and women very differently from reality. She came up with a theory that best described why there is such as huge misrepresentation of the social status quos of male and female characters. She believed that mainstream film is used to maintain the status quo and prevent the realization of gender equality. This is why films are continuously following the old tradition that males are dominant and females are submissive. This is the ideology that is always present when we watch a movie. This is evident in the films from the past but also currently. It is as if the film industry is still catering to the male viewers of each generation in the same way. Laura Mulvey points out that women are constantly being seen as sexual objects, whether it is the outfits they wear or do not wear or the way they behave, or secondary characters with no symbolic cause. She states that, “in traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote it-be-looked-at-ness.”(Mulvey pg. 715). Thus, women are nevertheless displayed as nothing more than passive objects for the viewing pleasure of the audience. Mulvey also points out through her research that in every mainstream movie, there is ...
16.)Utt, Jamie. "Navigating The Difference Between The Appreciation of Beauty and Sexual Objectification." Everyday Feminism 18 Apr. 2013: n. pag. Web. 19 Apr. 2014. .
...f women & individuality, the sense of fashion, and the passion in a sexual act distinct it from being sexually objectifying. Similarly, this type of film also needs a higher cognitive skill that could reason and reflect upon the tricky features in the entire picture.
Critique of the Film Shakespeare in Love Shakespeare in Love is a fictional movie about the great writer and poet, William Shakespeare. The story is of a young William Shakespeare barely making ends meet and trying to write a play for the local theatre. However, Shakespeare is suffering from writer's block, and is seeking inspiration by having a muse. A muse is a power, in this case a female, used to inspire a poet. Of course, a love story proceeds.