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The horse dealer's daughter essay
The horse dealer's daughter essay
The horse dealer's daughter essay
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The story “The Horse Dealer’s Daughter,” shows that sometimes love is found in the most unexpected places. Mable was helpless with her family being in a horrible financial situation and felt that joining her mom by death was the best way out. Dr. Fergusson, who was friends with Mabel’s brother, had only saw Mabel two times briefly before taking a plunge to save her life. The doctor never had intentions of liking Mabel in anyway, but just couldn’t help himself after he picked her up after she was down and depressed. In the story “The Horse Dealer’s Daughter,” love is shown as Jack unexpectedly falls in love with Mabel by helping her through a dark time in her life.
Mabel, who has no clue where she is going to go after her father dies, deals
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“She would follow her own way just the same. She would always hold the keys of her own situation” (Lawrence). Mabel heads out with a scrubbing brush to her mother’s grave where she always finds peace. “Mindless and persistent, she seemed in a sort of ecstasy to be coming nearer to her fulfilment, her own glorification, approaching her dead mother, who was glorified” (Lawrence). This line in the story symbolizes Mabel wanting to go be with her by dying. Mabel felt while at her mother’s grave that she actually had contact with her mother. As she was scrubbing the headstone, Dr. Fergusson watched her and felt like it was like looking into another world. As she could feel him looking, she looked up and their eyes met. When their eyes met, it felt almost as they connected immediately. “There was a heavy power in her eyes which laid hold of his whole being, as if he had drunk some powerful drug. He had been feeling weak and done before. Now the life came back into him, he felt delivered from his own fretted, daily self” (Lawrence). This line shows how things felt for Dr. Fergusson as their eyes met. He felt as if his weakness had been taken away. Jack went on to tend to patients in surgery as Mabel continued tending to her mother’s
Sal explains, “When my mother was there, I was like a mirror. If she was happy, I was happy. If she was sad, I was sad. For the first few days after she left, I felt numb, non-feeling. I didn’t know how to feel”(Creech 37).
This story illustrates how the word love can be interpreted different ways. To Jimmy Cross, he is for love, but yet against
The author begins the story with a strong statement, “I found myself in a Chinese funeral parlor because of a phone call I made to my cleaning lady” (Schmitt); it takes the reader right into the funeral parlor and draws the reader into the story: how she got to the funeral parlor and what she doing there was the question I had. She starts the story with some background about how she got to China. Then moves on to the funeral that was happening in her neighbors’ home. She describes how the family was grievously weeping as she was walking toward her apartment. She noticed what happened and wonder why they were weeping. “Do you know why the neighbors are very sad?” she asked her cleaning lady.
To begin, In the text on paragraph 10 page 326 the author states”Mother regarded me warmly. She gave me to understand that she was glad I had found what I have been looking for, that she and father were happy to sit with their coffee and would not be coming down.”This is important because she realizes they
The love story is circled around two people, Frederic Henry and Catherine Barkley. Frederic is a young American ambulance driver with the Italian army in World War I. He meets Catherine, a beautiful English nurse, near the front of Italy and Austria. At first Frederic’s relationship with Catherine consists of a game based on his attempts to seduce her. He does make one attempt to kiss her, and is quickly slapped by an offended Catherine. Later in the story, Frederic is wounded and sent to the American hospital where Catherine works. Here he finds a part of him he has never had before, the ability to love. This is where his feelings for Catherine become extremely evident. Their relationship progresses and they begin a passionate love affair.
demonstrates how the characters of the book are reckless and view love as something that can
Many authors are recognized by a reoccurring theme found throughout their works. The author D.H. Lawrence can be classified into this group. He is well known for his reoccurring theme that romantic love is psychologically redeeming. He wrote “The Horse Dealer’s Daughter” , a short story that exemplifies this theme quite accurately, in 1922 (Sagar 12). Through excellent use of symbolism in “The Horse Dealer’s Daughter”, Lawrence renders his theme of romantic love being psychologically redeeming through the emotional development of the two main characters, Mabel and Dr. Fergusson.
Gaitskill’s “Tiny, Smiling Daddy” focuses on the father and his downward spiral of feeling further disconnected with his family, especially his lesbian daughter, whose article on father-daughter relationships stands as the catalyst for the father’s realization that he’d wronged his daughter and destroyed their relationship. Carver’s “What We Talk About When We Talk About Love” focuses on Mel and his attempt to define, compare, and contrast romantic love, while leaving him drunk and confused as he was before. While both of my stories explore how afflicted love traumatizes the psyche and seem to agree that love poses the greatest dilemma in life, and at the same time that it’s the most valued prospect of life, the two stories differ in that frustrated familial love causes Gaitskill's protagonist to become understandable and consequently evokes sympathy from the reader, but on the other hand frustrated romantic love does nothing for Carver's Protagonist, except keep him disconnected from his wife and leaving him unchanged, remaining static as a character and overall unlikable. In comparing “Tiny, Smiling Daddy” and “What We Talk About When We Talk About Love”, together they suggest that familial love is more important than romantic love, which we relentlessly strive to achieve often forgetting that we’ll forever feel alone without familial love, arguably the origin of love itself.
Cottino-Jones sums up love and the community in this story in her book. She says, "the lovers in this books are constantly faced with violence, death and isolation when their affairs come into conflict with society’s rigid behavior codes "(Cottino-Jones, 79). Lack of communication and social factors made everyone in the story unhappy or dead.
... of my examination of love in A Midsummer Night's Dream, to arrive at the conclusion that none of its players exhibited any love at all, and Shakespeare's point was to prove that love is unreal; a fabrication of human imagination. I was excited to discover, however, that in the midst of the ugly scene he set up to emphasize this argument most strongly, he left a single bastion of true, honest, unadulterated (for Hermia is never charmed by the pansy's dew) love. To me, Hermia is an example of what humanity could be, and how it could love, were it to forget some of the smaller matters in which it so often becomes willingly entangled.
Love is a powerful emotion, capable of turning reasonable people into fools. Out of love, ridiculous emotions arise, like jealousy and desperation. Love can shield us from the truth, narrowing a perspective to solely what the lover wants to see. Though beautiful and inspiring when requited, a love unreturned can be devastating and maddening. In his play, A Midsummer Night’s Dream, William Shakespeare comically explores the flaws and suffering of lovers. Four young Athenians: Demetrius, Lysander, Hermia, and Helena, are confronted by love’s challenge, one that becomes increasingly difficult with the interference of the fairy world. Through specific word choice and word order, a struggle between lovers is revealed throughout the play. In A Midsummer Night’s Dream, Shakespeare uses descriptive diction to emphasize the impact love has on reality and one’s own rationality, and how society’s desperate pursuit to find love can turn even strong individuals into fools.
Love has many definitions and can be interpreted in many different ways. William Maxwell demonstrates this in his story “Love”. Maxwell opens up his story with a positive outlook on “Love” by saying, “Miss Vera Brown, she wrote on the blackboard, letter by letter in flawlessly oval palmer method. Our teacher for fifth grade. The name might as well have been graven in stone” (1). By the end of the story, the students “love” for their teachers no longer has a positive meaning, because of a turn in events that leads to a tragic ending. One could claim that throughout the story, Maxwell uses short descriptive sentences with added details that foreshadow the tragic ending.
As shown in Charlotte Bronte’s Jane Eyre, love can often lead to a life of anguish; even so, the experience is worth the pain. Jane’s adoration for both Mr. Rochester and Helen helped her grow as a person; they gave her hope for a brighter future. When her faith is at its climax, she loses them and is forced to endure the agony of resentment, regret, and solitude. Even so, love is a powerful emotion that can influence anyone given time and devotion and it should be cherished, appreciated and pursued no matter the consequences or the reprecussions.
Fairytales and modern day movies project a stereotypical portrayal of love, idealizing it and ignoring the not so happy ever after when the prince and princess go back to their castle. Walker and Salinger in their respective novels present the idea of love with much more verisimilitude without the traditional symbols of castles and titles. Instead, opting for a warts and all exploration of love, focusing on its utopian and dystopian elements. Walker’s ‘The Color Purple’ is a tale of a black woman who is driven to lesbian love due to the abuse undertaken by men. J. D. Salinger’s ‘The Catcher in the Rye’, similarly speaks of a sexually frustrated young man not able to fulfill his desires due to societal constraints. Both the novels encapsulate realistic elements of love like the healing and harmful effects it can have on humans; we see all the pure forms of love as juxtaposed through the plot line with the absence of parental love, love between siblings and homosexual love. But, through all of the toils begotten by both Celie and Holden, love is a constant. ‘’Love does not delight in evil but rejoices with the truth. It always trusts, always hopes, always perseveres’’.
The first reader has a guided perspective of the text that one would expect from a person who has never studied the short story; however the reader makes some valid points which enhance what is thought to be a guided knowledge of the text. The author describes Mrs. Mallard as a woman who seems to be the "victim" of an overbearing but occasionally loving husband. Being told of her husband's death, "She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance." (This shows that she is not totally locked into marriage as most women in her time). Although "she had loved him--sometimes," she automatically does not want to accept, blindly, the situation of being controlled by her husband. The reader identified Mrs. Mallard as not being a "one-dimensional, clone-like woman having a predictable, adequate emotional response for every life condition." In fact the reader believed that Mrs. Mallard had the exact opposite response to the death her husband because finally, she recognizes the freedom she has desired for a long time and it overcomes her sorrow. "Free! Body and soul free! She kept whispering." We can see that the reader got this idea form this particular phrase in the story because it illuminates the idea of her sorrow tuning to happiness.