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What is the theme of the horse dealers daughter
The influence of modernism in literature
Essay on modernism in literature
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Our decisions define us. In D.H. Lawrence’s modernist short story “The Horse Dealer’s Daughter,” protagonist Mabel’s life seems over when she finds herself an orphan. Instead, she finds herself in the middle of a romantic love story, with the chance to start her life anew. The era of modernist literature became the first time works about mundane individuals and their lives fell into popular favor. The story follows the simple life of Mabel, her depression after her father’s death, and her eventual unorthodox courtship with Doctor Ferguson. Mabel’s decision to shape her own path, rather than be forced into servitude, illustrates the modernist theme of individualism. Mabel’s individualist story is told through devices such as symbolism, imagery, and repetition. Lawrence’s fictitious story is a prime example of the new modernist thought of the time. Mabel and her siblings are often symbolically compared to drastically different animals. Due to Mabel’s perpetual unhappy expression she was given the nickname “’bull-dog’” by her three brothers (Lawrence 2496). Although, this nickname is meant to insult Mabel in actuality it symbolizes Mabel’s stubborn independent nature. Bulldogs were bred for the purpose of bullbaiting, a sport in which the small dogs were …show more content…
In the case of Mabel happiness would not have existed without grief and happiness. Her choice to take control of her own life allows her a unique opportunity at the security of married life. D.H. Lawrence’s piece, “The Horse Dealer’s Daughter,” uses a strong female protagonist to show how bending to society isn’t the only choice you have. Mabel uses her unwavering independent spirit to choose her own path in life rather than live a miserable existence. Her choices are a prime example of individualist thought, an ideal praised during the modernist time when the piece was written. Lawrence inspires the reader to always do what they see fit as it can result in great
Throughout “Ethan Frome,” Edith Wharton renders the idea that freedom is just out of reach from the protagonist, Ethan Frome. The presence of a doomed love affair and an unforgiving love triangle forces Ethan to choose between his duty and his personal desire. Wharton’s use of archetypes in the novella emphasizes how Ethan will make choices that will ultimately lead to his downfall. In Edith Wharton’s, “Ethan Frome.” Ethan is wedged between his duty as a husband and his desire for happiness; however, rather than choosing one or the other, Ethan’s indecisiveness makes not only himself, but Mattie and Zeena miserable.
Last but not least, O’Connor confirms that even a short story is a multi-layer compound that on the surface may deter even the most enthusiastic reader, but when handled with more care, it conveys universal truths by means of straightforward or violent situations. She herself wished her message to appeal to the readers who, if careful enough, “(…)will come to see it as something more than an account of a family murdered on the way to Florida.”
The best example is Lena Lingard, an immigrant worker who aspires to become a designer. As she says so herself, “‘ For Mrs. Thomas, the dressmaker. She is going to teach me to sew. She says I have quite a knack. I’m through with the farm. There ain’t any end to the work on a farm, and always so much trouble happens. I’m going to be a dressmaker’” (Book II, Part IV). In this passage, one sees her making her aspirations clear— she wants to become a dressmaker, and she does this so by accepting a job at Mrs. Thomas who in return will teach her how to sew. This shows independence as she is not afraid to chase her dreams unlike the stereotypical 19th century woman who would marry, have a family, and never have the will to follow their dreams. Her path to independence does not stop there as she states that, “‘...I don’t want a husband. Men are all right for friends, but as soon as you marry them they turn to cranky old fathers, even the wild ones. They begin to tell you what’s sensible and what’s foolish, and want you to stick as home all the time. I prefer to be foolish when I feel like it, and be accountable to nobody’” (Book III, Part IV). In this passage, Lena thoroughly explains why she does not want to marry which reflects her independence even more. Here, she states that she does not want to be told what to do and what not to, showing her desire for free will. She also states that she does not want to be accountable to anybody which does not show loneliness, but shows her individualistic capacity, making her a strong and independent female character in the book. As the book progressed, Lena progressed and her independent nature became fruitful as Jim entails, “...Lena Lingard, for whom people had always foretold trouble, was now the leading dressmaker of Lincoln, much respected in Black Hawk… she kept her head for her business and had got on in the world” (Book IV, Part
According to the American Society for the Prevention of Cruelty to Animals (ASPCA), there is a “great deal of confusion associated with the label ‘Pit Bull,’” as it does not refer to a single breed of dog, but rather to a group of breeds with similar characteristics1. These characteristics include short hair, a wide skull and shoulders, muscle definition, stocky build and a deep jawline, the combination of which create a dog that manages to strike fear into a perfect stranger. The term ‘Pit Bull’ is derived from the bulldog, which was originally bred as a hunting dog for large game, but has since developed into a “loyal companion rather than a working dog.”1 Their history as “gripping dogs” for hunters follows them into modern society, as many of these dogs have been inhumanely pitted against one another as well as other animals for sport and for human entertainment1. It is because of these illegal fighting rings that ‘Pit Bull’ type breeds have become the subje...
American Literature. 6th Edition. Vol. A. Ed. Nina Baym. New York: W.W. Norton & Company. 2003. 783-791
Wilson, M. & Clark, R. (n.d.). Analyzing the Short Story. [online] Retrieved from: https://www.limcollege.edu/Analyzing_the_Short_Story.pdf [Accessed: 12 Apr 2014].
The lives we lead and the type of character we possess are said to be individual decisions. Yet from early stages in our life, our character is shaped by the values, customs and mindsets of those who surround us. The characteristics of this environment affect the way we think and behave ultimately shaping us into a product of the environment we are raised in. Lily Bart, the protagonist in Edith Wharton’s The House of Mirth, is an exceedingly beautiful bachelorette who grows up accustomed to living a life of luxury amongst New York City’s upper-class in the 20th century. When her family goes bankrupt, Lily is left searching for security and stability, both of which, she is taught can be only be attained through a wealthy marriage. Although, Lily is ashamed of her society’s tendencies, she is afraid that the values taught in her upbringing shaped her into “an organism so helpless outside of its narrow range” (Wharton 423). For Lily, it comes down to a choice between two antagonistic forces: the life she desires with a happiness, freedom and love and the life she was cut out to live with wealth, prestige and power. Although, Lily’s upbringing conditioned her to desire wealth and prestige, Lily’s more significant desires happiness, freedom and love ultimately allow her to break free.
History has underrepresented females throughout countless centuries. In contrast, Hawthorne allows them to take on essential roles in “Young Goodman Brown,” “The Minister’s Black Veil,” “and “The Birthmark.” The way he presents them distinguishes his stories from others at his time. He proves all of his female characters almost flawless, deeply connects the male protagonists to them, and uses them to reveal the males’ hidden sides.
Many authors are recognized by a reoccurring theme found throughout their works. The author D.H. Lawrence can be classified into this group. He is well known for his reoccurring theme that romantic love is psychologically redeeming. He wrote “The Horse Dealer’s Daughter” , a short story that exemplifies this theme quite accurately, in 1922 (Sagar 12). Through excellent use of symbolism in “The Horse Dealer’s Daughter”, Lawrence renders his theme of romantic love being psychologically redeeming through the emotional development of the two main characters, Mabel and Dr. Fergusson.
Just from this short quote, one can see the independence she wanted the women in her stories to feel without having a man in their lives.
...ch as time, dates, and the exact relationships between the different characters are is not spelled out. This active involvement of the viewer is necessary for the work of art to stand on its own. This takes the challenge thrown out by modernists to reject easy conventions and make new ones, and pushes it further to the point where conventions become a joke. Those who understand the references get the joke, and this creates a new kind of meaning beyond the surface meaning of the narrative.
One attribute of Modernist writing is Experimentation. This called for using new techniques and disregarding the old. Previous writing was often even considered "stereotyped and inadequate" (Holcombe and Torres). Modern writers thrived on originality and honesty to themselves and their tenets. They wrote of things that had never been advanced before and their subjects were far from those of the past eras. It could be observed that the Modernist writing completely contradicted its predecessors. The past was rejected with vigor and...
Though humanity can never express itself fully, it is never deterred in its quest to do so. Literature brings such light and expression for humanity to communicate across time, space, generations and ever-evolving society. However, no modicum of talent suffices to satisfy people throughout the ages for literature and its ability to communicate directly and indirectly. Arthur Miller stands as a classic American author with his ability to explore the darker and deeper parts of humanity and individuals facing the adversity of a larger society. In Miller’s Death of a Salesman, he demonstrates the struggle of a family with an illusion of the American Dream against new ideas of success and striving for personal happiness rather than wealth or prestige.
Very few novels in American Literature can earn the title of timeless. These novels transcend the ages, because they possess a greater meaning. Their stories teach people about life, the glory of the human soul, and all it can endure to overcome. Three novels in particular get to the very heart of feminine struggle. Though they touch not on women’s struggle to vote, they reach the higher plain of women’s struggle to be seen as who they are and not what society wants them to be. To Kill a Mockingbird, The Color Purple and The Bluest Eye all deal with the topic of women trying to overcome society. Although these novels were written in the mid to later half of the twentieth century, they go back to a time when the Great Depression was touching all walks of human life. Each of the main characters in these novels does not fit society’s view of femininity during the time period. Although the main characters in the three stories do not fit society’s idea of femininity, they each, in their own way, overcome this and show a greater beauty of strength.
It is expected of woman to shatter into crisis as news of her husband’s death is exposed. In this reading, the author presents a widow named Louise Mallard, who against all odds dares to expose her desired dream. Mrs. Mallard subdues an unexpected reaction as she was notified of Mr. Mallard’s death. With sense of relief, she disgracefully mourns his absence. Yet, despite the horrendous news, Louise was powerless as a transparent feeling of joy approached her heart. Freedom was gifted. She “opened and spread her arms out…”