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Themes in modernism literature focus on the big issues of the early 20th century. Through the themes of the writing pieces the authors are able to convey his or her opinion on the changing world around them. In “Chicago” by Carl Sandburg and “The Lottery” by Shirley Jackson, the authors show the rise in violence in the 1920s and the effect it has had. America was changing, many of the ways where for the better, technological advancement, but quite a few were for the worse, like the crime and violence. Violence is a key theme in “Chicago”. Carl Sandburg shows how rough city life was becoming in the 20s. Crime and violence were prevalent in cities of the time period and chicago was no exception. The poem says, “Yes, it is true I have seen the
gunman kill and go free to kill again.” This shows what it was like living in these new industrialized cities. Many factors play into why there was a growing amount of violence in Chicago. During the industrial era a large amount of people were moving from the rural farm towns to the big cities to find work. This naturally caused crime rates to rise and violence to grow. Another factor was the newly passed prohibition amendment, this amendment made it illegal to seth or consume alcohol. In cities there was a lot of smuggling of alcohol, mostly by the mob. Now the different mafia families were fighting for turf, so that they had more people and better “business”. The mafia was a large part of the reason that the violence was escalating during the 20s. Sandburg gives the reader a good look into life in the big city during the industrial and prohibition era. Shirley Jackson takes a different angle on violence than Carl Sandburg, in the short story “The Lottery”. Jackson shows more of how the culture of the modernism time period has accepted the violence as routine and normal. In “The Lottery” when they start stoning and eventually kill Mrs. Hutchison, it is chilling because nobody is bothered by it and there is no hesitation. Back during the industrial and prohibition era all of the crime and violence was culture. The mafia was just accepted like any other business back then, and the acceptance of violence came with it. Even the police were being payed off to look the other direction. Well known mafia leader Al Capone was a celebrity to the people, and they knew he was a criminal and murderer. Cities had never seen violence and crime like during the prohibition era, and Shirley wants to send a message to through “The Lottery” that they can’t become brainwashed to the idea that this violence and crime is acceptable. Jackson and Sandburg both give a great idea of what it was like to live in the industrial and prohibition era. Jackson gives the reader an idea of what the culture was like back then, showing us how accepted violence was. Sandburg gave us more of an idea of what day to day life was like and what a person would tend to see. Sandburg shows how violence wasn’t controlled and the cities had violent people running free. Through these pieces the authors help show americans what life is truly like from a different perspective. Now today readers are able to look back at these works and get an idea of what America was like back in the 1920s.
In Shirley Jackson’s “The Lottery,” the theme of the story is dramatically illustrated by Jackson’s unique tone. Once a year the villagers gather together in the central square for the lottery. The villagers await the arrival of Mr. Summers and the black box. Within the black box are folded slips of paper, one piece having a black dot on it. All the villagers then draw a piece of paper out of the box. Whoever gets the paper with the black dot wins. Tessie Hutchinson wins the lottery! Everyone then closes in on her and stones her to death. Tessie Hutchinson believes it is not fair because she was picked. The villagers do not know why the lottery continues to exist. All they know is that it is a tradition they are not willing to abandon. In “The Lottery,” Jackson portrays three main themes including tradition, treason, and violence.
Shirley Jackson's 'The Lottery', is a story that is filled with symbolism. The author uses symbolism to help her represent human nature as tainted, no matter how pure one thinks of himself or herself, or how pure their environment may seem to be. The story is very effective in raising many questions about the pointless nature of humanity regarding tradition and violence. 'The Lottery' clearly expresses Jackson's feelings concerning mankind?s evil nature hiding behind traditions and rituals. She shows how coldness and lack of compassion in people can exhibit in situations regarding tradition and values. Jackson presents the theme of this short story with a major use of symbolism. Symbolism shows throughout the setting of 'The Lottery,' the objects, the peoples actions, and even in the time and the names of the lucky contestants.
Jackson, Shirley. ?The Lottery.? Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X.J. Kennedy and Diana Gioia. 6thed. New York: HarperCollins, 1995.
Shirley Jackson’s “Lottery” satirically creates a society that puts the importance of tradition above even the life of the members of the community, as indicated by Old Man Warner’s response to Mr. Adams stating, “‘[O]ver in the north village they’re talking of giving up the lottery.’ Old Man Warner snorted. ‘Pack of crazy fools … Listening to the young folks, nothing’s good enough for them … There’s always been a lottery,’ he added petulantly” (413). Here Old Man Warner defends the tradition of their society, though notably without justifying the tradition. Rather, he focuses on the people of other villages and the tradition as self-evident, both logical fallacies. The first argument he makes in favor of continuing to have a lottery is an ad
In "The Lottery," by Shirley Jackson, there are a series of traditions the story revolves around. The characters in the story don't seem to follow their traditions anymore. The story begins by explaining how the lottery works. The lottery takes place in many other towns. In this town it takes place on June 27 of every year. Everyone within town would gather at the town square, no matter what age. The black box is brought out and each head of the household pulls a small paper out of it. Only one of the papers will not be blank, it will have a black-penciled spot that is put on by the owner of the coal company. The black spot will send someone, from the family who chose it, to death. This is decided by a draw. The family member who pulls out the spotted paper will be stoned to death. After a long period of time, people forget the traditions by slowly disregarding as the years pass.
Shirley Jackson was a criticized female writer that wrote about US’s scramble for conformity and finding comfort in the past or old traditions. When Jackson published this specific short story, she got very negative feedback and even death threats. In the fictionial short story, The Lottery, by Shirley Jackson, a drawing takes place during the summer annually in a small town in New England. In this particular work, the lottery has been a tradition for over seventy years and has been celebrated by the townspeople every year. In detail, Richard H. Williams explains in his “A Critique of the Sampling Plan Used in Shirley Jackson’s “The Lottery””, he explains the process of how the lottery works. “The sampling plan consists of two
The 1920’s was a time of great change for both the country we live in as well as the goals and ambitions that were sought after by the average person. During this time, priorities shifted from family and religion to success and spontaneous living. The American dream, itself, changed into a self-centered and ongoing personal goal that was the leading priority in most people’s lives. This new age of carelessness and naivety encompasses much of what this earlier period is remembered for. In addition, this revolution transformed many of the great writers and authors of the time as well as their various works.
The purpose of this essay is to examine how the two modernist writers depict America in the 1920’s in a state of moral decay and the pursuit for material wealth gradually replaces the purity of conventional moral ideals and beliefs in their ways by comparing and contrasting the two novels.
In Shirley Jackson’s short story “The Lottery”, she begins setting up conflict from the very first sentence. Jackson starts off by setting a beautiful scene of a clear and sunny day with green grass and blooming flowers as the backdrop for a horrific process, the lottery. The lottery is a long-standing tradition in the town and causes the members of the community to choose the love of family and friends or to conform to society expectations. The tradition is so entrenched that the community blindly accepts the lottery and allows a ritual murder to occur year after year. Through this tradition, Jackson sets up conflict in many different ways throughout the story.
He shaped his literary work so people of all demographics could relate, and embedded different unique perspectives with literary device for people who For example, in Sandburg’s poem Chicago, the whole first stanza uses personification. He writes “Hog Butcher for the World, Tool Maker, Stacker of Wheat, Player with Railroads and the Nation’s Freight Handler; Stormy, husky, brawling, City of the Big Shoulders”(Sandburg 764). By using personification, Sandburg gives human characteristics to non-human things. He references “brawling” and “big shoulders” which are human characteristics that a city cannot have. Sandburg showed the diversity of the city, and people through his use of personification, and he “catalogs Chicago’s glories as well as its degradation; or rather, in recognizing its weaknesses and seeing through and beyond them, he arrives at its greatness: the muscular vitality, the momentum, the real life that he loves”(Masterplots).
Shirley Jackson’s famous short story, “The Lottery,” was published in 1948 and remains to this day one of the most enduring and affecting American works in the literary canon. “The Lottery” tells the story of a farming community that holds a ritualistic lottery among its citizens each year. Although the text initially presents audiences with a close-knit community participating in a social event together on a special day, the shocking twist at the work’s end—with the death of the lottery’s “winner” by public stoning—has led to its widespread popularity, public outcry and discussion, and continued examination in modern times (Jackson). One potential critical theory that can be applied to Jackson’s “The Lottery” is the reader-response approach. This analytical lens is a “theory ... that bases the critical perspective of a text on ‘the reader’ and his or her personal interpretation” of that text (Parker 314). Reader-response criticism was coined by literary critic Louise Rosenblatt in the mid-20th century. It soon served as a cornerstone of literary movement in the 1960s and 1970s that later became intrinsic to the study of other schools of literary thought today. In using reader-response theory to examine “The Lottery” in a contemporary context, one might perform reading surveys and metacognitive questionnaires to determine whether the short story still proves resonant and thought-provoking. Therefore, just as “The Lottery” by Shirley Jackson evoked an explicit and even fierce reaction in the past, so too does the use of reader-response criticism today help reveal that the short story may still hold the ability to sustain both its rising tension and surprising turn at the end.
In the beginning of the twentieth century, literature changed and focused on breaking away from the typical and predicate patterns of normal literature. Poets at this time took full advantage and stretched the idea of the mind’s conscience on how the world, mind, and language interact and contradict. Many authors, such as Fitzgerald, Steinbeck, and Twain, used the pain and anguish in first hand experiences to create and depict a new type of literature, modernism. In this time era, literature and art became a larger part of society and impacted more American lives than ever before. During the American modernism period of literature, authors, artists, and poets strived to create pieces of literature and art that challenged American traditions and tried to reinvent it, used new ways of communication, such as the telephone and cinema, to demonstrate the new modern social norms, and express the pain and suffering of the First World War.
“The Lottery” by Shirley Jackson was written in 1948. The story takes place in a village square of a town on June 27th. The author does not use much emotion in the writing to show how the barbaric act that is going on is look at as normal. This story is about a town that has a lottery once a year to choose who should be sacrificed, so that the town will have a plentiful year for growing crops. Jackson has many messages about human nature in this short story. The most important message she conveys is how cruel and violent people can be to one another. Another very significant message she conveys is how custom and tradition can hold great power over people. Jackson also conveys the message of how men treat women as objects.
Psychoanalytic criticism is based off of the study of Sigmund Freud’s neurotic patients. Freud discovered “that the human mind contains a dimension that is only partially accessible to the consciousness and then only through indirect means such as dreams or neurotic symptoms” (Rivken and Ryan 389); this part of the mind is known as the unconscious or id. It is through the unconscious mind that repressed desires, feelings, memories, and instinctual desires are encapsulated, and they typically deal with sexuality and violence (Rivken and Ryan 389). The repressed sexuality and violence is notably traced back to childhood and the relationship of the child to their parents. Psychoanalytic criticism is heavily based in the Oedipus Complex; the child
Thesis: Shirley Jackson’s usage of irony, characters, and plot portray the stories theme of the dangers of unconsciously following tradition.