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Essay titles on the lost honour of katharina blum
Essay titles on the lost honour of katharina blum
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The Lost Honour of Katharina Blum by Heinrich Boll
Authors often use characters within their novels to show the consequences of challenging cultural boundaries and, in turn, display their own personal concerns. It is not uncommon for characters to reflect an author’s ideology regarding social groups in their contemporary time periods. It is clear that this is certainly the case with the 1975 novel The Lost Honour of Katharina Blum, (also referred to as How Violence Develops and Where it Can Lead), written by the German Author, Heinrich Boll. The Lost Honour is, on the surface, an attack on yellow journalism and the damage it causes to the lives of the people reported on. However, with a more in depth analysis of the novel we are able to see that Boll is in fact using his characters to reflect his own personal views on the stereotypical social groups in contemporary Germany. Boll himself has described The Lost Honour as “a pamphlet disguised as a novel”. Through the use of the seemingly ‘objective’ third person limited narrator, we are shown the consequences of challenging and conforming to the expected gender requirements. On one hand we are presented with Katharina Blum, a woman who rejects the majority of expected stereotypically feminine traits that are place upon women and the resulting slander upon her name in doing so. In contrast however, Boll also demonstrates the consequences of abusing power, which is stemmed from being a male, through the character of Totges, an example of a yellow journalist. It is Totges’ own assumptions of Blum and his vulgarly masculine ways which ultimately leads to his murder. It is important to remember that these narrative developments reflect Bolls own personal views formed from his own contex...
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...le seeking work and benefit from their misfortune. Although it was difficult, Boll’s father worked hard enough in order to ensure he have a comfortable life, much like Blum in The Lost Honour. With this in consideration in relation to the character of Blum’s misfortune we can deduce that the struggles of working class citizens trying to climb the economic ladder were of utmost importance to Boll.
The Lost Honour of Katharina Blum, by Heinrich Boll, is a perfect example of how the author’s personal views on cultural groups in society can be reflected through characters. Blum not only demonstrated the struggles of women in society, but also that of lower class citizens, while Totges provided us with an insight into the corrupt use of power. Coupled with Bolls contextual information we are clearly able to see his concerns regarding the crossing of cultural boundaries.
Perhaps one of the most haunting and compelling parts of Sanders-Brahms’ film Germany Pale Mother (1979) is the nearly twenty minute long telling of The Robber Bridegroom. The structual purpose of the sequence is a bridge between the marriage of Lene and Hans, who battles at the war’s front, and the decline of the marriage during the post-war period. Symbolically the fairy tale, called the “mad monstrosity in the middle of the film,” by Sanders Brahms (Kaes, 149), offers a diagetic forum for with which to deal with the crimes of Nazi Germany, as well a internally fictional parallel of Lene’s marriage.
In the novel The Book Thief by Markus Zusak the narrator is Death, who shows itself as sympathetic and sensitive towards the suffering of the world and the cruel human nature, through its eyes, we can get to know the heartbreaking story of Liesel Meminger an ordinary, but very lucky nine-year old German girl; living in the midst of World War II in Germany. In this book the author provides a different insight and observation about humanity during this time period from a German view and not an Allied perspective, as we are used to.
Upon analysis of Night, Elie Wiesel’s use of characterization and conflict in the memoir helps to illustrate how oppression and dehumanization can affect one’s identity by describing the actions of the Nazis and
In today’s society, gender issues are often discussed as a hot topic. In literature, feminist views are used to criticise “societal norms” in books and stories. Two popular pieces by authors Kolbenschlag and Hurston paint two very different views on women. One common assumption in the use of a feminist critical perspective is that gender issues are central. Kolbenschlag who wrote the literary criticism “Cinderella, the Legend” would most likely disagree with this statement, she feels that women bare greater burdens in society and are more largely affected by social norms.
INTRODUCTION Wendy Lower in Hitler’s Furies interrelates the adventures of 13 women who travelled to East Germany in search of jobs, fortune, romance, and even power. These young women (mostly secretaries, wives, teachers and nurses) saw the “wild east” as an exciting opportunity to acquire what most women in Germany dreamed about which were career advancement, marriage and valuable possessions. Hitler’s Furies attacks the claim that women in Germany were largely innocent and hardly participated in Nazi party’s devilry by using examples of seemingly “ordinary” German women who committed heinous crimes under the guise of patriotism. Their crimes were as low as being indignant bystanders to as high as been the perpetrators who were only too
In Harry Mulisch’s novel The Assault, the author not only informs society of the variance in perception of good and evil, but also provides evidence on how important it is for an innocent person experiencing guilt to come to terms with their personal past. First, Mulisch uses the characters Takes, Coster, and Ploeg to express the differences in perspective on the night of the assault. Then he uses Anton to express how one cannot hide from the past because of their guilt. Both of these lessons are important to Mulisch and worth sharing with his readers.
Kurtz’s “superb … magnificent” mistress who “[has] the value of several elephant tusks upon her” (Conrad 137) also exemplifies power. The Russian reveals the extent of her influence on Kurtz as he recalls how she once “talked like a fury”, but Kurtz “felt too ill that day to care, or there would have been mischief” (138). The Russian also feels threatened by Kurtz’s mistress, as he “has been risking [his] life everyday … to keep her out of the house” (138). The sexist and racist attitudes of that era, in addition to the idolized Kurtz’s savage behaviour towards the Africans, amplify the anomaly of an African woman instilling fear into colonial white men. Conrad establishes the influence that women can have, as it clearly contrasts Hardy’s insinuation of the powerless nature of females when compared to men.
Throughout history, women have struggled with, and fought against oppression. They have been held back and weighed down by the sexist ideas of a male dominated society which has controlled cultural, economic and political ideas and structure. During the mid-1800’s to early 1900’s women became more vocal and rebuked sexism and the role that had been defined for them. Fighting with the powerful written word, women sought a voice, equality amongst men and an identity outside of their family. In many literary writings, especially by women, during the mid-1800’s to early 1900’s, we see symbols of oppression and the search for gender equality in society. Writing based on their own experiences, had it not been for the works of Susan Glaspell, Kate Chopin, and similar feminist authors of their time, we may not have seen a reform movement to improve gender roles in a culture in which women had been overshadowed by men.
The characters such as Otto and Anna Quangel battle in a silent, yet powerful way to demonstrate their dignity, as well as individuals of a better Germany. The author Hans Fallada added symbolism and depth to demonstrate the maltreatment that not only Jews, but also German citizen’s received as well. With Hans Fallada being one of them, it seems evident that he added a vast proportion of his personal experiences into the novel, through the characters actions, voices, and experiences. In the society Fallada had once lived, it was impossible to say how one truly felt, so it seems possible to be able to express opinion through fictional writing. Fallada claimed, "A novel has its own laws and can not follow in all of reality" (Groschupt, 2011) which is substantial proof that this author expresses his internal thoughts and personal life in this novel, amongst many other
In Austen's Pride and Prejudice, Lady Catherine De Bourgh's words, actions and dialogues all reveal her as a supercilious and domineering figure. Lady Catherine's "manner" of receiving her visitors making them realize their "inferior rank", shows her selfishness, and portrays her as a character who not only is arrogant, but has an unpleasant attitude. Selfishness often applies to those egoistic of character, and Lady Catherine's sense of superiority over her guests suggests she makes her guests realize that their potential is lower than hers and that she is more powerful than them. Lady Catherine's supercilious trait is portrayed in her comments to Elizabeth Bennett about her "instrument", which she calls "capital", being "superior" to her.
A Comparison of the Attitudes Shown in The Man He Killed By Tomas Hardy and in My Last Duchess by Robert Browning
In a nation brimming with discrimination, violence and fear, a multitudinous number of hearts will become malevolent and unemotional. However, people will rebel. In the eye-opening novel, A Thousand Splendid Suns written by Khaled Hosseini, the country of Afghanistan is exposed to possess cruel, treacherous and sexist law and people. The women are classified as something lower than human, and men have the jurisdiction over the women. At the same time, the most horrible treatment can bring out some of the best traits in victims, such as consideration, boldness, and protectiveness. Although, living in an inconsiderate world, women can still carry aspiration and benevolence. Mariam and Laila (the main characters of A Thousand Splendid Suns) are able to retain their consideration, boldness and protectiveness, as sufferers in their atrocious world.
In a Post-Apartheid South Africa, J.M. Coetzee introduces us to a set of characters and their respective stories, their lives and, in them, the multiple faces of the disgrace. The novel Disgrace begins, and circulates around David Lurie, a divorced middle-aged, teacher by profession, father, lonely, and, in many aspects, a failure, one would say, although he does not recognize himself that way. Throughout the novel, sex is shown as a symbol for power, namely with David Lurie himself, linking the idea of authority with the body, explaining his patriarchal views towards females and sex. (Pearson, 2015). However, the study that will be carried out in the next lines would not be on this character but in, perhaps, an even more complex one, which, in this story, suffers the unfortunate coincidence of crossing paths with Lurie and succumbing to his dark intentions with her.
The novel offers to its readers and critics an unconventional view at the patriarchal society of the convent, rather it shows an alternative to this men led society. Breen describes this model of this society as a “matriarchy” (178). Saint Famille is wholly female, bar the figurehead that is the Bishop, who plays a minimal role in the plot structure of ‘The Land of Spices” but who experiences great frustrations at his lack of power over the convent and Reverend Mother. However, Helen’s sense of authority ends at the gates of the convent as any dealings with the outside world – or rather the ‘real world’ – come down to the power of the Bishop, who as a male, holds the power outside this matriarchal world. Though, this matriarchal society of the convent is presented at a rather favourable position, it is not the case for Anna who experiences the disadvantages of such a system, as her Grandmother plays a role in her life as a matriarch. ‘The Land of Spices’ plays a defining role in speaking the mind of O’Brien in relation to the disapproval she held towards regulations put forth by the Irish Free State and the Church – especially those that limited women in their day to day and future lives. We see the issue arise within the novel of third level education for females in Ireland. Although it was permitted for females to attend third level education, having a degree when one was a woman did not always result in a better way of life for them. O’Brien, non-surprisingly, used this limitation in ‘The Land of Spices’ as a struggle for Anna to overcome. She has the abilities to do well in a third level education but her gender is greatly holding her back, as is the mentality of her
Life for women in the 1870’s- 1930’s was a hard time period for women. Women did not have any rights and had just received the rights to vote. They were not given many career choices. Overall women life was hard and they were not treated equal at all compared to the men. The historical settings in “Trifles”, “Sweat”, and “The Storm” helped provide to the readers the woman’s actions in the different literatures are morally right or wrong.