The Little Prince by Antoine de St. Exupery
The Little Prince by Antoine de St. Exupery is a wonderful novel. The Little Prince was originally written in French in 1943 as Le Petit Prince. It was then translated to English by Katherine Woods. The Little Prince is the story of a young boy from another planet who ventures from his home to discover new worlds. In the process, he makes friends and teaches valuable lessons. St. Exupery places himself as the narrator and author of this story. St. Exupery tells of how he went down in his airplane in the middle of the desert and meets a little prince from another planet. The little prince tells the author/pilot about all of the people and animals he has met since he set out on his voyage. In the process, the reader’s eyes are opened to many of the mysteries of life.
To make a great book, there are certain criterion which a book must meet. A book needs to be entertaining so the reader will enjoy it and continue to read on. A great novel needs to be well written. It should have a message or a lesson for the reader to pick up on. All great literature also needs to be timeless so it can be applied in different times and places.
The Little Prince is a good novel, in great part, because it has very entertaining characters. Part of what makes these characters so enjoyable is the fact they are each a paradox. The prince is an interesting character to follow through the book. The way the little prince never answers anyone else’s questions, yet always expects answers to his own, is amusing. He is childlike in appearance yet seems older in his wisdom. The author of the story is captivating, because his character gives a great deal of insight into the thoughts of adults. The author is also childlike, in his hope that he will one day find another person who looks beneath the surface of things. Another character, the wise fox, is the prince’s first friend on the Earth. The fox appears to be a silly animal at first, after one reads on, however, they discover he is not silly at all. Also the rose, the prince’s love, is very arrogant yet charming. The snake, whom the prince meets his first night on Earth, is dangerous yet helpful at the end when he assists the prince in returning to his home planet.
Darryl’s life is worth fighting for. “You can’t buy what I’ve got.” ‘The Castle’ directed by Rob Sitch, about one man, his family and neighbours on the verge of being homeless. Darryl Kerrigan, the “backbone of the family” won’t stand for that. Of course no one can buy what he has. He’s spent almost his entire lifetime building what he has, why should he give it up? Darryl’s way of life is simple yet filled with family values. 3 Highview Crescent is the home to Darryl, his wife Sal and their 3 children: Wayne, Steve, Tracy and Dale. (Wayne currently being in jail.) The house is made up of love, and simple family values. Darryl’s also added bits and pieces to it. He’s added on so much to the house, his own personal touch. His neighbours, also in the same bout are almost family to the Kerrigans. Jack and Farouk are another reason why Darryl’s ready to take matters into his own hands.
The author effectively conveys this theme through the use of characterization, symbolism, and contrast. Jolley uses characterization to individualize each character in a poverty-stricken family. The son is referred to as a prince by his mother several times throughout the story, even though he is a high school dropout. “Mother always called him Prince. She worried about him all the time.
In the short story “An Adventure in Paris” by Guy De Maupassant an unnamed woman seeks for adventure, love, and excitement. An unnamed narrator starts to explain the inner nature and curiosity of a woman. The story transitions to the point of view of an unnamed lawyer’s wife which allows us to see her deepest desire to travel to Paris and be part of the lavishing life she has seen in the magazines. To escape her regular routine she makes a plan to go to Paris; however, her family members are only middle class and cannot help her fulfill her desire to live the life of a celebrity, fame, and fashion. Just when her trip seems to be monotonous she comes across the chance to live the life of an extravagant person. This chance happens when she meets Jean Varin, a wealthy author, in a store wanting to purchase a Japanese figurine. When Varin decides that the figurine is too expensive the lawyer’s wife steps up to buy the figurine which causes Varin to notice her. She flirtatiously invites herself into Varin’s daily activities which intrigue Varin. As the day closes she invites herself to Varin’s house and has an affair with Varin; however, she doesn’t feel she is satisfied because of his many needs. She anxiously waits till morning to come so that she can leave which only confuses Varin. When Varin asks her why she is leaving after all they have been through she states that she wanted to know what depravity felt like; however, it was not what she expected. The central idea of the story is about a woman’s psychological desire for romance, adventure, and an opulent lifestyle that leads to curiosity and the immoral act of adultery.
“Joan of Arc,” was painted by the French realist artist Jules Bastien-Lepage in 1879. “After the province of Lorraine was lost to Germany following the Franco-Prussian War in 1821, The Frenchmen saw in Joan of Arc a new and powerful symbol. In 1875, Bastien-Lepage, a native of Lorraine began to make studies for a picture of her. In the present painting, exhibited in the Salon of 1880, Joan is shown receiving her revelation in her parents garden. Behind her are Saints Michael, Margaret, and Catherine. (Caption next to painting in The Metropolitan)”
What makes a book a true classic? Is it in its age, the distinction of its author, the number of copies it sells? I believe it is in none of these things. A true classic is a book that can make you feel, emoting with all of its characters, even the ones you don’t expect to empathize with. Its characters cannot be without faults-they must be as human as the book’s readers, or they will be forgotten as just another character in an endless line of too-perfect protagonists. Any great novel seeks to explore human nature-our morality, our trust in each other, the delicate inner workings of our societies. A classic does more than explore the ways of our world, it exposes them, down to the nitty-gritty bare bones. These books force us to look at the world around us and truly see everything that is happening around us, not just the pretty oute...
In Davis Guggenheim’s documentary Waiting for Superman, he exposes mainly a one-sided argument against teachers unions, by stating the unions are a “menace and an impediment to reform.” His documentary explores the tragic ways in which the American public education system is failing the nation's children, and explores the roles that charter schools and education reformers could play in offering hope for the future. Statistics show our nation’s student dropout rates, diminishing science scores, math scores, and schools closing due to lack of funding, but numbers fail to represent the names and faces of the children whose entire futures are at stake due to the inability to enact change. Bianca, Emily, Anthony, Daisy, and Francisco are five students who deserve a better opportunity in education. By investigating how the current system is actually obstructing their education instead of bolstering it, Guggenheim opens the door to considering possible options for transformation and improvement. Guggenheim uses certain cinematic elements like interviews and cartoons, to influence an emotional response from the viewers and manipulate their opinion for the argument against its portrayal of unions.
An enlightenment philosopher François-Marie Arouet, commonly known as Voltaire, wrote Candide. Voltaire “was a French Enlightenment writer, historian and philosopher famous for his wit, his attacks on the established Catholic Church, and his advocacy of freedom of religion, freedom of expression, and separation of church and state (Wikipedia).” He was born November 21st 1694 into an upper-middle class family. Voltaire started showing an interest in writing at a young age. Candide was published in 1579. It was a French Satire. A satire is “the use of humor, irony, exaggeration, or ridicule to expose and criticize people’s stupidity or vices, particularly in the context of contemporary politics and other topical issues (Oxford Dictionary).” Candide mocks the ideas of the philosopher Leibnitz though the character of Pangloss because Leibnitz believed in an optimistic world and Voltaire feels that thinking this way makes one a hypocrite. Candide defines optimism as “a mania for insisting that all is well when things are going badly (Voltaire, p. 48).” Throughout the book, many themes and symbols are present.
William Faulkner’s short story “A Rose for Emily” displays themes of alienation and isolation. Emily Grierson’s own father is found to be the root of many of her problems. Faulkner writes Emily’s character as one who is isolated from the people of her town. Her isolation from society and alienation from love is what ultimately drives her to madness.
Albert Camus has his own toolbox of literary devices when it comes to accentuating the theme of The Stranger, one of them being his unique sense and use of secondary characters. Whether major or minor, every character in the book serves a purpose, and corroborates the theme in some form of fashion. Camus describes his secondary characters as foiling Meursault in one aspect or another, and thus, shining light on Meursault’s characteristics. Whether through close connections like familial relationships (Maman) and friendships (Salamano, Raymond, and Marie), or through bonds as distant as people he briefly converses with (Chaplain), or even so much as complete strangers (Perez and unidentified lady at the restaurant), characters that Meursault encounters foil and therefore, emphasize many aspects of his nature. Furthermore, because Meursault aptly embodies Camus’s ideology of Absurdism, emphasizing Meursault through secondary characteristics simply highlights Camus’ doctrine and theme of the book.
In Kleist’s novella The Marquise of O, the narrative depicts the account of the Marquise of O’s, a young Italian window and a “lady of unblemished reputation”(Kleist 68), sudden impregnation and her subsequent attempts to solve the question of the paternity of her child. Through the contrasting interactions between the characters from the Marquise’s estrangement with her family to her eventual reconciliation, Kleist utilizes the search for her unborn child’s father to provide a social commentary on how tensions of uncertainty complicate the search for truth and identity within established gender relationships and traditional social constructs.
The authors of Literature communicate things personally to us, one individual to another. This can help to validate our personal experience first time, it helps to have books written by people who have been there before.
A fox is one cunning animal. And in the story, it is proven to be right. From the fox's lesson that one can see only what is essential by looking with the heart, the author leaves the desert as a changed person. He agrees with the little prince's thought: 'the stars are beautiful, because of a flower that cannot be seen';.
The Prince of Egypt is an animation and a musical about the story of Moses. The movie begins with Moses’ mother sending him off in the bulrushes and ends with Moses watching over his people, with the tablet of law in his hands. This essay will discuss whether or not a cartoon medium is a good way of passing on the story of Moses, the point of the movie, what is best about the film, whether or not anything should be changed in the film, my favourite characters in the movie and whether or not this film should be recommended for a grade nine class to watch.
These emotions as we know it can be easily be attach themselves to the human experience in theirs likes and dislikes. “In effect, advertisers over the years have blindly felt their way around the underside of the American psyche, and by trial and error have discovered the softest points of entree, the places where their messages have the greatest likelihood of getting by consumers ' defenses (Petracca and Sorapure 46).” Each day marketers discover ways in how they can get into people’s emotions in order for them to buy their products. That is why marketers already have invested over 8 billion dollars in 2006 in a new research called neuromarketing. This new research sounds very encouraging to foretell in how consumers are going to use their money (Petracca and Sorapure 110).” These researches and their new discoveries is a breakthrough in the marketing world that will change our future ideology in how we buy products and
There are certain components that a novel should contain. George Phelps has come up with a six-part basis for identifying novels: the writing must be fictitious, or in other words "not pretend to tell the truth," have a certain length, attain a unity of "plot, theme, tone, atmosphere, or vision," create an illusion of reality, be concerned with character, and be prose (Phelps 7-8). Kettle, in his An Introduction to the English Novel, argues a novel must have two elements -- a quality of life and a significant pattern (13).