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Hans christian andersen little mermaid analysis
Interpretation of the little mermaid
Interpretation of the little mermaid
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The ‘The Little Mermaid’ by Hans Christian Andersen written in 1836 tells the tale of a young girl who longs to have an immortal soul by becoming a human and to do so must marry the prince, eventually, costing her life. This story was adapted by Disney in 1989. It contains many changes to make it a touch more ‘family friendly’ to say the least, however it seems to take away some of the more interesting twists. As Jack Zipes writes that “Whereas Andersen’s tale is disturbing and ambivalent about the meaning of happiness, the Disney films about the Little Mermaid are sentimental, romantic, and one dimensional”. On the whole this statement is correct, the original is a lot darker and some parts do not fit the classic fairy tale we have all been shown by Disney. Of course the Disney version follows a similar plot to the majority of other fairy tales changed by Disney in order to cater to their audience.
The original aim for The Little Mermaid in the book is to gain an immortal soul. As she finds out from her Grandmother that mermaids only live around 300
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This is rather disturbing as this does not give much of a happy ending like most fairytales generally do. It does however show some true love that is prevalent in the Disney version. The Little Mermaid has the option to kill the prince in order to save her own life and turn back into a mermaid but she is unable to. ‘She flung it (the knife) far away from her, into the waves’. The Disney version has a happy ending following the regular, one dimensional plot. Ursula transforms herself into a princess that the prince will marry but she is found out at a crucial moment. Ariel is rarely at fault throughout the film and the ending is no different the evil witch hypnotizes the prince, so she unlike the original cannot be blamed and is then saved eventually by the
Presently, many books and fairytales are converted movies and often, producers alters the original tales to grasp the attention of a large audience. However, some of these interpretations hide the primary interpretation. The original interpretations of the Disney classics Snow White and Sleeping Beauty are greatly reinvented from the original fairytales Sun, Moon, and Talia and Snow White and the Seven Dwarfs because of the brutal nature of the treatment women in these original forms. Although there are differences in certain aspects from the original tales to the movies, there are many issues that are influential to the young girls who are still watching the Disney version. I realize this when my youngest niece, Anella asks me, “Why can’t I be beautiful and fall asleep and suddenly wake up to finally find my prince?” This is true in all cases of the four different translations of the fairytales. Every single girl in these stories are in a “beautiful” state of half-death who wake to find a prince who if eager to carry them off. This can lead to negative psychological effects on young girls as they are growing up, creating a large amount of pressure and low self-esteem due to the beauty that these stories portray and maintaining restrictions that these women experience in the stories. While it is true that Sleeping Beauty and Snow White and the Seven Dwarves are considered Disney classics that entertain children and provide meaningful role models, it is evident that the true, vulgar nature of these tales are hidden; these stories are about women who are thrown away.
...and the Pelican Child long after Alexander Afanasev wrote The Frog Princess, he innovatively incorporated certain parts of the classic version into his own, and the combination lead to elements of lessons and values evoked throughout the entire fairy tale. Ranging from the life lessons about taking action yourself to the lessons about keeping your happiness independent of the actions of others and basing them within the stories with the plot line and the lack of punishment amongst the villains seamlessly weaves the morals with the fiction. The similarities and differences combined together create a unique fairy tale that incorporates all the main aspects of the classic fairy tale while adding newer features simultaneously. These traits of the fairy tale are what has kept the fairy tale alive for such a long time and will keep them alive for many more years to come.
Even though the two versions are extremely similar, they contain slightly different morals. When the Grimm Brothers wrote their story, the world was a different place and children did not need to be babied. That is why they chose to write such a cruel ending to their version. In the modern-day Cinderella, there is a profusion of magic and there is no violence, which is a change from the original story. By changing this and the ending, children receive a different message from the story. However, both stories give kids hope that they will live happily ever after.
The Little Mermaid is well known to everyone, but which version is known best? Hans Christian Andersen or Walt Disney, both are very similar mostly because Hans Christian Andersen’s Little Mermaid was the most popular version of the story before Walt Disney.
Produced in 2009, The Frog Princess is a Disney animation inspired by the Grimm Brothers’ fairytale, The Frog Prince. Both The Frog Princess and The Frog Prince deal with a multiplicity of issues, all of which contribute to supporting positive messages and morals (Ceaser, 2009). However, though The Frog Princess is based on a classic fairytale, it is far from being the same. The writers at Disney have taken a classic fairytale and created a “Monster” (Prince, 2001). This essay will examine the evolution of the original Grimm Brothers’ fairytale, the messages both main characters represent, and how the adaptation to fit a modern child readership diminishes a classic fairytale. Through discussing these arguments, this paper will prove that Disney’s adaptation into The Princess and The Frog is counter-productive in representing the original story’s messages, morals, and values.
Over centuries of children have been enjoying the classic fairy tales of the Grimm Brothers and Charles Perrault. The fanciful plots and the vivid details allow children to be entranced by characters and adventures that can only be found in these stories. One of the most beloved fairy tales, which both the Perrault and the Grimms have their own separate versions of, is Cinderella. Cinderella is able to show how both versions are able to feed off the same plots while personifying the century and social economic situation in which they have lived.
Many pieces of literature give different perspectives and change over time. Some may incorporate the same characters along with the same concept, but some contain opposite perspectives of the stories. Cinderella has two different films that tell the same story but they contain different concepts throughout the films. While the 1950’s version of Cinderella does not reveal Cinderella’s mother, the 2015 film version reveals her mother and makes the step sisters more attractive
A young girl is forced to live with her step-mother and step-sisters after her father and mother die. She becomes the maid of the family, tending to their every need. Eventually there is a ball; she acquires a fairy Godmother, goes to the ball, falls in love with the prince, blah blah blah. All you really need to know is that she has a happy ending. A happy ending. No matter how much suffering she went through in her early years, at the end, it all came together and she had no more worries. And this is the problem. Cinderella is not realistic. It never was and never will be. Watching this movie when I was young made me believe there was a prince waiting for me somewhere. I grew up thinking that life was simple and uncomplicated, that I did not need to worry about the future because there was a man that would provide everything I wanted and needed. But as I got older, I realized this was not the case. I saw many of my friend’s parents divorce, people die, and the world fight with each other. My fantasy died off, and I realized I had to work hard for myself, and not others. The poem Cinderella by Anne Sexton made fun of the ending of Cinderella. She states, “Cinderella and the prince / lived … happily ever after … / their darling smiles pasted on for eternity. / Regular Bobbsey Twins. / That story.” (Sexton 11). Notice who she referenced and how she has a sarcastic tone. Cinderella and the prince smiled for others, trying to convince
In both versions, the mermaid meets the prince and he falls for her beauty, but he’s already betrothed to another. However, Anderson’s mermaid has to endure not only physical, but also mental and emotional hardships. She is unable to communicate with the prince to reveal she was his true savior, and with every step the mermaid experiences agonizing pain. Andersen’s mermaid has to stand by and watch her love marry another and her chance of an immortal soul slips out of her grasp. Soon after the wedding, the mermaid is approached by her sisters with an opportunity to return to the sea, but she would have to commit a terrible, and selfish act. The story goes like this, “Before the sun rises, you must plunge it [a knife] into the heart of the prince; when his blood sprays on your feet, they will turn into a fishtail and you will be a mermaid again” (Andersen). The mermaid faced a difficult dilemma, one that all individuals face—self betterment or selfless sacrifice. Andersen’s mermaid chooses selfless sacrifice, tosses the knife overboard and cast herself into the ocean. This ending is not what most would call happy, but it reveals some remarkable life lessons and an incredible depiction of selflessness. Not all stories have to have happy endings to satisfy a reader (Whitty); this story for example holds so much more depth, substance, and emotion because it does not have one. Disney chose a happier, predictable ending where Ariel marries the prince in the end; this ending makes it easy to smile, but lacks in allowing the reader to develop much more emotion than
According to A. Waller Hastings Ariel didn’t have to face her consequences. The movie ends with Ariel’s father trading his life to the sea witch in order to save her. “Once again Disney’s heroine survives to find happiness thanks solely to the heroism and sacrifice of male characters” (O’Brien). Because of this, Ariel doesn’t grow or mature. Instead, everyone lives happily ever after thanks to the men in Ariel’s life (Hastings). Now, there’s nothing wrong with living happily ever after. However, this perpetuates an unrealistic expectation of life for impressionable viewers that abide by Mulvey’s theories on narcissism and how viewers may relate themselves to the object on the screen (Storey, 110). The image of a helpless damsel in distress being saved by men with no further consequences to her life is harmful because it may give viewers a distorted view of reality. The damsel in distress stereotype erases all of Ariel’s prior independence due to the fact that she has to be
Walt Disney’s Cinderella is adapted from the original fairy tale written in 1697 by Charles Perrault. There are some key differences between Walt Disney’s Cinderella and Charles Perrault’s Cinderella. In Charles Perrault’s tale, Cinderella’s father is not dead, but the father is controlled by the stepmother. Cinderella’s younger stepsister is much more polite than the older stepsister, who calls Cinderella Cinderwench. The king in Perrault’s tale hosts a two day Ball, which Cinderella attends with the help of the fairy godmother. During Cinderella’s preparation for the first night of the Ball, Cinderella helps the fairy godmother find a coachman when the fairy godmother could not find one. Cinderella’s glass slipper comes off on the second night of the ball. Similar to Walt Disney’s Cinderella, the prince in Perrault’s story announces to marry a woman whose foot will fit in the glass slipper. Unlike the Walt Disney’s tale, Cinderella is not locked up in the attic and the stepmother does not physically attempt to stop Cinderella from trying the slipper. Instead, the step sisters ridicule Cinderella when Cinderella suggests trying on the glass slipper. Cinderella wears the slipper and takes out the other slipper from a pocket which Cinderella puts on the other foot. Suddenly, the fairy godmother appears and transforms Cinderella’s ragged outfit to a magnificent gown. After the transformation, the step sisters recognize Cinderella as the unknown beautiful princess who attended the Ball and beg for forgiveness. Cinderella forgives the step sisters and marries the step sisters to the great lords of the castle. The prince marries Cinderella, however, Perrault does not mention about the prince and Cinderella living happily ever after.
Over the years, fairytales have been distorted in order to make them more family friendly. Once these changes occur, the moral and purpose of the stories begin to disappear. The tales featured in the many Disney movies - beloved by so many - have much more malignant and meaningful origins that often served to scare children into obeying their parents or learning valuable life lessons.
of the Cinderella story are psychologically harmful to women.” (p648). The fact that Cinderella is a limited character may give the girl an impression that she should be happy with what she has and not have any or aspirations in her life. That is, until her Prince comes to rescue her. Since these comments were made, the Cinderella story has been modified and changed. In order to see how gender roles have changed in fairy tales from the old to the new, let’s compare the classic version of Cinderella by Charles Perrault to a recent version which is a movie that was released in 1998 called “Ever After”which was directed by Andy Tennant.
Fairytales, the short stories that most children heard as they went to bed, are actually folktales from previous decades. The fairytales today are primarily adaptations of older versions recreated by Disney— the pioneers of this generation. With that said, the modern versions consistently display good triumphing over evil, a prince charming that constantly came to the rescue, and a happily ever after ending. However, the original folktale version didn’t always come with fortunate events, but often were more violent and gruesome. With the fairytale Cinderella, Disney maintains a similar theme as its Grimm version; however, the conflicts, events, and characters that support this idea are rather different.
The purpose of this essay is to apply the feminist framework to the film The Little Mermaid (1989) in order to deconstruct Disney. First, I will provide a textual description of The Little Mermaid (1989), explaining the film's plot line. Then, I will describe my analytical framework, the feminist framework, using Ott and Mack (2010) and additional media related studies. Next, I will give an in depth analysis of The Little Mermaid (1989), using the feminist framework and several additional sources. Finally, I will give a brief conclusion, providing an...