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Essay on the image of the native americans in films
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The Last Wave
SOC 118 "The Last Wave"-Peter Weir dir.(1977)
In the film, The Last Wave, the director is trying to communicate the idea of a culture within a culture or sub culture. The dominant culture in the film is the white members of society living in Australia. The subculture in the film is the Aborigines who were natives to the land before the white people settled in Australia. The natives sustained their cultural beliefs and ideologies while living in largely populated cities. The dominant white culture imposes their laws , ideas of societal values and moral beliefs on the native
Aborigines. Forcing them to abide by a different law system and way of life than what their peoples have practiced for hundreds of years. In the movie the lawyer, David, represents the dominant culture to the Aborigines because he represents the law that is controlling their fate in the white culture.
The director is also giving us many symbols or visual communication such as the consistency of water in the film as well as, the overbearing control of darkness. The film is shot in shadows and overall is very dark , almost forcing us to look beyond the obvious plot and storyline and into the meaning or what the film/director is trying to tell us. The darkness in the film can be seen as unconsciousness. It can also be seen as a prediction of the darkness that will occur in the world when the last wave comes. The last wave meaning a giant tidal wave that will cover the earth , killing humanity. This idea is similar to the Christian belief in the flood that was sent down centuries ago to destroy all the evil in the world. Also, all the modern aspects of the movie (courtroom,
David's office..etc) are filmed in light. While, all of the Aborigines' scenes are filmed in darkness or shadows. Giving me the impression of something mysterious or not understood by the whites concerning the Aborigines. The fact that all the modern scenes are filmed in light can also support the idea of the white culture being the predominate culture in the film but yet not dominant enough to take away the shadows(mysterious , mystical)aspect of the Aborigines.
The lawyer, David, Also goes through a series of dreams and premonitions.
This is stressing the idea of mind power and mystical strength that the
Aborigines have. In that way they can be seen as the dominant culture. David is stuck between two worlds. The world he knows and understands and the other world that he is definitely a part of but does not understand.
The only real way to truly understand a story is to understand all aspects of a story and their meanings. The same goes for movies, as they are all just stories being acted out. In Thomas Foster's book, “How to Read Literature Like a Professor”, Foster explains in detail the numerous ingredients of a story. He discusses almost everything that can be found in any given piece of literature. The devices discussed in Foster's book can be found in most movies as well, including in Quentin Tarantino’s cult classic, “Pulp Fiction”. This movie is a complicated tale that follows numerous characters involved in intertwining stories. Tarantino utilizes many devices to make “Pulp Fiction” into an excellent film. In this essay, I will demonstrate how several literary devices described in Foster's book are put to use in Tarantino’s film, “Pulp Fiction”, including quests, archetypes, food, and violence.
The lighting in this movie is very effective. It helps to establish the characters very well. The audience is helping in distinguishing the bad and the good characters through the lighting. The movie overall is very stylized. There are some other strange lighting patterns brought out by Hype Williams, but by far the most effective lighting patterns are ones that help to characterize the main players in the film.
Throughout the film, the filmmaker follows the three victims around in their everyday lives by using somber music and backgrounds of depressing colors. The documentary starts off with colorful images of the scenery
The setting gives the reader a sense that terror awaits. This story shows this by talking about the lighting
One way the filmmakers did this is with the on location shots of rubble in many scenes. The characters in these shots are carefully placed to make the rubble stand out behind them. Lighting is carefully placed to illuminate the rubble and make it stand out. However, the carefully planned cinematography also plays into the overall meaning of the film and not just how it looks. The lighting, for example, influences our feelings for certain characters. Susan Wallner is always filmed in light. This is a drastic difference from how we see Hans Mertens. Hans is usually filmed with low light and is very dim. This helps show that Susan is optimistic, while Hans is pessimistic. Another way lighting is used in this film is to create shadows. Shadows are very prevalent in the last sequence of the film. Hans has confronted Bruckner and as the camera cuts back and forth to each of them we see Hans shadow keeps growing bigger and bigger behind Bruckner. We can interpret that as the shadowing is growing bigger so his Bruckner’s fear, because the dialogue coming from Bruckner is getting faster and we can also hear the fear. There are many times in the film where close ups are used to make the storyline more dramatic. One scene that comes to mind that makes use of quick cuts and close ups is in the end of the film: Susan ran in, stopping Hans from killing Bruckner. At this point we
Although it may been seen partly as a historical accident forced by budgetary constraints, part of the mystique of the film is in how different it was to the horror audience of the day. Romero and the Image Ten team, working with black-and-white in a day in which most mainstream films were released in color, were able to use the black-and-white film to lend a certain documentary feel that evoked feelings of newsreels of the day, which were still shot in black-and-white (Hervey 26). This certain credibility evoked is one that is likely lost on contemporary audiences that grew up in a time in which the news and documentaries are delivered in color, but modern audiences should see parallels in the way The Blair Witch Project co-opted the use of VHS cameras to produce a low-cost horror film with a realistic feel to it.
effect due to the basis of the film. This is used as an opening sequence
in the book is very dark, and it helps set the awful mood for the rest
The use of cinematography helps to convey the superior relationship between characters. This occurs during the film frequently to demonstrate the superiority
While the film was just absolutely chilling, the one scene that sticks out the most is the infamous shower scene. While I had never watched this film, I came in with the basic knowledge that the shower scene was just brutal to watch; the music scoring and actions of this scene have been parodied in countless movies and shows. One thing I noticed was the very obvious fact that the movie was shot in black and white. This film was produced at a time where color film was widely available and it seemed at first, somewhat pointless to shoot something in black and white when better options were present and also easily accessed; this meant that shooting in color would not greatly increase production values. However, this is far from the actual truth as the black and white adds an element of darkness to the actual picture and creates a depth that would not have existed otherwise...
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
The light shines in on an empty room. Nothing can be seen, nothing can be heard, and it gives a feeling of no beginning and no end. Complete emptiness. Walking on stage it’s an individual of African-American descent. The person drops two books to the floor and starts to pace back and forth, a look of anger on the individual’s face.
The producer was aiming to create mystery and fear. The dark of the night and the description of the house as feeling dead in the protagonist’s narration sets a suspenseful scene filled with fear and tension. The young girl is followed by the camera as she explores the mansion. When entering the room suspected to be that of her aunts the camera leaves her side to pan around the room. The darkness doesn’t reveal everything but one becomes aware of a search. The revelation of little secrets leaves the viewer with many questions. The room is familiar to the protagonist as she finds items symbolic to her and familiar photographs. This familiarity however does not retract from suspicions that something sinister has been hidden. The producer has successfully captivated the viewer. The protagonist is being followed throughout the scene and has thus allowed for the viewer to bond with them. They are engaging with the audience through narration and have in return enticed the viewer to follow them along their journey. One feels nervous for the young girl however through tension in the scene one does not want them to discontinue the journey as too many questions have been left unanswered. One has been drawn into the world of which the protagonist dwells and is intrigued as to how the drama is
A subculture is a cultural group within a culture that differs in one or more ways from the culture. This would include differences in interest, beliefs, like religion, ethnicity, and social or economic status.
In addition, the elements of lighting can be a supplement to a visual story with alluring amount of light and darkness. Firstly, light versus dark is a complex theme in the film. It is looking at terms of the film’s images with use of lighting, day and night, and use of color. Second, is the way the film examines the dark recesses of the human mind and its dimensions of evil. For example, in one scene in the film, Marion Crane gets to know Norman Bates a little too well. Norman states, “Well a boy’s best friend is his mother”. There is an alluring shadow behind Norman Bates, as a shadow is not seen from Crane. It was implied in the film that Bates was deranged and had multiple personal...