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Womens role in literature
Womens role in literature
Womens role in literature
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In Alfred Hitchcock’s The Lady Vanishes, two very opposite personalities are shown through the role of selfless Iris Henderson and the selfish Eric Todhunter. Iris is very incessant when trying to find out exactly what happened to Miss. Froy and even goes as far as to “stop the train” to find Miss. Froy. Iris is not as naïve as the culprits on the train assume she is, instead Iris does everything in her power to investigate the strange disappearance of Miss. Froy. During a fight with Doppo, Iris forgets about being a proper lady and “bites Signor Doppo’s hand” and is able to save Gilbert from being hurt. Iris is able to transition from being a sophisticated lady to a selfless fighter who using her quick wit is able to save her ally, Gilbert. …show more content…
Todhunter is puts up a façade of being an honorable man because he wants to be a lawyer and makes this obvious to Margaret by telling her that “the law, like Caesar’s wife, must be above suspicion”. Todhunter repeatedly lies about having seen Miss. Froy without any qualms because he only cares about keeping his affair with Margaret under wraps so that it doesn’t interfere with him becoming a judge. Todhunter does not “wish to be mixed up in any enquiry” and wants to stay out of the Miss. Froy drama. Todhunter keeps up a pretense of not knowing who Miss. Froy to ensure that his affair a secret because he does not want to risk getting a divorce from his wife and jeopardize his chances of becoming a judge. Finally, during the shootout scene Todhunter proves that he is truly filled with malice as he tells the others that he would “rather be a rat than die like one”. Todhunter is a pacifist who chooses to put the other passengers at risk in order to save himself from the shooters outside of the train, but he ends up dying in the end so his plans to betray the other passengers backfire on him. Iris is a parallel to Todhunter due to her selfless nature, whereas Todhunter is able to sacrifice those around him in order to save him thus proving that he is truly
In the story, Fink never writes to us about the characters specific actions. Anything to be learned
“The Lady in the Pink Mustang” is a poem written by Louise Erdrich that is about a traveling woman that sells her time for money. She is considered an outsider by the norms of society, because she is a working girl. She is not a traditional sex worker; whereas a regular prostitute has only a little strip of pavement, to sell their wares. Whilst the Lady has the roads of country to sell herself. She runs freely like a wild mustang, but can only stay in the limits of the country. This poem could be speaking about itinerants, how they are on the edge of society, not quite living by the rules, but still not be able to be free.
In stories, character complexly is a esential. The Shirley Jackson story “The Possibility of Evil” tells the story of a seventy-one year women named Miss Strangeworth. She’s an unusual character that stems off from status quo. Though it doesn’t mean she completely unique. Regardless, her desires, contrasting traits, consistency, and the ability to change make Mrs.Strangeworth a complex character.
Hitchcock has a way of throwing clues in the face of the spectator, yet still allows some room for the spectator to find their own less obvious details. In the same museum scene, Hitchcock shows the viewer exactly what he wants them to see. In a sense, Hitchcock can be very manipulative with the camera. The audience sees the picture containing the women with a curl in her hair holding flowers, and then the direct connection is made by the camera, by showing the curl in Madeline’s hair, and the flowers sitting next to her. The spectator is led to believe that they have solved the mystery and she is truly possessed by the women in the picture. However, Hitchcock does this on purpose to lead the audience away from the truth that she is only acting. It is for these reasons that Hitchcock’s work at an auteur adds a level of depth and intrigue.
Now we will address a few of these from the film. First, Drawing parallels between characters with a difference, usually a negative one, is a repeated concept in Hitchcock films. Such as in the film “Strangers On a Train”, where Bruno ends up killing Guys’ wife while Guy had himself been desiring to be rid of her somehow. Here in “Rear Window” early in the film we can see this between Lisa and Jeff to Thorwald
In the end, Finny’s death is the outcome of Gene’s actions which are provoked by his initial feelings of jealousy. Gene loses a good friend, but his remorse has allowed him to take on a new identity has Finny, eventually forcing him to let go of his true self. Overall, one is able to witness from Gene that emotions can do a significant amount of damage to relationships, as well as cause an individual to lose themselves in the
In the short story "The Possibility of Evil",by Shirley Jackson, Miss. Strangeworth appears to be a normal old woman that is highly respected among the town, but we soon realize that she has a dark side. She writes letters to people telling them things that are mere suspicion, but have negative consequences to their lives. These events in the plot show the theme that anyone can have the capacity of being evil.
Kate Chopin's The Awakening is a terrific read and I am hardly able to put it down! I am up to chapter XV and many of the characters are developing in very interesting ways. Edna is unfulfilled as a wife and mother even though she and her husband are financially well off. Her husband, Leonce Pontellier, is a good husband and father but he has only been paying attention to his own interests. At this point he is unaware of the fact that his wife's needs are not being met. Robert and the other characters are equally intriguing but something else has piqued my interest. Some of Chopin's characters are not fully developed. I know that these are important characters because they are representative of specific things; they are metaphoric characters. In particular, I've noticed the lovers and the lady in black. I'm fascinated by the fact that both the lovers and the lady in black are completely oblivious to the rest of the world. They are also in direct contrast with each another. For this week's reader response I am taking a different approach. Rather than analyzing the main characters, I will examine the lovers and the lady in black.
...of a character. Hitchcock does an excellent job at relaying Scottie’s swelling obsession to his viewers. Visualizing Madeleine while Scottie was looking at the picture of Carlotta, his invasion of Madeleine’s personal space, a so-called stranger, and whispering her name, and then trying to makeover Judy into another person who is supposedly dead are all very apparent signs of obsession. These signs successfully show the viewer that Scottie is thoroughly engrossed with his subject, Madeleine, who had been “lost”. The viewer is left to assume that Scottie will be unable to return to the emotionally stable person he was before the obsession took control of his life. Alfred Hitchcock was definitely ahead of his time and paved the way for many film-makers to learn from and expand on his expertise of being able to reach an audience, capture their attention, and make the audience feel what the characters are feeling.
...u” (191). The tragedy of the immorality and evil in the world is unbearable for Finny. He loses his innocence and dies from a broken heart.
In both of Glaspell’s pieces, the main character, Mrs. Wright, is accused of killing her husband. Minnie Wright was a farmer’s wife who didn’t have much contact with the outside world. The murder investigation took place inside her home. Three men are used to investigate the case and two women come with them. The women were no help to the men, but solved the case but also protected Mrs. Wright from any wrongdoing. The three men tried to find a motive, but the case remained unsolved. Susan Glaspell show’s in the two pieces how women are disregarded in investigative matters.
Rowe, Lawrence. "Through the Looking Glass: Reflexivity, Reciprocality, and Defenestration in Hitchcock's"Rear Window"." College Literature 35.1 (2008): 16-37.
Deborah Tannen’s essay, “There Is No Unmarked Woman”, explores the idea of “marked” and “unmarked” words, styles, titles, and how females have no ability to choose an unmarked position in life. She posits that “The unmarked forms of most English words also convey ‘male’” (88). Tannen is incorrect in her premises because females are able to choose unmarked hair and clothing styles, men are marked just as often as women, and many unmarked forms of words no longer convey “male.”
It is no surprise the police have arrested Mrs. Wright, especially since Mr. Wright was killed right next to her. Her nonchalant attitude towards his death and how she cares more about her personal items, like her apron and canned fruits. The sheriff sees through her lies and that's why he arrested her as the primary suspect. Mr hale
Not just her relationship with her husband, Richard Griffen, but with the fugitive from justice, Alex Thomas. In fact, Iris lived out these lies into her seniority, and eventually to her death. The Blind Assassin is clearly a book shrouded with lies, between the real story behind The Blind Assassin, Iris’ relationships behind closed doors,