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The influence of k-pop
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Korean music has changed dramatically over the past decade, most recently in the craze with pop. This essay will focus on the Korean Wave with emphasis on K-POP in terms of the sound history and culture it has created. I argue that a music genre has never been this successful in penetrating the outside world and combining culture. As this music genre is relatively new, just two decades, the traditional sense of the music must be taken with a grain of salt. I will space this paper out into three areas as stated above, touching on the history and culture, the sound itself, and performance of the genre. I will then take a case study of the most popular K-POP band Super Junior and their song “U.” In the song I will pull from my analysis of the genre and connect it to the Korean Wave Movement’s purpose.
The history of K-POP comes in the shell of the Korean Wave movement. This is the increase in popularity from South Korean culture to the rest of the world (Cha, 153). Starting in the late 1990’s, Korean Dramas were exported to China leading to songs a few years after (Cha, 155). As time passed the Korean wave became more influential across different countries, exporting more types of culture to more parts of the globe (Cha, 156). Originally this meant neighboring countries like China, but recently it has even spread to the U.S. As with most cultural pieces that have gone viral in the last decade, K-POP is a hit with tweens and teens (Provine, 2014). The role of media through television and the internet is vital to the spread of the music and culture from South Korea. K-POP can be in the form of movies, drama, or music, but music out of the three main categories has been most widely spread. As the music genre has evolved it has ta...
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...ss in World Politics. New York: Public Affairs, 2004. Print.
Provine, Robert C. "Korea." Oxford Music Online. Oxford University Press, n.d. Web. 26 Feb. 2014. .
Psy. "PSY - GANGNAM STYLE." YouTube. YouTube, 15 July 2012. Web. 02 May 2014. .
Searbrook, John. "Cultural Technology and the Making of K-Pop." The New Yorker. Condé Nast, 8 Oct. 2012. Web. 02 May 2014. .
Tomuaru, Witzleben. "Korea in Garland Encyclopedia of World Music Volume 7." Alexander Street Press Authorization. Ed. Yosihiko Tokumaru. The Garland Encyclopedia of World Music, 01 Sept. 2001. Web. 26 Feb. 2014. .
Bellman, Jonathan. The Style Hongrois in the Music of Western Europe. Boston: Northeastern University Press, 1993.
Because of this, though, the globalization of a song can be seen as detractor to the value of the song 's original use or purpose as there is an essential loss of identity for the song when it is utilized for purposes that stand in contrast to the personal value that it originally possessed. This article is essential in understanding global pop music and the relationship that it has with various forms of music because of the introduction of this discussion that it poses. Feld illustrates many of the reasons behind this development and the causes as to why this phenomenon
American pop culture recently received flak for cultural appropriation. Artists such as Katy Perry and Selena Gomez were criticized for superficially incorporating Asian images into their music. However, cultural appropriation and cultural tourism – and its consequences – are commonly seen in relation to traditional culture; this lack of attention towards visual representation of modern Asian subcultures – in relation to Asian Americans – dismisses the potential impact of these images. A visual analysis of Avril Lavinge’s “Hello Kitty” and Gwen Stefani’s appearances with the Harajuku Girls reveals that the use of Japan’s Harajuku subculture in American pop culture perpetuates Asian American stereotypes. Specifically, these acts contain characteristics of the submissive “lotus blossom” stereotype and the invisibility that comes from this stereotype. These characteristics result in an insidious formation of race; Avril Lavinge and Gwen Stefani’s cultural tourism constructs the concept of an American that excludes the Asian body through contrasts between themselves and the background Asian body. This racial formation relies on the idea that the two artists have become part of the Harajuku culture, yet they are clearly distinguishable from the homogenized Asian body.
Kelts, Roland. Japanamerica : how Japanese pop culture has invaded the U.S. . New York, NY: Palgrave Macmillan, 2006. Print.
Willoughby, David. "Chapter 11." The World of Music. 7th ed. New York: McGraw-Hill, 2012. 249-53. Print.
For our project, K-POP, we have decided to compare how the digital realm influenced the boom of cosmetic surgery in Korea compared to American plastic surgery, where digital means are a less common tool utilized to increase, accentuate, and bring publicity to this industry. We want to take a deeper look into how Korean pop culture and its technology may be influencing the process one takes to get plastic surgery, such as the advertising it provides for each individual plastic surgery. This is opposite of America, where plastic surgery is more taboo, therefore absent in these spaces. Through this research we are ultimately focusing, emphasizing, and analyzing how the digital realm of each country has recently influenced the plastic surgery industry,
Fukuoka, Yasunori “Koreans in Japan: Past and Present,” Saitama University Review, vol. 31, no.1, 1996.
Miller, Terry, and Andrew Shahriari. World Music: A Global Journey. New York, London: Routledge Taylor and Francis Group, 2006.
Diamond, Marie Josephine, ed. “Hwang Sun-won.” Bloom’s Literature. Facts On File, 2011. Web. 14 Apr. 2014. .
...y say that I was able to get a good overview of Korean history with a strong sense of knowledge gained. What I specifically gained was a better sense of Korea as a unique cultural entity with its own sense of excellence and its individuality. I have also learned that regardless of the hardships Koreans have suffered in this century, they have successfully endured every worst situation a nation can ever experience. From Japan's colonial rule to the heavy influence Korea felt from Russia's communist state and America's democracy, Korea was able to withstand all these instabilities and overcome to what may be a healthy and modernized nation. I would definitely recommend this book to anyone who would like a broad yet thorough overview of Korean history because; this book is precisely written and sectioned accordingly to not make learning history difficult or confusing.
A mixture of western and eastern music, Korean Pop, or Korean Pop, has boomed as fans drool over the idols, their dance moves, and their combination of Asian culture with Western hip-hop verses, Euro-pop choruses, rap, and even some dubstep. Korean Pop hit the waves in Asia quickly becoming popular in China, Japan, Singapore, Taiwan, Vietnam, and many other countries (John Seabrook, 2012). The Korean Wave has continued to spread throughout the East to countries farther west such as Saudi Arabia, Iran, and others, which are quickly getting drawn into the fan base (Clair Weber, 2014).
This SWOT analysis will look at K-pop at four sides to discuss how it become an international hit. 1. Strengths 1.1 A comprehensive and strict training system In order to become a K-pop singer in Korea, it is not an easy thing. The company had been looking for trainees long time before they actually decided to introduce a boy group or girl group.
Psy. “Gangnam Style.” Psy 6 (Six Rules,) Part 1. SM Entertainment, 15 Jul. 2012. CD.
With the music being the highly profitable, capitalist enterprise that it is today, it is no wonder that it is controlled and regulated by a few large conglomerates that exist is today’s world. It is important to make clear that although evidence is being presented of the positive aspects of globalization through music that there is overwhelming evidence that cultural imperialism is more than it seems on the outside. One must keep in mind that cultural imperialism, globalization and the creation of a global village is a business. People are profiting at other people’s loss of cultural identity, they are sold a culture and heritage. With the every growing N’Sync fan clubs and Britney clones, the world is turning into a stage for pop culture and its glamorous unattainable standards.