Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The representation of indigenous communities in the media
Influence of media on culture
Influence of media on culture
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Kayapó’s media use is particularly extensive, has pointed out, and possessed a deep understanding of the performative function of representation. As a result, the scope and impact of the Altamira media event was stunning by almost any measure. Not only were the Kayapó organizers able to mobilize broad indigenous participation (more than 600, with additional support from NGOs, politicians, celebrities and citizen protestors) that lasted several days, but media reports of the protest were filled with traditionally adorned native Amazonians—an “indigenous” presentation of indigenous resistance made possible by the fact that the Kayapó evidently “urged other tribes to remove their western attire and decorate their bodies following their own customs” …show more content…
(Fisher, 1994, p. 222). This show of Amazonian resistance was seen and read about throughout the world, tapping into Western environmental anxieties and human rights concerns while reifying, in full tribal colors, the notion that native peoples were eco-conscious defenders of the forest. It also was credited with fostering the emergence of a pan-Amazonian indigenous identity (Conklin, 1997 & 2010; Fisher, 1994). Moreover, the emerging trope of environmental nobility also fit neatly into the Brazilian state’s new agenda of “development.” In fact, the indigenous-ecological coupling was in part fueled by Article 231 of Brazil’s 1988 Constitution, which clearly spelled out that indigenous lands were “originary,” that is, not just places for dwelling, but spaces for the “preservation of environmental resources necessary of indigenous peoples’ well being as well as land necessary to their physical and cultural reproduction, according to their uses, customs, and traditions” (Carneiro da Cunha & de Almeida, 2000, p. 321, emphasis in the original). Ecological projects, at least in theory, were now supposed to take place with and through the indigenous residents of the forest, not by displacing them. During this time Amazonian indigenous activists also further transfigured the ways in which they presented their cultures to the world by adopting the “language of environmentalism” in concert with a better sense of how to use media to their advantage (Conklin & Graham, 1995; Santos, et. al., 1997). Much of this language drew directly from concepts, metaphors and key terms associated with Environmental Justice (Dryzek, 2005), as emphasis was placed on indigenous rights in relation to the land, community, cultural heritage, spirituality and residence. In short, environmentalism provided indigenous agents with an identifiable platform through which they could translate their concerns to an external audience while still maintaining a level of native indexicality. So, whereas the revival of indigenous costume increased their ability to be “seen,” the new “green” vocabulary gave these Amazonian communities powerful discursive tools to be better “heard.” Within this politically charged context, “authenticity,” as Conklin (1997) points out, had “its rewards” (p. 711). Rise of the Techno-Indigenous Amazonian It is clear that during the 1980s-90s era of Amazonian eco-politics the indigenous communities that were the most media-savvy and most adept at projecting their indigenous culture to the outside world were best able to mobilize transnational and pan-Indian support.
However, it must also be understood that this moment within the region’s history was “created and maintained primarily through the circulation of media images and contacts with a small number of indigenous cultural mediators” (Conklin & Graham. 1995, p. 703). Undoubtedly during this period the Kayapó, the Yanomami and a few other tribes achieved a sort of special cultural currency within media networks and went on to develop strong media production trajectories.[i] But Amazonian indigenous groups that did not enjoy international media coverage, garner the attention of celebrities or profit from fair trade deals during this period had to find different avenues to confront forces that were putting pressure on their survival. This divide is where the availability of networked communication technologies and mobile media devices began to come into play, as access to these tools in the late 1990s and beyond opened up pathways for a broader network of Amazonian communities to seek recognition, build partnerships and register their cultures in the public sphere. Most noteworthy has been the place of computers, the Internet and global positioning systems (GPS) for Amazonian indigenous groups to establish greater …show more content…
visibility and direct control over cultural defense. As with the past, non-profit organizations have been highly involved in this initiative. For example, the Amazon Conservation Team (ACT), founded by noted ethnobotanist Mark Plotkin, developed the idea that isolated indigenous communities could help achieve many of their goals of cultural survival if they were trained to employ geo-mapping technologies to register biodiversity, map ancestral lands, and preserve their cultural knowledge of forest ecosystems. Partnering with local governments, ACT helped indigenous communities in Brazil, Colombia and Suriname to use global positioning systems to monitor and conserve forest ecosystems and map and catalog their cultural territory (Butler, 2006). The Western press and related sources in the blogosphere took notice of this rise in the techno-indigenous Amazonian, especially in relation its change agents. In the vast majority of these sources, emphasis is placed on how Google Earth or some similar GPS technology has enabled indigenous communities to patrol their lands via satellite, and thus more easily identify illegal encroachments and take action to stop environmentally destructive activities such as gold mining (which causes river contamination, mercury pollution and sedimentation) and logging (leading to deforestation). For instance, Smithsonian Magazine’s story, “Rain Forest Rebel” (Hammer, 2007), describes a team of Suruí, former military cartographers and anthropologists working together to create a map designed to preserve the community’s cultural, historical and environmental memory. Much of the article is placed on how Chief Almir, the “political activist, environmentalist and the first member of his tribe to attend a university” was “fighting to save his people and the rain forest they inhabit” (Hammer, 2007). Later in 2007, the San Francisco Chronicle published the story, “Google to harness satellite for an Amazon tribe: When the Brazilian government failed to defend his tribe against loggers and miners, the leader found a high-tech ally” (Epstein, 2007), and then followed up in 2009 with the piece, “A Google partnership to save an Amazon tribe and rainforest” (Temple, 2009). More recently in 2010 Spiegel Online International issued the report, “Using The Internet to Save Rainforest: How an Amazonia Tribe is Mastering the Modern World,” (von Mittelstaedt, 2010), in 2013 The Washington Post provided “Brazilian chief uses technology to help save his tribe and curb deforestation” (Forero, 2013, March 27), which was recast by National Public Radio as, “From Stone Age to the Digital Age in One Big Leap” (Forero, 2013, March 28), and in 2014 The Guardian article entitled, “Indigenous leaders empowering communities through social enterprise” (Cahalane, 2014, April 14). As the titles and pitch of these reports reveal, agency shifts back and forth from external teachers and technology providers to the indigenous stewards of the forest armed with the technological tools and know-how to engage in cultural cartography.
Judging from these media frames, achieving proficiency with communication technology, not through partnerships with the state or even NGOs, is the path that indigenous communities need to follow to not only protect their interests, but ‘master the modern world.’ If there is any doubt about this, images that accompanied the reports generally relied on the predicable juxtaposition of key codes: a community member dressed in indigenous garb holding a laptop or some other high tech communication device framed by a backdrop of lush forest. The Ecologically Noble Savage resuscitated and now merged with and empowered by modern, portable communication
technology. But as with the partnerships created and media narratives circulated during the more activist era of the 1980s and 90s, the ties between cultural survival, politics and environmentalism and the motivations of those involved is much more complex and multilayered than such imagery or cover stories about residents of the “stone age” leaping to the digital age suggest. Few initiatives have the capacity to expose this underlying complexity as much as how the recent surge in indigenous ethno-mapping has been used to pursue forest carbon trading opportunities. Forest Carbon and the Paiter-Suruí Carbon trading is based on the notion that polluters who are either unable or unwilling to reduce their own carbon output can “offset” their emissions by investing in projects that sequester carbon. Outlined as part of the Kyoto Protocol, this process was conceptualized as an actionable international approach to mitigate global warming by permitting industrialized nations (what Kyoto labeled “Annex I” countries) to earn offset credits through projects realized in developing countries (“non-Annex I”) (Gorte & Ramseur, 2010). It also took into consideration the motivation of businesses in concert with the realities of anthropocentric climate change. The basic idea is that CO2 emissions can be curbed globally if businesses are incentivized to voluntarily pay for carbon management projects.[ii] Not surprisingly, large swaths of tropical forests were quickly identified as target areas for carbon market development because, not only were they under assault from logging and other industries, but also because these ecosystems are among of the planet’s largest carbon storehouses (Bonan, 2008). Thus investing in the world’s tropical forests is an attractive offset option especially when compared to more expensive investments (e.g., renewable energy or carbon capture) or the prospect of waiting for mandatory caps set by state agencies, they are inexpensive solutions that generate high-volume offsets. Actors, typically from Annex I countries, earn carbon credits by paying for forest ecosystems to be left alone, which are predominately in developing parts of the world. Significantly, investing in forest conservation not only keeps carbon “stored” by halting deforestation but also mandates that the “seller” develop a sustainability plan based on transparent and verifiable criteria that not only keep forests standing as major carbon sinks but that actually animate further reductions in deforestation and degradation (e.g., afforestation and reforestation). In Brazil, focus is also on the impact that carbon reduction will have on different stakeholders, especially each plan’s local sustainable development contribution (Reis, 2009). REDD+ is the pilot program that has since evolved into the center of this global initiative. In many ways, investing in REDD+ is a smart business move for companies interested in projecting values of social responsibility. Nature has value for an increasingly eco-curious public, and since many captains of industry have slowly come to the conclusion that there are profits to be made by associating oneself with sustainability (Daily & Ellison, 2002), the protection of tropical forests seems like a more attractive investment than a business merely reducing a given company’s own pollution. However, the concern for many in the financial sector was, in trying to convince buyers of the non-timber value of forests, how could carbon be made more “charismatic” (Daily & Ellison, 2002). Here is where the presence of Ecologically Noble Savage resurfaces with market value, because, as one carbon trade observer put it, “not all carbon trading is created equal” (Zwick, personal communication, June 6, 2013). And within the carbon market, “indigenous” carbon is especially charismatic. As can be seen through various direct references from the previously mentioned reports, the most widely covered case involving ethnomapping and carbon trading has been the story of the Paiter-Suruí and their college-educated leader, Chief Almir Suruí. The media attention this community has received is warranted. Indeed, considering the broader historical forces that shaped and enabled the Suruí’s turn towards market-driven eco-stewardship (e.g., the rise of indigenous rights in the late 1980s in Brazil; growing global concern for the Amazon in 1980s and 90s; the rise in portable, user friendly media technology in the 1990s and beyond), this story has many possible beginnings. But given the community’s newfound status as “carbon seller” and as a global example of local-national-global conservation and indigenous rights, perhaps the most appropriate starting point is September 7, 1969—the date when the Suruí made “contato” (first contact) with Westerners. Before 1969 the tribe was considered “uncontacted,” having interaction only with the occasional rubber tapper who stumbled into their territory. But thanks to the construction of 2,000 mile, World Bank financed Trans-Amazon Highway, this isolation was to quickly end (Butler, 2006; Hammer, 2007). To help facilitate the building of the highway and end Suruí warrior attacks on roadbuilders, the Brazilian government’s Indian affairs agency initiated a plan to establish contact and build relations with the tribe. This was reportedly performed though the offering of machetes, pots, axes, mirrors and other assorted goods to drawn the Suruí from the forest. Once contact was achieved the result was, in no uncertain terms, catastrophic for the community, decimating the tribe from 5,000 to a few hundred, victims of age-old foes of indigenous peoples, like measles, chickenpox and tuberculosis (Butler, 2009; Forero, 2013, March 27; Hammer, 2007). To make matters worse, the new highway brought with it easy access to the forest’s bounty, and thus a stream of settlers from the cities with fraudulent land titles in hand. In fact, because of these events the region devolved into the antithesis of what anyone would consider a realm of conservation, becoming rather “like the Wild West, a place where loggers and settlers penetrate Indian land, where traffickers smuggle cocaine and where hired pistoleros have killers Indians who were in the way of development” (Forero, 2013, March 27). Not surprisingly, for the Suruí the post-“first contact” period became etched in their cultural memory as a time suffering, marked by eroding community life caused by disease and loss of life, bloody conflicts with settlers, alcoholism and ecological degradation (Butler, 2009; Forero, 2013, March 27 & March 28). But with time it also emerged as a period of learning and cultural recalibration. Speaking at the 20th Annual Bioneers Conference in San Rafael, California, Chief Almir offered: Today we are 1,300 Surui. Before first contact we were 5,000 and that really woke us up, because we knew if we didn’t do anything our way of life could end. We became even more worried, when we saw that our forest would go with us. And so we had to find a way to create dialogues with the rest of the world, to find a way for our future. One of the ways we found we could communicate was through the Internet and through technology (Temple, 2009). Since Almir’s ascension as a village chief, which began while he was still a teenager, the community has organized itself to move away from the post-contato period of suffering and exploitation to purposefully pursue greater cultural sovereignty and the strategic defense of its lands. According to Ecosystem Marketplace, to do this, in 2007 Chief Almir approached Forest Trends (publisher of Ecosystem Marketplace), a Washington, DC-based environmental nonprofit organization. It was through Forest Trends that he learned about REDD+ and the tribe’s carbon ownership rights. This was followed by a Suruí vote in 2009 to enact a moratorium on logging, and establish a working relationship with Idesam (Instituto de Conservação e Desenvolvimento Sustentavel do Amazonas/Institute for the Conservation and Sustainable Development of Amazons) to measure, verify and report the impacts of the Suruí actions (Zwick, 2013). In 2010, another Brazilian interest, FUNBIO (Fundo Brasileiro da Biodiversidade/Brazilian Biodiversity Fund) partnered with the community to establish the Suruí Trust Fund, which was created to ensure that income from the project is managed responsibly and transparently. Finally, FUNAI (Fundação Nacional do Índio/National Indian Foundation) endorsed the Suruí effort as a model project (Zwick, personal communication June 6, 2013). This period of relationship building and consultation has also been marked by the tribe’s creation of a progressive vision of the future (the 50 year, “Plan de Vida”). The generation of this plan has involved convincing the tribe’s members that the immediate financial return for selling off their forest resources was ultimately a road to cultural ruin, and that a more thoughtful approach to resource management needed (Petersen, personal communication June 13, 2013). It also required a splitting up the Suruí into four differ groups to live around the Sete de Setembro Reserve, the 6,000 acre territory (three times larger than Manhattan) that the Brazilian government set aside for the tribe in 1983 (Hammer, 2007). In addition, the Suruí employed more confrontational tactics, such as obstructing logging roads, chasing off miners and loggers, and calling out corrupt or lazy officials of the government agencies that are supposed to defend their indigenous rights (Petersen, personal communication June 13, 2013). But arguably their most effective measures to move into a new phase of community life was realized though the utilization of new media technology to map their territory, register their cultural knowledge, and catalog illegal logging, while projecting a progressive image of indigenous rights and resource stewardship.
On January 29, 2015, I attended Pamela Palmater’s book launch for her book, “Indigenous Nationhood,” which was a two-hour event that started from 6 PM to 8 PM. Palmater is a well-known lawyer, activist and academic from the Eel River Bar First Nation in northern New Brunswick. The event started with an opening performance from the Hidden River Singers. Palmater then addressed the crowd for around 30-40 minutes, in which the audience, including myself, sat in awe at the passion and intensity in her voice in empowering Indigenous people. She emphasized the importance of exercising peoples’ voices, both allies and Indigenous people, in advocating for Indigenous rights and freedom. A question and answer portion then followed and Palmater answered
During his research Barker utilizes a series of methods in his quest to understand these indigenous people, from this he was able to capture his readers and make them understand issues that surround not only people form third worlds; but how these people and their struggles are related to us. By using ethnographic methods, such as: interviews,participant observation, key consultants/informants,detailed note-taking/ census, and controlled historical comparisons. In these practices Barker came to understand the people and their culture, of which two things became a big subject in his book. The first being Tapa, “a type of fiber made from bark that the Maisin people use as a stable for cloths and other cloth related uses. Defining both gender roles and history; proving income and also a symbol of identity to the people” (Barker 5-6). And the other being their forest, of which logging firms the Maisin and Non Government Organizations (NGO’s), had various views, wants and uses for the land. Logging firms wished to clear the area to plant cash crops such as oil palms, while the NGO’s wanted the land to remain safe; all the while the Maisin people were caught in the middle by the want to preserve their ancestors lands and the desperate need to acquire cash. With these two topics highlighted throughout Barkers ethnography the reader begins is journey into understanding and obtaining questions surrounding globalization and undeveloped
The role of a kahuna in the Hawaiian culture takes on the responsibility of keeping a balance between the people and the nation. In doing so, they apply their field of expertise towards assisting the aliʻi and the makaʻāinana. In ancient Hawai’i, there were many different types of kāhuna that had a skill set that contributed or benefited the community. In this paper I will discuss the different ways a kahuna achieves this type of balance within the lāhui. These kuleana include advising the aliʻi to make pono decisions, guiding the makaʻāinana in their daily lives and practices, and taking care of the spiritual side of the Hawaiian culture and traditional practices of the people.
The novel “Indian Horse” by Richard Wagamese demonstrates the many conflicts that indigenous people encounter on a daily basis. This includes things such as, the dangers they face and how they feel the need to flee to nature, where they feel the most safe. Another major issue they face is being stripped of their culture, and forcibly made to believe their culture is wrong and they are less of a human for being brought up that way, it makes them feel unworthy. Finally, when one is being criticised for a hobby they enjoy due to their indigenous upbringing, they make himself lose interest and stop the hobby as it makes them different and provokes torment. People who are trying
Nomads of the Rainforest is a film which focuses on a tribe in Ecuador called the Waorani. The purpose of this documentary is to discover how this culture has maintained their cultural identity amidst Western culture and remained an enigma. The Waorani were known as savages and likely to attack any outside influence indiscriminately. These people were a mystery due to the fact that their savagery was brushed against the landscape of an egalitarian society in which all people were equal and must contribute to their society. The message of the film is to describe the Waorani lifestyle and how the rainforest is critical to their maintaining their nomadic lifestyle that has been a part of their culture for centuries.
As a film made by Inuit people and for the Inuit community, Atanarjuat provides the audience with a privileged look into the Northern society. Throughout the film, many viewers are exposed to elements of Inuit culture which are unfamiliar. The film’s director, Zacharias Kunuk, faces a paradox because he wants viewers to feel like insiders of Inuit culture, yet the viewers cannot truly understand the cultural traditions that are represented in the film. The majority of the viewers have never lived in an Inuit community and have very little sense of the ideologies that persist in Inuit society. Because Atanarjuat does not aim to be an educational film, it does not explain itself. There are many moments throughout the film which cannot properly be understood by non-Inuit viewers, and, despite his goal of inclusion, Kunuk does not offer any explanation to ease the audience into the culture. In analyzing the film, non-Inuit critics are presented with the challenge of describing First Nations art while being aware of the inherent power imbalances in doing so. Because Atanarjuat acts as a counter reading to the popular myth of the Inuit, the film portrays the Inuit people as they perceive themselves rather than as the larger Canadian society would portray them. This shift away from the centre of society, looking to an underrepresented group, is an example of decentering. Although Kunuk establishes a connection between the Inuit characters in the film and the non-Inuit viewers, he also provides many moments of intentional inaccessibility, reminding the viewers that in this instance, the Inuit are privy to more information than the non-Inuit audience.
According to Michelle Raheja, visual sovereignty is “the creative self-representation of Native American visual artists” (Raheja 9). In other words, it is the way that Native American films are able to relay a story with actual information and support from Indigenous people. The main goal of visual sovereignty is to get rid of all stereotypes by using methods that portray real life stories and scenarios in Indigenous people’s lives. One main aspect of visual sovereignty is the usage of oral history from important tribes that help give a background to telling the tale. It is promoted on two critical registers that appeal to the mass; one is to inform the audience about key issues that Native Americans have had to face in their history and current
The colonization of civilizations has changed the world’s history forever. From the French, Spaniard, and down to the English, have changed cultures, traditions, religions, and livelihoods of other societies. The Native Americans, for example, were one of the many civilizations that were conquered by the English. The result was their ways of life based on nature changed into the more “civilized” ways of the colonists of the English people. Many Native Americans have lost their old ways and were pulled into the new “civilized” ways. Today only a small amount of Native American nations or tribes exist in remote areas surviving following their traditions. In the book Ceremony, a story of a man named Tayo, did not know himself and the world around him but in the end found out and opened his eyes to the truth. However the Ceremony’s main message is related not only to one man but also to everything and everyone in the world. It is a book with the message that the realization of oneself will open the eyes to see what is truth and false which will consequently turn to freedom.
Indigenous people have identified themselves with country; they believe that they and the land are “one”, and that it is lived in and lived with. Indigenous people personify country as if it were a person, as something that connects itself to the land, people and earth, being able to give and receive life (Bird Rose, D. 1996). Country is sacred and interconnected within the indigenous community,
This quote also describes my first imergency into Malinowski’s ethnography, ‘’Argonauts of the western pacific.’’ It was uncharted waters, and I was left stranded on a beach of an unknown field with only my books to make for friends. This paper will give account of my thoughts as they appeared and evolved on several key issues through the book, concentrating on, what I deduced, to be of either paramount importance to the ‘’Malinowski experience’’ in the archipelagos of Melanesian New Guinea, or to be points of academic debate between me and the author and his work. Firstly, I will explore the position towards the ethnographer and his task in field work, giving account of Malinowski’s contribution to the field of social anthropology as well as providing some contrary opinion. Secondly, I will engage with the ‘’Primitive Economic Man’’ and Malinowski’s critic of him, leading to the depiction of the Kula and its ways, where I will look at how the author approached the system (and the structure) and how that approach had influenced his later observations and analysis. Finally I will look at the functionalists’ perspective on the local soci...
The Yanomami are tribe ancient indigenous people living in the Amazon Rainforest in the countries of Brazil and Venezuela. Today, there are approximately 26,000 Yanamamo people living near the Brazilian-Venezuelan border in the rich lands alongside Amazon Rivers. Like most Brazilian native people, the Yanomami are semi-nomadic, agriculturalists and hunter gathers. Considered to be an isolated people the Yanamamo people possess a rich and diverse culture with an array or cultural practices including a death ritual and feasting ritual (“Conflict and Human Rights,” 2005).
This term paper is going to cover Jose Padilha’s documentary Secrets of the Tribe (2010), Napoleon Chagnon’s text Noble Savages (2013), and Napoleon Chagnon and Timothy Asch’s documentary A Man Called Bee (1974), in regards to the study of the Yanomami. Before enrolling in University of Southern California’s Spring, 2017 course: Anthropology 263: Exploring Culture Through Film, I had preconceived ideas of what this course was going to be about. My assumptions were soon shattered. I assumed that this course would focus on evolution, how filmmaking influences and impacts cultures throughout the world, and a closer study on America society today.
Since before written history, the Waorani people and their neighbors, the Kichwa and Shuar, have inhabited the Amazon Rainforest as highly mobile, semi-nomadic hunter-gatherer-horticulturalists (Finer, “Ecuador’s Yasuni…” 3). Rolf Blomberg, a Swedish explorer, first made an attempt to contact the Kichwa tribe in 1947 which later unfolded into a bloody ambush (Davis 256). Shell, a large oil company that was prospecting in eastern Ecuador, abruptly abandoned operations in the region in 1950 because of the death of many of its employees, most often by spear (Finer, “Ecuador’s Yasuni…” 6). In 1954, however, a total of twenty-five evangelical Christian missionaries from the United States were stationed in Ecuador and were able to reach out to an indigenous girl who led them back to her village (Davis 257). For the Waorani in particular, the first peaceful, sustained contacts between themselves and outsiders were with these evangelical missionaries in 1958 (Kimerling, “Huaorani Land…” 236). It is believed that the Waorani had yet to adopt metal tools before this contact as well. They perceived themselves as people of the forest in this life and next, utilizing wood and plant matter to create anything they needed (Davis 272). Through the back and forth interactions with the tribes in the 1950s, a negative
“James Luna, A Native American Man,” is an insightful, cut the bullshit, view of the modern Indian culture. I identify with Luna’s viewpoints as I have seen many of the situations he describes with his art to be true to life. I have spent a lot of time in Northern Canada fishing with my brother and father. The areas we visit are predominantly Indian reservations. Having spent quite a bit of time getting to know these types of towns and people, I have grown aware of some of the many problems that surround the modern day reservation lifestyle.
Indigenous Knowledge (IK) can be broadly defined as the knowledge and skills that an indigenous (local) community accumulates over generations of living in a particular environment. IK is unique to given cultures, localities and societies and is acquired through daily experience. It is embedded in community practices, institutions, relationships and rituals. Because IK is based on, and is deeply embedded in local experience and historic reality, it is therefore unique to that specific culture; it also plays an important role in defining the identity of the community. Similarly, since IK has developed over the centuries of experimentation on how to adapt to local conditions. That is Indigenous ways of knowing informs their ways of being. Accordingly IK is integrated and driven from multiple sources; traditional teachings, empirical observations and revelations handed down generations. Under IK, language, gestures and cultural codes are in harmony. Similarly, language, symbols and family structure are interrelated. For example, First Nation had a