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Reader response to shrek film
Shrek short review
Shrek short review
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Recommended: Reader response to shrek film
The Intended Audience of Shrek 2
For this essay I will evaluate the potential arrows that direct us to
believe that this film was actually intended for adults with the
perception of a children’s film. Here I will display the possible
arguments for and against the above criticism that will back up both
of the children and adult audiences, showing similarities and
differences within them and the comparison to other films. The film
also demonstrates abilities that combine the audiences together to
ensure that all appreciate the content, perhaps less often than
expected.
Shrek 2, a computer animated film directed by Andrew Adamson, Kelly
Asbury, and Conrad Vernon, is frequently entertaining but is also,
just as frequently, uninteresting or even confusing to some fraction
of the audience.
Shrek (Mike Myers), a large, fat, green ogre with ears like tiny
mushrooms and his new wife, the podgy, green ogress Fiona (Cameron
Diaz), who had once been human by day and a monster only at night, are
invited by her parents, the King and Queen of the Land Far Far Away
(John Cleese and Julie Andrews) to visit them in their castle.
Unfortunately, Fiona's father dislikes the idea of his daughter
marrying an ogre and remaining one herself. Hoping to solve both these
problems, he conspires with the crafty Fairy Godmother, sends Shrek
into the forest, hires Puss in Boots to murder him, and arranges for
the Fairy Godmother's vain son, Prince Charming, to impersonate the
absent ogre.
For Shrek 2, relying on tried-and-true pop-culture riffs, fart jokes
and cute animals; catered to an audience that is probably more
important to an animated film than...
... middle of paper ...
... no modern day
references but simply jokes making it a defined ‘kid’s film’.
To conclude Shrek 2 most obviously shows strong signs of maturity from
the language to the actions. Although it carries some ciphers of
children it is clearly not enough to cover the adult references and it
is no wonder the film has made so much money as most of the
money-carriers are adults anyway. Shrek 2 being a comedy is just not
fulfilling. I think instead of making the film ‘O.K.’ for two
audiences why not make it ‘Brilliant’ for just one. And it is because
of this blatant desperation of trying to impress both that Shrek 2 had
lost my appetite.
Shrek 2 is definitely I feel is an adult context film probably not to
a far degree however. It may be suitable for teens but for young
children it is only right to be ‘parentally guided’.
The Monster of your childhood, Missing sleep nights in a row because of this legend. Leaving kids scared also restless of sleep for many days or weeks at a time because of the hears this monster ,ay just takes them while they are sleeping.Who is this monster you may ask? El Cucuy.
In the novel Grendel by John Gardner, the protagonist is a beastly creature, of whom the title of this novel takes after. Grendel closely follows a monomyth formed by Joseph Campbell. This monomyth is based on the belief that “the mind of each person has inherited archetypes that are either repressed or manifested through the experiences of the individual.” Something incredibly significant in the interpretation of this theory is “The Shadow.” Based on this monomyth, this is the part of the mind that contains our darkest desires and urges.
Redeye’s 24 Hour production of Shrek: The Musical can be defined as a performance. Although normally deemed as a musical event or sports game, essentially, a performance is an event that can captivate an audience which consists of an action, interaction or relationship. The performances can be planned and practiced or be spontaneously done at one’s aggression. Performances normally involve multiple participants as well as spectators and change the identity of the performer. Redeye’s 24 Hour production of Shrek: The Musical can be properly called a performance because the ensemble, both actors, directors, managers, and stage crew, diligently worked for twenty-four hours timelessly rehearing, building sets, dancing, and collaborated to produce a finished product that would tell a story to the audience and virtually transports them into the world of Duloc and into the swamps where Shrek resides.
Social Psychology is the scientific study of how we influence, affect, and relate to one another. Social psychology is studied to see how the influence of others can impact how we act. This can be seen in many aspects in life. Most specifically, social psychology can be seen in movies. Recently, I have viewed the movie Shrek which was released in 2001. Shrek is a kid’s movie about an ogre named Shrek who rescues a princess from a castle for Lord Farquaad in order to regain his swamp and privacy. During this process, however, Shrek falls in love with the princess and discovers a secret about her. While watching Shrek, I have noticed that many theories and concepts from social psychology were apparent in the film.
A couple of years ago I took group singing lessons at an acting school called Stage Left Children’s Theater. Towards the end of the year some of the kids in my class started talking about this thing called ‘Main Stage’. I asked my teacher about it and it turned out to be a big end of the year musical that Stage Left held. Most of the classes that they held were divided into age groups but Main Stage wasn’t. Main Stage featured a variety of ages from eight to eighteen. I thought it sounded cool enough but I wasn’t sure I wanted to do it. However, I decided that it was one of those experiences that I’d only get so many chances to do. The play that year was Shrek: The Musical. I’d seen the movie Shrek and liked it so I thought why not give it a go? I asked
A men who craves attention , identified himself as "sin máscara " . He has started killing in Mexico,1986. His name is Rey Chico. He lived in dingy hut small place with his drunken father. Chico's childhood was very trembling , he was abused by his father Bartolome, and ever since then he has developed an aggressive behavior which eventually caused him a trauma. Chico , joined a gang at such a young age . He was fifteen, when he killed his first victim. At age 7, Chico's father beat him up in one of his typical drunken night Bartolomé loss control and cut his sons face with a bottle. Chico had a scar of that night , which was when he decided to wear a mask. He's childhood beating made him a heartless young boy . Seven men were dead.
This aspect of being a social outcast is completely controlled by humans. With The Monster’s persistence in trying to conform to what human’s dictated as normal, he put his best foot forwards. Meanwhile, society couldn’t look past his physical abnormalities to discover the greatness that lied within. In real life, soci...
However, his existence is an oddity that can find no fit. As the creature could find no place among Adam, the author incorporated another metaphor that had the creature match himself to the likes of Satan. Even though a being as cruel as “Satan had his companions, fellow-devils, to admire and encourage him” (105), the creation still experienced a lack of companionship. Both comparisons are examples of the resurrected creature not finding his place in the world. Using two opposites as categories to fit in and still being unable to match either, is an indication for the creature’s status as an anomaly. The usage of metaphors places an importance on how the creature has no actual relation to anything. It becomes contradictory that a literary device used to match two things together was incapable of even correlating the monster into any group of similarities. In the passage the monster at numerous times repeats his quarrel with being “wretched, helpless, and alone” (105). He stresses his loneliness and solitary lifestyle. The use of repeating himself enforces the point that the creature is in a search for companions. Because he was incapable of connecting with another in society his
Diaz introduces the novel and the struggle with cultural identity through a quote by Gustavo Pérez Firmat, “The fact that I am writing to you in English already falsifies what I wanted to tell you. My subject: how to explain to you that I don’t belong to English though I belong nowhere else”. Diaz’s use of this quote as part of the epigraph sets the tone for the novel and shows how there is a disconnect from society as a multicultural person.
A naturalist, the Monster responded to nature with appreciation and joy. With the eye of a scientist, he gradually differentiated one object from another. He observed, experimented and made use of the benefits of the created order. This contemplative naturalist distinguished the call of each bird species and attempted to imitate their song, despite his rough voice. Similar to a newborn adapting to the jolt of being, he painfully adjusted to harsh light and sound, quickly learning the lesson that perception and consciousness hurt. Shying away from the glare of sunlight, the Monster was cradled by the moon's subtle radiance. The moon provided an omnipresent companion, and a source of spiritual awe. Loneliness insisted that he personify the moon as a special sponsor, but the moon's accompaniment was too subtle for the nurturing of the Creature. His craving for relationship was heartfelt and intense.
Lucifer, and therefore his monster may take up the role of Lucifer, otherwise known as
Every Story has it’s monster, whether it’s fiction, fantasy, or real life. Although it may be a literal monster, in some cases in reality it’s disguised as ordinary people. Humanity can be defined in two ways: first is humankind, but it’s the second definition that we want which is humaneness, “characterized by tenderness, compassion, and sympathy for people and animals, especially for those suffering” (Stein). In the novel, The Island of Dr. Moreau, H.G. Wells demonstrates that the elements that make us humane are often exemplified in those we presume to be civilized but later shows the dualities of men when they revert back to their beastial nature.
all whom lived there once where the monster had laid his eyes. The nightmares of this
“The horrible deformed kind. With yellow, putrid skin, glowing eyes, shiny fangs that sparkled in the moonlight, and a silver tongue. Some say he introduced darkness and was cursed to wander through the woods forever.”
A monster can be a symbol of what we fear or something we desire to be and cannot. A monster is a figure of speech. Overtime monsters have not changed how they are portrayed to the world. When we are growing up we use several figures to portray our feelings and sometimes act out. Many social scientists have developed theories telling how we can learn about people from the monster myths they tell. Some of these theories stress the role of monster myths in understanding society as a whole. Others emphasize the place of monster myths in understanding why an individual act’s in a certain way, whether it is conscious or unconscious by a person experiences in the world filtered through the senses. They come in the form of fairytales, or in this case