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Filmmaking Steven Spielberg
Filmmaking Steven Spielberg
Filmmaking Steven Spielberg
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Schindler’s List, Jaws, E.T. the Extra-Terrestrial, and Jurassic Park, notable movies all directed by the inspiring person; Steven Spielberg. He even produced the Transformers series. No one really knows who Steven Spielberg really is, however, everyone is familiar with the movies he has produced and directed. Steven Spielberg was born December 18, 1946 in Cincinnati, Ohio.2 “To deal with stress he would make movies which would be his shield against bullies at school, trouble at home, and any issues he dealt with.”1 He was the oldest child of three sisters. He loved to frighten them even though, surprisingly, he was scared of the same things they were, however, he learned to overcome his fears by making his sisters more scared than he was. Even though he had a rough time at school, making family movies gave him more self-confidence. Steven Spielberg and his dad did not get along as much because his dad was more of a practical person and more of a workaholic. His dad was trying to provide for his family any way he could. His mom was more of the artistic and creative one and, she was the one who convinced Steven Spielberg to use his feelings to make great movies. His mom was the one who got him his first camera. Steven Spielberg acknowledged his mom as the inspiration for his movies. He and his father clashed often as he transitioned into high school and his dad pressured him more than ever to follow him in his footsteps. Steven Spielberg had little interest in math and science. In high school, he was ostracized because being social and outgoing did not come natural to him. Unfortunately, he could not seek refuge in his parents because they were going through a stressful period in their marriage.3 His father was, often, on business ...
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...can be really immature with what they have seen because they do not know how to process things the way adults do. Steven Spielberg has managed to water down things made for adults and make them better suited for teenagers. He keeps in mind that they are still children. Steven inspires teenagers everywhere when his movies premiere on the big screen and you are captivated by his artistic abilities.
Works Cited
Parish, James Robert. "Movies As A Way Of Life." Steven Spielberg, filmmaker. New York: Ferguson, 2004. 5-26. Print.
Powers, Tom. "The Weird Skinny Kid." Steven Spielberg: master storyteller. Minneapolis, [Minn.: Lerner Publications Co., 1997. 13-49. Print.
Spielberg, Steven, Lester D. Friedman, and Brent Notbohm. "At Sea With Spielberg." Steven Spielberg: interviews. Jackson: University Press of Mississippi, 2000. 5-105. Print.
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Petrie, Dennis and Boggs, Joseph. The Art of Watching Films. New York: McGraw Hill, 2012.
Lehman, Peter and Luhr, William. Thinking About Movies: Watching, Questioning, Enjoying. 2nd ed. Oxford: Blackwell, 2003.
Although Valenti and the Rating System's advocates claim that parents should have the final choice in what their children view, the system may, in practice, obstruct that purpose for parents who decide that their children should see some films. For films with the controversial NC-17 rating, the theatre is prevented from letting young John Small and his under-aged ilk from seeing a film despite his parents' permission. In fact, had John actually been accompanied by his parents, the theatre would have had every right -- some would even say responsibility -- to refuse his admission. The printing of the NC-17 rating often does not read -- as would be reasonable -- "Intended for Adults Only" but rather the more rigid "Not to be Attended by Children Under Seventeen.
Steven Soderbergh’s Ocean’s 11 movie is produced with so much wit, brains, dazzle, and virtuosity that hit me like a bucket of ice-cold water. It made me wonder what was gonna happen next.
Stanley, Robert H. The Movie Idiom: Film as a Popular Art Form. Illinois: Waveland Press, Inc. 2011. Print
Kuhns, William. “The Movie Columnists.” Movies in America. London: The Tantivy Press, 1975. 142-73. Print.
Ebert, Roger. Rev. of Almost Famous, dir. Cameron Crowe. Rogerebert.com. Chicago Sun-Times, 15 Sept. 2000. Web. 29 March 2011.
Since the late 1890’s films have been constantly changing the history of pop culture and the way people view war, politics, and the world as a whole. As the timeline of the history of film progressed, there were many different phases: gothic noir, slapstick comedy, tragedy vs. love, romance, and many more. Towards the more recent times, the central ideas of films started drifting to the greatness of the directors. Directors such as Stanley Kubrick, Martin Scorsese, Steven Spielberg, and many more were noted as outstanding directors of action and cinematography. In this paper I will speak about Wes Anderson, Martin Scorsese, and the ever so infamous Baz Luhrmann. These directors have changed the way filmmaking has been and will be looked at from this point on.
Walt Disney was born December 5, 1901 Hermosa, Chicago,Illinois by parents Elias Disney and Flora Call Disney. Living with four other siblings, Walt Disney grew up knowing selflessness and the power of togetherness that he used latter on in his many lines of work. Known for being a entrepreneur, cartoonist, animator, voice actor, and film producer, Walt Disney has been successful in bring joy and happiness to everyone of all ages.Disney has made large stepping stones for the animated industry along with creating beautiful long lasting entertainment for all and teaching us that with hard work and dedication we can do anything we dream of.From his humble beginnings in an old garage to building his own empire, Walt Disney has proven to be one of the most influential people even today with his many accomplishments.Some of these many accomplishments include creating something that everyone of every age can enjoy, improving the quality of animation along with creating the first full length animated movie, and opening the doors for the next generation of Disney Co. workers.
It is a common mis-conception that films are merely entertainment, and serve no other purpose than to provide for the viewer a two-hour escape from reality. This is a serious under-estimation of the power, purpose, and potential of film, because film, upon reflection, revea...
Sklar, Robert. Movie-made America: A Social History of American Movies. New York: Random House, 1975. Print.
Neill, Alex. “Empathy and (Film) Fiction.” Philosophy of film and motion pictures : an anthology. Ed. Noel Carrol and Jinhee Choi. Malden, MA: Blackwell Publishing, 2006. 247-259. Print.
Rascaroli, Laura. "The Essay Film: Problems, Definitions, Textual Commitments." Framework: The Journal of Cinema and Media 49.2 (2008): 24-47. JSTOR. Web. 08 May 2014.
Each chapter invents its own reality, a reality of the screen, of the movies, that is brought into closer contact by means of a literary text. The book as a whole, then, glorifies in the postmodern tradition multiple interpretations of reality. Movies themselves present alternative realities or interpretations of perceived realities, most often differing from our own individual constructions. Thus, by offering ...
Barsam, R. M., Monahan, D., & Gocsik, K. M. (2012). Looking at movies: an introduction to film (4th ed.). New York: W.W. Norton & Co..