Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
What is the importance of science fiction
Importance of science fiction
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Jules Verne’s science fiction novel Twenty Thousand Leagues Under the Sea delivers profound insight into historical events which influenced the work. Through Verne’s descriptive style, one is able to ascertain various political and foreign policy aspects that involved France during the time the novel was written. In addition, worldly issues and struggles can be accurately assessed. Due to Verne’s “detail and determination to explore questions of liberty and authority,” it is evident that he largely incorporates personal opinion and ideas into his works (“Twenty Thousand Leagues Under the Sea” Literature and Its Times). Verne also integrates Victorian Era interest such as technology and science. Although many facets of Twenty Thousand Leagues Under the Sea seem relatively impractical, they represent ongoing advancement during the time, set a precedent for future developments or are derived from previous inventions. Regardless of how the novel is perceived, it has contributed a plethora of lasting impacts to the world.
In Verne’s original manuscript of Twenty Thousand Leagues Under the Sea, there existed a controversial aspect that he remained “passionate about and determined to use” (“Twenty Thousand Leagues Under the Sea” Literature and Its Times). During the closing chapters of the first manuscript, Verne portrayed Captain Nemo as a Polish man, who vehemently destroyed a Russian warship. Throughout this original scene, Nemo demonstrates a vast hatred and resentment for Russia. Based upon this event, it can be inferred that it serves as a reference to Russian oppression of Poland. Historically, Poland has long endured a problematic relationship with the Russian nation. This difficult relationship escalated to a peak of conflic...
... middle of paper ...
...ly Verne’s work provided him with a way to convey his political and economical views of the period to a wider audience.
Works Cited
Verne, Jules. Twenty Thousand Leagues Under the Sea. (1870). London: Penguin Group, 1986. Print.
Schoell, William. Remarkable Journeys: The Story of Jules Verne. 1st. Greensboro, NC: Morgan Reynolds Publishing, 2002. Print.
Butcher, William. “Hidden Treasures: The Manuscripts of Twenty Thousand Leagues Under the Sea.” Science Fiction Studies 32.1 (2005): 43-60. Print.
“Twenty Thousand Leagues Under the Sea.” Literature and Its Times. 2. Joyce Moss and George Wilson, eds. Detroit, MI: Gale Publishing Group, 1997. Print.
Schoonover, Thomas. The French in Central America: Culture and Commerce, 1820-1930. Wilmington DE: Scholarly Resources Inc., 2000. Web 10 Jan. 2012.
The author shows the reader the sea just as the sailor does as death, but more than death
Milanich, Jerald T. and Susan Milbrath., ed. First Encounters: Spanish Exploration in the Caribbean and the United States1492-1570. Gainesville: U of Florida P, 1989.
Events throughout this chapter should leave the reader with a feeling of disbelief and make start to question the philosophy of Leibniz. The irony displayed in the shipwreck was then exaggerated by Pangloss’s explanation for James death in the Lisbon Bay. Voltaire used of descriptive words such as flames and topsy-turvy painted images in the readers, which made them, ask themselves how is this the best possible outcome? The combination of the lack of rational in Pangloss’s sulfur explanation with the sailors grotesque behavior completed the attack on the Enlightenment period and their view of optimism. As all of these examples and literary devices produced a chapter full of satiric examples that left the reader flabbergasted with their
Melville, Herman. Moby Dick (Norton Critical Edition, 2nd Ed.). Parker, Hershel and Hayford Harrison (Eds.). New York: W. W. Norton & Company. (2002).
‘The Sea’ followed a different people and it also gave the reader some back story on things and people that were brought up through the book.
Rich, Adrienne. “Diving into the Wreck” The Norton Introduction to Literature. Ed. Kelly J. Mays. 11th ed. New York: Norton, 2013.1010-1012. Print.
Another major factor influencing the medieval view of the ocean is the ideology of the Desert Fathers. The desert fathers were holy men that lived in the near east, who became disillusioned with the materialistic culture of the time and wandered out into the desert as hermits. They were seen as heroes in their time and were revered as wise men. They were sought out by people wanting guidance and gradually became famous for their way of life. They went out to the desert for solit...
Galeano, Eduardo. Open Veins of Latin America: Five Centuries of the Pillage of a Continent. Translated by Cedric Belfrage. New York: Monthly Review Press, 1997.
Verne, Jules. "Jules Verne at Home." Twentieth Century Literary Criticism: Volume 6. Detroit, Michigan: Book Tower, 1982. 522. Print.
Thrall, William flint, Addison Hibbard, and Hugh Holman. A Handbook to Literature. New York: Odyssey, 1960.
...ing novels of their time. They both revise aspects of their era, that would rarely, if ever, have been touched on. Wide Sargasso Sea having the double revision of challenging Jane Eyre, as well as social beliefs. “The devices that connect the two texts also rupture the boundary between them. Although this rupture completes Rhys’ text, it results in a breakdown of the integrity of Bronte’s.” As much as Bronte’s text was revolutionary of her time, so too was Rhys’. Time changed and what was once revolutionary became simplified and unbelievable. The fact remains, that without Jane Eyre, there would be no Wide Sargasso Sea, the two text’s are mutually exclusive, and just as revolutionary now as when they were written.
The story’s theme is related to the reader by the use of color imagery, cynicism, human brotherhood, and the terrible beauty and savagery of nature. The symbols used to impart this theme to the reader and range from the obvious to the subtle. The obvious symbols include the time from the sinking to arrival on shore as a voyage of self-discovery, the four survivors in the dinghy as a microcosm of society, the shark as nature’s random destroyer of life, the sky personified as mysterious and unfathomable and the sea as mundane and easily comprehended by humans. The more subtle symbols include the cigars as representative of the crew and survivors, the oiler as the required sacrifice to nature’s indifference, and the dying legionnaire as an example of how to face death for the correspondent.
Burns, Bradford E. Latin America: A Concise Interpretive History. Upper Saddle River: Pearson Education, 2002.
Sir Arthur Conan Doyle’s The Lost World (1912) is yet another essential novel, that marked and defined the genre science fiction. Set in an expedition to a plateau in South America, the reporter Edward Malone tells his journey along with the hot-headed and eccentric Professor George Edward Challenger. What differentiates the protagonists from Doyle’s, what was soon to be known as Challenger Tales, his Sherlock Holmes series, is not only the ambiguity in attitude, as Sherlock Holmes is considered self-controlled and analytical, whereas Challenger portrays the stellar opposite, but also the way both novels are being narrated. Whereas former novel series has Sherlock’s assistant Dr. Watson as the narrator of the protagonists adventures, The Lost
2) Melville, Herman. Parker, H. and Hayford, H. (Eds.) Moby Dick. Norton Critical Editions (2nd edition). WW Norton & Company. (2001)