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Jazz impact on african americans
Jazz impact on african americans
The influence of black music on the civil rights movement
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Music is often a way to trace the changes in culture and society overall. America experienced a period of turmoil and change during the 1960s. Powerful people were emerging from the African American communities to raise their voice for equal rights by giving voice to the people. Miles Davis demonstrated the will of the people through his music. The transitions in musical style of jazz artist Miles Davis in combination with his own personal experiences are a reflection of movements within the civil rights period. By defying expectations of the jazz genre, Davis fought against oppression by creating music for the community. However, it was only after he became aware of his influence that Miles Davis truly became an iconic symbol of power and …show more content…
In what would be later named the ‘Birdland incident’, Davis described being beaten by a white police officer after escorting a young white woman into a taxi. Author Ingrid Monson describes, “the struggle was so noisy that members of the Hodges-Robbins Orchestra who were rehearsing across the street… captured New York City’s finest calling Miles Davis the n-word”. The judge later dropped the case, leaving Davis with an interminable sense of cynicism. A dear friend of Davis once commentated on the Birdland incident and Davis’ reaction to the outcome. “He feels that he was attacked because he is a black man and that he was denied justice because he is a black man”. This incident was a shock to the musical world. Davis would later learn the impact he had after meeting Hugh Masekela, a South African trumpet player. “He told me that I had been a hero of his and other blacks in South Africa when I stood up to that policeman outside of Birdland that time and I remember being surprised that they even knew about that kind of thing over there in Africa”. It was at this point that Davis realized the extent of his political influence and musical …show more content…
Although often described as having a strong personality, it was a combination of childhood experiences of oppression and realization of his political influence that would take Davis to the top of the musical spectrum. Not only did his music influence the later musical style of artists like Prince, Mos Def and Santana, but he also stood as a symbol for the black power movement. His transition from artistically pleasing standards on Milestones (1958) to the funk rhythms of Bitches Brew (1970) help show the power of an artist’s influence and the lasting changes brought about from the work and life of Miles
In “Blame It On the Blues” the author Angela Davis, argues against critics, like Samuel Charters and Paul Oliver, who say that the Blues lacks social commentary or political protest, by saying that the Blues was a subtle protest against gender and racial inequality. Davis uses various songs from Ma Rainey and Bessie Smith to prove this.
Segregation and discrimination in America was a serious social issue that affected the lifestyle of African-Americans in the 1960’s and the civil rights movement was a social movement that had an aim of ending racial inequalities. As a result of the segregation between these two cultures, there was a lot of rising racial tension which consequently led to the culmination of race riots. The social issues at that time played a significant part in Gordy’s success in the production of Motown as he wanted to produce the “sound of young America” regardless of one’s colour or race and to take this sound to wider audiences including Baby Boomers. “Motown was about music for all people- white and black, blue and green, cops and the robbers…I was reluctant to have our music alienate anyone…” (Gordy, 2011). According to Boyce (2008), the image and sound of Motown was all about the promotion of “cross over” music without the involvement of politics, but Gordy ended up showing some support for the civil rights movement as he recorded and distributed Martin Luther King Jr.’s ‘The Great March to Freedom’ speech in 1963, later founding a Black Forum
Musicians during the Harlem Renaissance created a style and movement that simply took Americans by storm. Musicians such as Duke Ellington and Louis Armstrong have inspired others all over the country. The Renaissance itself was not only an observation of life for African Americans, but it also showed Americans that they have a place in society. All of the musicians, writers, and artists shared a common purpose. This purpose was to create art that reflected the Afro American community. Through this era, African Americans provided themselves with their cultural roots and a promise for a better future. Music in this era was the beginning. It was the beginning of new life for musicians and African Americans.
“His relaxed phrasing was a major change from the staccato style of the early 20’s and helped to set the stage for the Swing Era” (“Life & Legacy”). And as such a prominent artist, and in particular, jazz artist, Armstrong did not only change the perception of jazz and swing, but the views on African Americans and their culture. Armstrong and the Harlem Renaissance reflected black history and culture, and it became popular, even in white communities and clubs. Jazz as a whole genre helped further society’s views through the universal language of music, where any ethnicity could partake in it. And the revolution of jazz was lead by the stylings of Louis Armstrong. The duration of the jazz and swing era, lasting decades past the 1920s, symbolized the civil rights movement directly through the lyrics, sounds, and artists
During the 1960s and the early 1970s, music reflected the political and social changes that America was undergoing at the time. Some of these major changes included the African-American civil rights movement and the conflict over America’s role in the Vietnam War. During these hard times, people turned to music for hope, peace, happiness and answers.
According to Albert Murray, the African-American musical tradition is “fundamentally stoical yet affirmative in spirit” (Star 3). Through the medium of the blues, African-Americans expressed a resilience of spirit which refused to be crippled by either poverty or racism. It is through music that the energies and dexterities of black American life are sounded and expressed (39). For the black culture in this country, the music of Basie or Ellington expressed a “wideawake, forward-tending” rhythm that one can not only dance to but live by (Star 39).
Moreover, the task at hand is not one that is easily accomplished. In order for music to be a hit, it had to be a hit within the white community. The ...
During the Civil Rights era, African Americans changed the way people looked at music by ending the segregation in the music world and by making a well-known “soundtrack” and influence during the Civil Rights Movement.
Imagine you are walking the streets of New Orleans. You are standing right where jazz was established in the United States of America. Jazz wasn’t just about music, it also affected the culture involving social, economic, artistic and jazz leaders.
The story “Sonny’s Blues” By James Baldwin is about a jazz musician and his brother in 1950’s Harlem. The story centers on Sonny who uses jazz music as an escape from his depression. James Baldwin captures the art of jazz during this time period. The themes in this short story are perhaps varied, but all of them revolve around some form of suffering. One theme shows how music can promote change and understanding within relationships. A second theme reveals suffering caused by guilt. Yet another theme references the results of suffering brought about by searching for ones’ identity and how that leads to misunderstanding. There are also subthemes concerning racism and poverty.
On a trip to Ghana as Ambassador Satchmo, he recognized the struggles the people still faced with slave trading and colonial subjugation and was reminded of the American South’s “vigilante violence against black people.” (Eschen 62). The sympathy that he felt for their struggles inspired him to play “Black and Blue” and the “sense of shared struggle was reciprocated” (Eschen 63). Through “Black and Blue” Armstrong remembered the struggles that the blacks were suffering in the United States just like the people of Ghana. This was a turning point in his life and ultimately led him to work harder at helping his fellow black brethren to obtain their rightful civil privileges. This conversion was illustrated when he cancelled a trip for a Soviet tour in order to help the African American kids in Little Rock. Armstrong accused President Eisenhower of being “‘two-faced” on civil rights and allowing ‘Faubus to run the government.’ ‘It’s getting so bad a colored man hasn’t got any country’” (Eschen 63). In response, Eisenhower sent federal troops to assist with integration. However, the actions of the musician at other times bought forward harsh feelings like “What have you done for your people, except hurt them?” (Meckna 37) He was criticized for wearing leopard skins in a film and using minstrel humor which made him appear as playing into the degrading stereotypes of the time. In a
Before the war started, a wealthy white man by the name of John Hammond worked to integrate black and white music.1 Since his childhood, he enjoyed the music of numerous black artists, and he wanted to share his love with the rest of America. He used much of his inherited fortune to make this possible. He went against the general opinion of society and his parents, who despised black people. Hammond refused to ignore black artists’ musical abilities because of their color, “I did not revolt against the system, I simply refused to be a part of it.”2 He used his money to organize the most eclectic group of musicians ever assembled, for an integrated audience of his time. Hammond’s efforts made an indelible impact on the music industry. The musicians Hammond introduced in...
This change happened because jazz brought a change to the music scene, acceptance of African Americans, and a change of lifestyles to the everyday people.
Monson, I. (2010).Freedom sounds : civil rights call out to jazz and Africa. New York Oxford: Oxford University Press.
Powell, A. (2007). The Music of African Americans and its Impact on the American Culture in the 1960’s and the 1970’s. Miller African Centered Academy, 1. Retrieved from http://www.chatham.edu/pti/curriculum/units/2007/Powell.pdf