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Impact of World War 1 on literature
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I believe that World War One was the final nail in the coffin not only for Art Nouveau but also some other styles of art and literature during this time. World War One, also known as the Great War during 1914 till 1918 tilted culture on its side, particularly in Europe and the United States. In these four years alone nearly 9 million people died and millions more were maimed or psychologically scarred especially in Europe where most of the fighting took place (7). World War I is considered by some to be the first man-made catastrophe of the twentieth century and was caused by growing tensions between the European countries because of militarism, alliances, imperialism, and fierce nationalism. Obviously the beautiful, flowery Art Nouveau style …show more content…
The sheer loss of life that the people in World War One experienced in such a short period of time was something dreadfully new and unprecedented during this time. Their was a loss of innocence among the public especially in Europe, which changed people’s view about culture and art. The wonderful optimism that filled the previous decades was quickly abandoned and a discouraging, pessimistic outlook on life was adopted after people had experienced the sheer brutality of new warfare. There was no longer any concept of guaranteed peace after a war this horrible, as soldiers returned from the battlefields the harsh reality they faced was now all they knew. Many artists also participated in the war and whether of not they actually survived, their art was certainly changed because of what they had seen on the battlefield. The high cost of production, Bing’s death and the horrible atrocities that occurred in World War One saw the end of the Art Nouveau style, especially in Europe, but it wasn’t necessarily gone, instead evolving into a new …show more content…
Artists all over the world are using the old Art Nouveau ideas like the curvy lines, various floral elements, and the characteristic colors as inspiration for a new modern art style. The style is even considered as an important bridge between Neoclassicism and modernism even though it only such a short time. Famous buildings and other monuments created in this movement are also now recognized by UNESCO with their World Heritage List as significant contributions to cultural heritage allowing the building to live on and not be torn down (6). This is certainly the case with Art Nouveau since it seems to have been reevaluated starting back during the sixties with “hippie” art, and then with the rise of postmodernism design. Sixties Psychedelic Art parallels Art Nouveau a lot in its form, especially when you look at the sixties art with the long noodle like lines and curvy forms. As the decades continued, the popular style kept changing and changing to reflect the mood of the times and how people viewed their world. I think that now a days Art Nouveau has become so popular with my generation because we grew up surrounded by optimism and not a lot of negativity of fear really until September 11 occurred. I also think that Art Nouveau is a very interesting art style for young artists to understand and explore because it was the first
The art deco style, which above all reflected modern technology, was characterized by smooth lines, geometric shapes, streamlined forms and bright, sometimes garish colours. Initially a luxury style (a reaction against the austerity imposed by World War I) employing costly materials like silver, crystal, ivory, jade and lacquer, after the Depression it also used cheaper and mass-produced materials like chrome, plastics, and other industrial items catering to the growing middle class taste for a design style that was elegant, glamorous and
What’s your favorite song? Sweater Weather? Counting Stars? How about Royals? Although it has always had a place in humanity's cultures and hearts, music wasn’t always as bold, flashy, and prominent as it is in this day and age; it took time to gradually evolve into what we consider to be “popular”, and many believe that one street in New York City was the start of such a great American evolution. Tin Pan Alley, one street among hundreds, and a piece of tragically overlooked American History; dating back to the late 1880's to past World War II, Tin Pan Alley played a critical role in peoples lives and attitudes throughout the early part of the 20th century.
Many soldiers who come back from the war need to express how they feel. Many do it in the way of writing. Many soldiers die in war, but the ones who come back are just as “dead.” Many cadets come back with shell shock, amputated arms and legs, and sometimes even their friends aren’t there with them. So during World War I, there was a burst of new art and writings come from the soldiers. Many express in the way of books, poems, short stories and art itself. Most soldiers are just trying to escape. A lot of these soldiers are trying to show what war is really like, and people respond. They finally might think war might not be the answer. This is why writers use imagery, irony and structure to protest war.
This essay will be focusing on women who worked during the world war two and their roles; also, it will focus on the different work clothes that females have worn for their different occupations over the years. One of the major subject matter in this essay will be the “Rosy the Riverter” poster that was created by various artist during the World War II and the artist this essay will look at is Dame Laura Knight.
violence and change. Artists who worked in traditional media such as painting and sculpture, and in an eclectic range of styles. Some people went with the movement while others opposed it. I enjoy the different types of eclectic movement in art such as the paintings, drawings and the designs. It was not until 1911 that a distinctive futurist style emerged and then it was a product of Cubist influence. Futurism was not immediately identified with a distinctive style. Futurists were fascinated by the problems of representing modern experience, and strived to have their paintings evoke all kinds of sensations and not merely those visible to the eye. Futurist art brings to mind noise, heat, and even smell of the metropolis.
‘Florated madness, liniar hysteria, strange decoratve disease, stylistic free-for-all’, such were the terms its contemporaries used to describe Art Nouveau, the first international design style. Art Nouveau was the rebellion against the entire Victorian sensibility, steeped as it was in the past. The exponents of the style hoped to revolutionize every aspect of design in order to set a standard that would be compatible with the new age. Art Nouveau was a direct descendant of the Arts and Crafts movement and influenced by celtic ornament as well as Japanese woodcut prints, all this resulted in an international style based on decoration.
The investigation will evaluate to what extent did World War 1 influence the artists of the Dada movement? The investigation will look at primary sources by artists themselves, as well as secondary sources that may evaluate the artists and comment on any influences to the creation of Dadaism and the motives of artists. To be able to determine the extent to which World War 1 influenced the artists of the Dada movement, multiple influences will be looked at and examined to gage the appropriate influence. Given the Dada movement primarily occurred in America and parts of Europe, no sources outside of these areas will be used. Personal accounts and recollections will be looked at for first hand opinions of the artists themselves, but historians views on the era and influences will also be used.
Modern art serves to immerse us more thoroughly in a scene by touching on more than just our sight. Artists such as Grosz, and Duchamp try to get us to feel instead of just see. It seems that this concept has come about largely as a way to regain identity after shedding the concepts of the Enlightenment. “Philosophers, writers, and artists expressed disillusionment with the rational-humanist tradition of the Enlightenment. They no longer shared the Enlightenment's confidence in either reason's capabilities or human goodness...” (Perry, pg. 457) It is interesting to follow art through history and see how the general mood of society changed with various aspects of history, and how events have a strong connection to the art of the corresponding time.
The movement art nouveau was established during the 1890s .It lacked the grandiose aura about its presence and techniques that art deco possessed but made up for this with longevity in its impact and success as an art movement. Art nouveau is a movement that has been inspired by forms of nature itself and this was represented in the results of nouveau inspired products such as curtains with excessively frilly trimmings and the influx of indoor gardens or greenhouses. the main forms of this natural influence on this art for was vegetation which what basically flowers petals branches etc. At this early stage, mass publications of art and design were being shown in museums and also public and local galleries which was the fragile start of art nouveau cultural life.
If modernism and postmodernism are arguably two most distinguishing movements that dominated the 20th century Western art, they are certainly most exceptional styles that dominated the global architecture during this period. While modernism sought to capture the images and sensibilities of the age, going beyond simple representation of the present and involving the artist’s critical examination of the principles of art itself, postmodernism developed as a reaction against modernist formalism, seen as elitist. “Far more encompassing and accepting than the more rigid boundaries of modernist practice, postmodernism has offered something for everyone by accommodating wide range of styles, subjects, and formats” (Kleiner 810).
People decided to rebel against the political and social rules of their time and started a new trend of art. It conveyed dramatic subjects perceived with strong feelings and imagination.
How do the German Expressionists use film to convey the effects of WW1? Art had an abrupt change during and after World War 1; the portrayal of the world was presented in a distorted and jagged way. For most art in the era of Expressionism, corruption and destruction of society became the main narrative. Although this is conveyed as the ‘reality’ of the world, Rudolf Kurtz (1926, p. 13) states “Expressionism does not represent the object’s tangible reality: it is concerned with a fundamentally different plane of existence”.
	It is also no wonder that many war artists actually use their talent only during and after war. They use their art as a place for catharsis. Only after they are done healing the torment of the war, they can be done with art. One artist in World War One, Braque, fought in 1914, a year later he was wounded. During his convalescence, he painted. A year later he returned to his home. He left not a single drawing or canvas alluding to what he had been through and no representation of the war is present in his work. He made himself a fresh start, like others did. Many painted and drew what they saw and lived through. From the sketchbooks of pencil drawings done at the warfront to the canvases painted on returning home, theirs is an intense and accurate testimony.
Parallel to the scientific, technological, and social changes that have taken place in the 20th century are the rich varieties of art styles that have developed. Notable are the number of “isms”, such as Fauvism, expressionism, cubism, futurism, constructivism, neoplasticism, surrealism, precisionism.
Art Deco emerged from the interwar period when rapid industrialisation and advances in technology were transforming culture. This distinguishes Art Deco from the organic motifs favoured by its predecessor Art Nouveau. Historian Bevis Hiller defined Art Deco as ‘an assertively modern style that ran to symmetry rather