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Theme of death in literature
Theme of death in literature
Theme of death in literature
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“I don't want to survive. I want to live.” This fairly popular quote can also serve as a summary of Gabriel Conroy’s character in James Joyce’s short story “The Dead." As we read, we see the toll that monotony has taken on Gabriel and, by the end, he sees it as well. This realization is coupled with another, much darker, realization: the inevitability of death. We see signs of these ideas sprinkled throughout the story, from the predictability of the guests to Gabriel’s constant anxiety when talking to the other guests and his long for an escape. These occurrences come to a head when, upon reaching their hotel, Gabriel’s wife Gretta tells him of the boy who didn’t want to live without her, and who died to see her. This story leaves Gabriel with a sudden understanding of love, life, and death, that changes his way of thinking about everyone, including himself. Gabriel’s story takes place during his aunts’ annual dance. Throughout the night we are confronted with the fact that this year is just like every year - Freddy is drunk, Gabriel is to give a speech and carve the goose, the same people sing and play for them, etc.- except for Gabriel himself. He spends most of …show more content…
“The Dead” is truly a warning against falling into society's monotony and letting your life and death blur together to the point that neither have any meaning. It shows us an in depth look at the feelings that come with going through the motions, the isolation and anxiety of a life not lived. It forces us to see how quickly we are all headed towards death and how little we do to live in the meantime. We all too often choose instead to blend in and flatten out. And eventually, like Gabriel, we will face the reality of life and death, whether we are ready or not. “His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the
The deep complexity of its message is furthered by Olds’ use of metaphor. In describing the unburied corpses strewn about the cemetery, she notes a “hand reaching out / with no sign of peace, wanting to come back.” Through indirect metaphor, she is able to not only bring emotion to the stiffness of a frozen hand, but ponder a greater question—whether the “eternal rest” of death is peace at all. Despite the war, despite “the bread made of glue and sawdust,” and despite “the icy winter and the siege,” those passed still long for life. Human cruelty and the horrors of existence permeate even the sanctity of death. In war, nothing is
In Susan Mitchell’s poem “The Dead”, the speaker describes the life of a dead person to show that those we lose aren’t truly gone. The poem starts out talking about what dead people do in their afterlife, starting to form a picture in the reader’s head. Towards the middle, she starts using personal connections and memories associated with what the dead are doing. This shows us that they will always be there to remind us of memories shared together. At the end of the poem, the reader shows us that she is talking about someone who has passed that was close to her in her childhood. Perhaps Mitchell wrote this trying to get over the loss of a loved one, showing that they will never be forgotten. The poem has a
The presence of death in the novel looms over the characters, making each of them reflect on the
Death and Reality in "Where Are You Going, Where Have You Been?" by Joyce Carol Oates
In the first instance, death is portrayed as a “bear” (2) that reaches out seasonally. This is then followed by a man whom “ comes and takes all the bright coins from his purse / / to buy me…” This ever-changing persona that encapsulates death brings forth a curiosity about death and its presence in the living world. In the second stanza, “measles-pox” (6) is an illness used to portray death’s existence in a distinctive embodiment. This uncertainty creates the illusion of warmth and welcomenesss and is further demonstrated through the reproduction of death as an eminent figure. Further inspection allows the reader to understand death as a swift encounter. The quick imagery brought forth by words such as “snaps” and “shut” provoke a sense of startle in which the audience may dispel any idea of expectedness in death’s coming. This essential idea of apparent arrival transitions to a slower, foreseeable fate where one can imagine the enduring pain experienced “an iceberg between shoulder blades” (line 8). This shift characterizes the constant adaptation in appearance that death acquires. Moreover, the idea of warmth radiating from death’s presence reemerges with the introduction to a “cottage of darkness” (line 10), which to some may bring about a feeling of pleasantry and comfort. It is important to note that line 10 was the sole occurrence of a rhetorical question that the speaker
To conclude, I believe that this novel gives a warning to the reader. I believe that it is telling us not to push the boundaries of reality and not to tamper with things that would perhaps be better left alone, because the consequences are unknown, unpredictable and unnatural. It tells us that death and birth are things that in the modern world we just have to accept, and that we should not even attempt to exceed mortal limitations: Playing God should be left to God.
At an annual Christmas party, Gretta became quite enamored with a particular song, later revealing that she had heard it often, long ago, from her late love. This, of course, came as a shock to the oblivious Gabriel, who had spent the majority of the night reading his wife’s behavior as lust, and returning in kind. “The smile passed away from Gabriel’s face... the dull fires of his lust began to glow angrily in his veins” (172). Joyce uses fire and flame-related diction to convey how Gabriel had misread the situation at hand. Never before had he pictured something so tragic, something as inherently human as death to have happened to somebody so close to him. The awareness of his own ignorance is so powerful, he finds it difficult to fully grasp. But at the end of it all, he once again thinks of only himself, reclusing into his own emotions of confusion and hopelessness and longing. The story ends with no real answer as to Gabriel’s fate - now armed with the knowledge he doesn’t love his wife, and that her first love had died for her, it could very well be that he took his own life, but the reader never truly knows for
"Death is not the biggest fear we have; our biggest fear is taking the risk to be alive." Yet death is something that is inevitable, and for some shortcoming. In Ernest Hemingway's "The Short Happy Life of Francis Macomber," Francis Macomber deals with the humiliation of being a coward and the constant battle for a "little boy" to come of age. Hemingway explores the theme of death through metaphors and influential symbols, ironically portraying the struggle to live with fear and the hunt for a "happy" life.
Gabriel Conroy, through his self-righteous concern for others, has created an internal paralysis. Because Gabriel dwells on events in the past he is unable to move forward in his life with satisfaction. Although Gabriel indisputably loves his wife, the elusive curse created by Michael Furey's inconsequential existence, long before he and Gretta were involved, has instigated unruly thoughts on Gabriel's behalf. This vague and malicious being breaks down Gabriel's ego; he questions the validity of his and Gretta's love for one another and the significance of his own life. These thought processes cause Gabriel to believe himself better off dead rather than alive, banishing him to a life of eternal discontent.
...realization that he leads an almost empty, emotionless life. Caught up in his own importance, he insults those he believes beneath him; he has very little appreciation for his homeland and the people and culture that make up Ireland; and what he believes to be a great love is actually nearly empty because his wife gave her heart away years before to a young man willing to die for the girl who held his heart. Sadly, Gabriel realizes at that moment that life is over in only a very short time, and he has never truly lived with passion and excitement, only with resignation and regret. The story ends with the snow falling and his determination to make a change beginning with a journey westward--to Ireland. The events from the evening have pushed Gabriel from his paralysis of possessiveness and egotism. (Greenblatt 2277) Maybe his future will free of these two evils.
James Joyce, “The Dead” 1914 takes place during the feast of Epiphany on January 6. At the party Kate and Julia Morkan eagerly await Gabriel Conroy, their favorite nephew and his wife Gretta. Gabriel is a well educated man who is isolated throughout the party by the situations he encounters. Joyce uses situations and key points, for example, his education and encounters between characters to show how isolated he has and is becoming from the rest of society throughout the celebration. Although, Gabriel doesn 't realize his isolation between himself and the rest, it is clear to the reader that he is being alienated from society. Gabriel’s alienation is revealed and demonstrated throughout story by three main women characters. Overall, he is unable
in Dublin still want to forget the problem and enjoy at least on New Years
Gabriel begins to think about his own relationship with Greta and in doing so, he realizes that Greta would have been better off with a man who truly loved her. At the end of the Dead, the narrator describes Gabriel as watching her sleep, “as though he and she had never lived together as man and wife,” (Joyce, 240). This moment, in comparison to the seemingly endless party chatter throughout the rest of the story, plays a significant role in the text. In “A Painful Case,” Mr. Duffy experiences his own epiphany. Seeing Mrs. Sinico’s death listed in the newspaper allows Mr. Duffy to realize two things. The first is that he is responsible for her death because he pushed her away and left her in a very lonely situation. This realization causes him to ask, “what else he could have done.” He feels guilty but is able to admit that, “he had done what seemed to him best,” (Joyce, 128). The second thing he realizes is that because he pushed away the only person he ever really loved, he is now utterly
The last statement of the desperate longings of the dead, presents the reader with another turning point in his views. The last lines portray the dead as "desperate presences hammering at the gates", illustrating the dead to be longing for something. The reader tries to distinguish what the "gates" are; possibly these gates are the gates to life. It would make sense that the dead are, in their free, careless, and un-timed existence, in fact longing of the happiness of being social and
James Joyce's short story "The Dead" deals with the meaning of life. This title is significant and enhances several aspects of the story. First of all, it reveals that the characters are unable to be emotional. They are physically living but emotionally dead. Second of all, it contributes to the main subject of the story, Gabriel's epiphany. The title contributes to these aspects of the story by adding meaning and acting as a reminder of the overall theme of the story.