The Impossibility Of True Happiness In Aldous Huxley's Brave New World

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There’s always soma!: The Impossibility of True Happiness in Aldous Huxley’s
Brave New World

“‘The world’s stable now. People are happy; they get what they want, and they never want what they can’t get’” (193-4). In Aldous Huxley’s Brave New World, true happiness is impossible in the synthetic society of World State because, by conditioning their citizens, they gave up their human nature in exchange for societal stability. True happiness is one of the complexities in human nature that the simple-minded citizens cannot fathom due to their lack of variety for stimulation, self-regulation for purpose, and human connection for significance. They are only able to see everything in white, got rid of the black, however: “Human nature is not black and white but black and grey” (Graham Greene). Although the inevitable human desire for variety is only the brim of true happiness, the uniformity in the people’s structured lives already rid them of real stimulation. Instead of being able to explore any area within and beyond Earth, World State citizens are limited to Earth’s surface.
Another uniformity that the people are conditioned to put up with is themselves and all of the people around them. At the Westminster Abbey Cabaret, Henry and Lenina dance among the Sixteen Sexophonists until “the Sixteen [lay] by their sexophones” from exhaustion, “they [may] have been twin embryos gently rocking together on the waves of a bottled ocean of blood-surrogate” (66-7). The Sixteen represents everyone in World State; they are all identical infants in identical adult bodies, still accustomed to a womb-like environment that disables natural human behaviour. Uniformity blocks off the critical thinking required for abstract stimulation, the stimulation that every single person is supposed to

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