In Shakespearean terms, blindness can mean a whole host of things. Samuel Butler, an English novelist, said, “A blind man knows he cannot see, and is glad to be led, though it be by a dog, but he that is blind in his understanding, which is the worst blindness of all, believes he sees as the best, and scorns a guide." Blindness is a major theme that recurs throughout Shakespeare’s play, King Lear. Samuel Butler’s quote can be used to describe King Lear, who suffers, not from a lack of physical sight, but from a lack of insight and understanding. Blindness is a factor in his poor judgment. It plays a major role in the bad decisions he makes. It leads to harsh treatment of those closest to him. It is the combination of these consequences of Lear’s failed sight that demonstrate how blindness is a major flaw that contributes to the chain of events that ultimately result in his tragic downfall. Blindness can normally be defined as the inability of the eye to see, but according to Shakespeare, blindness is not a physical quality, but a mental flaw some people possess. Shakespeare’s possibly most dominant theme in his play King Lear is that of blindness and King Lear, Gloucester, and Albany are all three prime examples of Shakespeare’s incorporation of this theme in the play. Each of these characters’ blindness is the primary cause of the bad decisions they make, decisions which all of them eventually come to regret.
In the first scene the audience sees Lear proclaiming to his three daughters that, in order to be awarded her dowry, she must express her love accordingly to him. Goneril going first uses wit, deceit and Lear's state of metaphorical blindness to create such an indulgent speech of which no father could disapprov...
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...y he sees now, so he has no use for eyes. Gloucester finds his sense of insight just in time to save his life from his son Edmund. He sees Edmund as an evil man and Edgar as the loyal and loving son that he is.
But not only are Lear and Gloucester blind to those around him, they are blind to their responsibilities. Gloucester's adultery leads to the illegitimate Edmund who causes strife in his kingdom. Lear's abdication of the throne and handing over of power to self serving individuals, feeling entitled to a “retirement”, leads to his downfall, it is also apparent that Lear was blind to the needs of his people during his reign as evidenced by his remorse over not taking care of the less fortunate after his encounter on the moor. The theme of blindness is omnipresent in Lear and should be regarded as something of a cautionary message against our own blindness.
To begin, Lear's two eldest daughters dishonour him on several occasions. The first of three situations involves solely Goneril, the eldest. In Act I scene iii, Goneril gives a direct order to her manservant, Oswald:
Through Lear, Shakespeare expertly portrays the inevitability of human suffering. The “little nothings,” seemingly insignificant choices that Lear makes over the course of the play, inevitably evolve into unstoppable forces that change Lear’s life for the worse. He falls for Goneril’s and Regan’s flattery and his pride turns him away from Cordelia’s unembellished affection. He is constantly advised by Kent and the Fool to avoid such choices, but his stubborn hubris prevents him from seeing the wisdom hidden in the Fool’s words: “Prithee, tell him, so much the rent of his land comes to: he will not believe a fool” (Shakespeare 21). This leads to Lear’s eventual “unburdening,” as foreshadowed in Act I. This unburdening is exacerbated by his failure to recognize and learn from his initial mistakes until it is too late. Lear’s lack of recognition is, in part, explained by his belief in a predestined life controlled completely by the gods: “It is the stars, the stars above us govern our conditions” (Shakespeare 101). The elder characters in King Lear pin their various sufferings on the will of...
Much of the imagery in King Lear's first scene presages what is to come in the play. Often characters refer to senses, particularly sight, whether as a comment on the necessity of sensing consequences before acting (as Lear does not), or as yet another of Shakespeare's comments (most apparent in Hamlet) on "seeming." The destruction of Gloucester's eyes and his subsequent musings ("I stumbled when I saw" (IV.i.19) etc.) are a more graphical presentation of this basic theme which originally appears in Lear's first scene. Goneril declares Lear is "dearer than eyesight" (I.i.56) to her (though she is the one who later suggests putting Gloucester's eyes out for his "treachery"). Regan goes further, proclaiming "I profess / Myself an enemy to all other joys / Which the most precious square of sense possesses" (I.i. 72-74). Crossed in his wrath by Kent, Lear cries "Out of my sight!" (I.i.157), only to be reproved with Kent's "See better, Lear, and let me still remain / The true blank of thine eye." (I.i.158-9).
Blindness is only a disability for those that are mentally blind. Shakespeare being a man of keen mental sight, he has had the ability to portray mental blindness in several of his plays. Being one of the best writers, he is actively able to capture the four elements of a well-made play, being peripetiea, denouement, timely entrances and exits and incredibly gripping scene entrances and conclusions. Having written 38 plays with two original plots, Shakespeare expresses his themes through passionate romance, sorrow-filled tragedy, inviting history and hilarious comedy. One of his most famous comedies is the play, Much Ado About Nothing.
The focus in this scene is to show that Lear has so much pride that it made him blind to Cordellia’s love and the reason to why he loved. His pride made him think that flattery is love thus he gave everything to Goneril and Regan. This was his biggest mistake, leaving him completely dependent upon his two hateful daughters. He kicked Cordellia out so there is no hope of him being helped now.
It tainted his familial bonds and gave him a sense of determination to escape society’s value of him. The notion of bastardy drives this aspect of the plot and is the single most important idea when looking into the phenomenon of cruelty between Edmund and Gloucester in King Lear. Edmund’s story is tragic because there is no resolution for his biggest grievance apart from a larger paradigm shift, marking a change in society’s value of the bastard. It is safe to say that Edmund and Gloucester’s relationship was plagued by powers greater than themselves. Shakespeare elevates their relationship to start a dialogue about family and societal values—creating a deeply layered and tragic
Two powerful characters in the play, aging King Lear and the gullible Earl of Gloucester, both betrayed their children unintentionally. Firstly, characters are betrayed due to family assumption. Lear banished his youngest daughter Cordelia because he over estimated how much she loved him. When questioned by her father, she responds with, "I love your Majesty / According to my bond, no more nor less." (I,i, 94-95) Lear assumed that since Cordelia was his daughter, she had to love him in a certain way, but he took this new knowledge and banished her without further thought. Secondly, characters were betrayed because of class. Edmund, the first-born son in the Gloucester family, should have been his father's next of kin. He would have been able to take over the position of Earl upon his father's death if he did not hold the title of a legitimate bastard. In his first soliloquy he says, "Why Bastard? Wherefore base? / When my dimensions are as well compact/ my mind as generous, and my shape as true " (I,ii, 6-8) Edmund believes he is at least equal, if not more, to his father in body and in mind, but the title that his father regrettably gave to him still lingers. Lastly, characters were betrayed because of family trust. Gloucester trusted his son Edmund when he was told that his other son was trying to kill him. Upon reading the forged letter written by Edmund, he responded with, "O villain, villain! His very opinion in the letter! Go, sirrah, seek him." (I,ii,75-77) Gloucester inadvertently betrayed Edgar because he held so much trust in his one son that he was easily persuaded to lose all trust in his other one. These blind characters were unfortunately betrayed there children, but they did it unintentionally and will eventually see there wrong doings.
For example, Gloucester’s open discussion of Edmund’s bastardy parallels Lear’s love test of having his daughters publicly proclaim ‘who doth love [him] most’, in addition, both instances leads to the humiliation of their offspring generating familial conflict and triggering their downfall. Therefore, one can argue that by analysing Gloucester’s tactlessness, one can surmise how Shakespeare has successfully portrayed the fragility of human relationships and in doing so, has allowed us to identify the relationship between human tactlessness and an individual’s undoing within the human
In King Lear, Shakespeare portrays a society whose emphasis on social class results in a strict social hierarchy fueled by the unceasing desire to improve one’s social status. It is this desire for improved social status that led to the unintentional deterioration of the social hierarchy in King Lear. This desire becomes so great that Edmund, Goneril, Reagan and Cornwall were willing to act contrary to the authority of the social hierarchy for the betterment of their own position within it. As the plot unfolds, the actions of the aforementioned characters get progressively more desperate and destructive as they realize their lack of success in attaining their personal goals. The goals vary, however the selfish motivation does not. With Edmund, Goneril, Reagan and Cornwall as examples, Shakespeare portrays the social hierarchy as a self-defeating system because it fosters desires in its members that motivate them to act against the authority of the hierarchy to benefit themselves. A consideration of each characters actions in chronological order and the reasons behind such actions reveals a common theme among the goals for which morality is abandoned.
Tragedies are dominated by contrasts and conflicts between various entities such as, good and evil, legitimate and illegitimate, appearance and reality and so on. Another contrast is between wisdom and foolishness. If one associates foolishness with madmen and fools one will be surprised to find that in a tragedy such as King Lear this is not the case. Shakespeare portrays, the sane characters such as Kent and Cordelia as fools by virtue of loyalty, love and their willingness to speak the truth. On the otherhand, the Madman, Tom o’Bedlam and the fool are depicted as the true figures of wisdom. Moreover mirroring all this is King Lear’s transition from foolish behaviour through madness achieving wisdom.
A connection that is lost would include Lear’s relationship between him and his three daughters. If Lear’s lack of communication were to be put aside, then Lear could then understand and know his daughters each on a personal level. Thus, allowing him to realize that Cordelia is the most loyal and loving daughter of all. Whereas, he would recognize Goneril and Regan to be his two ungrateful daughters, who are known to be fake backstabbers that are capable and willing enough to get that they want. Secondly, with Lear’s deficient sense of communication, it has allowed him to gain the persona of haste irrationalism. As said by Goneril to Regan “The best and soundest of his time hath been but rash” (1.1. 295). Goneril explains that Lear himself has always been irrational and uncontrollable, even when young. This is proven after the choice of Cordelia to not profess the love that she has for her father, causing Lear to then hastily banish Cordelia from the
In Shakespeare's classic tragedy, King Lear, the issue of sight and its relevance to clear vision is a recurring theme. Shakespeare's principal means of portraying this theme is through the characters of Lear and Gloucester. Although Lear can physically see, he is blind in the sense that he lacks insight, understanding, and direction. In contrast, Gloucester becomes physically blind but gains the type of vision that Lear lacks. It is evident from these two characters that clear vision is not derived solely from physical sight. Lear's failure to understand this is the principal cause of his demise, while Gloucester learns to achieve clear vision, and consequently avoids a fate similar to Lear's.
Another reason for the eye-gouging scene is to emphasize the theme of sight vs. blindness. Throughout the tragedy the characters unquestionably believe what they see, and are completely blind towards reason, instinct, and emotions. For example, after Lear banishes Kent for standing up for Cordelia, Kent returns in disguise. This disguise consists of changed clothes and a faked accent, and Lear cannot recognize him.
In Shakespeare's classic tragedy, King Lear, there are several characters who do not see the reality of their situation. Two such characters are Lear and Gloucester. Both characters exhibit a blindness to the world around them. Lear does not see clearly the truth of his daughters mentions, while Gloucester is also blinded by Edmond's treachery. This failure to see reality leads to Lear's intellectual blindness, which is his insanity, and Gloucester's physical blindness that leads to his trusting tendencies. Each character achieves inner awareness at the end as their surreal blindness is lifted and they realize the truth. Both Lear and Gloucester are characters used by Shakespeare to show the relevance of having a clear vision in life.
The first flaw in King Lear is his arrogance, which results in the loss of Cordelia and Kent. It is his arrogance in the first scene of the play that causes him to make bad decisions. He expects his favorite, youngest daughter to be the most worthy of his love. His pride makes him expect that Cordelia’s speech to be the one filled with the most love. Unfortunately for King Lear’s pride, Cordelia replies to his inquisition by saying, “I love your majesty/According to my bond and nothing less';(1.1.100-101). Out of pride and anger, Lear banishes Cordelia and splits the kingdom in half to the two evil sisters, Goneril and Regan. This tragic flaw prevents King Lear from seeing the truth because his arrogance overrides his judgement. Lear’s arrogance also causes him to lose his most faithful servan...