Irony emphasizes the violence endured by the characters in Orwell’s 1984 more than comparable to Sophocles’ Antigone. Irony in 1984 is crucial to understand the violence portrayed throughout the novel. The Party in 1984, has managed to turn love into something sinister, "One did not know what happened inside the Ministry of Love, but it was possible to guess torture, drugs, delicate instruments that registered your nervous reactions, gradual wearing down by sleeplessness and solitude and persistent questioning." (138). In order to understand the violence the characters endured as well as delivered, we must first understand the irony of the sequence of events that lead us these characters ultimate demise. Once we understand the violent deaths in Antigone as well as the violence Winston endured in the Ministry of Love, we can understand the importance of irony to define these events. By highlighting this order, we will see how without irony, the violence would just make these novels gruesome and theme-less. The irony in 1984 is widely represented in the party's slogan, "War is Peace; Freedom is Slavery; Ignorance is Strength." (26), which means constant war had become peace, the individual is powerless, and individual freedom weakens the individual by making it impossible to do anything grand and the lack of intelligence and ignorance to the truth keeps the party strong. The Ministry of Truth constructs lies, the Ministry of Love specializes in pain and torture, the Ministry of peace engages in war to show that it is beneficial to pursue outside enemies instead of each other, and the Ministry of Plenty causes deficiency. Although irony is prevalent in both works, without irony, we would not be able to comprehend Orwell's use of lite... ... middle of paper ... ...s mouth." (63). The use of irony prepares us for the violence witnessed in both Sophocle's Antigone and Orwell's 1984. Without irony, we would not understand the meaning of violence in both works. Irony gives 1984 a symbolic meaning to the violence Winston endured. As well as in Antigone, every death was symbolic, although quite violent and gruesome. Winston's punishment could have been foreshadowed as well as Antigone's death. Foreshadowing is another way to analyze these works. As I proven, that the order of irony is crucial to understand violence, however, it is Winston's dreams that illuminate the foreshadowing and the natural order of things. Winston's dream of O'Brien demonstrates how he foreshadowed, referring to when he was captured and sent to the Ministry of Love where the lights never go off. "We shall meet in the place where there is no darkness." (25).
In “1984,” Orwell uses Winston to portray a single individual’s attempt to take action against a powerful government, culminating in his failure and subjugation. His individual efforts failed tremendously due to the overarching power of the Party to control every aspect of social life in Oceania. Orwell uses Winston’s deeply seated hatred of the Party to portray his views on power and social change. Winston’s actions show that even in the direst of situations ...
It is said that 1984 is one of the greatest books ever written, a literary work that remains as transcendent as ever since its publishing date sixty-four years ago. It is a grimly realistic story crafted together by George Orwell, who takes upon particularly effective literary elements, such as the limited third-person point of view, to follow the life of Winston Smith, the average everyday, resentful civilian who attempts to fight against the seemingly omnipotent and ubiquitous powers of the Ingsoc Party. The Ingsoc Party, a totalitarian government that governs the fictional country of Oceania, holds a casket of brilliantly intelligent individuals, some of who are members of the terrifying Thought Police and the notorious Inner Party, who employ informal language against the uneducated masses of Oceania civilians. Symbolism is also a key literary element in the novel, for anything ranging from ubiquitous telescreens to the infamous Big Brother ultimately contribute to Winston’s realization of how unbreakable the power of the Ingsoc Party truly is. All throughout 1984, George Orwell exercises the elements of diction, point of view, and symbolism to bring out the novel’s theme of how futile resistance is against established totalitarian governments.
In Fahrenheit 451 by Ray Bradbury, irony is often used to convey information and contribute to the overall theme of the novel. Many parts of the book contain this irony because it works well for fueling either the main antagonist or protagonist actions. Fahrenheit 451 is a book based on the ideals of a “utopian society” where books are illegal and burned if they’re found. Firemen are ordered to burn books and all houses that contain them, versus putting out fires and protecting people. In communities people don’t think, they cannot be ‘intellectuals’, and they are forced become drones of the government’s ideals. In the novel Farenheit 451 irony is used to express the complex ideas of the society, but also gives the book more understanding and meaning by making us think differently, how characters are ironically told not to.
The approach towards freedom is hard to achieve against a totalitarian government but possible to win with the people’s belief. 1984 by George Orwell and James McTeigue’s V for Vendetta portray the same idealism of the anti-heroes, Winston and V. An anti-hero is “a protagonist who lacks the attributes that make a heroic figure, as nobility of mind and spirit, a life or attitude marked by action or purpose” (“Antihero”). Winston is not courageous, peaceful, and self-centered along the path of freedom for Oceania, whereas the anti-hero, V is violent in his actions, impatient and careless in his pursuit to free London from the totalitarian government. As a matter of fact, V and Winston have the opposite behaviours; this is significant because it helps to compare the approach of the anti-heroes toward freedom. At the end of 1984 and V for Vendetta, the result of their approach is different from each other; Winston gives up on the liberation of Oceania, while V dies knowing that London is freed from Norsefire Party. In 1984 and V for Vendetta, the different behaviours of the anti-heroes, Winston and V, illustrate their approach to attaining freedom from the totalitarian government.
George Orwell’s haunting dystopian novel 1984 delves into the closely monitored lives of the citizens of Oceania as the Party tries to take control of society. In totalitarianism, propaganda and terrorism are ways of subjugation with a main goal: total obedience. He aimed to create a “what if” novel, what would happen if totalitarian regimes, such as the Nazis and Soviets, were to take over the world. If totalitarianism were to happen, the leader would be the brain of the whole system. Orwell emphasizes the theme of individualism versus collective identity through Winston, the protagonist, and his defiance to the Party and Big Brother, with a frightening tone, surreal imagery and a third person limited point of view.
After her mother committed suicide, her father died and her brothers fought until they killed each other, Antigone projects her strong character with interesting ways of showing it. As the main character with strong values and a stubborn way, she follows the laws of god, without minding the consequences. Antigone is a strong willed woman who wins the respect of the audience by the inner strength and resistance of manipulation she has, showing the potential of human kind. She becomes a heroine with noble qualities of mind, heart and soul because she is willing to sacrifice her life, doing what she believes it is right. With a sense of family ties, she is an ideal for humanity, the issue is that she must burry her brother Polynices with an appropriate ceremony since she believes it is the last right for every human being.
”The values, beliefs and attitudes of George Orwell’s can easily be seen in the novel 1984, as no text is neutral. These values attitudes and beliefs have shaped the novel to reflect socio-cultural context and by the use of certain discourses, ideologies, and historical influences support the idea that) “The explanation of a work is always sought in the man or women who produced it “Bathes Roland (1977).
The constant theme of betrayal in 1984 is being used by George Orwell to show how hopeless Winston’s struggle against the Totalitarian system is, giving the reader an idea of how bad this type of government is. The reader is introduced to this dark time and given hope in the form of the rebellious protagonist, Winston. However, the reader soon realises how hopelessly alone Winston is in his silent battle when they see that the government is against him, he has no support or allies, and that even his own mind can be turned against him. The message is clear and makes readers who live in a democracy happier with what they have.
Antigone was a selfless person with pride as a strong characteristic of her personality. She possibly had feelings of loneliness and anger from the way society has looked upon her family from their past. It took a strong willed person who has no fear of the repercussions to stand up to a king as she did. To make everything all the worst she stood up to a king who was her Uncle and she being a female back in those time, standing up and speaking out for herself was not heard of.
George Orwell’s intent in the novel 1984 is to warn society about the results of a controlling and manipulative government by employing mood, conflict, and imagery.
Tragedy of Antigone The play “Antigone” by Sophocles displays many qualities that make it a great tragedy. A tragedy is defined as a dramatic or literary work in which the principal character engages in a morally significant struggle ending in ruin or profound disappointment. In creating his tragedy “Antigone”, Sophocles uses many techniques to create the feelings of fear and pity in his readers. This, in turn, creates an excellent tragedy.
There are two kinds of freedom, “freedom from and freedom to” (31) throughout Atwood’s The Handmaid’s Tale. Freedom from is a negative liberty that involves external restriction to a person’s actions. On the other hand there is freedom to, a positive liberty the one can act upon their own free will. The two different categories of freedom are discussed and debated through a feminist view point. We explore and try to understand the way in which the difference between “freedom from” and “freedom to” is applied to females in society. This novel gives us two contrasting ways of liberal thinking. You are free if no one is stopping you from doing whatever you might want to. The story appears, in this sense, to be free. On the other hand, one can
Brad Moore, a famous athlete once said, “Pride would be a lot easier to swallow if it didn’t taste so bad.” In Sophocles’ well known Greek tragedy, Antigone, the main character undergoes immense character development. Antigone transforms from being stubborn and underestimated to courageous and open-minded. In reality, it is Antigone’s insular persistence that leads to her ultimate decline in the play as well as others around her. After the death of her two brothers, Eteocles and Polynices, Creon becomes the new ruler of Thebes. With this, he grants Eteocles an honorable funeral service for his brave fighting. Claiming that Polynices was a traitor, he shows complete refusal to grant Polynices a respectable and worthy service. Clearly disagreeing with Creon’s inexcusable demands, Antigone declares she will bury Polynices herself so that his soul can be at peace. Entirely aware of the consequences and dangers of this action, which include death, she goes forward vowing her love for her family. Antigone shows strength and determination towards her brother. However, her growing sense of pride leads to her downfall as she sacrifices everything for her family. Antigone develops into an admirable character in which she portrays her defiance and courage, pride and open mindedness, and sense of moral righteousness to show vital character growth as the play progresses.
One of George Orwell’s most significant goals as a writer was to receive recognition for his works. Orwell achieved his aim by projecting his political perspectives into fictional works such as 1984 and Animal Farm. His position against totalitarianism is strongly evident throughout his novels and even today Orwell’s works still seem relevant because of the fear of totalitarian governments perpetuated by the media and the recent democratic uprisings in the Middle East against dictatorial regimes. In this essay, I argue that Orwell’s reasons for writing, as he outlines them in his essay “Why I Write,” is to seek literary fame and he found that through incorporating political commentary into his writing; in doing so, Orwell successfully turns his political thoughts into a form of art. Using 1984 and D. J. Taylor’s article “Left, Right, Left, Right,” I will also discuss briefly how Orwell’s novels can apply to contemporary political situations.
The social structure of George Orwell’s 1984 is based on Freud’s map of the mind and the struggles between the id, the ego and the super ego. The minds of these individuals living in this society are trained to think a certain way. Freud’s theory of psychoanalysis can be applied to Orwell’s 1984. Using Freud’s psychoanalytic approach, 1984’s main character Winston Smith is portrayed as the one who goes against the ideas of the Party. In a Freudian point of view, Winston’s character represents a mind where the id is the driving force and where the ego and superego are ill developed in the views of the Party. Freud describes the psychoanalytic process as something that is normally used to treat patients with metal disorders, and in the eyes of the party, Winston is seen as one that has a mental disorder. The procedure that Winston undergoes directly parallels Freud’s psychoanalytic process.