The approach towards freedom is hard to achieve against a totalitarian government but possible to win with the people’s belief. 1984 by George Orwell and James McTeigue’s V for Vendetta portray the same idealism of the anti-heroes, Winston and V. An anti-hero is “a protagonist who lacks the attributes that make a heroic figure, as nobility of mind and spirit, a life or attitude marked by action or purpose” (“Antihero”). Winston is not courageous, peaceful, and self-centered along the path of freedom for Oceania, whereas the anti-hero, V is violent in his actions, impatient and careless in his pursuit to free London from the totalitarian government. As a matter of fact, V and Winston have the opposite behaviours; this is significant because it helps to compare the approach of the anti-heroes toward freedom. At the end of 1984 and V for Vendetta, the result of their approach is different from each other; Winston gives up on the liberation of Oceania, while V dies knowing that London is freed from Norsefire Party. In 1984 and V for Vendetta, the different behaviours of the anti-heroes, Winston and V, illustrate their approach to attaining freedom from the totalitarian government. George Orwell’s 1984 and James McTeigue’s V for Vendetta use the Although both anti-heroes rebel against the government for freedom, their behaviours are different from each other. For example, Winston is the typical citizen who rebels against the government in a quiet and peaceful way, whereas V is a revolutionist in an excited and violent way. This comparison helps classify the key behaviours, which explains the different approaches the anti-heroes took towards liberation. In conclusion, George Orwell and James McTeigue demonstrate how the anti-hero’s personality and behaviour can be used in accomplishing their
In “1984,” Orwell uses Winston to portray a single individual’s attempt to take action against a powerful government, culminating in his failure and subjugation. His individual efforts failed tremendously due to the overarching power of the Party to control every aspect of social life in Oceania. Orwell uses Winston’s deeply seated hatred of the Party to portray his views on power and social change. Winston’s actions show that even in the direst of situations ...
The theme of how pointless resistance is against powerful established totalitarian governments like Ingsoc is brought out most clearly through the use of the three literary elements of diction, point of view, and symbolism. Everything from the glass paperweight to the very words Winston speaks spells the letters of inevitable defeat. A thoroughly converted Winston Smith appears at the end of the novel, joining in the cheers and shouts of those celebrating the most recent military victory headed by Big Brother. Grimly realistic, and a literary warning to the political world during the mid-20th century, George Orwell uses 1984 to paint a clear picture of the unequivocal omnipotence a totalitarian government may wield if nothing is done to stop it immediately.
...es of individuals can be used to explore a broader social wrong, in this case the injustice of a totalitarian government. Both authors use their protagonists to depict how a dictatorial state can destroy all sense of individuality, Orwell by presenting Winston in his fight against “The Party” and Niccol by depicting Vincent in his battle against society. Both authors also use individuals, who must isolate themselves in order to survive to expose how an unjust authoritative government can manufacture isolation. Orwell and Niccol also present conflicting views on the possibility of individual rebellion in an oppressive society, reflected by the success of Vincent and failure of Winston. In their prophetic dystopian texts both George Orwell and Andrew Niccol use the experiences of their protagonists to explore the broad social wrong of a totalitarian government.
George Orwell creates a dark, depressing and pessimistic world where the government has full control over the masses in the novel 1984. The protagonist, Winston, is low-level Party member who has grown to resent the society that he lives in. Orwell portrays him as a individual that begins to lose his sanity due to the constrictions of society. There are only two possible outcomes, either he becomes more effectively assimilated or he brings about the change he desires. Winston starts a journey towards his own self-destruction. His first defiant act is the diary where he writes “DOWN WITH BIG BROTHER.” But he goes further by having an affair with Julia, another party member, renting a room over Mr. Carrington’s antique shop where Winston conducts this affair with Julia, and by following O’Brien who claims to have connections with the Brotherhood, the anti-Party movement led my Emmanuel Goldstein. Winston and Julia are both eventually arrested by the Thought Police when Mr. Carrington turns out to be a undercover officer. They both eventually betray each other when O’Brien conducts torture upon them at the Ministry of Love. Orwell conveys the limitations of the individual when it comes to doing something monumental like overthrowing the established hierarchy which is seen through the futility of Winston Smith’s actions that end with his failure instead of the end of Big Brother. Winston’s goal of liberating himself turns out to be hopeless when the people he trusted end up betraying him and how he was arbitrarily manipulated. It can be perceived that Winston was in fact concerned more about his own sanity and physical well-being because he gives into Big Brother after he is tortured and becomes content to live in the society he hated so much. Winston witnesses the weakness within the prole community because of their inability to understand the Party’s workings but he himself embodies weakness by sabotaging himself by associating with all the wrong people and by simply falling into the arms of Big Brother. Orwell created a world where there is no use but to assimilate from Winston’s perspective making his struggle utterly hopeless.
“To deny people their human rights is to challenge their very humanity” (Nelson Mandela). Throughout the novel 1984, written by George Orwell, there is a severe lack of humanity. During the course of the novel, the level of humanity is tested through the challenges Winston and Julia face in their war against the Party. In 1984, humanity has been impacted by the Party’s control over its members, its lack of control over its members, and its war against love.
The ability to make a difference is itself a difference between these fictional worlds. Orwell’s government is a self-perpetuating machine, and the steps are already in place to ensure its continued existence no matter who is in charge or what the political climate becomes; there is no single head that can be severed from a seat of power to disable or cripple that government. Winston and Julia try to be more than just victims of their environment but ultimately fail, because one person, two people, or even a revolution cannot undo the system. Society’s participation in that government is marginalized to the point that it makes no difference who opposes it. In contrast, Moore’s fascist state is run by a single man atop the pyramid of power, and when he is toppled, there is no one in a clear position to assume control. Evey and V are successful in their opposition, because in the world of V for Vendetta, one man can make a difference, even if that difference is only to serve as an inspiration for others to make their own differences.
There are many characters in the novel 1984. These characters all rebel in separate and distinctive ways from each other. In George Owell’s not so sanguine vision of the year 1984 from his standpoint in 1949, he tells of a dreary future of what the world was becoming. In this future, no one has the right to anything, including free speech, freedom of press or even freedom of thought. Even the details like the history of the known world are changed by a corrupt and ever growing political party, which is managed and run by un-emotional and odious officials. From Julia, who rebels by purely simple, sexual acts, to Winston, who dreams to overthrow the party; all the characters have their own personal way of dealing with the oppression.
Through different experiences, beliefs, values and ideas, individuals can evolve identity through human nature, in society and critical life experiences. Human nature is elucidated dystopically in the works of George Orwell’s novel, 1984, and James McTeigue’s visual, V for Vendetta, which represent divergent societies, bound by totalitarian oppression and degrading human constructs. Published in 1948 by George Orwell, 1984 is a novel set in a future society, scarred by eternal war, ubiquitous government surveillance, controlled history and tyrannical manipulation by the superstate. Winston Smith, a diligent Outer Party member, inconspicuously rebels against the English socialist, ‘Ingsoc’ Party and despot leader, ‘Big Brother’, by regaining
In the novel 1984 and the film “V for Vendetta”, the protagonist for both stories are captured while performing various acts of rebellion against the totalitarian government, of which is controlling their city. In punishment, the government tortures them with harsh, inhumane methods that are similar to those used in dictatorships during the 1900s like the USSR under Stalin’s rule. However, both protagonists are tortured by different sides, and by people from completely opposite ends of the political ladder: one a government agent, the other a rebel. Although the themes disclosed in relation to the purpose and meanings of torture are similar, the overall message and final opinion that is expressed and conveyed to the recipients are complete opposites.
The societies in the works V for vendetta, directed by James McTeigue, and 1984, written by George Orwell, are two examples of societies that have evolved to form a dystopia within their own created realm. A closer look at the two societies reveals that they are similar with their leaders, physical power and their totalitarian rule, however, they posses differences within those three crucial dystopian themes. 1984’s differences portray a more successful dystopia. 1984’s leader, physical control and totalitarian rule create a pinnacle example of a successful dystopia in ways that V for Vendetta’s structure could not.
V for Vendetta is a graphic novel written by Allan Moore. It is a story full of comedy with V as the protagonist who is out to fight and destroy the government and affects innocent people. The novel was later adapted into a film and directed by James McTeigue and written by Wachowski Brothers.
It is difficult for them to hope to succeed in an area where so many of them have failed. The constant theme of betrayal in 1984 is being used by George Orwell to show how hopeless Winston’s struggle against the Totalitarian system is, giving the reader an idea of how bad this type of government is. The reader is introduced to this dark time and given hope in the form of the rebellious protagonist, Winston. However, the reader soon realises how hopelessly alone Winston is in his silent battle when they see that the government is against him, he has no support or allies, and that even his own mind can be turned against him. The message is clear and makes readers who live in a democracy happier with what they have.
In the novel 1984, Orwell produced a social critique on totalitarianism and a future dystopia that made the world pause and think about our past, present and future. When reading this novel we all must take the time to think of the possibility that Orwell's world could come to pass. Orwell presents the concepts of power, marginalization, and resistance through physical, psychological, sexual and political control of the people of Oceania. The reader experiences the emotional ride through the eyes of Winston Smith, who was born into the oppressive life under the rule of Ingsoc. Readers are encouraged through Winston to adopt a negative opinion on the idea of communist rule and the inherent dangers of totalitarianism. The psychological manipulation and physical control are explored through Winston's journey, and with Winston's resistance and ultimate downfall, the reader is able to fully appreciate O'Briens reasoning, "Power is not a means, it is an end."
Ve for Vendetta and From Fly-Girls to bitches and hoes, both highlights the most crucial and painful aspects of people in United States. The oppression of government and racial discriminations are to the two bitter realities, which have been spotlighted in both text. The essay will thoroughly explore the similarities and differences in terms of fundamental issues and essential components.
Based on the two essays, George Orwell is a vivid writer who uses a unique point of view and strong themes of pride and role playing to convey his messages. His writings are easy to pick out because of the strengths of these messages. Just like politicians in government, people with power turn corrupt to stay in power and keep their reputations. Anyone who takes on power must be prepared to live with the consequences of his actions. Orwell knows this challenge well and conveys this principle in his writing. After all, his narration is based on real life experiences and not fictional fantasies.