Space is a very important factor with both of these paintings. The special elements both of these artists use help convey the meanings of their artwork. O’Keefe uses a lack of space to show the viewer what she wants them to see, and Bierstadt uses a wide expanse of space to show viewers what he wants them to experience. In O’Keefe’s painting, not much can be seen past the grey tree in the center of the painting. The lack of space lets the viewer see what she wants us to take from this painting. She wants us to see the loneliness she felt after her husband died. How she felt as that grey tree alone in a world with happy autumn coloured trees surrounding her. Bierstadt seems to do the opposite and uses the large landscape he presents to create
The historical painting I chose for my final, is an illustration of Bret Harte’s novel, Her Letter, His Response, and Her Last Letter, creatively illustrated by Arthur Ignatius Keller in 1905. The historical painting I chose for the comparison of Arthur Keller’s painting is another painting done by Arthur I Keller; illustrated for 54-40 or Fight by Emerson Hough, in 1909. Arthur I Keller is a very natural, elegant style painter, with an eye for natural beauty. Keller’s many paintings express intricate detail, and genuine quality. Although I picked two water color paintings out of Arthur Keller’s many collections of paintings, he also uses charcoal, acrylics, oils, and pastels to create other works of art. In both paintings I chose, Arthur Keller uses water color and gouache to paint people. Arthur’s first painting I mentioned, illustrating “Her Letter” is a more detailed painting. Keller uses water color to create a graceful look to his painting; his delicate balance of color, keeps the viewer’s eyes wandering around the painting. The focal point in the painting does not catch the viewer’s eyes because of heavy, dark colors, but because of the proportion differences of the people he implies. The painting gives off a very old fashioned feel, in a tasteful way. Arthur Keller’s second painting, illustrating “54-40 or Fight” has a completely different color theme, and gives off more of a mysterious, dark feel to it. The painting is detailed, but in a more simple way, and there is less negative space. As to where Keller’s “Her Letter” painting had a lot of open areas on the canvas, this painting, displays two people in a small enclosed dark room. The focal point is more dramatic, and a lot more obvious because instead of using sizing,...
Local histories written in the nineteenth century are often neglected today. Yet from these accounts, one can see a pattern develop: the myth of Indian extinction, the superiority of White colonists and also to understand how American attitudes and values evolved. The myths were put forth for a reason according to Jean O’Brien. O’Brien explains how the process came to fruition in Firsting and Lasting: Writing Indians Out of Existence in New England. In the majority of local town histories, Indians are mentioned in passing, as a past that will never return. Indians were ancient, whereas English colonists brought modernity to New England. Jean O’Brien argues that local histories were the primary means by which white European Americans asserted
At first glance, each of the paintings look simply like a nice scene, with no historical role at play behind it. Again, this could not be further from the truth. The third painting that Brook shows us, is “Young Woman Reading a Letter at an Open Window”. The key element in this painting is the dish of fruit beneath the woman. This dish was was painted when the Chinese porcelain was taking its place in the Dutch’s life. The first porcelain dish to reach Europe amazed everyone, because of the attention to detail, quality, and fanciness that it possessed. The Portuguese were the first Europeans to acquire this delicacy. From there, it went to south of China, where it was negotiated with Chinese wholesalers for more of this porcelain. The route that porcelain took was crucial to commerce worldwide, so the Dutch wanted to get into it. After this, porcelain only increased in popularity and expanded trade around the world and soon, the most successful emerging business was the porters of Delft. Porcelain dishes were more than just breathtaking. Brook, himself, points out that they were a symbol of the Dutch positive relation to the world outside and the overcoming of challenges. Without porcelain reaching its supreme popularity in Delft, many trade routes around the world would not have been
In "On Entering a New Place", Barry Lopez discusses how perception can be deceiving when trying something new that you don't completely understand. Typically, a person would be uncomfortable about the unknown so in their minds they theorize what could be. To continue getting rid of their nerves, they run their ideas through their heads multiple times until they believe that is how it's supposed to be.
An artwork will consist of different elements that artists bring together to create different forms of art from paintings, sculptures, movies and more. These elements make up what a viewer sees and to help them understand. In the painting Twilight in the Wilderness created by Frederic Edwin Church in 1860 on page 106, a landscape depicting a sun setting behind rows of mountains is seen. In this painting, Church used specific elements to draw the viewer’s attention directly to the middle of the painting that consisted of the sun. Church primarily uses contrast to attract attention, but it is the different aspects of contrast that he uses that makes the painting come together. In Twilight in the Wilderness, Church uses color, rhythm, and focal
Both artists’ paintings have become successful throughout the years. Through their similar use of line, movement, space, and color, they have created paintings that has been and will be seen by countless viewers. However, it is their contrasting use of value, emphasis, balance, and shape that have made their artwork different from one another, yet beautiful in their own way. It delivers a message to be different instead of going with the flow so that one day you, too, could be as successful as these painters.
These two paintings represent typical examples from 14th century Italian artist, Barna da Siena, and 15th century Flemish artist, Rogier van der Weyden. Both images depict two main characters in a rather symmetrical composition and are of large size. However, it is clear that over a century and different region the stylized differences are very clear. Realism, the style of Flemish artists at the time, with all of its detail, is quite different from the large, flat shapes of color in Barna da Siena’s painting. Just by looking at the two, it is evident that the second painting is more advanced and developed. Art continues developing along different tracks today and who knows what art will develop into in the future.
...hese repeated vertical lines contrast firmly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, seems unchanging and flat, whereas the foreground and middle ground of the painting have a lot of depth to them.
After touring the Reynolda House and reviewing all the choices, two pieces really stood out to me. The Old Hunting Ground by Worthington Whittredge and Home in the Woods by Thomas Cole where those pieces. These paintings both have their similarities, but yet at the same time have their individual differences. The Old Hunting Ground was created in 1864, while Home in the Woods was composed in 1847. That is a difference of 17 years making Home in the Woods older obviously. Both of these paintings share the mediums of oil on canvas. The size of Home in the Woods for the frame is: 52 1/2 x 74 1/2 in. (133.4 x 189.2 cm), and the canvas: 44 3/8 x 66 1/8 in. (112.7 x 168 cm.) For The Old Hunting Ground the frame is : 50 1/2 x 41 1/4 x 5 in. (128.3 x 104.8 x 12.7 cm) and the canvas is: 36 1/4 x 27 1/8 in. (92.1 x 68.9 cm)
are depicted with the same degree of variation. To understand such a diverse set of paintings –
In the Wood’s painting, it shows a wider scale of the town while in the N.C. Wyeth’s illustration it shows a close up of Paul Revere galloping by on a horse alarming the people in the
There is a lot of repetition of the vertical lines of the forest in the background of the painting, these vertical lines draw the eye up into the clouds and the sky. These repeated vertical lines contrast harshly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, is quite static and flat, whereas the foreground and middle ground of the painting have quite a lot of depth. This static effect is made up for in the immaculate amount of d...
...y and purpose. Both paintings are similar in their theme but quite different in the symbols they contain, their formal or stylistic characteristics and their cultural backgrounds and histories.
When the painting is viewed too fast and not studied at all, the lady looks stressed, sad and angry. But after a closer evaluation, one will began to understand that her face expresses the opposite feelings; she has a relaxed gaze, pleased look, and a calming appearance. In her surroundings, the colorful flowers, green grass, and green bushes enhance the woman’s calming presence. Without careful observation, one will walk on by and not notice the meaning and important details of the painting. The painting as a whole is subtle, but with a bold meaning. When I first looked at the painting, I went straight to the next art piece, but then my professor began to talk about the painting and I began to refocus and study her face and her surroundings. I was quickly reminded of the elements of nature that I love. After the initial glance, Schwichtenberg captures the audience’s attention and reminds them to be in the present moment
To conclude, both masterpieces provide a lot of food for thought and present an era of creativity that was accentuated with contrasting realities, one that is mindlessly racing forward, one that feels the urge to advance technically and become prosperous and rich just financially and another that's trying to put on the breaks and remind of the values that need to be preserved and passed on. In both paintings, one can see that torment, that urge to stop for a moment and reevaluate own life and collective journey in time.