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Race relations throughout history
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The theater has continued to make an impact on American culture even today. Just like in the 20th century, civil rights has been a hot topic in the 21st century. Multiple shows, including Hairspray and Caroline, or Change, clearly display the effects of racism and the importance of the civil rights movement. Hairspray follows the story of a young Tracy Turnblad who is fighting to desegregate the Corny Collins Show. The musical celebrates black culture and displays healthy relationships between whites and blacks. U.S.A. Today wrote that, “with a message about accepting ourselves and each other while celebrating and embracing our diversity, this Hairspray felt more relevant,” showing that even young audience members can find the story relatable …show more content…
In addition to this Caroline, or Change is another influential show that explores the relationship between whites and blacks, more specifically the relationship between a black maid, Caroline, and her white employers. The musical does not have a clearly happy ending like Hairspray, with the eventual fusion between races against all odds, but rather an ending that causes the audience to contemplate the relationship between races and cultures. “Caroline, or Change is designed to make us think and, ultimately, act” (Dreisinger). Many shows about civil rights, while greatly influential in their own way, give the audience the ending that feels good, Caroline, or Change encourages its audience to contemplate the effects of racism and how to change for the better. Both of these inspiring musicals bring awareness to the racism that is still present even in the 21st century and, furthermore, educate upcoming generations on how to stop …show more content…
According to the New York Times, “it explores the confusion and desperation that ensue when the onrushing tide of hormones meets the ignorance of children raised by parents too embarrassed or prudish to discuss what those new urges signify” (Isherwood). When the young characters are introduced to sex in an unsupervised environment, chaos and disaster ensue. Children who do not know the impact of their actions are met with the life altering consequences that go along with sex before marriage. In the song “Mama Who Bore Me,” the young girls grieve about how they are being sheltered by their mothers, but to no avail. They are still met with indirect answers. Several girls also sing about the physical and sexual abuse that they are afraid to reveal in the song “The Dark I Know Well”. The song has a melancholy feel that emphasizes the loneliness and fear that resides in each girls’ heart. It is in this manner that Spring Awakening brings attention to the issue of sexual abuse that was just as relevant in 19th century Germany as it is now, with a reported 700,000 children abused in the United States per year (National Statistics on Child Abuse). Audience members clearly see how important educating young people is, and are moved through the raw depiction of adolescents
Hairspray, a John Waters’ musical, demonstrates progressive messages about the expansion of race-based civil rights in the 1960s . Although this is typically the lens through which Hairspray is viewed, this is not the only significant societal shift portrayed in the film. The stories of Edna Turnblad and Velma Von Tussle illustrate the progressive shift of women from “old” gender roles such as being excluded from the workplace to “new” gender roles where women begin taking managerial positions.
Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the 1990s, nearly 14% of the television families were African-American (Bryant 2001). These statistics obviously show the substantial impact our American culture has had on African-American television families.
It’s 1962 and an overweight teenager, Tracy Turnblad and her best friend, Penny Pingleton are obsessed with the dance TV show Corny Collins. One of the regulars leaves the show leaving a space to be filled. Tracy’s dream has always been to be on the show. With the help of her new black friend Seaweed, she manages to get casted for the show, angering the star, Amber Von Tussle and her mother the station manager, Velma. Tracy is not the typical white teen that believes in segregation and wants to see the Corny Collins show integrated. She sets out to do just that all the while winning the love of heartthrob Link, while having a laugh or two and singing a couple tunes.
Marlon T. Riggs’ video, Color Adjustment, offers the viewer an exciting trip though the history of television, focusing on the representation, or lack thereof, of African-Americans. A perfectly chosen combination of television producers, actors, sociologists, and cultural critics join forces to offer insight and professional opinion about the status of African-Americans in television since the inception of television itself. As Color Adjustment traces the history of television shows from Amos n’ Andy and Julia to "ghetto sitcoms" and The Cosby Show, the cast of television professionals and cultural critics discuss the impacts those representations have on both the African-American community and our society as a whole. Color Adjustment continually asks the question: "Are these images positive?" This video raises the viewer’s awareness about issues of positive images for African-Americans on television.
Kate Chopin’s The Awakening is a story about a well to do young woman, Edna Pontellier, who lives with her family in Louisiana during the late 1890’s. Set in a variety of scenes, it follows Edna as she engages on a personal journey of increasing autonomy, continually seeking both greater happiness and greater personal independence in the hope of leading a more meaningful and fulfilling life. In so doing, the novel portrays societal expectations for women in the post-war South during the late 1800’s, and shows the difficulties they faced if they refused to conform. The place of women in society can be seen in the way that the women in the novel act and speak, particularly in regards to their husbands and children, but also to others in general.
Dubrofsky illustrates the issue of diversity in media, supporting her arguments are scenes and characters from Glee. This article discusses that Glee, in contradiction to its postracial message, relies on the presence of racism by reassigning race; Jewishness to whiteness and the whitening of blackness. The author analyzes Rachel, who represents the Jewish aspect of the argument, and Mercedez, who represents blackness. Due to Rachel’s phenotype, lighter skin, which is closer to whiteness, Rachel is able to obtain white privileges. This is evident in the number of musical numbers, the amount of screen time, and depth of her character development. In contrast, Mercedez only receives privileges similar to Rachel’s only when she minimizes her blackness. Dubrofsky acknowledges that the evidence presented is not enough to assume Glee’s position within the discourse of race, but it raises enoug...
I attended the Broadway show entitled "Hairspray." The show was performed at Neil Simon Theatre in New York City. The setting of the play took place in Baltimore in 1962. At the beginning of the play, we are led to believe that the main idea is about a teenage girl who is struggling to become popular and famous. The main character Tracy Turnblad, who is played by Shannon Durig, is a young, overweight, teenage girl.
Innocence is something always expected to be lost sooner or later in life, an inevitable event that comes of growing up and realizing the world for what it truly is. Alice Walker’s “The Flowers” portrays an event in which a ten year old girl’s loss of innocence after unveiling a relatively shocking towards the end of the story. Set in post-Civil War America, the literary piece holds very particular fragments of imagery and symbolism that describe the ultimate maturing of Myop, the young female protagonist of the story. In “The Flowers” by Alice Walker, the literary elements of imagery, symbolism, and setting “The Flowers” help to set up a reasonably surprising unveiling of the gruesome ending, as well as to convey the theme of how innocence disappears as a result of facing the harsh reality of this world.
She shows how these fictions are woven into the fabric of everyday life in Jackson, from the laws to ordinary conversations, and how these beliefs get passed from generation to generation. It shows a deep mistrust of whites on the part of the black community, who have been betrayed by them again and again. It also shows how powerful and how dangerous it can be to challenge the stereotypes and dissolve the lines that are meant to separate people from each other on the basis of skin
Throughout history society has been controlled by men, and because of this women were exposed to some very demanding expectations. A woman was expected to be a wife, a mother, a cook, a maid, and sexually obedient to men. As a form of patriarchal silencing any woman who deviated from these expectations was often a victim of physical, emotional, and social beatings. Creativity and individuality were dirty, sinful and very inappropriate for a respectful woman. By taking away women’s voices, men were able to remove any power that they might have had. In both Alice Walker’s “The Color Purple” and Kate Chopin’s “The Awakening”, we see that there are two types of women who arise from the demands of these expectations. The first is the obedient women, the one who has buckled and succumbed to become an empty emotionless shell. In men’s eyes this type of woman was a sort of “angel” perfect in that she did and acted exactly as what was expected of her. The second type of woman is the “rebel”, the woman who is willing to fight in order to keep her creativity and passion. Patriarchal silencing inspires a bond between those women who are forced into submission and/or those who are too submissive to maintain their individuality, and those women who are able and willing to fight for the ability to be unique.
Ann Perkins, Jones’ character, is supposed to be an ethnically ambiguous person and in reality, Rashida is biracial (Glamour). Leslie Knope, the white protagonist of the series, frequently uses words like ‘exotic’, ‘tropical’, and ‘ethnically ambiguous’ when complimenting Ann. The ‘compliments’ also act as the only instances where race is spoken about in reference to Ann’s character. One would believe that Leslie’s constant complimenting of Ann is beneficial to viewers with a biracial identity, but there are some serious problems with Leslie’s behavior. There has been an historical and recent fascination with ‘mixed’ children. This fascination has crossed over into fetishizatoin of biracial or mixed children and people. Biracial people are seen less as people and more as a kind of spice that bell hooks mentions in her work “Eating the Other: Desire and Resistance” (21). They are something that helps liven up the blandness of the pervasive white culture. Another harmful aspect of Ann’s depiction relates to her class. In Edison’s work, she notes that “biracial individuals living in a middle- and upper-class environments are more likely to be perceived as biracial (rather than black) than those living in working- and lower-class environments” and that “‘color blind’ portrayals of middle- and upper-class Black and biracial characters support the notion that race no longer matters (at least for middle- and upper-class people)” (Edison, 302; 304). Ann’s character is a successful college-educated nurse which is not problematic until one realizes that her race is never truly discussed. This feeds into the stereotype that race does not matter and that all people in the U.S. have the same opportunities. Again, the lack of racial representation leaves one character the duty of depicting a whole group of
Hair is an important part of our body. It can be found anywhere and can be a useful evidence in forensic science. It consists of three layers, namely cuticle, cortex and medulla. Cuticle- is a covering that consists of hard scales made of keratin, which is a protein approaching tip ends of the hair. There are three types of cuticle: coronal, imbricated and spinous types. Cortex consists of stretched out beam shaped cells, buried with pigment granules for hair to cede with color and is the main body of the hair shaft. It may also contain pigment granula, ovoid bodies and cortical fusi (Wright, 2008). Furthermore, medulla can be categorized into continuous, fragmental, absent and interrupted types. If medulla
For this assignment, the movie “The Help” was chosen to review and analyze because it presents a story of fighting injustice through diverse ways. The three main characters of the movie are Eugenia “Skeeter” Phelan, a young white woman, Aibileen Clark, and Minny Jackson, two colored maids. Throughout the story, we follow these three women as they are brought together to record colored maids’ stories about their experiences working for the white families of Jackson. The movie explores the social inequalities such as racism and segregation between African Americans and whites during the 1960s in Jackson, Mississippi.
Racial discrimination was brought to the peak of popularity in mass media in the 1960's with the beginning of the Civil Rights Movement. Southern United States was the front line of the battle for equal rights for not only black men, but also black women. The unification through the terrors of racism brought hope and a fighting chance to the cause. Kathryn Stockett uses the characterization of Minny Jackson through point-of-views of herself and other characters in her novel, The Help, to develop the conflicting ideas of the African American women ideology, Africana womanism.
Alice Walker’s The Color Purple takes place in Georgia from 1910 to 1940. During this time racism was easily visible and apparent in society. Black people were seen as lesser beings in contrast to their white counterparts. However, not only are all of the colored characters within The Color Purple forced, by means of oppression, into their social positions because they are not white, but also because some of them are women, lesbian, and lower class. As Crenshaw explains, “[b]ecause of their intersectional identity as both women and of color within discourses that are shaped to respond to one or the other, women of color are marginalized within both” (Crenshaw 5). Celie, the main character in the novel, is given enormous adult responsibility from a young age. After the death of her mother, she is pulled out of school in order to...