1) Edward Said argues that the Middle East has been heavily stereotyped by the West. The Middle East aren’t viewed to be strong. The media portrayed the Arabians to be cowardly, weak, not modern, etc. In nineteen-seventy-three people were surprised when the Egyptians crossed the canals in the Yum Kippur War. In America today, people still have bias view towards the Middle East. When America sends troops towards the Middle East, people expect America to win due to the modern technology. The Middle East is not as modern as America is. People view America to be the strongest country because of its modern technology. To fully understand someone, one must see things in others point of view. In the book To Kill a Mockingbird writer Harper Lee states, “To fully understand someone, one must step onto other’s shoes”. This quote has been stuck with me and changes the way I view things. I agree with both Said and Gramsci idea of identifying others.
2) Linda Nochlin’s essay The Imaginary Orient argues that the Oriental art assert the idea of Orientalism. She argues that Oriental art shows the negative stereotypes of the East.
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She states, “Indeed, the defining mood of the panting is the mystery, and it is created by a specific pictorial device. We are permitted only a beguiling rear view of the boy holding the snake” (35). This painting focuses on the western perception of the Eastern. This scene is a typical performance of the Middle East. This painting emphasizes on the western view of this art. We are forced into looking at the audience and spectate them, rather than the image of the boy. This painting focuses on the separation between of the audience and the performance. In looking at this painting in a Western view, it emphasizes on control and power. It shows control towards the Islamic people by labeling them as different, and
...elationship between the people in the composition and their feelings in each other’s company. The viewer is forced to think critically about the people in the painting and their feelings and body language.
First, the size of the painting drew me in before all. It measures at 339.1 by 199.5 cm, surrounded by a large golden frame. The size alone is enough to bring in any person passing by. Once getting close, the really wonder happened. The story told by the painting
The Interpretation/Meaning (III) will be written without any guideline points, the aim of this part will be to determine what the painter wanted to express with his piece of work and what it tells us in a symbolic or not instantly clear way. This part will also handle why the artist drew the painting the way he did it and why he chose various techniques or tools.
It is often said that history is written by the victor, and in the race to industrialization of the past two centuries, Western Europe and the United States have emerged as the victors. This enabled them to write a history in which their rise to power was preordained and inevitable and in which Eastern cultures are viewed as backward and intolerant. These Eurocentric histories have so fully permeated the global psyche that the stereotypes they have perpetuated inform our cultural interactions to this day. However, an unbiased look at the premodern history of Asia and the Middle East reveals the inaccuracy of the Eurocentric paradigm. Contrary to the Eurocentric view, there is nothing inherently intolerant about Islam or Middle Eastern and East Asian culture. In fact, many of the societies that have existed in the East have been extraordinarily tolerant and heterogeneous.
The short story “Orientation” by Daniel Orozco is a unique story. Orozco never introduces the narrator or the audience. The story appears to be, just as the title specifies, an orientation for a person entering a new job. The story, however, delves deep into the lives of several employees throughout the story. The lives of these employees and their interactions become the most important part of Orozco’s work and the main character that is being spoken to becomes an unimportant observer in an intricate atmosphere.
The gestural and heavy working of the paint and the contrasting colors make the painting appear active yet are arduous to follow. The defining element of Woman and Bicycle is the presence of the black lines that do most of the work in terms of identifying the figure. Through the wild nature of the brushwork, color, and composition of the painting, it can be implied that the artist is making an implication towards the wild nature of even the most proper of women.
The Middle Eastern has developed a lot of economic success with the authoritarianism government they’ve established. To some people, if they are economically stable, they’re willing to endure the hardships of being lead under a dictator. Countries like Bahrain and Saudi Arabia are flourishing in the oil business, which keeps them wealthy and involved in international relations. To the citizens of the Middle East, this makes their country look powerful because even with the Western’s opposing ideologies, they’re still working with the Middle East. This is sending the wrong message because even though the western countries have to cooperate and show political support with the Bahrain, Saudi Arabia, and other Middle Eastern countries. Situations like these give the citizens a positive outlook of how their country is being conducted and support their governme...
images in this painting, all of which have the power to symbolize to us, the viewer, of the painter’s
Subsequently, in Edward Said’s Orientalism discusses about the West’s patronizing perceptions and illusory depiction of the East, which connects why white men had stereotypes of other races. According to Said:
The painting, in its simplest form, consists of a naked woman lying elegantly upon stately and rich cloths, while a young, also nude boy, is holding a mirror which contains her reflection. Upon first glance of this work, I was quickly able to make out the identity of the two subjects. ...
The article, “Why Is There So Much Conflict in the Middle East?” written by Mirjam E. Sørli et. al corresponds a great deal with the text Politics and Change in the Middle East as far as the reasons for conflict in the Middle East. Sørli et. al disputes the idea of “Middle East exceptionalism,” which says that there is something different about Middle Easterners that make them prone to violence and conflict (142). Sørli et. al says this is not true, but rather there are very simple reasons as to why there has been conflict in the Middle East. As stated, the lack of regional natural resources such as water, oil, and arable la...
In order to familiarise myself with the above topic, I have invested much time reading vast selection of the portraiture art themes with aim to get acquainted with the knowledge and the language used in this particular subject. It was very challenging and entertaining to read comprehensive range of various critiques and analysis of the world best paintings stretching from ancient classic to contemporary western image. Developing understanding of the diverse art expressions and social and political influences tha...
His father was a devout Catholic and denounced his son’s works. This painting is displayed as rising out of their troubled relationship together but it resists precise analysis. His revolt against his father is highlighted through, “But, dear Father, for what reason are you so opposed to dreams…? It would seem to me that dreams are a bastion against the regularity and familiarity of life and interrupt the perpetual earnestness of adults with a joyous children’s game.”
Orientalism as termed by Edward Said is meant to create awareness of a constellation of assumptions that are flawed and underlying Western attitudes towards the Muslim societies. Evidence from his 1978 book “Orientalism”, states that the culture has been of influence and marred with controversy in post colonial studies and other fields of study. Moreover, the scholarship is surrounded by somehow persistent and otherwise subtle prejudice of Eurocentric nature, which is against Islam religion and culture (Windschuttle, 1999). In his book, Said illustrates through arguments, that the long tradition in existence containing romanticized images of Islamic stronghold regions i.e. Middle East, and the Western culture have for a long time served as implicit justifications for the European and American Imperial ambitions. In light of this, Said denounced the practice of influential Arabs who contributed to the internalization of Arabic culture ideas by US and British orientalists. Thus, his hypothesis that Western scholarship on Muslim was historically flawed and essentially continues to misrepresent the reality of Muslim people. In lieu to this, Said quotes that, “So far as the United States seems to be concerned, it is only a slight overstatement to say that Muslims and Arabs are essentially seen as either oil suppliers or potential terrorists. Therefore, very few details such as human density, the passion of Arab-Muslim life has entered the awareness of even the people whose profession revolve around reporting of the Arab world. Due to this, we have instead a series of crude, essentialized caricatures of the Islamic world presented in such a way as to make that world vulnerable to military aggression” (Said, 1980).
The Middle East has come along way since the rise of civilization thousands of years ago. Civilization emerged in the Middle East and northeast Africa along the river systems as agricultural societies grew in population and developed new forms of social organization. For the last two thousands years the west has been drawn to the middle east fascinated by the culture, religion, resources and politics. The Middle East has an immense impact on the world globally. My goal in this paper is to explain the ancient and modern significance of the Middle East and how it impacts the world in such a globalizing way.