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Divine intervention in the iliad
Divine intervention in the iliad
Divine intervention in the iliad
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Divine Intervention is a “direct and obvious intervention by a god or goddess in the affairs of humans”. In various myths such as the Iliad, the Epic of Gilgamesh, and Herakles, divine intervention was called upon in order to restrain a hero’s destructive or too powerful forces. Although the divine intervention was used to impair different heroes, the purpose to constrain was the same in all the narratives.
Homer’s The Iliad: Book XX features a battle between the Trojans and Achaians, shortly after Patroklus’ death (Lattimore Book XVI), where the gods must intervene in order to restrain Achilleus’ destructive nature that becomes amplified due to the grief and wrath as a result of the loss of his cousin/lover. The divine foresaw an early fall of Troy caused by the intensified destructive nature of Achilleus, therefore they interfered in the battle to protect a bigger ideal of fate, a fate of a nation, by manipulating smaller ideals of fate, the fates of people’s lives(Lattimore 405). At the beginning of the battle, after the gods descended from Olympus, they decide to sit and just watch how their mortal teams will fend for themselves until Apollo takes form as Lykoan and coerce Aeneias to challenge Achilleus, thus establishing the first act of divine intervention (Lattimore 406-407). When Achilleus is inches away from killing Aeneias, Poseidon takes sympathy upon him and whisks him off to safety (Lattimore 407-411). The last interference occurs during the confrontation between Hektor and Achilleus, where Achilleus is about to murder him and Apollo saves Hektor (Lattimore 416). Hektor’s rescue in this battle is an important event in the Iliad because Achilleus’ and Hektor’s fates are interrelated, further meaning that if Hektor die...
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...uring the 8th century BC and Herakles is the most present, dating at early 5th century BC. Observing these myths, it can be concluded that the gods’ involvement in these stories decrease and become less active as they near present times. In the Epic of Gilgamesh, the furthest from present time, the divine intervention was evenly distributed, bringing up various gods, and found in the beginning, middle, and the end of the Sumerian epic. The Iliad, although the gods were active in the Book XX, didn’t have much previous activity throughout the Iliad because Zeus had banned divine interference (Lattimore 404). Herakles represented a very active Hera doing everything possible to hinder Herakles’ efforts, but it was mainly focused on her. Even though the gods and goddesses helped Herakles accomplish his labors, Hera’s role was the focal point of the divine intervention.
Ancient world literature and early civilization stories are mostly centered on human’s relationship with higher beings. Ancient civilizations were extremely religious, holding the belief that their very lives were in the hands of their almighty god or goddess. This holds true for both the people of biblical times as well as those of the epic era. However, their stories have some differences according to cultural variation but the main structure, ideas, and themes are generally found correlative. It is hard to believe that one work did not affect the others. The first great heroic epic poem of Gilgamesh and the Old Testament are parts of two cultures that are hundreds of years apart. Whereas Gilgamesh is a myth and the book of Genesis is the basis of many religions, they both have notably similar accounts of symbols, motifs, meaningful events according to the relationship between the divine and humans in literature.
“Then the screaming and shouts of triumph rose up together, of men killing and men killed, and the ground ran blood.” From first examination the Iliad seems to be an epic founded on an idealized form of glory, the kind that young boys think about when they want to join the army. A place full of heroism and manliness where glory can be achieved with a few strokes of a sword and then you go home and everything is just lovely. Many people view the Iliad this way, based on it’s many vivid battle descriptions and apparent lack of remorse for the deaths that occur. This, however, is not how war is presented in the Iliad. Homer presents a very practical outlook on war countering the attainment of the glory with the reality of its price and the destruction it causes. He successfully does this by showing the value of the lives of each person that dies and, in a sense, mourning their passing, describing the terror and ugliness of war, and, through the characters of Achilleus and Hector, displaying the high price of glory.
To begin with, you can see the immense influence that the gods had on humans. In book one there is the induction of the Trojan War started nine years ago. Achilles was on the Achaeans side with his lead commander Agamemnon. Agamemnon captured two women, one of which was the daughter of a priest of the god Apollo. The priest
The relationship between the gods and humanity in The Epic of Gilgamesh and The Odyssey are the same. In each saga, the gods seem to live nearby and are always present. Both epic poems portray humans as simply at the mercy of the gods. The gods feel that it is their duty to intervene if they feel that man is traveling off course from his destiny. However, the gods are not all powerful.
Before one can understand the interactions between the Gods and mortals, one first has to understand the nature of the Gods. In Homer, the Olympian Gods are anthropomorphic; that is to say they have human characteristics. The Gods have both a human shape as well as human emotions and needs. It is very evident that the Gods behave much like the mortals they lord over. Another facet to the Olympians Gods is that they represent a facet of nature, such as fire, water, death, weather, love, anger, nature, and death. The duel nature of the Gods creates a paradox in which the Gods are both anthropomorphic, as well as abstract representations of nature. In Homer, the Gods alternate between each of these parts, and on occasion become one. It can be best said that while the Gods are anthropomorphic, they are also a personification of nature. There are numerous examples of this in both the Iliad and the Odyssey. In book 21 of the Iliad Achilles has to fight the river god Xanthus, but he is saved by the fire god Hephaestus. Hephaestus is portrayed both a fire God as well as the fire itself. Xanthus, who na...
Two of the most influential books of ancient Roman and Grecian culture are the Odyssey and the Aeneid. The Odyssey is centered on the Greek hero Odysseus. It portrays Odysseus’ journey back home and the endeavors he has to go through. The Aeneid depicts the Roman hero Aeneas as he is sent on a journey to start the great Roman Empire. The books both have many similarities between them especially due to the fact that Virgil, the author of the Aeneid, was heavily influenced by Homer’s Odyssey. But like with any good story they are both unique in their own way. One of the major differences is in the setting. Some of the differences are in the choices that they make while some of the differences are even in the characters themselves. But the parts of the stories that have influenced much of modern day literature are the instances where the protagonists have to make a visit to the underworld. Virgil and Homer wanted to emphasize the underworld so much that they each dedicated an entire chapter in their epics to the underworld. But each underworld is blatantly different thus giving each hero a distinctly different journey to the underworld. Three of the main differences in their underworld journeys are their purpose for being there, visuals in the underworld, and the underworld itself.
Over the thousands of years that the epic story the Iliad has survived, there has no doubt been some form of alteration to Homer’s original. Last May, Wolfgang Petersen directed a movie based on the Iliad. This movie, Troy, has proven to be a very loose adaptation of Homer’s original, as are almost all stories that are made into movies, unfortunately. With its timeless storyline, amazing scenery, gorgeous actors/actresses and most of all, its reported two hundred million dollar budget, it is easy to see why Troy was hyped up to be a box office hit. However, the film critics were harsh on this movie, as they had every right to be, and it ended up being a total flop. Compared to Homer’s Iliad, Troy is rather disappointing. But, to be fair, one must keep in mind the limitations of a movie compared to those of a book, and the fact that the title is Troy, not the Iliad. It really is not as bad as expected. Troy is Homer’s Iliad gone to Hollywood. There probably are just as many similarities as differences from the original. The three major upsetting differences in Troy compared to the Iliad are the absence of the Gods, the weak character and plot development, and the addition, exclusion, and reversal of key points.
Throughout Homer’s epic poem, The Iliad, gods are presented as remarkably human in almost every way. While it is assumed that gods are divine entities incapable of human transgression, they are portrayed with all the flaws of mortals in The Iliad. The gods are a manifestation of human emotions consequently helping to explain the behavior of the humans in The Iliad. The actions of the heroes are what determine their fate, not divine intervention. Ultimately, the humans in The Iliad have inherent characteristics that provide the driving force behind their actions: the gods simply act in concert with them, allowing the human beings to exercise free will of
The Epic of Gilgamesh compares to the Bible in many different ways. The epic has a different perspective than the Bible does. This paper is a contrast and comparison between the two books. The three main points of this paper will be the Creation, Flood and the Hero.
Little did the world know before the mid-1800s that an expansive, detailed work of literature from the Third Dynasty of Ur was about to be discovered. Described as the world’s first great work of literature, The Epic of Gilgamesh is normally thought an applicable document to portray the first inklings of humanity. As history tells any careful reader, clearly this is not the case. The Epic of Gilgamesh and the characters within the epic poem are instead descriptive representations of a certain time period documented once for lore. This instance and the epic story brings forth many questions: what does it mean to be a god? A friend? Most importantly, what does it mean
The 'Iliad'; by Homer is a book that deals with many emotional issues. I am going to talk about a few emotional parts of the Iliad and compare them to the emotional life of today. I have chosen a section of the book and will talk about the emotions that come up there. The section that I have chosen to talk about is in book 18 when Achilles is very angry and very sad about Patroclus death. After that he wants revenge by killing hector.
In the Iliad, the gods do have some control, but not as much as the humans think they do. When he is killing Hektor, Achilleus says,
Homer's Iliad is commonly understood as an epic about the Trojan War, but its meaning goes deeper than that. The Iliad is not only a story of the evolution of Achilleus' persona, but at times it is an anti-war epic as well. The final book proposes many questions to the reader. Why not end with the killing of Hektor? Most stories of war conclude with the triumphant victory of good over evil, but in the Iliad, the final thoughts are inclined to the mourning of the defeated Hektor, which accentuates the fact that good has not triumphed over evil, but simply Achilleus triumphed over Hektor. Ending with the mourning of Hektor also brings to center stage for the first time the human side of war and the harsh aftermath of it. We see that war not only brings great glory, but also much suffering and anguish. Homer puts his anti-war views on display.
The Iliad is a classic epic poem written by Homer about the Trojan War and the rage of an Achaean warrior, Achilles. The book introduces the reader to the war and the personal battle between Achilles and King Agamemnon; because of this argument between these two major characters, Homer introduces the role of the gods when Achilles asks his mother, Thetis, to go to Zeus and beg for his interference on Achilles’ behalf. The major role the gods play in the Iliad is their interference in the Trojan War as immortal versus immortal and mortal versus immortal.
Greek mythology has systematically included the intervention of gods and goddesses in matters of the mortal world, and Homer’s The Iliad is no different. The story is littered with divine intervention, with both positive and negative outcomes for the humans involved.