Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Macbeths lust for power
Macbeths lust for power
An introduction to the tempest essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Macbeths lust for power
Since the beginning of civilization, man has craved power, knowledge, but most importantly, freedom. Throughout time, individuals used their assets and cunning to build empires of dominance and legions of followers, while spreading their influence throughout the world. Consequently, this led to power struggles amongst individuals to gain fame, land, glory, and ultimately power. In William Shakespeare’s The Tempest, characters engage in a power struggle for freedom and sovereignty to eventually gain self-worth and authority. Shakespeare utilises his character’s temptations to power, their struggle for freedom and sovereignty, and their sense of entitlement to illustrate the human desire to obtain power. In The Tempest, the enchanted island …show more content…
Through the character of Sebastian, Shakespeare expresses how quickly man succumbs to the temptation of power through conniving suggestions. Furthermore, when Stephano is introduced to the wonders of the island by Caliban, he is immediately seduced by the idea of ruling the paradise, even willing to murder his way to power. “I will kill this man: his daughter and I will be king and queen, -save our Graces!- and Trinculo and thyself shall be viceroys.” (3.2.105-107) Shakespeare reveals man’s desire to control the world through the character of Stephano, a mere butler to the King of Naples, who, when given the chance and circumstances, leaps at the first chance of obtaining power. Shakespeare uses Antonio, Sebastian and Stephano’s encounters with power to comment on the nature of man to seek higher status, therefore achieving higher …show more content…
Contrasting Ariel, Caliban openly despises Prospero for usurping him from his position of power on the island and enslaving him to do his bidding. For instance, Caliban displays his hatred for Prospero by transforming what Prospero taught him to something to spite him: “You taught me language; and my profit on’t/ Is, I know how to curse. The red plague rid you/ For learning me your language!” (1.2.363-365). Unlike Ariel, Caliban seeks power to help in his struggle for freedom under Prospero by recruiting Stephano and Trinculo under his cause. Even in an inhibited state, Caliban displays his true temperament towards Prospero and utilises his ethos to convince Stephano to fight for his cause, “I am subject to a tyrant, a sorcerer, that by his cunning hath cheated me of the island” (3.2.40-43). Through the contrast of Prospero’s servants, Shakespeare describes on man’s means to regain their status and power, either by loyal duty or
Confronting experiences may prompt inner discoveries which result in the re-evaluation of the importance of power. Shakespeare’s The Tempest follows Prospero, an exiled megalomaniac’s plan to exact revenge
In the play, The Tempest by William Shakespeare, Prospero took control of Caliban and made him his servant. Prospero was able to do this because he viewed Caliban as an uncivilized being; Caliban was portrayed as a beast. Thus, Prospero was able to assume power over Caliban. It can be seen from Prospero’s speech that he thinks that Caliban is inferior to him when Prosper says, “I have used thee, Filth as thou art, with human care […]” (1.2.348-349). Prospero tries to justify enslaving Caliban, but all he really does is place Caliban into a category of bestial and uncivilized and as a result enslaves him.
In Act I of the play, Prospero finally tells Miranda the woeful story of how she and he arrived on the island. From the beginning, Prospero plays his subjects and his sympathetic audience as pawns in his game of manipulation. He explains that twelve years ago he was the Duke of Milan, but being enthralled with his studies, he left most of the governmental responsibilities to his brother Antonio. Antonio, hungry to be "Absolute Milan" himself (1:2, p.6), proceeded to betray him with the help of King Alonso of Naples. When Miranda asks why they were not killed, Prospero sighs, "Dear, they durst not,/ so dear the love my people bore me" (1:2, p.7). From the beginning, Prospero portrays himself as a distinguished scholar and beloved leader unjustly victimized by his power-hungry brother. Who would suspect such a humble man of being psychologically manipulative? Prospero succeeds in deceiving many with this credible guise.
The Tempest reflects Shakespeare's society through the relationship between characters, especially between Prospero and Caliban. Caliban, who was the previous king of the island, is taught how to be "civilized" by Prospero and his daughter Miranda. Then he is forced to be their servant. Caliban explains "Thou strok'st me and make much of me; wo...
Through The Tempest play, William Shakespeare weaves together a tale that is characterized by anti-colonialist sentiments. Prospero - the deposed Milan Duke - adopts a colonialist mentality by treating his colleagues as slaves who have no rights. Characters who suffer mistreatment under Prospero include: Ariel - the spirit creature; Ferdinand - the Naples Prince; and Caliban - Sycorax’s son. Prospero possesses much magical power which he uses to oppress his compatriots. Consequently, Prospero is portrayed as a colonial tyrant who abuses his immense power. Anti-colonialism feelings are especially evident through the actions, utterances and disposition and of Caliban, Miranda, Ferdinand and Ariel. To illustrate, Caliban berates Prospero for the former’s forced labor. Likewise, Ariel protests Prospero’s reluctance to release the former as earlier agreed. Miranda also expresses her dissatisfaction with Prospero’s unfair imprisonment of Ferdinand. Similarly, Ferdinand appears to challenge Prospero’s authority by briefly stopping dragging timber so as to flirt and chat with Miranda. The foregoing four characters exhibit conduct that highlights their displeasure with Prospero’s colonial-style authority over them. From the preceding expose, it can thus be concluded that Shakespeare’s The Tempest play is about anti-colonialism based on its depiction of Caliban, Miranda, Ferdinand and Ariel’s opposition to Prospero’s oppressive authority.
In this whimsical play, Prospero, the former Duke of Milan, after being supplanted of his dukedom by his brother, arrives on an island. He frees a spirit named Ariel from a spell and in turn makes the spirit his slave. He also enslaves a native monster named Caliban. These two slaves, Caliban and Ariel, symbolize the theme of nature versus nurture. Caliban is regarded as the representation of the wild; the side that is usually looked down upon. Although from his repulsive behavior, Caliban can be viewed as a detestable beast of nature, it can be reasonably inferred that Shakespeare’s intent was to make Caliban a sympathetic character.
Having been usurped and wrecked on an Island Prospero and his young daughter Miranda have to settle. It is here in Prospero's past that it first clear to see where any confusion about his character may appear. As a learned and powerful man Prospero is able to take direct control of the island, he frees a trapped and tortured spirit (Ariel) and befriends the inhabitants (Caliban). Prospero 'helps' Caliban, he tries to educate him and teaches him to communicate, in exchange Caliban helps Prospero to survive on the Island. But in taking power of the Island Prospero is committing the same act that happened to him as Duke of Milan, now Prospero himself has become the usurper. In this act of goodness Prospero has unknowingly shown his evil side.
Several aspects of Marxism can be seen over the course of the play The Tempest. There is a social and economic divide between characters, which creates tension between them throughout the play. Readers can see what is means to have power and how this power can be abused in order to mistreat others. In particular, Marxism ideologies can be applied specifically to the characters Prospero and Caliban. Prospero, a magician uses his power, to treat Caliban in an inhumane way. No matter what Caliban does, he will always be placed on the lower end of the economic ladder. Shakespeare’s powerful play, gives readers a new way to look at and appreciate reading and analyzing this piece, by looking at it through the perspective of a Marxist theorist.
Shakespeare’s play, The Tempest is set on a mysterious island surrounded by the ocean. Here the magician Prospero is ruler of the isle with his two servants Caliban and Ariel. Caliban is the abrasive, foul-mouthed son of the evil witch Sycorax. When Prospero was shipwrecked on the island Prospero treated him kindly but their relationship changed when Caliban tried to rape Prospero's daughter, Miranda. Caliban then became Prospero's unwilling servant. Caliban serves his master out of fear Prospero's wrath. Prospero's other servant Ariel is a graceful spirit who has courtesy and charm. Ariel has put her services at Prospero's disposal out of gratitude for his kind actions towards her. Prospero saved Ariel from the confinement of Sycorax who held her prisoner.
I aim to show how the “human” relationships in the play reflect real life relationships within Shakespeare’s own society (as well as his future audience), for which his plays were written and performed. Ferdinand and Miranda’s type of relationship shows Shakespeare’s ideas about true love, recognising not just the emotional side of love, but the physical nature too. Miranda promises Ferdinand “The jewel in my dower” which is her virginity, a prized thing in Jacobean times. This knowledge would have been known by Shakespeare’s audience, and knowing this helps us to understand Prospero’s protection of his daughter from Caliban. Ferdinand is asked not to have lustful thoughts about Miranda as “Sour-eyed disdain and discord shall bestrew the union of your bed with weeds so loathly that you shall hate it both” meaning that sex before marriage will poison the lovers’ marriage bed so that they will both grow to loathe it.
If there were no king the country would be in chaos for there would be
The Tempest. Arden Shakespeare, 1997. Print. Third Series Smith, Hallet Darius. Twentieth Century Interpretations of The Tempest; A Collection of Critical Essays, Englewood Cliffs, NJ: Prentice-Hall, 1969.
In Shakespeare’s play The Tempest, there are two characters who appear to be polar opposites. The characters of Caliban and Ariel both play very important roles in the play. The term caliban is defined as “a brutish or brutalized man,” and the term ariel is defined as “a spirit of the air” (Dictionary). The definitions of these two characters names even show the huge difference in the two characters before readers or viewers even get to know the characters. There are also differences in how the two characters feel about the self-proclaimed king of the island, Prospero. However, regardless of their many differences the one thing that they do have in common is the fact that they are both oppressed by Prospero who has deemed himself king of the island and seek freedom.
The illusions of justice and freedom, and what they truly are, has been a reoccurring theme throughout the works. The definitions of justice and freedom have become so construed throughout the times. In William Shakespeare’s The Tempest, Prospero tries to enthrall his audience in his narrative of social justice. The idea of justice the play portrays represents one individual who controls the fate of all others. Their freedom is controlled by the interference of those around them. Although he spends most of the play righting the wrongs done to him, he is misdirecting so to hide his true motive. Prospero misconstrues the definitions of justice and freedom by enslaving Ariel and Caliban, using magic for his own good, and creating a false happy
The Tempest was written in 1611 as Shakespeare’s last romantic comedy. This play is focused mainly on the theme of power. Shakespeare portrays an aging magician who has been living in exile with his young daughter on a remote island for the past 12 years. Shakespeare presents forms of power in different ways, but mainly through the characters of Prospero. In The Tempest Shakespeare shows 3 different types of power, which are through love, power over his slave Caliban, and power of magic.