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Mexican immigrant experience
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The short story by Sandra Cisneros revolves truly around the tittle “The House on Mango Street” and how her family moved from places to places to get there. The recollection of the street names her family lived on and how every time they moved “there’d be one more of us” added to the authors focus of emphasizing how important the word “home” meant to her throughout the story. The family of six included Mama, Papa, brothers Carlos and Kiki, and sister Nenny.
According to the author’s memory, she had lived on Loomis, Keeler and Paulina. “We don’t have to pay rent to anybody, or share the yard with the people, downstairs, or be careful not to make too much noise, and there isn’t a landlord banging on the ceiling with a broom.” The authors experience with living in an apartment or sharing space is similar to mine. When my family lived in an apartment I was use to banging on the celling with a broom every night and not only that, the landlord also called the cops on us on many occasions. As a kid I had always wanted to move to a place where we didn’t have any neighbors living above or ...
Lajoe moved to Horner when she was a young girl with her family of thirteen. The family had been living in a flat above a church that lacked adequate heating and frequently rang of organ music from the church below. Hearing of the newly finshed public housing projects for financially disadvantaged families, LaJoe's parents packed up the family and moved to one of the new buildings. When the family first arrived in their new home, they could not believe their eyes. It looked like a palace. Outside there were yellow flowers and lamp posts. The exterior of the building was made of sturdy, dark-red brick. Inside, the walls were a pristine white, with shiney linoleum floors. A new range and refrigerator awaited in the kitchen. It seemed like a dream to them -- until it all came crashing down.
At the novel's end, Esperanza declares that she is too strong for Mango Street to keep her forever. What is the nature of her strength? How does Cisneros establish this characteristic elsewhere in the book?
Sandra Cisneros's writing style in the novel The House on Mango Street transcends two genres, poetry and the short story. The novel is written in a series of poetic vignettes that make it easy to read. These distinguishing attributes are combined to create the backbone of Cisneros's unique style and structure.
In The House on Mango Street by Sandra Cisneros, there is an emphasizes on how rough it is to be part of the low economic class . Through her words you can create an image about the way poverty affects children. She goes through the book making great remarks on the topic. The different experiences that Esperanza goes through have a lot to connect with her family's financial status. She specifically describes her feelings about the poverty they live in through three of her short stories. The three short stories in which poverty seems to be an obstacle are The House on Mango Street, Our Good Day, and Chanclas. When the book begins the downgrading of Esperanza's esteem begins with it.
matter how hard people wish on a star or on a candle, the wishes never seemed to be
“Someday, I will have a best friend all my own. One I can tell my secrets to. One who will understand my jokes without me having to explain them” (9). These are the longing words spoken by Esperanza. In the novel The House on Mango Street, Esperanza is young girl experiencing adolescence not only longing for a place to fit in but also wanting to be beautiful. This becomes complicated as Esperanza becomes more sexually aware. Throughout the novel, Cisneros argues the importance of beauty and how Esperanza deals with beauty as a part of her identity. When Esperanza meets Sally a new friend, Esperanza’s whole world is turned upside down. Esperanza’s views on beauty change from a positive outlook to a negative one by watching how beauty has damaged Sally’s life.
Cisneros depicts Mango Street as a rough neighborhood, but she also conveys a sense of community. She writes down that “we are safe,” (Cisneros, 28) to indicate that she can find the sense of community. Even if the author does not think she belongs to Mango Street, she does not deny that her community lives there. At the beginning of The House on Mango Street, Cisneros states that “I had to have a house. A real house,” (Cisneros, 5) illustrating that after knowing the American society’s evaluation criteria of success, she wants to follow the upward mobility and be viewed as a successful figure not only because she wants to be appreciated but also because white people will change their stereotypes of Hispanic people if they see that a Hispanic woman can be as successful as other whites. Her ambition triggers her to want to explore the meaning of being a Hispanic girl in the real world. Furthermore, in the “My name” session, the author depicts her great-grandmother’s life. “She looked out the window her whole life… but I don’t want to inherit her place by the window.” (Cisneros, 11) Cisneros wants a marriage formed because of love, like most white people do; her desire indicates that she wants to live like the whites, so that they will respect her and the Hispanic race later. In addition, Cisneros points out that she
Narrator 2: They lived in a old cottage in front of an old overgrown woods. There was a mother that lived with her two children.
Soon after relocating to the camp her husband was killed in a mining explosion when he drilled into a “missed hole” and struck dynamite. She was now a widow and had children to support. To support herself and children she accepted an offer to open a boarding house for miners. The owner of the mine allowed her to live in/own a home in the mining camp. In return she would house miners and cook and clean for them. As the mining company moved locations, so did she. While living in these small boarding boarding homes, she details how her house was only one small room, was commonly filled with fifteen miners and had a dirt floor. These conditions made it very difficult for her to care for her children. She lived very poorly and often could only feed her children rice and
Sandra Cisneros' strong cultural values greatly influence The House on Mango Street. Esperanza's life is the medium that Cisneros uses to bring the Latin community to her audience. The novel deals with the Catholic Church and its position in the Latin community. The deep family connection within the barrio also plays an important role in the novel. Esperanza's struggle to become a part of the world outside of Mango Street represents the desire many Chicanos have to grow beyond their neighborhoods.
Liz’s family is from a city named Kow Loon in Hong Kong. During the interview Liz recollected that she lived in a tall building and that the city often endured typhoons or hurricanes that would render her apartment building
“We didn't always live on Mango Street. Before that we lived on Loomis on the third floor, and before that we lived on Keeler. Before Keeler it was Paulina, and before that I can't remember.” (Pg. 3)
The House on Mango Street is a novel of vignettes created by Sandra Cisneros. She wrote the novel in a way that each vignette was a different story that seemed like it could stand alone, and I believe that doing so almost makes the novel appear more approachable to all readers. The narrator of the story is Esperanza, a name that means hope in Spanish. I think that Cisneros wrote this novel to share background information about Latinos with those who may not know much about their lives, and shed light on some of the discrimination they face.
The theme of this is story is that sometimes in life people are going to leave no matter the situation. I think this is the theme because in the story Esperanza said she lived on Loomis on the third floor and that it was a very old house. Her family had to move out of the house because the pipe broke. Another text from the story is that she said her grandfather died and he had to leave them. It was the first time she ever saw her father cry, no matter how much you love them, if it’s their time to leave then they will. Another important text is that the house on Mango Street was very sad it always felt like it didn’t belong that Mango was always sad, it was a sad little house. She always felt like she belong but do not belong so one day Mango
The house was old. My grandmother lived in it most of her life. The house was