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Characterisation in a doll's house
Characterisation in a doll's house
Love in literature essay
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“May God strike you dead, you two-faced scorpion! You thorn in my flesh” , “You are out of your mind! I won’t allow it! I forbid you!’ “The House of Bernarda Alba” is a play written at the brink of the 1930s Spanish civil war by Fredrico Garcia Lorca. “A Doll’s House”, is a play written by the Norwegian playwright Henrik Ibsen in the late 1800s. Both plays portray domination as a contributory of love, predominantly by the heads of households of the respected plays.
In both plays “A Doll’s House” and “The House of Bernarda Alba”, domination and love have been key elements in the development of the plays. Characters that are by nature dominating over their family portray love in many different ways. Love is not as easy to interpret from these characters as compared with the straightforward Aunt Polly in “The Adventures of Tom Sawyer”. Love is defined in the characters of Torvald and Bernarda in the form of domination. Torvald is a lot more subtle about his feelings and more open for interpretation, while Bernarda is more complex and closed in the form of expressing love.
In both plays name calling is a defining factor used by the playwrights, Ibsen and Lorca, to ridicule the antagonist’s subjects. For instance, in “A Doll’s House”, Ibsen emphasizes the name calling by creating a dehumanizing tone where Torvald often refers to animals such as ‘skylark’, ‘little squirrel’ and ‘little singing bird’. This is one example of how domination is used to portray his love for his wife, despite forming a sense of constriction; whereas in “The House of Bernarda Alba” Lorca uses a more direct and powerful method of name calling to establish Bernarda’s dominating nature. Through Bernarda, Lorca has used harsh words such as ‘Weakling!’ This part...
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...ehold with an iron fist, a sense of affection and love exist in them.
Works Cited
http://www.enotes.com/dolls-house/discuss/nora-macaroons-63873
http://classiclit.about.com/od/dollshousehenrikibsen/a/A-Dolls-House-Questions-For-Study-And-
Discussion.htm
http://classiclit.about.com/od/dollshousehenrikibsen/a/A-Dolls-House-Quotes.htm
http://www.novelguide.com/ADoll'sHouse/novelsummary.html
http://www.shmoop.com/dolls-house/torvald-helmer.html
http://www.sparknotes.com/lit/dollhouse/section3.rhtml
http://en.wikipedia.org/wiki/A_Doll's_House 7/2/2012
http://en.wikipedia.org/wiki/The_House_of_Bernarda_Alba 7/2/2012
“A Doll’s House”, Henrik Ibsen, translated by Stanley Appelbaum, Modern Classics first edition
“The House of Bernarda Alba”, Fredrico Garcia Lorca, translated by Michael Dewell and
Carmen Zapata, Dover Thrift Editions
The plays, Trifles and A Doll’s house utilize symbols throughout the scenes to represent the way women were dealt with and perceived all through the nineteenth century. The symbols provide the audience ways to perceive the plays principle similarities in the representation of women, for example, men releasing ladies as inconsequential and portraying them as property; then again, the plays reflect the women’s ways of life as
In A Doll’s House, Ibsen portrays his lead character, Nora, who is a housewife in the Helmer’s family. She has undergone a transformation throughout the play that she reacts differently to her husband. Her husband, Torvald, is an example of men who are only interested in their appearance and the amount of control they have over a person. In particular, he has a very clear and narrow definition of a woman's role. At the beginning of the story, as from the title of the play, Nora symbolizes the “doll” in the house, which means that she has been treated as treats Nora like a child or doll. For example, husband called Nora ‘bird’ and it implies that husband treats her like his pet and she is his doll as the title is a doll house. In other words, her husband wanted her to be a ‘lark' or ‘songbird' so he can enjoy h...
Throughout A Doll’s House, Henrik Ibsen illustrates through an intriguing story how a once infantile-like woman gains independence and a life of her own. Ibsen creates a naturalistic drama that demonstrates how on the outside Nora and Torvald seam to have it all, but in reality their life together is empty. Instead of meaningful discussions, Torvald uses degrading pet names and meaningless talk to relate to Nora. Continuing to treat Nora like a pampered yet unimportant pet, Torvald thoroughly demonstrates how men of his era treat women as insignificant items to be possessed and shown off. While the Helmer household may have the appearance of being sociably acceptable, the marriage of Torvald and Nora was falling apart because of the lack of identity, love, and communication.
In a dolls house, Ibsen has combined several characters with diverse personal qualities and used them to develop the story line as well as bring to life the major themes and issues that the plot is meant to address. Primarily there are two types of characters who can be categorized as static and dynamic, the static characters remain the same form the start to the end of a story and despite the events taking place around them, and they do not change their perception or altitudes. These types of characters are often “punished” for their inflexibility especially when there are antagonists. In A doll’s house, Nora’s husband Torvald is depicted as such, he treats Nora like she is a child and proves incapable of understanding the depth of her inner feeling or her personal strength which albeit not manifest at first are preset nevertheless. At the end of the play, he is still holding on to the same patronizing altitude and this results in her leaving him claiming quite rightly, that he does not understand her. The second type of character which Nora embodies is the dynamic character, whereby she is flexible, undergoes growth and changes in personality and perception as the story develops, again she respond more deeply to situations and circumstances. This is evident when the childish Nora who Ibsen introduces is not a decisive, intelligent and pragmatic woman who is gradually revealed, and the climax of her transformation is seen when she authoritatively terminates her marriage to Torvald who had appeared to be in control of her all along. The primary focus of this paper is to examine the character of Nora and explores her various attributes in the context of the plot and concerning her relationship with the other characters in “A doll’...
In the play A Doll House, by Henrik Ibsen, the convention of marriage is examined and questioned for its lack of honesty. The play is set in the late 1800s, which provides the backdrop for the debate about roles of people in society. Ibsen uses the minor character, Dr. Rank, to help develop the theme of conflicts within society. This, in turn, creates connections with the plot. Dr. Rank's function in the play is to foreshadow, symbolize, and reflect upon the truth of life and society and to break down the barrier between appearance and reality.
Women in most cultures have been designated as second to men and in some instances, considered below male children as well. With the passage of time women gained respect and the right for equality. Although gender discrimination remains, a lot of progress has been achieved. Literature is a one of the facets of the human race that reflects the culture change of people. William Shakespeare’s King Lear portrays the patriarchal system of the Renaissance era, which leaves women completely dependent on the male head of household. In Henrik Ibsen’s Doll House, set in the modern era, there is still a patriarchal system but women have just a little more freedom. The article, The Doll House Backlash: Criticism, Feminism, and Ibsen by Joan Templeton, analyzes the gender subordination in A Doll House. Comparing and contrasting the themes of the two plays followed by consideration of the article’s research on the theme in A Doll House, assists in developing an understanding of the gradual progression of women’s freedom to be their “true selves” through equality with men. The “true self” is a person's character that is masked by a false portrayal designed to appeal to others.
Henrik Ibsen’s screenplay A Doll’s House is a tantalizing story between a married couple and their lives during the 19th century; an era which for woman was highly oppressed, period in time where men ruled the household as business, whereas their wife played the docile obedient lady of the home. Therefor they followed their husbands and fathers implicitly until Nora. Nora sets the stage of her life, starting in her father’s home; she is a stage onto herself. According to Ibsen; little secrets told not only to ourselves but to those around us, find a way to resurface. The ability to understand changes as life’s little secret unfold their true meaning is found in A Doll’s House being played out with Nora learning the art of manipulation of lies.
SparkNotes Editors. “SparkNote on A Doll’s House”. SparkNotes LLC. 2002. SparkNotes.com. 20 Mar 2011. http://Sparknotes.com/lit/dollhouse/themes.html.
“A Doll’s House” gives the reader a firsthand view at how gender roles affected the characters actions and interactions throughout the play. The play helps to portray the different struggles women faced during the 19th century with gender roles, and how the roles affected their relationships with men as well as society. It also helps to show the luxury of being a male during this time and how their higher status socially over women affected their relationships with woman and others during this time period.
The play “A Doll House” by Henrik Ibsen starts in the Helmer’s home on Christmas Eve. At the beginning of the play, the audience is introduced to Nora Helmer, the woman of the household. Nora is completely delighted with her life, and feels favorable for the way her life is coming along. She looks forward to the New Year when her husband starts his new job as a bank manager, where he will “have a big salary and earn lots and lots of money” (Ibsen 1350). Torvald Helmer, her husband, teases her and treats her like a child who is incapable. Nora responds to her husband’s actions with pure affection and does not seem to mind her controlled doll-like life. In the play Ibsen creates the setting in the late 1800s where women took care of the household, family, and children. Men saw women as delicate, innocent, unknowledgeable, and uneducated in the business world. Symbolism plays a large role in comprehending the play. The Christmas tree, the Tarantella, and the New Year are symbols that unveil the life of the characters and what they stand for.
Henrik Ibsen’s “A Doll’s House” a nineteenth century play successfully uses symbolism to express many characteristics of Helmer’s life, together with the way that the main character Nora feels towards her marriage at the end of the play. Ibsen’s use of symbolism to convey about the social setting, including the harsh male-controlled Danish society, seen mostly in Torvald in the play and the role of women, signified mostly in Nora. These symbols act as foretelling before the tragic events at the end of the play, as they show the problems which lead to the demise of the Helmer’s ‘perfect’ family life.
Consequently, the subordination of women in marriage has been presented and reinforced in various contexts. The play, “A Doll’s House”, is a prime example, exposing the restricted role of women during the time of its writing and the problems that arise from a drastic imbalance of power between men and women. The female protagonist leads a difficult life because society dictates that her husband be the marriage’s dominant partner and she has promised total obedience to him. Additionally, she begins questioning the limited position she has as a woman in marriage, subjected to her husband’s orders and edicts. Over the course of the play, she breaks the barriers of the role women should play and challenges the previous perception of motherhood.
In its historical context A Doll’s House was a radical play which forced its audience to question the gender roles which are constructed by society and make them think about how their own lives are a performance for Victorian society.
Those of you who have just read A Doll's House for the first time will, I suspect, have little trouble forming an initial sense of what it is about, and, if past experience is any guide, many of you will quickly reach a consensus that the major thrust of this play has something to do with gender relations in modern society and offers us, in the actions of the heroine, a vision of the need for a new-found freedom for women (or a woman) amid a suffocating society governed wholly by unsympathetic and insensitive men.
“A Doll’s House” is a play written by a Norwegian playwright, Henrik Ibsen. The play was published in 1879, and is a literary piece that triggered almost vigorous reactions from the audience. Moreover, the play was considered Ibsen’s masterpiece and he was determined to provoke a reaction from the public. His intention was to bring awareness to the problem of gender roles in the 19th century society: the role of women who were used as decorations of the household. The title this play, “A Doll’s House”, foreshadows the play’s protagonist, Nora Helmer, and her role in the household. The title of the play suggests that Nora is a doll in her own home.