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A Doll s Trifles a Essay Comparing the Plays Trifles and Dollhouse
A doll house as a feminist play
Gender role in literature
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Gender roles and inequality are still evolving and continue to change. It has only been not that long ago that women started to break out their outlined roles and looked at about the same or- almost the same level- as men on a wide scale basis. Indeed, some women in certain parts of the world are still represented in the same way as in both plays that will be compared in this essay. The characters in Susan Glaspell’s Trifles and Henrik Ibsen’s A Doll's House highlight the challenges of gender roles. The attention focused on points of comparison and contrast of men vs women's reactions in the course of both plays, which, allow the audience to think about gender identity and role conflicts. The other common shared view in both plays is that they are both showcased from a female perspective. The plays, Trifles and A Doll’s house utilize symbols throughout the scenes to represent the way women were dealt with and perceived all through the nineteenth century. The symbols provide the audience ways to perceive the plays principle similarities in the representation of women, for example, men releasing ladies as inconsequential and portraying them as property; then again, the plays reflect the women’s ways of life as …show more content…
different of the men’s. As an example of symbols, Susan Glaspell utilizes the bird cage and dead bird to resemble the part given to women in marriage and society. Another comparison with the use of symbols between both main women in the plays shows how the men compared them to pets, which reflects how they were looked at as an object and property. Mrs. Hale describes Mrs. Wright “was kind of a bird herself” (Glaspell 1054) and Torvald calls Nora his “lark” (Ibsen 1259). Both symbols of metaphor shine on the underlying message of the plays —birds are restricted, held from their freedom in a cage same way women are stuck to only answer to their roles as society and men perceive them. Where their needs are not the priority but the catering for the house, the husband,and children are what dictates their lives. While Mrs, wright is presented as the housewife that broke out of her cage to seek freedom in a violent way by killing her husband Mr Wright.
Nora’s character was released herself in a different way, by choosing to leave her current situation and attempt to find her true calling as a women, away from her duties that were only serving her husband and focusing on her children. The symbol of her slamming the door on her way out, along with the rejection of changing her mind after her husband begged her to stay infeciaze on the birth of a strong character at the end of the play. The internal conflict of roles in Nora’s chartchter was showing through the transformation of herself from being a passive, carting housewofe to a strongwelled indepanandt
woman. Some of the other representation supporting the theme of gender role lye in the women relating to Mrs. Wright’s situation, they had more sympathy toward the event than the men. it could be due to the fact, that they themselves see the hard work that goes into being the gender that answers to all the men’s demands and responsibilities. In other words, the men approached the event with less concern since they address women cocerns with little to no importance.
There are many similarities in the relationships between men and women in Susan Glaspell's Trifles and Henrik Ibsen's A Doll House. The conflict in each play is the result of incorrect assumptions made by the males of a male-dominated society. The men believe that women focus on trivial matters and are incapable of intelligent thinking, while the women quietly prove the men's assumptions wrong.
Throughout the play we never get to know who the real Nora is and what her true personality consists of. Nora also realizes that she does not know who she is, and decides to leave her life. She comments that she needs to discover who she is separate from her husband, children and more importantly society. Nora feels she is not respected, and she is a “doll” to her husband.
In the 19th Century, women had different roles and treated differently compared to today’s women in American society. In the past, men expected women to carry out the duties of a homemaker, which consisted of cleaning and cooking. In earlier years, men did not allow women to have opinions or carry on a job outside of the household. As today’s societies, women leave the house to carry on jobs that allow them to speak their minds and carry on roles that men carried out in earlier years. In the 19th Century, men stereotyped women to be insignificant, not think with their minds about issues outside of the kitchen or home. In the play Trifles, written by Susan Glaspell, the writer portrays how women in earlier years have no rights and men treat women like dirt. Trifles is based on real life events of a murder that Susan Glaspell covered during her work as a newspaper reporter in Des Moines and the play is based off of Susan Glaspell’s earlier writing, “A Jury of Her Peers”. The play is about a wife of a farmer that appears to be cold and filled with silence. After many years of the husband treating the wife terrible, the farmer’s wife snaps and murders her husband. In addition, the play portrays how men and women may stick together in same sex roles in certain situations. The men in the play are busy looking for evidence of proof to show Mrs. Wright murdered her husband. As for the women in the play, they stick together by hiding evidence to prove Mrs. Wright murdered her husband. Although men felt they were smarter than women in the earlier days, the play describes how women are expected of too much in their roles, which could cause a woman to emotionally snap, but leads to women banding together to prove that women can be...
In “Trifles” by Susan Glaspell and “A Dollhouse” by Henrik Ibsen, the authors use symbolism to shed light on the way woman were once looked down upon by men. In both plays the woman face similar derisive attitudes from the men in their lives. Women are treated as property, looked down upon and only useful in matters pertaining to cooking, taking care of children, housework and sexual objects. The women’s marriages, socioeconomic and social status are completely different, but both women reach their emotional breaking point, and grow so discontent with their situations they are willing to take drastic actions.
The plays, Trifles and A Dollhouse use the literary tool of symbolism to portray the way women were treated throughout the nineteenth century. Susan Glaspell uses the bird cage and the dead bird to signify the role and life of women in marriage and society, whereas Henrik Ibsen uses the dollhouse. These symbols allow the reader to recognize the plays main similarities in the treatment of women, such as men dismissing women as trivial and treating them like property; however, the plays portray the women’s lifestyles as different which seal their fates. To begin, in both plays the men dismiss the women as trivial. In Trifles, when Mrs. Wright is being held in jail for the alleged murder of her husband, she worries about the cold weather and whether it will cause her fruit to freeze which will burst the jars.
A work of literature often subtlety alludes to a situation in society that the author finds particularly significant. Susan Glaspell incorporates social commentary into her play Trifles. By doing so, she highlights the gender stratification that exists even in the most basic interactions and presents a way to use this social barrier to an acceptable end. Despite being written almost a century before present day, Glaspell’s findings and resulting solution are still valid in a modern context. Trifles demonstrates the roles of men and women in their everyday behaviour and interaction. The women use their ascribed positions to accomplish what the men cannot and have the ability to deliberately choose not to help the men with their newfound knowledge.
A Doll House, by Henrik Ibsen, and A Raisin in the Sun, by Lorraine Hansberry, both have central themes of search of self-identity within a social system. This is demonstrated by women characters from both plays breaking away from the social standards of their times and acting on their own terms. In most situations women are to be less dominant than men in society. These two plays are surprisingly different from the views of women in society and of the times and settings that they take place in.
In conclusion, Even though both Ibsen and Glaspell are showing the responsible for giving women insight to what their lives could be as an independent person who is treated as an equal, their plays deals somewhat different sight to deals with the problems of the inequality between men and women. In other words, in A Doll’s House, Nora – like many others – begins to realize that she is more than capable of thinking and living for herself. Unlike Nora, however, in Trifles, Mrs. Wright chose to stay married to her unloving and murder her husband. Moreover, unlike what A Doll’s house portrayed, in Trifles, Glaspell shows the power of women can gain by sticking together and looking out for one another in order to improve their social positions from the behavior of Mrs. Hale and Mrs. Peters.
Gender roles have withstood the test of time and equality throughout the world, and only recently has society made advancements towards gender equality. Undoubtedly, this modern progression in equality can be partially attributed to canon literature which broadens a reader’s perspective and challenges them to think critically. Such as the plays “Trifles”, written by Susan Glaspell, and “M. Butterfly”, written by David Henry Hwang, which address gender inequality through dramatic portrayals. Moreover, when compared and contrasted, “Trifles” and “M. Butterfly”, share the universal themes of femininity and masculinity as well as cultural stereotypes.
Nora is a dynamic character. When the play begins Nora is viewed and presented as a playful and carefree person. She seems to be more intent on shopping for frivolous things. But, as time goes on it becomes apparent that Nora actually has a certain amount of seriousness in her decisions and actions in dealing with the debt she incurred to save Torvald’s life. Nora’s openness in her friendship with Dr. Rank changes after he professes his affections toward her. Her restraint in dealing with him shows that Nora is a mature and intelligent woman. Nora shows courage, not seen previously, by manipulating her way around Krogstad and his threats to reveal her secret. After feeling betrayed by Torvald, Nora reveals that she is leaving him. Having
“A Doll’s House” gives the reader a firsthand view at how gender roles affected the characters actions and interactions throughout the play. The play helps to portray the different struggles women faced during the 19th century with gender roles, and how the roles affected their relationships with men as well as society. It also helps to show the luxury of being a male during this time and how their higher status socially over women affected their relationships with woman and others during this time period.
It has been noticed from past times that there has forever been a really huge and noticeable gap within the roles that ladies and men each play within the everyday social group developments. In Ibsen’s words, “There are two kinds of moral laws, two kinds of moral conscience, one for men and one, quite different, for women. They don’t understand each other; but in practical life, woman is judged by masculine law, as though she weren’t a woman but a man…. A woman cannot be herself in modern society”. The theme in “A Doll’s House” which shows us that during Ibsen’s time and in our current day and society the issue about gender continues to raise important concerns between men and woman like: the role of the wife in a marriage, the right of which a woman is to determine and direct the course of their own lives. The whole conflict is written to the audience and listeners of the play the ridiculous social expectations demanded of both women and men. Ibsen with his portrayal of Nora and Mrs. Linde shows that these social expectations are mindless and wrong. The thesis of this paper is to analyze Henry Ibsen’s play by taking a look at the characters Nora and Mrs. Linde in Henrik Ibsen’s play “A Doll’s House”. When this play is being read you will notice that the society’s negative view of women may have had an impact on Ibsen for him to come up with a play about a female hero in Nora and Mrs. Linde during an era where it wouldn't have been viewed favorably and the reason why many generations of audience and readers of this play choose to identify the play as a work of feminism. I will also analyze this play with additional elaboration on the Victorian era.
In its historical context A Doll’s House was a radical play which forced its audience to question the gender roles which are constructed by society and make them think about how their own lives are a performance for Victorian society.
Those of you who have just read A Doll's House for the first time will, I suspect, have little trouble forming an initial sense of what it is about, and, if past experience is any guide, many of you will quickly reach a consensus that the major thrust of this play has something to do with gender relations in modern society and offers us, in the actions of the heroine, a vision of the need for a new-found freedom for women (or a woman) amid a suffocating society governed wholly by unsympathetic and insensitive men.
Henrik Ibsen paints a sad picture of the sacrificial role of women throughout all social economical classes in his play “A Doll House”. The story is set in the late 19th century and all minor female characters had to overcome adversity to the expense of love, family and self-realization, in order to lead a comfortable life. While the main female protagonist Nora struggles with her increasingly troubled marriage, she soon realizes, she needs to change her life to be happy as the play climaxes. Her journey to self-discovery is achieved by the threat of her past crime and her oppressing husband, Torvald and the society he represents. The minor female characters exemplifying Nora’s ultimate sacrifice.