Have you ever had that uncertain feeling inside that something is just not right and needs to be changed? Sandra Cisneros’s novel The House On Mango Street is about a young Latina girl growing up in Chicago who learns more about herself and what she will become in the future. Throughout the series of vignettes, the reader encounters many women who are constrained by poverty and inequality. Women confront situations where they are waiting for men to help guide them, or they get taken advantage of by men. Although Esperanza experiences and witnesses the struggles and hardships that come with being a woman, she eventually understands that being a woman can be powerful, and that she is able to shape her own future.
Throughout the beginning of
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the novel, Esperanza places a great deal of emphasis on the constraints that women in her neighborhood face when it comes to pursuing their dreams. Esperanza's great-grandmother wasn’t treated with respect or wasn’t allowed the opportunities her husband or any other man were given. Her great-grandmother, “looked out the window her whole life, the way so many women sit their sadness on an elbow … she couldn’t be all the things she wanted to be.” (11) Esperanza’s great-grandmother merely sat her “sadness on an elbow” and thought about “all the things she wanted to be.” Esperanza, the great-grandmother, wanted to achieve her dreams, but she was restrained because of her gender. Marin illustrated a similar feeling when she stood, “under the streetlight, dancing by herself, is singing the same song somewhere. I know. Is waiting for a car to stop, a star to fall, someone to change her life.” (27) Marin brings attention to herself by being “under the streetlight” dancing and singing. She does this because she wants a man to “change her life”. Marin expects that she will find a man to do all of the work. She resigns from what she might have been able to accomplish, by “waiting” and thinking that the man will lead her. Finally, Alicia, “whose mother dies, is sorry there is no one other to rise and make the lunchbox tortilla. Alicia, who inherited her mama’s rolling pin and sleepiness, is young and smart and studies for the first time at the university.” (31) Alicia’s mom died, so there was no one to help around the house. Therefore, Alicia lives with her dad, and she “inherited her mama’s rolling pin”. Alicia is “smart and studies”, but because she is a woman, she does not get the opportunity to pursue her studies any further. She is expected to do the work around the house, even though she has a lot more to offer. In addition to the way women at the beginning of the book seem to accept their position in society, Esperanza also emphasizes how the abuse of women, especially as a result of beauty, can be problematic.
Esperanza talks to an old man, and he interupts her and asks, “If I give you a dollar will you kiss me?” Esperanza realizes that in the real world, there will be men who take advantage of women, and thinks, “We are tired of being beautiful.” (41-42) She understands that her beauty attracts men, and she does not want to get taken advantage of again. Rafaela's husband makes sure that she cannot do anything he can do. “And then Rafaela, who is still young but getting old from leaning out the window so much, gets locked indoors because her husband is afraid Rafaela will run away since she is too beautiful to look at.” (79) Rafaela’s husband locks her in their house while he is gone during the day. He is worried that, “Rafaela will run away since she is too beautiful to look at”. This reveals how men take advantage of women, just because of the way they look. Rafaela’s husband knows that men will do this to Rafaela, and he doesn’t let Rafaela go out and do what men can do. Men do not allow women to have the same opportunities they do and trap them with a life as their wife, and nothing more. Minerva is getting abused by her husband, and “she comes over back and blue and asks what she can do? Minerva. I don’t know which way she’ll go. There is nothing I can do.” (85) Minerva’s …show more content…
husband hits her, and when she tries to escape her unhealthy relationship with him, he returns the next week, asking forgiveness. Minerva is being taken advantage of and in a one-way relationship where she can’t leave or get help. She comes home “black and blue”. Minerva still wants to be with her husband, and thinks that it is her fault she is getting abused when she asks, “what can [I] do?” Esperanza knows that this rocky relationship needs to be fixed, but she can’t solve Minerva’s problems and feels helpless. In spite of all of the sexism that Esperanza experiences and witnesses in her daily life, she eventually learns that there is hope and potential for women to gain even greater success and freedom than men.
Esperanza displays her independence when she announces, “I have begun my own quiet war. Simple. Sure. I am the one who leaves the table like a man, without putting back the chair or picking up the plate.” (89) Esperanza is breaking gender stereotypes by saying that she’s “the one who leaves the table like a man.” Esperanza is now concluding that everything a man is allowed to do, she should be allowed to do it too. This shows contrast because earlier in the book, the women resigned and did not want to achieve much. In the quote, Esperanza is allowing herself to do everything men can do. Later, Esperanza sees a couple boys being rude to Sally. She goes up to one of the boys’ mom and declares, “Your son and his friends stole Sally’s keys and they won’t give them back unless she kisses them and right now they’re making her kiss them… They all looked at me like I was the one that was crazy.” (97) Esperanza realizes that Sally is being taken advantage of and tries to seek help, but the boy’s mom can’t help, and resigns like most of the women at the beginning of the book. The mom reacts as if it wasn’t a big deal because girls in society get taken advantage of frequently. Esperanza ends by thinking that she “was the one that was crazy” because usually people don’t do anything
about gender inequality. When Esperanza saw the boys treating Sally poorly, she took initiative and said something about it. Compared to earlier, Esperanza has become confident to help fix unacceptable situations. Lastly, Esperanza demonstrates that she is capable of anything when she states that she wants, “Not a flat. Not an apartment in back. Not a daddy’s. A house all my own.” (108) Esperanza displays her eager nature. She says that she wants “a house all my own” and that she doesn’t want a “daddy’s [house]”. Esperanza knows that when she gets a house, she will not have a man buy it and get it for her. By saying this, she is breaking down gender stereotypes of men doing all the work. Because the women did not strive for improvement, and the men did not reward women in the 1980s in Chicago, they needed people like Esperanza to alter this stereotype. Even with all of the unpleasant experiences that the women in the novel encountered, many of the women did not realize that what happened to them was wrong. Thanks to Esperanza, she understood that the stereotyping had to end, and brought this realization to others. Even with all of the people who now stand up for women rights, there are still people and places where women are treated unfairly. Whether it is women being underestimated in jobs or women getting paid less, it still occurs today. Despite the efforts of some well-educated people, like Esperanza, the people in Chicago and throughout the United States continue to face gender stereotypes. Hopefully, with gender equality spreading, there will be a change and everyone can be educated on the topic of gender, and more people can take initiative, like Esperanza.
In the book, Esperanza doesn’t want to follow the norms of the life around her; she wants to be independent. Esperanza states her independence by stating, “Not a man’s house. Not a daddy’s. A house all my own,” (Cisneros 108.) The syntax of these sentences stick out and are not complete thoughts, yet they convey much meaning and establish Esperanza’s feeling of not belonging. Esperanza’s feeling of not belonging is also emphasized when her sisters tell her that the events of her life have made her who she is and that is something she can not get rid of. Her sisters explain that the things she has experienced made her who she is by saying, “You will always be esperanza. You will always be mango street. You can’t erase what you know” (105.) What her sisters are trying to tell her is that the past has changed her but it doesn’t have to be a negative thing; it can be used to make her a better person who is stronger and more independent. Esperanza realizes that the things around her don’t really add up to what she believes is right, which also conveys the sense of not
Esperanza, the main character of The House on Mango Street, a novella written by Sandra Cisneros in 1984, has always felt like she didn’t belong. Esperanza sought a different life than the ones that people around her were living. She wanted to be in control of her life, and not be taken away by men as so many others around her had. Esperanza wanted to move away from Mango Street and find the house, and life she had always looked for. Through the use of repetition, Sandra Cisneros conveys a sense of not belonging, that can make a person strong enough to aspire to a better life.
In the vignette During Sally’s time in Mango, she was approached by a few boys around the same age; they took her keys and stated that they would not give the keys back “unless she kissed [them]” (Cisneros p. 96). Furious at this statement Esperanza leaves to one of the boy’s mother and briefly summarizes the issue, sadly enough she asks “what do you want me to do” (Cisneros p. 97). Cisneros wants to convey that it is common for men to be contempt with women, especially young boys who look towards these men as role models. It is mandatory to present oneself in a respectful way to set a proper
Symbolism is the key to understanding Sandra Cisneros’ novel, “The House on Mango Street”. By unraveling the symbolism, the reader truly exposes the role of not only Latina women but women of any background. Esperanza, a girl from a Mexican background living in Chicago, writes down what she witnesses while growing up. As a result of her sheltered upbringing, Esperanza hardly comprehends the actions that take place around her, but what she did understand she wrote in her journal. Cisneros used this technique of the point of view of a child, to her advantage by giving the readers enough information of what is taking place on Mango Street so that they can gather the pieces of the puzzle a get the big picture.
In the poor slums of Chicago, a family living in poverty struggles to get by. In the book, House on Mango Street by Sandra Cisneros, Esperanza is a twelve year old girl who lives with her family in the Windy City. She lives with her three siblings and both parents on Mango Street. Esperanza has no control over her life and family’s poverty. People who have no control over their life desperately seek change. Esperanza seeks to change her name, her home, and her destiny as a way to control her life.
Women are seen as failure and can’t strive without men in the Mexican-American community. In this novel you can see a cultural approach which examines a particular aspect of a culture and a gender studies approach which examines how literature either perpetuates or challenges gender stereotypes. Over and over, Esperanza battled with how people perceived her and how she wished to be perceived. In the beginning of the book, Esperanza speaks of all the times her family has moved from one place to another. “Before that we lived on Loomis on the third floor, and before that we lived on Keeler.
Sally is a common occurrence in Esperanza’s community; she lacks self-confidence and determination. In “Linoleum Roses,” Esperanza describes Sally’s post-marriage life. She says, “Sally says she likes being married because now she gets to buy her own things when her husband gives her money… Except he won’t let her talk on the telephone. And he doesn’t let her look out the window. And he doesn’t like her friends, so nobody gets to visit her unless he is working. She sits at home because she is afraid to go outside without his permission.” Sally lacks the qualities of self-confidence and determination; due to this, she lets herself fall into a trap disguised as marriage. Now, she has no control over her life. Her husband decides everything for her, and she is afraid to say no to him. Sally’s lack of two important qualities lets her give herself away to her husband. Now, her fate lies solely in his
Esperanza is constantly influenced by the women in her own family including her mother, sister and other various family members. Even early in the novel Esperanza recognizes that the boys hold more powers than the girl. She states “The boys and the girls live in different worlds” and how once outside of the house her brothers will not talk to the girls (10). Her brothers recognize that if the other boys in the neighborhood see them with their sisters, they will be mocked. This signals that Esperanza has internalized that the men hold more power even from an early age and her male siblings hold mor...
At first, Esperanza is young, insecure, and immature. Her immaturity is apparent when she talks about her mom holding her, saying it is, “sweet to put your nose into when she is holding you and you feel safe” (Cisneros 6-7). This shows Esperanza’s insecurity because her mom is still a big comfort source to her. She feels a false sense of comfort because her mom is there and will protect her. In addition, Esperanza’s immaturity is shown through her dislike for outsiders of the neighborhood when she says, “They are stupid people who are lost and got here by mistake” (Cisneros 28). This indicates how defensive and protective Esperanza is towards her barrio by calling outsiders stupid for reacting the way they do, even though she dislikes Mango Street....
“The boys and girls live in separate worlds. The boys in their universe and we in ours. My brothers for example. They've got plenty to say to me and Nenny inside the house. But outside they can't be seen talking to girls,” exfoliates the truth that opposite genders live in different worlds and are usually not treated in agreement. The often theme throughout the novella that Esperanza would like to have a nice house and be better off in is important, representing that just because one is a child in poverty, one does not have to stay that way. Gender roles are not equal, the man is supposed to have the job, well Esperanza would like to have a job and accumulate money on her own. Not only does Esperanza want gender inequality, but also would like to strive further than her
In the Book women are looked upon as objects by men whether they are boyfriends, friends fathers or husbands. The girls in the novel grow up with the mentality that looks and appearance are the most important things to a woman. Cisneros also shows how Latino women are expected to be loyal to their husbands, and that a husband should have complete control of the relationship. Yet on the other hand, Cisneros describes the character Esperanza as being different. Even though she is born and raised in the same culture as the women around her, she is not happy with it, and knows that someday she will break free from its ties, because she is mentally strong and has a talent for telling stories. She comes back through her stories by showing the women that they can be independent and live their own lives. In a way this is Cinceros' way of coming back and giving back to the women in her community.
The act of sex is not what she was expecting and she blames the women in the Mango Street community for what happened to her and for lying to her about the realities of sex. Irony is present in this relationship because throughout the novel Sally transforms from a symbol of envy and aspiration to a girl that Esperanza feels pity for. Sandra Cisneros incorporates Sally’s static character as an opportunity to force Esperanza’s character to grow through experience and help Esperanza understand that she doesn’t want to define herself through empty sex. This ties back to Esperanza’s continuing challenge against gender norms and further enhances her need to create an identity for herself not defined by Mango Street.
Despite Esperanza’s efforts to be independent of her parents, they do play a crucial role in her life. All around Esperanza are examples of bad parents: Sally’s father beats her, Minerva’s father left her mother, Minerva’s husband leaves his children, and the Vargas kids’ father has abandoned them. Similarly, Ruthie’s mother Edna shows no love for her daughter, and Tito’s mother does not care how Tito behaves toward girls. Esperanza’s parents at least set a good example and try to instill values in their daughter. They advise Esperanza not to hang around with Sire, a neighborhood punk, and Esperanza’s mother tells her never to be ashamed as she was in her youth. Her parents show that they value education highly by sending their children to
However great this book may be, Sandra Cisneros puts deeper messages and meaning into every short vignette, making it even better than before. The House On Mango Street by Sandra Cisneros is important and in the book she suggests that women are oppressed in the world no matter what age. This is evident in many different vignettes in the book, such as in “Rafaela who drinks Papaya juice and Coconut water on Tuesdays”, “What Sally Said”, and in “Boys and Girls”. Cisneros uses mood, tone, and personification to convey thoughts ideas, and overall tell a beautiful story of trust, family, and friendship. You learn so much from every page, and in every chapter. In “Rafaela who drinks Papaya juice and Coconut water on Tuesdays”, you see how an abusive relationship oppresses a woman in a world where she can do nothing to get out of it. In “What Sally Said”, you see how a young girl is taken advantage of, nonetheless by her own father, and no one even bothers to blink an eye. In “Boys and Girls”, you see how gender roles and stereotypes are pushed on young girls and boys, even when they are as young as five years old. By reading this book you can see why we can no longer stand still. We have to get up, out of our privileged bubble we live in, out of the blatantly untrue lies the media tells us, and
Esperanza’s rebel role model, Marin, is a clear example of a woman accepting their role in society, depending on a man. Marin teaches Esperanza things so Esperanza sees Marin as a source for her everyday needs: “I like Marin. She is older and knows lots of things. She is the one who told us how Davey the Baby’s sister got pregnant and what cream