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The House On Mango Street is based on the house Sandra Cisneros lived in growing up. The actual house she lived in has been demolished years ago but the house across the street of the original house is said to be the mirror reflection it. This “mirror reflection” of The House On Mango Street is located in Chicago, where the book takes place. This fact aligns with the book “The House On Mmango Street” written by Sandra Cisneros because the house which is located on mango street is where Esperanza starts growing up seeing the reality on how hard it really is to get what you want. In The House on Mango Street Esperanza's moves into a house on Mango St. after living in several other houses. Esperanza’s new, and previous houses are not like the …show more content…
house that she has always wished for. As Esperanza spends more time on Mango St. she learns that she is not the one who’s dreams or goals could never be reached or realized. Throughout the story The House On Mango Street, the author Sandra Cisneros retaliates the central idea that you can not always get what you want of wish for by using, ” But even so, it’s not the house we’d thought we’d get., “On the corner there is music from the bar, and Rafaela wishes she could go there and dance before she gets old.”, and “I could have been somebody, you know? My mother says and sighs.” cite these quotes fam As a small girl Esperanza always wished in having her own pretty house.
She always had to move into a new house but they were all very ugly and not like the house she always wished for. In the story The House On Mango Street, the author writes,” But even so, it’s not the house we’d thought we’d get.” (pg4). This quote shows that Esperanza always dreamed of living in a really nice house but none of the house have been like she has dreamed for. By examining this evidence, the reader can see that you can not always get what you want. This quote shows, Esperanza always wanted a house, but every house she went to wasn’t like the one she always dreamed …show more content…
of. As much as someone could wish to do something, there might be someone, or something keeping us from doing what we want.
In the story The House on Mango Street, Sandra Cisneros writes, “On the corner there is music from the bar, and Rafaela wishes she could go there and dance before she gets old.”(pg 79) This quote shows that Rafaela, as much as she wishes she can come out of her house, she doesn’t want to disobey her husband so she never come out even though she really wants. By examining this evidence it proves that the possible theme is not always getting what you want because here Rafaela wishes to be able to get out of the house, but she can not because she is too beautiful and her husband will not let her
out. Esperanza's mom now regrets not studying, and wishes she could go back to fix her mistake. Sadly, she knows she can’t go back and do what she wishes to have been. In the story The House on Mango Street, the author writes, “I could have been somebody, you know? My mother says and sighs.” (pg90). This quote shows that not just Esperanza's mom wishes she could have kept on studying to be someone important but unfortunately she couldn’t follow what she wanted to do because she had left school because of an intelligent thing. By examining this evidence, the theme is represented by showing how Esperanza’s mother could have been somebody important, but she wasn’t able to be because that was her destiny. The central idea for the story is you can’t always get what you wish for. Clearly, the author Sandra Cisneros reveals that central idea throughout The House On Mango Street. As i mentioned “But even so, it’s not the house we’d thought we’d get.” (pg 4) it proved how Esperanza even though as much as her ultimate dream was to have a nice house of her own it never came true. A second quote i stated was, “On the corner there is music from the bar, and Rafaela wishes she could go there and dance before she gets old.”(pg 79). This proved that also another character in the story was denied the simple wish she had. One of the last quotes i input was, “I could have been somebody, you know? My mother says and sighs.” (pg90) and this also proved that you can’t get what you want because it not possible to actually go back in time with a time machine to make what you wanted come true. Many could relate in always wishing for something so bad but never getting it. Maybe someone’s wish could be something they’ve wished for so long or something they really need but sometimes it’s just not possible to get what you want. However we should all learn that sometimes we might not get all we want for a reason so a tip would be to learn to live happily with what you have.
When Esperanza is struck by the realization that she is not accepted in society, she aspires to bring a more hospitable environment to fruition. At the beginning of The House on Mango Street, Esperanza is questioned by a nun about where she lives. The condemning tone of the harridan shakes Esperanza, causing her to state, “There. I lived there… I knew then I had to have a house. A
In the book, Esperanza doesn’t want to follow the norms of the life around her; she wants to be independent. Esperanza states her independence by stating, “Not a man’s house. Not a daddy’s. A house all my own,” (Cisneros 108.) The syntax of these sentences stick out and are not complete thoughts, yet they convey much meaning and establish Esperanza’s feeling of not belonging. Esperanza’s feeling of not belonging is also emphasized when her sisters tell her that the events of her life have made her who she is and that is something she can not get rid of. Her sisters explain that the things she has experienced made her who she is by saying, “You will always be esperanza. You will always be mango street. You can’t erase what you know” (105.) What her sisters are trying to tell her is that the past has changed her but it doesn’t have to be a negative thing; it can be used to make her a better person who is stronger and more independent. Esperanza realizes that the things around her don’t really add up to what she believes is right, which also conveys the sense of not
Esperanza, the main character of The House on Mango Street, a novella written by Sandra Cisneros in 1984, has always felt like she didn’t belong. Esperanza sought a different life than the ones that people around her were living. She wanted to be in control of her life, and not be taken away by men as so many others around her had. Esperanza wanted to move away from Mango Street and find the house, and life she had always looked for. Through the use of repetition, Sandra Cisneros conveys a sense of not belonging, that can make a person strong enough to aspire to a better life.
The House on Mango Street by Sandra Cisneros is about a girl who struggles finding her true self. Esperanza sees the typical figures like Sally and Rafaela. There is also her neighbor Marin shows the “true” identity for women on Mango Street. She also sees her mother is and is not like that at the same time. The main struggle that Esperanza has is with beauty. This explains why most of the negative people that Esperanza meets on Mango Street, and her gender, helped her see the mold she needed to fill in order to give herself an identity.
Throughout the course of Mango Street, Esperanza’s relationship towards her house change. As time passes her feelings about the house itself change and the emotional impact of the house of her changes as well. Esperanza’s house on Mango Street symbolizes her Mexican culture. For so long she has wanted to leave it. She envisions a different type of life than what she is used to - moving from house to house. “this house is going to be different / my life is going to be different”. One can look at all the things she envisions - the "trappings of the good life" such as the running water, the garden etc. as symbols for the new life.
“The House on Mango Street” emphasizes on this issue, even broadens to explain other controversial matters such as abuse, misogynistic views, and stereotypes. The protagonist, Esperanza Cordero moves to Mango Street where she must witness the abuse affecting her friends, neighbors, and family. Either Sally a close friend, Mamacita a neighbor, or her own mother handling 4 children. Over the course of the novel Esperanza changes physically and mentally. Through the use of imagery as well as complex, descriptive vignettes Cisneros epitomizes the misogynistic views within Esperanza’s
Esperanza wishes she could change where she lives. Even though Esperanza moved to a nicer house, she still does not like the house on Mango Street. Esperanza’s parents made the house they were moving to seem luxurious. Upon arrival, Esperanza realized “the house of Mango Street is not the way they told it at all. It’s small and red with tight steps in front and windows so small you’d think they were holding their breath” (4). Even though the house on Mango Street is an improvement, it is still not good enough for Esperanza. Esperanza says, “I knew I had to have a house. A real house. One I could point to. But this isn’t. the house on Mango Street isn’t it” (5). She dreams of one day having a bigger and better house. The new and improved house will be a place for others to come and stay, “some days after dinner, guests and I will sit in front of a fire. Floorboards will squeak upstairs. The attic grumble. Rats? They’ll ask. Bums I’ll say, and I’ll be happy” (87). Dreaming of moving to a new house not only gives Esperanza the feeling of control and independence, but makes her
Esperanza was able to provide the audience with an image that was vivid of her surroundings through her diction and tone. Esperanza presents a series of stories that she deals with in her neighborhood as she grows up. Esperanza arose from poverty and always dreamt of having a house of her own. Sandra Cisneros' strong cultural and gender values have a tremendous influence on The House on Mango Street. Cisneros feels that the Mexican-American community is very abusive towards the treatment of women because men are seen as the powerful, strong figure.
However, each work is special and focuses on a different aspect of life as compared to the other. In addition, the thematic ideas between the two works are often correlated and often overlap between the two. Moreover, the multiple thematic ideas in the novel and the movie can still apply to the people of today as they also go through many hard times much like Celie and Esperanza. The House on Mango Street is able to focus on abuse of women, and discrimination of the female gender much like The Color Purple. However, The House on Mango Street is able to elaborate on the topic of maturity especially through the various experiences of Esperanza. Nevertheless, many important lessons can be learned from both the novel and the movie, among these include treatment of women, discrimination, and maturity. The novel and the movie do a wonderful job at emphasizing and focusing on these relatable topics that are vital to the growth of
Throughout The House on Mango Street Esperanza learns to resist the gender norms that are deeply imbedded in her community. The majority of the other female characters in the novel have internalized the male viewpoint and they believe that it is their husbands or fathers responsibility to care for them and make any crucial decisions for them. However, despite the influence of other female characters that are “immasculated”, according to Judith Fetterley, Esperanza’s experiences lead her to become a “resisting reader” in Fettereley’s terminology because she does not want to become like the women that she observes, stuck under a man’s authority. She desires to leave Mango Street and have a “home of her own” so that she will never be forced to depend on a man (Cisneros 108). During the course of the novel Esperanza eventually realizes that it is also her duty to go back to Mango Street “For the ones that cannot out”, or the women who do not challenge the norms (110). Esperanza eventually turns to her writing as a way to escape from her situation without having to marry a man that she would be forced to rely on like some of her friends do.
“Someday, I will have a best friend all my own. One I can tell my secrets to. One who will understand my jokes without me having to explain them” (9). These are the longing words spoken by Esperanza. In the novel The House on Mango Street, Esperanza is young girl experiencing adolescence not only longing for a place to fit in but also wanting to be beautiful. This becomes complicated as Esperanza becomes more sexually aware. Throughout the novel, Cisneros argues the importance of beauty and how Esperanza deals with beauty as a part of her identity. When Esperanza meets Sally a new friend, Esperanza’s whole world is turned upside down. Esperanza’s views on beauty change from a positive outlook to a negative one by watching how beauty has damaged Sally’s life.
Cisneros depicts Mango Street as a rough neighborhood, but she also conveys a sense of community. She writes down that “we are safe,” (Cisneros, 28) to indicate that she can find the sense of community. Even if the author does not think she belongs to Mango Street, she does not deny that her community lives there. At the beginning of The House on Mango Street, Cisneros states that “I had to have a house. A real house,” (Cisneros, 5) illustrating that after knowing the American society’s evaluation criteria of success, she wants to follow the upward mobility and be viewed as a successful figure not only because she wants to be appreciated but also because white people will change their stereotypes of Hispanic people if they see that a Hispanic woman can be as successful as other whites. Her ambition triggers her to want to explore the meaning of being a Hispanic girl in the real world. Furthermore, in the “My name” session, the author depicts her great-grandmother’s life. “She looked out the window her whole life… but I don’t want to inherit her place by the window.” (Cisneros, 11) Cisneros wants a marriage formed because of love, like most white people do; her desire indicates that she wants to live like the whites, so that they will respect her and the Hispanic race later. In addition, Cisneros points out that she
Although Esperanza is constantly reaffirming that she wants to move away from Mango Street, we know by the end novel that she will one day return to help those who will not have the opportunities Esperanza has had in her life. Indeed, in the closing pages Esperanza admits that she cannot escape Mango Street. She can never again call it home, but it has influenced her dreams, formed her personality, and she has learned valuable life lessons from its inhabitants. That is why, explains Esperanza, she tells stories about the house on Mango Street, revealing the beauty amidst dirty streets and unveiling her true inner self, the peace of knowing that her “home is where her heart is.”
At the beginning of the book, Esperanza is shameful of the financial status of her street and house. She showed this when she said “I knew I had to have a house. A
" They always told me that one day we would move into a real house, that would be ours. A house with trees, a white picket fence, real stairs and running water. The house on Mango Street isn't it. " (Cisneros, 4). This quote gives the reader a better understanding on why Esperanza is so frustrated with her poverty. Esperanza is constantly being let down because her poverty gets in the way. Her parents make all these promises to her that they cannot keep, because they do not have the money. Esperanza is still young and so far her life has been full of disappointment. When Esperanza's family moved into The House on Mango Street Esperanza's was excited, she expected to be moving into her dream house. Yet, once again her family's poverty gets in the way and they move into a shabby house. Esperanza's constant disappointment causes her a great deal of emotional pain, and all this pain leads back to her family's