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Analysis of the character of Esperanza in House on Mango Street
House of mango street feminist analysis
House of mango street feminist analysis
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In class we read the book House on Mango Street by Sandra Cisneros, the main character Esperanza lives in a lower working class neighborhood and street called Mango Street dealing with poverty. Her house is an important symbol in House on Mango Street. It represents Eperanza’s process of maturing as a person and the change in her perspective of poverty and struggle being shameful, to it being something to embrace and use as motivation. This is a very important part of the story because it is in many aspects where we are from that make us who we become. This is interesting to see in the book as her opinions and perspective of things inside and outside of her neighborhood are shaped by her experiences. At the beginning of the book, Esperanza is shameful of the financial status of her street and house. She showed this when she said “I knew I had to have a house. A …show more content…
A big reason for her wanting to do this is because she has been in that situation before and she knows how it feels to not have money to afford a nice house. “People who live on hills sleep so close to the stars they forget those of us who live too much on earth. They don't look down at all except to be content to live on hills. They have nothing to do with last week's garbage or fear of rats.” This quote shows how she doesn’t like the way that upper class distance themselves from the lower working class so when she gets successful she probably wouldn’t want to do the same. “One day I'll own my own house, but I won't forget who I am or where I came from. Passing bums will ask, Can I come in? I'll offer them the attic, ask them to stay, because I know how it is to be without a house.” This quote solidifies the statement that she knows how it feels and wants to help out people that were in her
but in the end she knew that if it weren’t for those small gifts she
The House on Mango Street by Sandra Cisneros is about a girl who struggles finding her true self. Esperanza sees the typical figures like Sally and Rafaela. There is also her neighbor Marin shows the “true” identity for women on Mango Street. She also sees her mother is and is not like that at the same time. The main struggle that Esperanza has is with beauty. This explains why most of the negative people that Esperanza meets on Mango Street, and her gender, helped her see the mold she needed to fill in order to give herself an identity.
Esperanza is the heart and soul of this story. She changes and develops new habits over the course of the book. Because of how the book is written, she’s also the main character who gives the story it’s unity. Everything in the story is told in her perspective anyway so she could be the narrator and the protagonist. Even the stories about other characters have some sort of connection with Esperanza. She is The House On Mango Street, she is Esperanza.
“The House on Mango Street” emphasizes on this issue, even broadens to explain other controversial matters such as abuse, misogynistic views, and stereotypes. The protagonist, Esperanza Cordero moves to Mango Street where she must witness the abuse affecting her friends, neighbors, and family. Either Sally a close friend, Mamacita a neighbor, or her own mother handling 4 children. Over the course of the novel Esperanza changes physically and mentally. Through the use of imagery as well as complex, descriptive vignettes Cisneros epitomizes the misogynistic views within Esperanza’s
The first challenge that Esperanza faced as an immigrant was she did not know how to do daily chores.”La Cenicienta! Cinderella! She laughed. Burning with humiliation, Esperanza dropped the broome and ran back to camp,” page (117). Esperanza was so embarrassed that Marta called her out for not being able to do chores, and she ran back to camp.”I said I could work. I told Mama I could help, but I can’t even sweep the floors.” page (117). Esperanza is having trouble doing chores, because all she can think about is Mama. Also she has always had servants to do her chores. Esperanza has grown up now, and mama is back, so she is a pro at doing chores. She Also has people to help her now with her
Throughout life, many hardships will be encountered, however, despite the several obstacles life may present, the best way to overcome these hardships is with determination, perseverance, and optimism. In The House on Mango Street, this theme is represented on various occasions in many of the vignettes. For this reason, this theme is one of the major themes in The House on Mango Street. In many of the vignettes, the women of Mango Street do not make any attempts to overcome the hardships oppressive men have placed upon them. In opposition, Alicia (“Alicia Who Sees Mice”) and Esperanza are made aware that the hardships presented as a result of living on Mango Street can be overcome by working hard and endless dedication to reach personal hopes
Esperanza wishes she could change where she lives. Even though Esperanza moved to a nicer house, she still does not like the house on Mango Street. Esperanza’s parents made the house they were moving to seem luxurious. Upon arrival, Esperanza realized “the house of Mango Street is not the way they told it at all. It’s small and red with tight steps in front and windows so small you’d think they were holding their breath” (4). Even though the house on Mango Street is an improvement, it is still not good enough for Esperanza. Esperanza says, “I knew I had to have a house. A real house. One I could point to. But this isn’t. the house on Mango Street isn’t it” (5). She dreams of one day having a bigger and better house. The new and improved house will be a place for others to come and stay, “some days after dinner, guests and I will sit in front of a fire. Floorboards will squeak upstairs. The attic grumble. Rats? They’ll ask. Bums I’ll say, and I’ll be happy” (87). Dreaming of moving to a new house not only gives Esperanza the feeling of control and independence, but makes her
Esperanza was able to provide the audience with an image that was vivid of her surroundings through her diction and tone. Esperanza presents a series of stories that she deals with in her neighborhood as she grows up. Esperanza arose from poverty and always dreamt of having a house of her own. Sandra Cisneros' strong cultural and gender values have a tremendous influence on The House on Mango Street. Cisneros feels that the Mexican-American community is very abusive towards the treatment of women because men are seen as the powerful, strong figure.
Sandra Cisneros' strong cultural values greatly influence The House on Mango Street. Esperanza's life is the medium that Cisneros uses to bring the Latin community to her audience. The novel deals with the Catholic Church and its position in the Latin community. The deep family connection within the barrio also plays an important role in the novel. Esperanza's struggle to become a part of the world outside of Mango Street represents the desire many Chicanos have to grow beyond their neighborhoods.
Over 5 million young children in the United States grow up in poverty. This means that one out of every four children under the age of six is living in a family whose income falls far below the federal poverty line. The House on Mango Street, by Sandra Cisneros, is about a young teen, named Esperanza, who is growing up in an extremely poor neighborhood. Her dreams of having an exquisite home when she’s older has shaped her mentality, and she dreads the fact that she is stuck in this cramped, unsatisfactory, Mango Street house. Esperanza can’t figure out who she is or wants to be when she’s grown, so she depends on her role models to guide her through her teen hood years and development so she can figure out who she wants to be. All of her role models are the other girls of Mango Street: Sally, Marin, and Alicia, they reflect Cisneros’ belief that young teens need to have role models in their lives
Bricks are crumbling in places, and the front door is so swollen you have to push hard to get in". (4) Esperanza displays her repulsion for the house by highlighting horrible qualities of the house; for instance, it is small, “the bricks are crumbling in places” (4) and “the front door is so swollen you have to push hard to get in". (4) This house does not even compare to her dream house that Esperanza imagines. She states their “house would be white with trees around it, a great big yard and grass growing without a fence.” (4) Esperanza’s dream home is the opposite of where she lives at and in essence, the opposite of her reality. She permits us, as readers to understand that is what she wants in life which is a house that is she is proud of. However, she cannot leave Mango Street because her socioeconomic status. Esperanza states: “Out back is a small garage for the car we don't own yet and a small yard that looks smaller between the two buildings on either side. […] The house has only one washroom. Everybody has to share a bedroom – Mama and Papa, Carlos and Kiki, me
In other words The House on Mango Street can be considered as an autobiographical, that is to say she may be her book’s protagonist Esperanza Cordero. then At the first sight of the title of Sandra Cisneros’s book, the word “House” might seem to be something that Cisneros gives a great importance, because throughout the books, the major responsibility of her displaced protagonist is a quest of a house similarly to her who feels displaced and homeless because of the frequent displacement she made from the United States and Mexico to visit her father’s parents, consequently the use of the theme responsibility by Sandra Cisneros takes back in away its origins from this
In The House on Mango Street, Cisneroz agitates the theme of diversity through her use of characters and setting. Cisneroz paints a multitude of events that follow a young girl named Esperanza growing up in the diverse section of Chicago. She is dealing with searching for a release from the low expectations that the Latino communities often put women whether young or old are put against. Cisneroz often draws from her life growing up that she was able to base Esperanza's life experiences on and portray an accurate view on Latino societies today. Cisneroz used the chapter “Boys and Girls” and “Beautiful and cruel” to portray Esperanzas growth from a young curious girl to a wise woman. She came into her own personal awareness and her actions that she has to now be held accountable for.
Esperanza, a strong- willed girl who dreams big despite her surroundings and restrictions, is the main character in The House on Mango Street by Sandra Cisneros. Esperanza represents the females of her poor and impoverished neighborhood who wish to change and better themselves. She desires both sexuality and autonomy of marriage, hoping to break the typical life cycle of woman in her family and neighborhood. Throughout the novel, she goes through many different changes in search of identity and maturity, seeking self-reliance and interdependence, through insecure ideas such as owning her own house, instead of seeking comfort and in one’s self. Esperanza matures as she begins to see the difference. She evolves from an insecure girl to a mature young lady through her difficult life experiences and the people she comes across. It is through personal encounters and experiences that Esperanza begins to become sexually aware and acceptance her place and self-definition in her community.
Throughout The House on Mango Street Esperanza learns to resist the gender norms that are deeply imbedded in her community. The majority of the other female characters in the novel have internalized the male viewpoint and they believe that it is their husbands or fathers responsibility to care for them and make any crucial decisions for them. However, despite the influence of other female characters that are “immasculated”, according to Judith Fetterley, Esperanza’s experiences lead her to become a “resisting reader” in Fettereley’s terminology because she does not want to become like the women that she observes, stuck under a man’s authority. She desires to leave Mango Street and have a “home of her own” so that she will never be forced to depend on a man (Cisneros 108). During the course of the novel Esperanza eventually realizes that it is also her duty to go back to Mango Street “For the ones that cannot out”, or the women who do not challenge the norms (110). Esperanza eventually turns to her writing as a way to escape from her situation without having to marry a man that she would be forced to rely on like some of her friends do.