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Character development in the house on mango street
Literary analysis of house on mango street
Literary essay the house on mango street
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The House on Mango Street, is a fictional novel written by Sandra Cisneros. The House on Mango Street is a novel composed of connected vignettes. The novel is told through the eyes of Esperanza, the main heroine. Throughout the novel Esperanza expresses her desire to leave Mango Street for a better, wealthier, and happier life. Esperanza makes many references to her feelings about her family's poverty; in multiple vignettes Esperanza expresses her sadness,resentfulness, and disappointment of her poverty In the vignette "a rice sandwich" Esperanza shows her embarrassment and sadness for her family's poverty. "That one? She said, pointing to a row of ugly three-flats, that even the raggedy men are ashamed to go into. Yes, I nodded even though I knew that was not my house and started to cry." (Cisneros, 45). This quote really portrays Esperanza's sadness. Even though, Esperanza knew that was not her house she started to cry …show more content…
because that is the kind of house the nun thinks she lives in. The nun thought that since Esperanza was not wearing new clothes or new shoes she was not capable of living in a nice house, she looked as if she was living in a ugly and shameful house. Esperanza is just a young girl, the nun's statement makes her sad because she feels like her poverty shows, that people judge her because her family does not come from wealth. The nun judged a book by its cover, not knowing where Esperanza lives the nun looked at her and assumed she was living in rundown home. Esperanza is already ashamed of her home because of its image and location and the nun making that comment only makes Esperanza feel more looked down upon for her lack of money. In the vignette "Alicia and I talking on Edna's steps" Esperanza explains to Alicia how she resents The House on Mango Street. "No, this isn't my house I say and shake my head as if shaking could undo the year I have lived here. I don't belong. I don't ever want to come here." (Cisneros, 107). Esperanza is resentful of her family's poverty. She is resentful of her house on Mango Street. It causes her distress to be poor, she does not feel like she belongs on Mango Street, a poor neighborhood. She feels this way because deep down she cannot cope with the life of poverty. Esperanza does not want to live on Mango Street. Even after a year Esperanza does not want to admit to herself that this is her life. That probability suggest she will not become very wealthy, because she has been raised in poverty. She does not have the money to do something with her life. Esperanza cannot come to terms with herself and admit this because it means she is giving up her dreams. She is letting go of all her hopes. In the first vignette "The house on Mango Street" the reader truly gets to feel Esperanza's pain and constant disappointment.
" They always told me that one day we would move into a real house, that would be ours. A house with trees, a white picket fence, real stairs and running water. The house on Mango Street isn't it. " (Cisneros, 4). This quote gives the reader a better understanding on why Esperanza is so frustrated with her poverty. Esperanza is constantly being let down because her poverty gets in the way. Her parents make all these promises to her that they cannot keep, because they do not have the money. Esperanza is still young and so far her life has been full of disappointment. When Esperanza's family moved into The House on Mango Street Esperanza's was excited, she expected to be moving into her dream house. Yet, once again her family's poverty gets in the way and they move into a shabby house. Esperanza's constant disappointment causes her a great deal of emotional pain, and all this pain leads back to her family's
poverty. Throughout the novel The house on Mango Street the main character Esperanza makes many references to her feelings about her family's poverty; in multiple vignettes Esperanza expresses her sadness,resentfulness, and disappointment of her poverty Esperanza is often saddened because her family lives in an awful house, and they cannot afford to buy her new shoes and clothing. She is also very resentful of her family's poverty. Esperanza does not like to accept the fact that she is poor. For almost the whole novel she refuses to accept her place on Mango Street. She never embraces her place there. Lastly, Esperanza was often disappointed because her family's poverty prevented her parents from coming through with their promises. This being the case Esperanza was often disappointed which lead her to hate her family's poverty even more.
When Esperanza is struck by the realization that she is not accepted in society, she aspires to bring a more hospitable environment to fruition. At the beginning of The House on Mango Street, Esperanza is questioned by a nun about where she lives. The condemning tone of the harridan shakes Esperanza, causing her to state, “There. I lived there… I knew then I had to have a house. A
In the book, Esperanza doesn’t want to follow the norms of the life around her; she wants to be independent. Esperanza states her independence by stating, “Not a man’s house. Not a daddy’s. A house all my own,” (Cisneros 108.) The syntax of these sentences stick out and are not complete thoughts, yet they convey much meaning and establish Esperanza’s feeling of not belonging. Esperanza’s feeling of not belonging is also emphasized when her sisters tell her that the events of her life have made her who she is and that is something she can not get rid of. Her sisters explain that the things she has experienced made her who she is by saying, “You will always be esperanza. You will always be mango street. You can’t erase what you know” (105.) What her sisters are trying to tell her is that the past has changed her but it doesn’t have to be a negative thing; it can be used to make her a better person who is stronger and more independent. Esperanza realizes that the things around her don’t really add up to what she believes is right, which also conveys the sense of not
The House on Mango Street by Sandra Cisneros is about a girl who struggles finding her true self. Esperanza sees the typical figures like Sally and Rafaela. There is also her neighbor Marin shows the “true” identity for women on Mango Street. She also sees her mother is and is not like that at the same time. The main struggle that Esperanza has is with beauty. This explains why most of the negative people that Esperanza meets on Mango Street, and her gender, helped her see the mold she needed to fill in order to give herself an identity.
Throughout life, many hardships will be encountered, however, despite the several obstacles life may present, the best way to overcome these hardships is with determination, perseverance, and optimism. In The House on Mango Street, this theme is represented on various occasions in many of the vignettes. For this reason, this theme is one of the major themes in The House on Mango Street. In many of the vignettes, the women of Mango Street do not make any attempts to overcome the hardships oppressive men have placed upon them. In opposition, Alicia (“Alicia Who Sees Mice”) and Esperanza are made aware that the hardships presented as a result of living on Mango Street can be overcome by working hard and endless dedication to reach personal hopes
The author of The House on Mango Street and the producer of The Color Purple are able to integrate numerous important thematic ideas. Many of these ideas still apply to our current world, teaching various important lessons to many adolescents and adults. The House on Mango Street is a collection of vignettes written by Sandra Cisneros, a Mexican-American writer. The novel depicts many aspects of Sandra Cisneros’ life including racism, and sexism that she and the main character face. The novel revolves around Esperanza Cordero, a young Latina girl, who is growing up in Chicago as she faces the various struggles of living in America. The various vignettes reveal many experiences Esperanza has with reality and her navie responses to such harsh
Esperanza is relying on her childhood to help her through life she feels like “a red balloon tied to an anchor” (9,1,3) This passage describes that Esperanza singles herself out for her differences instead of her similarities and she knows it. She also sees her differences as a source of her isolating herself. She floats in the sky for all of the rest of us to see, dangling from a string. Esperanza is longing on for an escape like a balloon similar to her experiences with our society. However against the face that Cisneroz gives her a light voice, doesn't mean that it's not just as strong and
Throughout The House on Mango Street Esperanza learns to resist the gender norms that are deeply imbedded in her community. The majority of the other female characters in the novel have internalized the male viewpoint and they believe that it is their husbands or fathers responsibility to care for them and make any crucial decisions for them. However, despite the influence of other female characters that are “immasculated”, according to Judith Fetterley, Esperanza’s experiences lead her to become a “resisting reader” in Fettereley’s terminology because she does not want to become like the women that she observes, stuck under a man’s authority. She desires to leave Mango Street and have a “home of her own” so that she will never be forced to depend on a man (Cisneros 108). During the course of the novel Esperanza eventually realizes that it is also her duty to go back to Mango Street “For the ones that cannot out”, or the women who do not challenge the norms (110). Esperanza eventually turns to her writing as a way to escape from her situation without having to marry a man that she would be forced to rely on like some of her friends do.
“Someday, I will have a best friend all my own. One I can tell my secrets to. One who will understand my jokes without me having to explain them” (9). These are the longing words spoken by Esperanza. In the novel The House on Mango Street, Esperanza is young girl experiencing adolescence not only longing for a place to fit in but also wanting to be beautiful. This becomes complicated as Esperanza becomes more sexually aware. Throughout the novel, Cisneros argues the importance of beauty and how Esperanza deals with beauty as a part of her identity. When Esperanza meets Sally a new friend, Esperanza’s whole world is turned upside down. Esperanza’s views on beauty change from a positive outlook to a negative one by watching how beauty has damaged Sally’s life.
Although Esperanza is constantly reaffirming that she wants to move away from Mango Street, we know by the end novel that she will one day return to help those who will not have the opportunities Esperanza has had in her life. Indeed, in the closing pages Esperanza admits that she cannot escape Mango Street. She can never again call it home, but it has influenced her dreams, formed her personality, and she has learned valuable life lessons from its inhabitants. That is why, explains Esperanza, she tells stories about the house on Mango Street, revealing the beauty amidst dirty streets and unveiling her true inner self, the peace of knowing that her “home is where her heart is.”
At first, Esperanza is young, insecure, and immature. Her immaturity is apparent when she talks about her mom holding her, saying it is, “sweet to put your nose into when she is holding you and you feel safe” (Cisneros 6-7). This shows Esperanza’s insecurity because her mom is still a big comfort source to her. She feels a false sense of comfort because her mom is there and will protect her. In addition, Esperanza’s immaturity is shown through her dislike for outsiders of the neighborhood when she says, “They are stupid people who are lost and got here by mistake” (Cisneros 28). This indicates how defensive and protective Esperanza is towards her barrio by calling outsiders stupid for reacting the way they do, even though she dislikes Mango Street....
In the book, “The House on Mango Street” Esperanza possesses many aspects of her identity that affect her life. The most prominent being her socioeconomic class. In the book Esperanza is describing her old home and says, “We had to leave the flat on Loomis quick, the water pipes broke and the landlord wouldn’t fix them because the house was too old.” (4) She later states “Our house would have running water and pipes that worked.” when describing her dream house. It’s clearly proven here that her family has been living in a place where there was no running water. Esperanza views running water as a luxury and not a basic human need, whereas wealthier people can easily obtain running water while she cannot. Secondly, Esperanza describes her neighborhood
Religion holds a powerful position in the lives of Latinos. It provides a built in censor of right and wrong in the form of extreme guilt (Aranda 150). The chapter "A Rice Sandwich" divulges the way guilt is established. Here Esperanza wants to eat at the canteen for lunch, but the nuns just insult her, and this makes her cry. She says they were "...pointing to a row of three ugly flats, the one the raggedy men are ashamed to go into. Yes...though I knew that wasn't my house" (Cisneros 45). The fact that her victimizers were nuns made her even more embarrassed about where she lived than she already was.
The issue of poverty has to do with the scenario she was born into. In this situation, many Mexican Americans including those on Mango Street, have been subjected to low standards of living for so long, they have begun to think that basic necessities such as running water are luxuries. How hopeful Esperanza seems to be now clearly outlines itself in The House on Mango Street. Secondly, Esperanza also wishes a better future upon herself, as well as others in her community. Esperanza especially feels this way when she visits her father’s workplace every Sundays. When Esperanza grows up, she wants to be able to help others, and she vows that “ if passing bums […] ask, can I come in? I’ll offer them the attic, ask them to stay, because I know how it is to be without a house” (Cisneros 87). Esperanza’s dreams for a better future are now very evident. Because of the fact that she knows how it is to be without a house, she feels it is her duty and hopes to be able to help others. This is common feeling in our society that thrives within many individuals who were raised underprivileged because they want to ensure that others do not suffer as they did. Lastly, even though Esperanza would do almost
Esperanza’s grandmother, “couldn’t be all the things she wanted to be” (11) because her grandmother got married, and consequently she was unable to pursue the life she wanted to live and “looked out the window her whole life…[with her] sadness on an elbow” (11). Esperanza’s mother tells her “I could’ve been somebody” (90), and tells how she dismissed her opportunity to go to college because she was ashamed of her clothes. Though these women Esperanza sees the regret that comes from not following their own desires, and learns what she does not want to be. Esperanza does not “want to inherit her [grandmother’s] place at the window” (11), and in turn, she becomes determined to get an education, work to get out of her environment, and pursue her hopes and
The House on Mango Street is a fiction novel written by Sandra Cisneros and was published in 1984. It highlights the life of Esperanza Cordero, a young Latina girl, as she seeks to escape the poverty infested Mango Street. Throughout the book, she has to constantly deal with not belonging in her neighborhood. However, not belonging isn’t necessarily bad. Through the use of syntax, Cisneros emphasizes how not belonging can motivate a person to have a more successful future.