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Anylitical essay about the movie psycho
Essay summary about the movie psycho
Anylitical essay about the movie psycho
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The Horror Hitchcock Built “Art is emotion. The use of film, I say, putting it together, and making it have an affect on an audience is the main function of film,’ said Alfred Hitchcock, in the CBC interview. (Hitchcock, A Talk with Hitchcock.) The movies have been a big part of culture since it was invented. Though, every film is not good, all may be somewhat impactful. Alfred Hitchcock, a man that has directed many big movies, couldn’t have known the impact of one of the most shocking and controversial movie ever. Hitchcock’s Psycho effected the way the current entertainment industry shows mental health, sexuality, suspense, and awareness in culture. With amazing violence and suggestive sexual content, the movie crossed some censorship lines. Arguably Hitchcock’s largest hit, still lives in current media today. The movie’s plot is twisted and sneaky. The opening scene starts with character Marion Crane, a real estate secretary. She is in a hotel with, Sam Loomis, her boyfriend. Sam owes debt, and Marion wants to bail him out of debt so they can get married. She goes to the office where she works, where a client leaves 40,000 in cash. Marion then takes the money to California to give the money to her boyfriend. Marion gets nervous and soon pulls over. A police comes …show more content…
It showed things a lot of people in 1960 wasn’t aware of. Robert Genter, a movie critic, says “In fact, Psycho was just the most visible document to issue a warning about the deviant behavior lurking within each individual. By 1960, policy makers had already alerted the public to the dangers mental illness posed to the body politic. Under the auspices of the National Mental Health Study Act of 1955, the US Congress, for instance, established the Joint Commission on Mental Illness and Health, a research organization designed to collect nationwide data on the psycho-therapeutic profession.” (pg. 135). Which some in that time thought it shouldn’t be shown in that
Psycho is a suspense-horror film written by Joseph Stefano and directed by Alfred Hitchcock. This film was loosely adapted from Robert Bloch’s 1959 suspense novel, Psycho. A majority of the movie was filmed in 1960 at Universal Studios in Los Angeles. Psycho is about Marion Crane (Janet Leigh), a secretary from Arizona who steals $40,000 from her employer’s client. She takes that money and drives off to California to meet her lover Sam Loomis (John Gavin) in order to start a new life. After a long drive, she pulls off the main highway and ends up taking refuge at an isolated motel owned and managed by a deranged Norman Bates (Anthony Perkins). In Alfred Hitchcock’s film, Psycho, symbols, character and point of view are three literary aspects used in the film to manipulate the audience’s emotions and to build suspense in the film.
Hitchcock has characteristics as an auteur that is apparent in most of his films, as well as this one.
us enquiring such as who lives is in the house or is the house owned
Alfred Hitchcock’s films not only permanently scar the brains of his viewers but also addict them to his suspense. Hitchcock’s films lure you in like a trap, he tells the audience what the characters don’t know and tortures them with the anticipation of what’s going to happen.
All directors of major motion pictures have specific styles or signatures that they add in their work. Alfred Hitchcock, one of the greatest directors of all time, has a particularly unique style in the way he creates his films. Film analyzers classify his distinctive style as the “Alfred Hitchcock signature”. Hitchcock’s signatures vary from his cameo appearances to his portrayal of a specific character. Two perfect examples of how Hitchcock implements his infamous “signatures” are in the movies, A Shadow of a Doubt and Vertigo. In these movies, numerous examples show how Hitchcock exclusively develops his imagination in his films.
bank. Marion went home there was a close up shot on the money then on
Alfred Hitchcock’s unique sense of filmmaking and directing has allowed him to become a very famous and well known film maker of his time. He uses similar recurring themes, elements, and techniques in many of his films to engage the viewers in more than just the film, but the meaning and focus behind the story.
Alfred Hitchcock's Control Of What We See in Rear Window. Alfred Hitchcock controls what we see in the film by firstly. controlling what the camera shows, he adds small details to the film. to provide reasons for various events happening, he also uses each of the characters to convey a message to the public, including some short but effective shots of some of the characters to stir certain feelings. within the audience, uses light humour and sometimes uses only visual.
Running water, a high-pitched scream, shrill violins, pierced flesh, a torn curtain, gurgling water: these were the sounds that gave a whole new meaning to the word "horror" in the year 1960. With enough close-ups and cuts to simulate the feeling of a heart attack, the notorious shower scene from Alfred Hitchcock's Psycho serves as the ultimate murder sequence in cinematic history. What makes the scene so frightening isn't so much the blood or the screams or the cross-dressing murderer: the true horror lies Hitchcock's use the camera. It enables us to enter the mind of the killer and literally "cuts" up our protagonist. Through the use of carefully crafted sounds, lighting, camera angles and cuts, Hitchcock creates a visually striking and emotionally stimulating sequence to serve as the essence of his film.
Between the lengthy process itself and how much thought that must go into each shot, it is easy to see why this is an award winning film. It is truly amazing how big of a difference camera angles can make on how the audience interprets a film. Because of the time period that this film was released, Psycho is often referred to the film that ended America’s innocence in the movie industry; not only because of the plot itself but also because of Hitchcock’s imaginative camera angles and the emotions that are attached to
The great director clouded his intent and motives by reportedly stating that the entire film was nothing more than one huge joke. No one laughed. Instead they cringed in their seats, waiting for the next assault on their senses. The violence and bloodletting of PSYCHO may look tame to those who have grown up on Jason and Freddy Krueger, but no one had ever seen anything like it in 1960.
Cinematography of Hitchcocks Psycho Alfred Hitchcock is renown as a master cinematographer (and editor), notwithstanding his overall brilliance in the craft of film. His choice of black and white film for 1960 was regarded within the film industry as unconventional since color was perhaps at least five years the new standard. But this worked tremendously well. After all, despite the typical filmgoer’s dislike for black and white film, Psycho is popularly heralded among film buffs as his finest cinematic achievement; so much so, that the man, a big
Alfred Hitchcock’s Vertigo starts off with a detective who is chasing a criminal across the rooftops of San Francisco. This detective whose name is Scottie Ferguson finds himself dangling from the gutter of a building after he slips and falls. When one of his partners tries to rescue him, he falls to his death. He soon discovers his new fear of heights which results in his quitting the police force. Scottie is later contacted by a college friend Gavin Elster who wishes to hire him to trail his wife who he believes is possessed by the spirit of her great grandmother Carlotta who committed suicide at the age of twenty six which happens to be the same age as Elster’s wife Madeline. He eventually tracks her down at the Mckittrick Hotel in which he discovers she has been spending time there under the name of her deceased great grandmother which we later find is Carlotta’s former home.
This film is about a woman named Ellie Andrews, who jumps over the side of a yacht to flee from her rich and abusive father to reunite and get back to her fiancé. Her father then hires a private detective to find her as well as setting a 10,000-dollar bounty on her for her return. In order to get back to her fiancé, she takes a bus to New York, when she meets a reporter named Peter Warne. They first meet after she takes his seat on the bus after he had removed the newspapers that were stacked on the seat. At one of the stops, a burglar steals her purse with her money in it while she was smoking. She doesn’t report it for the fear of being found by her father. After recognizing Ellie as the run-away daughter in the paper, Pete offers to help reunite her with her fiancé at the cost of an exclusive newspaper story. If she refuses to do what he says, then he will turn her in back to her father. On their journey to New York, they begin to grow a friendship between them and they start to develop romantic feelings towards one another.
In the article “Saying it with Pictures” the authors explore how Hitchcock made use of the setting by putting in paintings and pictures which had a significant meaning to the story. The introduction paragraph talks about how Hitchcock had a deep appreciation of art. It claims that because Hitchcock was an avid fan of art, that in his movies we see him make use of the setting. He did this by implementing paintings that have meaning to the story. The article lists three distinct locations where artwork compliments the story which are: Marion’s office, the rooms of the Bates Motel, and the rooms of the Bates house. (98) The body paragraphs continue on with the argument and give proof as to how the paintings corelate to the story.