Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The hitchhiker by roald dahl character analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In the short stories, the Hitchhiker by Roald Dahl and Fresh Bait by Sheryl Clark, both authors entertain us by exploring the relationship that develops between a driver and his passenger. Through the use of their characters experiences, their purpose and audiences, language features and narrative structure, both writers have made us think about how we judge others, often based on their appearances and actions. In the short story The Hitchhiker, there is a relationship that develops between a fingersmith and a writer. At the start of the short story, the driver picks up a man because when he used to be a hitchhiker he hated people driving past pretending that they could not see him. ‘But the cars that did pull over, would be crammed full …show more content…
We can understand that this short story is set in England, since at the beginning the hitchhiker said- ‘Going to London Guv'nor?’ And you usually only say Guv’nor in England. This short story is written for teenager and young adult, because during this short story the driver said ‘Do you have a girlfriend’ and teenagers occasionally ask those questions. The reason Dahl targeted a teenager audience is because teenagers can understand the language and know what a hitchhiker is. The purpose of Fresh Bait is different to The Hitchhiker because one is trying to find a killer and one was about a Fingersmith. In Fresh Bait they talked about a girl that had been killed and the man knew exactly what she was wearing, because he described her as ‘Long dark hair, blue sweatshirt, jeans and white runners. She couldn't wait to hop out of his car. In The Hitchhiker two men became friends, because the hitchhiker said “You’re a fantastic fellow” at the end of the story. The driver also said “You're brilliant”. In my opinion The Hitchhiker was better than Fresh Bait, because Fresh Bait was creepy, and The Hitchhiker had some funny moments in
Robbins reflects that everything is interrelated, and how our societies denial of that fact is damaging. Julian displays the Western mentality of a free rider, when defining hitch hiking: "Hitchhiking is parasitic, no more than a reckless panhandling, as far as I can see. "(Cowgirls 45). Similarly, Sissy lives her life constantly focused on finding the next driver who will pick her up. She is consistently engaged with the rhythm of people on the move, but all Julian recognizes is that she is not a contributing part of the whole.
The author then looks back upon the time in his life when her mother decided to drive Hunter Jordan’s old car. However, she didn’t know how to drive, and was generally afraid to get behind the wheel. On that day, she drove crazily on the road, and declared to never drive again. James McBride also reflected on his life up to a teenager, who knew that bad things would occur in the not too distant future if he didn’t change his ways and behavior.
The use of suspense in “The Hitchhiker,” keeps the audience in a state of panic, wondering what the outcome will be. The protagonist looks back upon the torturous six days, remembering his protective mother, and the commonplace traveler. Fear mixed with suspicion, he identifies the hitchhiker on the most inappropriate hitchhiking roads, set on terminating the foreboding individual. Leaving the audience at the climax, Adams believes the hitchhiker must be mortal, and therefore able to hinder, yet the fact of Adams’ unknown identity and his total isolation, prevent his ability to take
Updike, John. “A&P”. The Norton Anthology of Short Fiction. Eds. R.V. Cassill and Richard Bausch. Shorter Sixth Edition. New York: W.W. Norton and Company, 2000. 864 - 869.
Brunvand, Jan Harold. The Vanishing Hitchhiker: American Urban Legends & Their Meanings. New York: W. W. Norton, 1981.
Many times in literature we can make assumptions in which a few major characters from two completely different stories can have much in common. Authors like Coraghessan Boyle of Greasy Lake and Raymond Carver of Cathedral demonstrate this perfectly. We as readers of these brilliant works can find ways to compare and contrast these in the sense that they are quite similar. From what we can tell both the narrator in Greasy Lake and the Narrator in Cathedral have a lot in common even though they come from completely different worlds. In T. Coraghessan Boyle’s short story “Greasy Lake”, the narrator tells a coming of age story of himself and two other teenage boys who think that they epitomize the image of “cool” and go to the Greasy Lake to
Rpt. in Short Story Criticism. Ed. Jenny Cromie. Vol 39. Detroit: Gale, 2000. Short Story
Pike, Gerald. “Excerpts from Criticism of the Works of Short Fiction Writers.” Short Story Criticism. Ed. Thomas Votteler. Vol. 6. Detroit: Gale Research International Limited, 1990. 90. Print.
Our narrator, Fuckhead, is a drug addict who is waiting by the side of the road for someone to pick him up. He gets in three cars through his journey which is an indispensable number not to mention and not to look at. Also, the way he experiences the last car is a focus point in the story.
Marie and Callie both value motherhood and the sale of the puppy. Yet, their beliefs towards these concepts vary greatly. These two women are symbolic to the differing perceptions of all human beings because no two individuals have identical experiences or values. George Saunders emphasizes, in the short story “Puppy”, that perception is not a unanimously decided meaning of a concept because every individual’s past inspires an exclusive outlook on life. These unique views are evident in the many distinctive preferences that individuals express. What makes one person excited may enrage someone else. How we see the world, other people, and ourselves is reliant on on perception.
Mooney, Jonathan. The Short Bus : A Journey Beyond Normal. New York Godalming: Henry Holt Melia distributor, 2008. Print.
Life is full of surprises, you never know when something bad is going to happen. In the short story “Catch” by Sarah Ellis, Rita experiences this problem. At first Rita is a happy girl who just got her driver’s license, but when her Aunt Darlene gets distracted by an old man, she begins to show the behaviors of a typical moody teenager; acting upset, selfish and angry. Rita is a dynamic character showing characteristics including; quick-tempered, devoted and impatient. Despite this, after a terrifying experience, she changes her worldview and way of thinking.
Mooney, Jonathan. The Short Bus: A Journey beyond Normal. New York: H. Holt, 2007. Print.
Last but not least, O’Connor confirms that even a short story is a multi-layer compound that on the surface may deter even the most enthusiastic reader, but when handled with more care, it conveys universal truths by means of straightforward or violent situations. She herself wished her message to appeal to the readers who, if careful enough, “(…)will come to see it as something more than an account of a family murdered on the way to Florida.”
As the writer waits at the station for his bus, he takes notice of his surroundings and the people around him, especially a lady with a bologna sandwich on her head. He begins this journey on Greyhound stage one: hope. He notices a sign taking about the future Greyhound Buses before he boards his own bus. Once on the bus Key talks about stage two: concern. He describes the passengers around him and his pirate driver.