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Death of a salesman theme analysis
Death of a salesman theme essay
Death of a salesman theme essay
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Our narrator, Fuckhead, is a drug addict who is waiting by the side of the road for someone to pick him up. He gets in three cars through his journey which is an indispensable number not to mention and not to look at. Also, the way he experiences the last car is a focus point in the story. As we start to read the story we immediately get drawn to Fuckhead’s drug-induced state. “The downpour raked the asphalt and gurgled in the ruts. My thoughts zoomed pitifully. The traveling salesman had fed me pills that made the linings of my veins feel scraped out. My jaw ached. I knew every raindrop by its name.” (Johnson 3-4) He is a hard drug addict who is probably an outsider. Clearly, he did not fit into his social circles, not even with whom he did …show more content…
drugs. Probably these events lead him to be an addict as an article demonstrates this: “…by showing the reader these occasional flashes of insight, Johnson conveys Fuckhead’s strong desire, yet inability, to connect with other humans.” (Farrar) In the story he mentions that he wanted to die and that he did not care about his life. It was when he was sitting in the car and all of his bags on the other side saying that he did not care whether he lives or dies. “And I piled my sleeping bag against the left-hand door and slept across it, not whether I lived or died.” (Johnson 4) The narrator “…is basically summarizing the day’s events and with whom he was with.
Because he does not name the people, and instead he describes them by appearance (“the salesman,” “a Cherokee”) it can be assumed that he does not know these people personally, and was probably only with them because of the alcohol or drugs that were associated with them.” (Lazzaro) The first car he is in is the salesman’s car who is taking him to Kansas City “in his luxury car”. (Johnson 4) They are taking a huge amount of drugs on the way with whiskey. It is obvious that he is not interested in anything else except the drugs because once the salesman starts to talk about how he cheats on his wife and how he falls for that new girl but he can’t just leave them, Fuckhead stops listening. “She ran a furniture store, and I lost him there.” (Johnson 5) He didn’t care about anything except the drugs. The narrator continues with waking up in a Volkswagen with a collage man who took him out of the city. He was full of hashish and unconscious. He only realized himself when he was “…in the middle of a puddle.” (Johnson 6) He was left alone, outside like a dog, on the highway. This dark sadness appears when he is in these cars that there is no way out just going deeper in the mud. It is a way down to hell with drugs. “Almost all of the imagery and description Johnson uses in the story is crafted with a strong sense of contrast, and sadness and despair are consistently part of the equation.”
(Farrar)
“I sit and watch this boy walking backward until a car stops for him. I think, he is a polite boy, and lucky to get rides at night” (Pancake 88). In the short story, “Time and Again”, the main character overcomes his obsession for murdering innocent hitchhikers. He does this because of the tragic loss of his wife and son. By killing the hitchhikers it gives him a sense of contentment.
Throughout the commencement of the story, the main character perceives the situation as negative. When he first thinks of the situation, he envisions being confronted with anger: “Walking to the car, which you have ruined, it occurs to you that if the three teenagers are angry teenagers, this encounter could be very unpleasant” (Par. 2). As he approaches the Camaro, he sees the three teena...
Johnson uses third person omniscient therefore creating important viewpoints from different characters. As a result, Johnson is in the minds of all of the characters. This also helps the novella flow from one person perspective to the next, and the reader can move through the novella from one time period to the next quickly. Being able to flow from one part of the novella to the next is important to the story because Johnson uses many plot lines to navigate through his novella. His writing strategy helps develop irony throughout the story. After Grainier describes the Hobo, “He was bearded and streaked with dust, and bits of the woods clung to him everywhere,” (30) the reader engages the story through the eyes of William Coswell, the hobo along the river: “That’s right, I have been cut behind my knee and I have to say, I know he killed me” (31). The reader is engaged by Grainier’s description of William Coswell, but the reader also learns how the Hobo got in his predicament without the single view of Grainier. Grainier never told anyone about the Hobo along the river. His actions resulted in the cruel irony Grainier thought the Hobo deserved. Johnson writing perspective also helps the reader empathize with Peterson when he was talking with Grainier about how his own dog shot him. After Grainier asked Peterson multiple times how a dog could shoot a person, Peterson tells his story. “My dog shot me in self-defense. He knew I had his end in mind.” By writing in third person omniscient the reader gets to look into the minds of both characters and create a strong relationship and bond with them. The reader can empathize with why Robert Grainier was so curious about the incident, and how embarrassing this was to Peterson. Readers can see the reactions of the characters which helps interpret the plot of the
“Car Crash While Hitchhiking” and “Work” both follow the stream of consciousness of the narrator, which shows the influence of drug on people’s mentality. Both stories are confusing with the narrator moving around the time and place; it seems as if the narrator is talking about whatever comes into his mind without specific plot or message. In “Car Crash While Hitchhiking,” the narrator talks about the family that picked him up, and suddenly switches to the story of him and salesman by saying “…But before any of this, that afternoon, the salesman and I …” (4) In “Work,” narrator says “And then came one of those moments,” (52) when he recalls a memory about his wife while talking about Wayne. Both stories shift abruptly without proper conjunction. In everyday lives, people think of numerous things. However, what they say are limited, as they talk consistently with a specific purpose, considering factors such as time, place, and appropriateness before they speak. On the other ha...
The group wrongly identifies a lone car as belonging to a mutual friend and flashes their headlights in a sense of good fun. Hiding from those who would find him and carry out the wrath of vengeance upon him, the protagonist plans his escape. About to dive into the rancid water and swim for it, a body in the shallows abruptly stops him. The bloated and decomposing corpse pulls the narrator back from his adrenaline-induced frenzy.
Northrop Frye states in his book Anatomy of Criticism that the tragic hero is “on top of the wheel of fortune, halfway between human society on the ground and the something greater in the sky”. The book also declares that tragic heroes are “inevitable conductors of the power around them”, and conductors may be victims as well as instruments of destruction (website). Willy Loman, the epitome of a tragic hero, brings suffering upon not only himself, but others, including his wife and sons. Willy establishes Northrop Frye's definition of a tragic hero through the suffering of both himself and his friends and family, and this suffering contributes to the great tragic vision of the play as a whole.
Henry Johnson is a man who works for Dr. Trescott. One evening when Dr. Trescott's house is on fire, Johnson burns mainly his face and the body while he is saving Jimmie, the son of Dr. Trescott. Judge Hagenthrope tells Dr. Trescott that it is rather killing Johnson for the town, for Johnson wouldn't be welcomed by the people in the town. Then he says, "As near as I can understand, he will hereafter be a monster, a perfect monster, and probably with an affected brain"(86). From this line, we can see that Judge Hagenthrope is afraid and worried about Johnson's face because his face will surely scare the whole town. Dr. Trescott does not listen to him and keeps taking care of him. Dr. Trescott takes Johnson to the house of Alek Williams so that Williams can take care of him, b...
The structure and language used is essential in depicting the effect that the need for survival has had upon both The Man and The Boy in The Road. The novel begins in media res, meaning in the middle of things. Because the plot isn’t typically panned out, the reader is left feeling similar to the characters: weary, wondering where the end is, and what is going to happen. McCarthy ensures the language is minimalistic throughout, illustrating the bleak nature of the post-apocalyptic setting and showing the detachment that the characters have from any sort of civilisation. Vivid imagery is important in The Road, to construct a portrait in the reader's mind that is filled with hopelessness, convincing us to accept that daily survival is the only practical option. He employs effective use of indirect discourse marker, so we feel as if we are in the man’s thought. The reader is provided with such intense descriptions of the bleak landscape to offer a feeling of truly seeing the need for survival both The Man and The Boy have. The reader feels no sense of closu...
Do not dwell in the past, do not dream of the future, concentrate on the mind on the present moment. In Cormac McCarthy’s The Road, a man and his son, who remain unnamed throughout the novel, are on a journey heading south after an unnamed catastrophe has struck the world. The conditions they face are unforgiving: rotting corpses, fires, abandoned towns and houses. The man and his son are among the few living creatures remaining on Earth who have not been driven to murder, rape, and cannibalism. Unfortunately, the father’s health worsens as they travel, and by the time they reach the ocean, he passes away. The boy remains by his side for days until the boy meets a kind family who invites him to join them. The boy must say goodbye to his father,
A person’s attitude is mostly what everyone around him or her will view them as. From this they can tell many things. Whether it is if the person is funny or down to earth or even irresponsible. Many times people change personalities often and they would be classified as being a dynamic type of person. A person who is doesn’t change is classified as being a static character. Willy, from Death of a Salesman written by Arthur Miller, is a static character for his inability to grasp reality, his poor parenting and his constant lying to his wife.
"After all the highways, and the trains, and the years, you end up worth more dead than alive," (Miller, 98). This quote was spoken by the main character of the Arthur Miller play Death of a Salesman: Willy Loman. This tragedy takes place in Connecticut during the late 1940s. It is the story of a salesman, Willy Loman, and his family’s struggles with the American Dream, betrayal, and abandonment. Willy Loman is a failing salesman recently demoted to commission and unable to pay his bills. He is married to a woman by the name of Linda and has two sons, Biff and Happy. Throughout this play Willy is plagued incessantly with his and his son’s inability to succeed in life. Willy believes that any “well-liked” and “personally attractive man” should be able to rise to the top of the business world. However, despite his strong attempts at raising perfect sons and being the perfect salesman, his attempts were futile. Willy’s only consistent supporter has been his wife Linda. Although Willy continually treats her unfairly and does not pay attention to her, she displays an unceasing almost obsessive loyalty towards her husband: Even when that loyalty was not returned. This family’s discord is centered on the broken relationship between Biff and Willy. This rift began after Biff failed math class senior year and found his father cheating on Linda. This confrontation marks the start of Biff’s “failures” in Willy’s eyes and Biff’s estrangement of Willy’s lofty goals for him. This estrangement is just one of many abandonments Willy suffered throughout his tragic life. These abandonments only made Willy cling faster to his desire to mold his family into the American Dream. They began with the departure of his father leaving him and...
Arthur Miller’s play, Death of a Salesman, portrays the cost of selling oneself to the American Dream. Willy Loman, the central character, is madly determined to achieve affluence that he overlooks the value of his family and himself in the process. He instills in his sons, Biff and Happy Loman, that being charismatic will hand them a prosperous lifestyle. Happy trusts in his father’s ideology while Biff’s beliefs contradict them. Biff deems that success is a product of happiness and contentment, not a paycheck. Out of all the sociological theories, social conflict best emphasizes the author’s perspective of how conflict, through class and family, can deteriorate the American dream. By analyzing the play’s themes- social class and family- through the sociological perspectives: structural-functional, social conflict, and symbolic interactionist, we can predict what drives these characters to behave and perceive things the way they do.
would give hope for a moral future. In the play there was little hope for
An American dream is a dream that can only be achieved by passion and hard work towards your goals. People are chasing their dreams of better future for themselves and their children. The author Arthur Miller in Death of a Salesman has displayed a struggle of a common man to achieve the American dream. Willy Loman the protagonist of the play has spent his whole life in chasing the American dream. He was a successful salesman who has got old and unable to travel for his work, and no one at work gives him importance anymore. He is unhappy with his sons Happy and Biff because both of them are not successful in their lives. Moreover, Biff and Happy are also not happy with their father Willy because they don’t want to live a life that Willy wants them to live. The heated discussions of Willy and his older son Biff affect the family and the family starts to fall apart. However, Willy is unable to achieve the American dream and does not want to face the reality that his decisions for himself and his family have lead him to be a failure in the society. In the play Death of a Salesman by Arthur Miller, the protagonist Willy Loman spends his whole life to achieve the American Dream by his own perception and denies facing the reality, just like nowadays people are selling themselves and attempting to find success in life.
Why does mankind give up things they truly desire for someone else? In Ernest Hemingway’s fictional short story “Hills like White Elephants” he demonstrates this through his theme of regret. The story occurs in northern Spain at a junction station for the train in the valley of the Ebro River. An American man and a young girl named Jig walk up to the junction station and sit on the porch. As they sit in wait for the train to arrive, the two order beer and a foreign alcoholic beverage while having a conversation with one another. Their conversation begins with Jig claiming that “...the hills look like white elephants.” (Hemingway p.475). The American man then brings up an operation that Jig is expected to have. He tells her that she will be