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Analysis essay about broadway shows
Short history of broadway
Short history of broadway
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The theatres in Chicago have a very vast and interesting history. Starting in the 1920’s, it has been around for a long time. Stephen Schwartz once said “I've heard it said that people come into our lives for a reason bringing something we must learn and we are led to those who help us most to grow if we let them and we help them in return”(goodreads.com). Broadway can help teach people morales. Broadway is one of the most exciting parts of downtown Chicago. Broadway in Chicago is undoubtedly less recognized then what it should be due to its talent and national status.
When people say “Theatre in Chicago” they are talking about the very best of Broadway. It is affordable, convenient, and very diverse; it is way more than just Broadway productions, Broadway in Chicago also shows local and original productions, as well as the Broadway hits everyone knows and loves. It is also known as the home for improvisational comedy. It is the source for terrific seats to the most exciting shows and events in all of Downtown Chicago (themaginificentmile.com). The historic venues are all located in the very exciting downtown theatre district and can easily be accessed anywhere from the metropolitan area (broadwayinchicago.com).
Out of the theatre district there are five different theatres. The Bank of America Theatre, originally titled the Majestic Theatre, first opened in 1906. It was Chicago’s first million-dollar-plus venue and the tallest building in the city at this time. It was doing well and was very successful, but then tragedy hit, and, due to the Great Depression, it was shut down for a total of fifteen years. It wasn’t reopened until 1945, after going through remodeling. In of April 2010, the Broadway Playhouse at the Water Tower ...
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...way Bandwagon”. Variety. 13 Sep. 2013.
Jones, Chris. “It’s a Hot Time in Chi-town”. Variety. 2004.
Kennedy, Mark. “Broadway Musical ‘Chicago’ to Enter History Books”. The Denver Post. 20 Dec. 2012.
N/A. “Theater History”. Broadway in Chicago. 2013.
N/A. “Chicago Broadway Shows”. The Magnificent Mile. 2013.
Oxman, Steven. “The Addams Family”. Variety. 21 Dec. 2009.
Secter, Bob. “The Iroquois Theater Fire”. Chicago Tribune. 30 Dec. 1903.
Taylor, Troy. “Weird Chicago: Iroquois Theater Fire”. Weird Chicago. 2006.
The play is set around the late 1940s and throughout the 50s on the south side of Chicago
Throughout the late 1920's an important theatrical movement developed: The Workers' Theatre Movement. In the end, it diminished around the middle of the 1930's, and one of the developments aiding the decline of the Workers' Theatre Movement, was the creation of the Federal Theatre Project. The Federal Theatre Project was the largest and most motivated effort mounted by the Federal Government to organize and produce theater events. Once the government took on the duty of putting people to work, it was able to consider the movement. The Federal Theatre Project’s purpose was “to provide relief work for theatrical artists that utilized their talents and to make their work widely available to ordinary Americans, thus democratizing high culture.” (www.answers.com) Furthermore the FTP tried to present theatre that was relevant socially, politically, and had popular prices, such as free shows. The majority of its famous productions, although not all of them, came out of New York City. New York had many units, such as, a classical unit, Negro unit, units performing vaudeville, children’s plays, puppet shows, caravan productions, and the new plays unit. The Federal Theatre Project was “the only fully government-sponsored theatre ever in the United States”. (Witham 16)
Motion pictures from Hollywood had taken Broadway’s place as the king of entertainment. The main reason behind this was that because it was culturally relevant and coming out with new flashy techniques such as Todd-AO and Cinerama.
“He’d look out from under his eyebrows, his cigarette a smoke screen between him and the rest of the world, and nobody knew what he was thinking” (Beddow xi). This is how Margery Beddow describes Bob Fosse in her book, Bob Fosse's Broadway. There is no question about whether or not Fosse was extremely innovative in the world of theatrical dance. His technique, style, personality, and achievements throughout his career speak for themselves. You may have seen him in movies such as Kiss Me Kate, My Sister Eileen, Damn Yankees, The Little Prince, and Thieves, however, he also helped direct and choreograph several of other films such as Sweet Charity, Lenny, All That Jazz, Star 80, and more. Although Fosse did contribute a lot to the film industry,
In Dialogue: Theatre of America, Harold Clurman said, “we make theatre out of life” (27), and it was precisely this view that motivated him to help create a uniquely American theatre. Clurman, considered one of the most influential directors of the modern American theatre, had a unique vision of what the American theatre could become. One of the founders of the quintessentially American troupe, the Group Theatre, Clurman was a contemporary of Elia Kazan and Lee Strasberg, and even married to Stella Adler for twenty years. At a ceremony honoring Clurman, Elia Kazan stated that Clurman’s “greatest achievement [was] himself” (Harold Clurman: A Life of Theatre). An important figure in our theatrical past, Clurman’s theories on theatre and directing require close attention. In this paper, I will first provide a brief biography of Clurman, second, examine his theories of theatre and directing, and lastly, I will explore his criticisms of the then-contemporary theatre, and draw conclusions to the current state of the Broadway theatre.
On Saturday, December 21 at 8:00 p.m., I saw the play Wicked in Chicago at the Ford Center for the Performing Arts with my family. I had always heard how spectacular the play was. My parents even saw it on Broadway in New York years ago and absolutely loved it and wouldn’t stop talking about it. Well let me tell you, describing Wicked as being a spectacular show is dead on, maybe even an understatement. Wicked was by far one of the best plays I’ve ever seen! Between the actors, lighting, scenery, and music, it was an amazing show and grabbed your attention at all times. I would highly recommend seeing this phenomenal production to all ages!
... John, Fred Ebb, and Greg Lawrence. "Chicago on Broadway." Colored Lights: Forty Years of Words and Music, Show Biz, Collaboration, and All That Jazz. New York: Faber and Faber, 2003. 119-40. Google Books. Web. 1 May 2014.
Chicago is a clear production of artistic boldness. The concept of the musical associates the acts of murder, adultery, and legal proceedings to be metaphorically associated with acts on a Vaudeville stage. All the main characters have an introductory number and even exit music. Well except for Amos of course. The artistic boldness of the show follows through by creating a dark mysterious set. The ambiance is dark and sexy to accentuate the attitude of the performers. Costuming creates the same message as the dark mysterious stage. All these elements put together with Fosse style dance is what makes Chicago bold.
Chicago has played a major role in American Literary history. As African American writers struggled to express their unique literary voice, they sought to celebrate diversity of the American people and to develop a unifying national identity for themselves (Woolley).
I experienced Chicago, the Broadway musical, and because I had seen the movie many times before, I knew all the songs and dances by heart. I loved it, but it was actually the movie that influenced me to become a “Chicago fan.” The movie is based on the 1996 Chicago revival of the original musical version of 1975. It was thrilling knowing that the making of the musical into a mainstream production would increase its accessibility and widen its distribution into all the corners of the world; now there is no excuse for people not to experience Chicago, and though not everyone can go to Broadway to see it, just about anyone can indulge themselves in this dazzling movie in the comfort of their homes. In addition to a fantasy world of singing, dancing and Vaudeville, the film also provides a narrative that is explicitly presented through Roxie’s point of view, creating a counter-human side to Roxie’s fantasy world so that the audience can easily identify and engage.
It was on March 31st, I went to see The Forbidden Broadway starting at 8pm at the Seminole Theater, located in Homestead Florida. Forbidden Broadway is a parody of classical movies and Disney cartoons. Therefore, it tells you it is going to be a comedy show. This shows was written in 1982 by Gerard Alessandrini and it is performed every year. This musical comedy is also updated every year. And some of the performers, who are excellent and well know performers were Gina Kreiezmar, Kevin McGlynn, Jeanne Montano and Graid Laurie. The one thing that I did not like with the performance note is because it did not list any of the plays that were going to be played or gives any summary about the plays. And I did not really like that and I was like maybe because it is a popular show, so people might know what it is going to be about. Anyway, it should have a kind of summary to let people know what will be performed.
I attended the Chicago musical performance on September 13th at 2pm at the Toland Theatre. My initial expectations for this particular performance were relatively low as this was not a professional musical performed by professional actors and dancers. However, the opening scene and first musical number tremendously exceeded by low expectations. The quick rhythm of the majority of the dance numbers, unique choreography, and excellent execution of all dance numbers with immense precision truly impressed me. Overall, the choreography of each dance number incorporated acting, dancing, and singing as the choreography enhanced each scene by making the story more understandable and created an outlet to express the feelings
As water flows from its jets, which then turn into a stream of water down from the upper tiers to the pool below, visitors travel from all over the world to visit the most iconic landmark in downtown Madison. This weathered fountain has the classic green, white and black patina of age that many outdoor sculptures possess. Located on Broadway Street in between Main and Third Street is a 26 feet high, 35 feet wide fountain with two basins and a reflecting pool (Grimes). This iconic landmark fountain is the Broadway fountain. The Broadway Fountain is one of Madison’s landmarks, which stood in the middle of Broadway for almost 100 years before it was dismantled and replaced with the 1981 bronze production.
March 6th, 2018 I saw the longest running Broadway musical, Chicago. I have seen the movie that is based on the musical and really enjoyed it so I did have some high expectations for this show. I am happy to say that I was not disappointed, it really was an amazing show with all the glitz and glamor of Cook County jail. The way the whole show was set up and how they decided to incorporate the pit bad with the stage was amazing and the actors and actresses really were fantastic.
Wells, E A. (2011) West Side Story Cultural Perspectives on an American musical. Maryland: Scarecrow Press, Inc.