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Broadway Fountain History
Broadway Fountain History
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Recommended: Broadway Fountain History
The Broadway Fountain
As water flows from its jets, which then turn into a stream of water down from the upper tiers to the pool below, visitors travel from all over the world to visit the most iconic landmark in downtown Madison. This weathered fountain has the classic green, white and black patina of age that many outdoor sculptures possess. Located on Broadway Street in between Main and Third Street is a 26 feet high, 35 feet wide fountain with two basins and a reflecting pool (Grimes). This iconic landmark fountain is the Broadway fountain. The Broadway Fountain is one of Madison’s landmarks, which stood in the middle of Broadway for almost 100 years before it was dismantled and replaced with the 1981 bronze production.
The Broadway fountain was designed by a J.P. Victor Andre. “Andre is a French sculptor that was employed by the Jane, Kirtland Iron Company of Morrisianna, N.Y (Coons)”. He modeled the fountain’s design after the Place-de-la-Concord fountain in Paris. The Broadway fountain had three unique decorated tiered basins along with four tritons surrounding the base. Each creature clutches a shell horn that spouts water. On top of the highest basin, sits a classically robed female figure holding a rod. “Cartouches featured the Odd Fellows symbol of three interconnected links, and adorn each side of the fountain’s octagonal base (Coons)”.
Although considered a local landmark, the fountain has not always belonged in Madison. “In 1876, it first appeared in Philadelphia Centennial Exposition (Grimes)”. There it was exhibited in the Agricultural Nave. The fountain was purchased several years after the Exposition closed by The Odd Fellows. “The Odd Fellows purchased the fountain as a gift for the city (Grimes)”. When it came...
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...is used for other variety of community events and weddings throughout the year.
In past years, the centerpiece of downtown Madison’s historic has been inactive. The fountain has been shut down in order to belter facilitate the work being done to upgrade its own electrical system as well as those along its surrounding walkways. The upgrades intend to repair the underwater lights, leaking, and all of the electrical system (Grimes). There will also be new lighting installed along the sidewalks in the park. The Broadway Fountain is to be re-activated and returning it to its full glory which we have all come to know and love. Jim Grant writes about the beautiful and historic Madison, Indiana:
It will always remain
Down at Broadway and Main,
Odd fellows presented from France;
And to think of a gift
Eighty men couldn’t lift,
But one’s spirit it can with a glance; (15-16)
The Broadway Fountain located in Madison, Indiana is a famous artistic structure that is well known for its historical background and current use as an ideal location of weddings and other gatherings. In the course of a little over a century, the fountain has been in danger of being completely discarded twice and has been replaced with an exact bronze replica. Designed by French sculptor J. P. Victor Andre, the original Broadway Fountain was presented to the city of Madison in 1886 after being featured in the 1876 Philadelphia Centennial Exposition (National Park Service).
I am from a small town called Bristol Borough, Pennsylvania. It is along the Delaware River, about 25 miles northeast of Philadelphia. Bristol Borough was founded in 1681. This is the states third oldest borough, that was once a busy river port with important shipbuilding activities (Cohen 438). It is predominately residential, with the exception of Mill Street, the community's traditional commercial street. It includes fine examples of many major styles and idioms, reflecting the community's long history and its importance as a transportation and commercial center (Owen 133). The 28-acre Bristol Industrial Historic District includes the original town of Bristol and the residential area that extends northeast along the bank of the Delaware River (Owen 132). The Bristol Industrial Historic District is a significant collection of the factory and mill complexes containing elements dating from 1875-1937 (Owen 133). Among the mills is the Grundy Mill Complex. It is a visual representation of industrial growth of Bristol Borough. This mill was run by Joseph R. Grundy. The dramatic scale of later buildings stand as the source and monument to the wealth and power of Joseph Grundy (Owen 145). Joseph Grundy was the proprietor of the Bristol Worsted Mills, and one of the most prominent manufacturers and businessmen of Bucks County (Green 252). The Bristol Worsted Mills no longer run but the building is still standing. Bristol owes a lot to Joseph R. Grundy for his contributions to the people and the town itself.
Author and historian, Carol Sheriff, completed the award winning book The Artificial River, which chronicles the construction of the Erie Canal from 1817 to 1862, in 1996. In this book, Sheriff writes in a manner that makes the events, changes, and feelings surrounding the Erie Canal’s construction accessible to the general public. Terms she uses within the work are fully explained, and much of her content is first hand information gathered from ordinary people who lived near the Canal. This book covers a range of issues including reform, religious and workers’ rights, the environment, and the market revolution. Sheriff’s primary aim in this piece is to illustrate how the construction of the Erie Canal affected the peoples’ views on these issues.
Located in 1 East 70th Street, in New York City, The Frick Collection is an elegant and well maintained museum housed in the former residence of Henry Clay Frick, a successful steel and coke industrialist who amassed an incredible fortune during the 19th century in Pittsburgh. The museum is easily accessible by public transportation as various trains such as the N or the R lines stop nearby at 5th Ave and 59th Street. The collection is open six days a week operating from 10:00 a.m. to 6:00 p.m. Tuesday through Saturday and from 11:00 a.m. to 5:00 p.m. on Sundays. Adults are required to pay $20 while students with valid identification are asked to pay $10. On Sundays, the collection institutes a pay as you wish format similar to that employed by the Metropolitan Museum of Art from 11:00 a.m. to 1:00 p.m. It must be noted that children under the age of 10 are not permitted in the Collection. Tours at the museum are enhanced by an acousti...
Eck, Susan. "The Sculpture Plan by Karl Bitter, Director of Sculpture." Pan American Exposition: Buffalo 1901. (http://panam1901.bfn.org/documents/sculptureplan.html).
From first impression, Burnham found that Chicago had a murky factorial image lined with a “fantastic stink that lingered in the vicinity of Union Stock yards” (41). The dreadful surface that Chicago was maintaining allowed Burnham to be determined to collaborate and recreate its image. His efforts would also make a reputational comeback for America’s poor representation in the Exposition Universelle (15). One major feature that transformed public opinion of the state was to illuminate the entire fair with clean white buildings that outlined the goodness of the area (252). Eye-catching whiteness contradicted the presumed dirtiness of the town. Making a contradiction from what was assumed of the city would allow the fair to generate a much bigger transformation. The lights also gave the fair a unique, whimsical edge. “The lamps that laced every building and walkway produced the most elaborate demonstration of electric illumination ever attempted”, incorporating new technology in a grand-scale way merely to keep the theme of brightness ongoing throughout each day and night (254). Most importantly, it displayed the town’s potential to become a thriving and respected city. The theme of whiteness interlaced with the neoclassical outline in The World Fair’s de...
The importance of this building and club is not just a landmark to the community, but is also a landmark of the period of the time in which it was built. It shows The Progressive Era’s movement to be healthy, and outdoors, and to be social with one another in the midst of city conditions says the Ohio Historical Association (Smith A6). Consideration for this honorary title was also due to it being one of the only standing canoe clubs in the United States that was originally a canoe club and continues to be so
One half of the story was of a man named Daniel Burnham, who was a famous architect of his time. It’s in this half of the story that can you see the good part of the city. Pride can be seen mainly throughout his story. His life in these pages was based on the construction of the World Columbian Exposition which was a fair held in Chicago in 1893. This magnificent fair was in honor of one of America’s most well known discoverers, Christopher C. Columbus. This was the 400th anniversary of his discovery of the new world. Through Burnham’s pride and his determination, he was able to complete the fair in almost a year. However, it was not truly ready for opening day due to a few construction issues, such as the world’s f...
Both the Spiral Jetty and The Gates have transformed their respective outdoor locations. The Gates in Central Park were saffron colored structures with loose fabric of the same color that covered a distance of 23 miles along a walkway. They were man man made structures that were 16 feet tall, which created the feeling of a liminal space as visitors would stand or walk underneath it. Additionally, since The Gates were on display for a short period of time, the public felt a sense of urgency to experience them before they were taken away, Similar to The Gates, the Spiral Jetty was a man made work of art that transformed the view of the Great Salt Lake. Smithson created his spiral in a remote and inaccessible area by abandoned mines and equipment. He created his own version of a jetty, a pier on the water, by transforming it into a spiral of rocks sitting amongst the wilderness. Also, the water in
“He’d look out from under his eyebrows, his cigarette a smoke screen between him and the rest of the world, and nobody knew what he was thinking” (Beddow xi). This is how Margery Beddow describes Bob Fosse in her book, Bob Fosse's Broadway. There is no question about whether or not Fosse was extremely innovative in the world of theatrical dance. His technique, style, personality, and achievements throughout his career speak for themselves. You may have seen him in movies such as Kiss Me Kate, My Sister Eileen, Damn Yankees, The Little Prince, and Thieves, however, he also helped direct and choreograph several of other films such as Sweet Charity, Lenny, All That Jazz, Star 80, and more. Although Fosse did contribute a lot to the film industry,
Paul Revere is Copley’s only finished portrait of an artisan dressed in shirtsleeves and shown at work. Revere is shown half length, seated behind a highly polished table, and casually attired. He cradles his chin in his right hand and regards the viewer as if he has just looked up from the teapot in his left hand; the pot is finished but remains undecorated, and the engraving tools at Revere’s elbow attest to the work yet to come. When Copley painted Revere’s portrait, his sitter was an accomplished, well-established silversmith and master of the rococo style, both in engraving and in three dimensional hollow ware such as teapot. He completed the Sons of Liberty Bowl , now considered one of the United States’ most cherished historical treasures,
Reflective of her background at both Yale and Kohler, Ann Agee’s work is a surprising mix of the domestic and industrial. Her first major piece, Lake Michigan Bathroom (lost and now created anew), is an exercise in allegory. Familiar utilitarian forms take on new meaning when executed in high quality ceramic and painstakingly decorated in traditional blue and white. Large images set into the background pattern speak to systems. Models of human anatomical processes and scenes from water treatment facilities surround a central image of a placid lakefront view. Framing the illustrations is a series of classical tile patterns, including French, English, and Spanish styles.
Have you ever wondered what it would it feel like to walk inside and see the beautiful architect in the Globe Theatre? The significance of the Globe theatre is that play rights change how they portrayed the stories to the audience. The Globe Theatres were popular in Shakespearian time and Shakespeare’s plays still occur there every day.
I went to the Fredrick Meijer’s Garden to see the David Nash exhibition titled From Kew Gardens to Meijer Gardens. His exhibit includes several of his wooden sculptures, charcoal and pastel drawings, and a few of his bronze sculptures strategically placed throughout the gardens.
There are so many angles and curves to this sculpture. It looks as though it's in continual motion; it intertwines within itself. Depending on where you stand, it can take on different shapes and personalities. From across the street, I could see a dancer. Her arms and legs flailing about to the ever-changing beat of the music that has captured her soul. The beautiful dancer is in continual movement; never stopping for a breath, she just keeps dancing. In between the buildings she moves, allowing anyone who wants to stop, to enjoy the show.