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Broadway Fountain history
Broadway Fountain history
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Downtown Madison, Indiana is home to many beautiful and historical landmarks. Of those many landmarks, one particularly beautiful item stands out to Madison’s inhabitants and visitors. This wonderful monument is the Broadway Fountain, which is named after the street it belongs to. The Broadway Fountain was given to the city of Madison in 1886 by the Independent Order of Odd Fellows (Wright). Today, it is still revered as a magnificent work that the citizens of Madison would do anything to preserve.
Dimensionally, the fountain is grand. It stands at 26.6 feet high and is 35.6 feet wide. The work put into the fountain is clearly seen in its beautiful design. The fountain features the Odd Fellows symbol of three intertwined links decorate each surface on the fountain’s octagonal base. Four tritons surround the base, with each creature holding a shell horn that spouts water. A classically robed female figure holding a rod sits atop the highest basin” (“The”). The fountain’s French designer J.P. Victor Andre was an employee of the Janes, Kirtland Iron Company of Morrisania, N.Y., the area now known as the Bronx. In the Janes Kirtland Iron Company's catalog, the fountain was merely referred to as Model Number 5. For this fountain specifically, it is said that Andre referred to the neoclassical design of two European masterpieces, the Place-de-la-Concord in Paris or Crystal Palace Exhibition in London (Wright).
Putting a fountain in Madison was an idea that came from a group of the town’s leaders. They thought it would be a good idea for the city to have a nice drinking fountain. The fountain was initially meant to increase the membership of the society of Odd Fellows, which was critical to the re-election campaign of Mayor James H. Croz...
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...copper or pewter statue does not possess, in effect providing the ability to see details that may not be easily seen on a new statue” (Polston).
Today, Fountain Park stands out as one of Madison’s most visited landmarks. It is often used for community events and even wedding ceremonies for couples who desire to be married in front of the great Broadway Fountain. The park is centered between Broadway Street, Main Street, and Third Street. Aside from the fountain itself, Fountain Park is decorated with shrubbery and park benches for those who want to enjoy the beauty the park has to offer. The park, including the fountain, is lit up during the evening, allowing its magnificence to be viewed at all times. During the Christmas season, the fountain is even decorated with Christmas lights and ornamentation (“Parks”). It sounds like it would definitely be worth the visit.
I am from a small town called Bristol Borough, Pennsylvania. It is along the Delaware River, about 25 miles northeast of Philadelphia. Bristol Borough was founded in 1681. This is the states third oldest borough, that was once a busy river port with important shipbuilding activities (Cohen 438). It is predominately residential, with the exception of Mill Street, the community's traditional commercial street. It includes fine examples of many major styles and idioms, reflecting the community's long history and its importance as a transportation and commercial center (Owen 133). The 28-acre Bristol Industrial Historic District includes the original town of Bristol and the residential area that extends northeast along the bank of the Delaware River (Owen 132). The Bristol Industrial Historic District is a significant collection of the factory and mill complexes containing elements dating from 1875-1937 (Owen 133). Among the mills is the Grundy Mill Complex. It is a visual representation of industrial growth of Bristol Borough. This mill was run by Joseph R. Grundy. The dramatic scale of later buildings stand as the source and monument to the wealth and power of Joseph Grundy (Owen 145). Joseph Grundy was the proprietor of the Bristol Worsted Mills, and one of the most prominent manufacturers and businessmen of Bucks County (Green 252). The Bristol Worsted Mills no longer run but the building is still standing. Bristol owes a lot to Joseph R. Grundy for his contributions to the people and the town itself.
One story describes the planning of the 1893 Chicago World’s Fair that had been proposed to celebrate the four hundred years since Columbus landed in America. The idea didn’t get much attention until a year earlier, when Paris held a world fair and unveiled the Eiffel Tower. Not to be outdone, America decided now it was a matter of who would hold a fair that would put France’s fair to shame. There was a dilemma of where the fair would be built New York or Chicago, but votes were tallied up and the majority of the vote was Chicago. Among the many architects in Chicago, the main job of the designing the fair was given to Daniel H. Burnham. He needed a companion to help him with the design and other features of the fair, so he chose John Root, a very close friend of his and former associate. Because of the amount of time it took to decide where to build the fair, The White City was believed to be impossible to construct because of time con...
From first impression, Burnham found that Chicago had a murky factorial image lined with a “fantastic stink that lingered in the vicinity of Union Stock yards” (41). The dreadful surface that Chicago was maintaining allowed Burnham to be determined to collaborate and recreate its image. His efforts would also make a reputational comeback for America’s poor representation in the Exposition Universelle (15). One major feature that transformed public opinion of the state was to illuminate the entire fair with clean white buildings that outlined the goodness of the area (252). Eye-catching whiteness contradicted the presumed dirtiness of the town. Making a contradiction from what was assumed of the city would allow the fair to generate a much bigger transformation. The lights also gave the fair a unique, whimsical edge. “The lamps that laced every building and walkway produced the most elaborate demonstration of electric illumination ever attempted”, incorporating new technology in a grand-scale way merely to keep the theme of brightness ongoing throughout each day and night (254). Most importantly, it displayed the town’s potential to become a thriving and respected city. The theme of whiteness interlaced with the neoclassical outline in The World Fair’s de...
The Lafayette Club on beautiful Lake Minnetonka was first built in 1882. It was known as the nicest place in town and it had 300 guest rooms. Everyone wanted to go there but only the rich could afford to stay there. In 1897 it was burned down in a fire and Mr. Hill, the owner, then decided to build a new one. This beautiful hotel on the lake was made out of wood and sadly, 20 years later, it burned down again! Again, a new one was built because the property it was on was too beautiful to stay empty. By 1925 the brand new club was built to last and made with concrete. It is still there today.
The importance of this building and club is not just a landmark to the community, but is also a landmark of the period of the time in which it was built. It shows The Progressive Era’s movement to be healthy, and outdoors, and to be social with one another in the midst of city conditions says the Ohio Historical Association (Smith A6). Consideration for this honorary title was also due to it being one of the only standing canoe clubs in the United States that was originally a canoe club and continues to be so
One half of the story was of a man named Daniel Burnham, who was a famous architect of his time. It’s in this half of the story that can you see the good part of the city. Pride can be seen mainly throughout his story. His life in these pages was based on the construction of the World Columbian Exposition which was a fair held in Chicago in 1893. This magnificent fair was in honor of one of America’s most well known discoverers, Christopher C. Columbus. This was the 400th anniversary of his discovery of the new world. Through Burnham’s pride and his determination, he was able to complete the fair in almost a year. However, it was not truly ready for opening day due to a few construction issues, such as the world’s f...
The medium is Granodiorite and the technique used was sunken relief, which is a technique were the sculptor chisels deep outlines below the stone’s surface. The sculpture does not seem to be originally painted. The Egyptians created coloristic effects through contrasting shadows and highlights. They used natural pigments to color some sculptures, however this was not the case. There are deeply cut areas in the back of the statue that create deep shadows and the use of natural light helps to bring up the highlights. The granodiorite has natural colors that helped the sculptor show more of those shadows and highlights. The statue is mostly in a warm hue and it may be caused because of the lighting inside the museum. These warm colors make the details stand out more. At a closer look of the structure there are different colors that can be easily identified, such as white, yellow, brown, black, gray and small spots of orange. The statues seems to be carved in one piece. There are no signs indicating it
The Statue of a kouros and the Portrait statue of a boy both depict similar subjects, however are greatly different in how they accomplish this task. Through detail, or lack there of, the Greeks and Romans are able to display a certain value they have in its members. These two statues were made about 500 years apart and approach the sculpting process quit differently. The Greek statue seems to use geometric exaggerated lines to form the body while the Romans use a more realistic approach and sculpt the body with a more rounded finish. Statue of a kouros, from about 590 B.C and Portrait of a boy, from about the first century, do not share any great technical aspects and are basically nothing alike.
The “White City” was a vast collection of architecture and arts that were put on display in the year 1893. The Chicago World Fair, also called the “White City”, was a major event in American history that impacted America’s culture, economic, and industry. The Chicago World Fair was held to honor Columbus’ discovery of the New World. The real reason why it was made was to proudly have back their wealth and power. Larson said, “the tower not only assured the eternal fame of its designer, Alexandre Gustave Eiffel but also offered graphic proof that France had edged out the United States for dominance in the realm of iron and steel…”(15). To accomplish this, architects led by Daniel Burnham and John Root made numerous buildings and beautiful scenery
The why, ambition of man, Madison goes on to explain, is the reason why there
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