I have chosen question 2 for my essay. I plan to discuss the history and appearance of the Art Deco style. In my essay, I will discuss the work of Adolphe Mouron Cassandre. The artworks I have chosen to analyse are ‘Normandie’ poster, 1935 (Fig. 1) and ‘Dubonnet’, 1932 (Fig. 2). I will discuss why his graphic design should most definitely be considered as Art Deco. I will compare Cassandre with another famous Art Deco designer, Paul Colin.
Art Deco, often called style modern, was a movement in the decorative arts and architecture that began in the 1920s. It developed in to a major style in the United States of America and western Europe in the 1930s. The name Art Deco comes from the Exposition Internationale des Arts Décoratifs et Industriels
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It is ornamental artworks that is geometric or stylized from representational forms. Art Deco is unusually varied, are often made from expensive materials and man-made substances. The characteristics of the style reflected the admiration for the modernity of machines and for the design qualities a machine-made design can have. Designers wanted to pursuit beauty in all aspects of life which would be directly reflective of the newness and mass usage of technology. Art Deco works are symmetrical and pleasing to the eye. The style contrasted with the avant-garde art period, which was about finding beauty in what were anti-traditional images and forms. Art Deco is a modern style that attempts to infuse functional objects with artistic touches. The movement is different from the sculpture and painting of fine art where the object has no practical purpose or use beyond its aesthetical appeal. Streamline Moderne was the American version of Art Deco. The American style was “a stripped-down and sleek version of the more elaborate and often bespoke Art Deco style” (The Art …show more content…
He won first prize at the Exposition in Paris in 1925 for a poster entitled ‘Bûcheron’. He continued creating striking posters throughout this period. Born in the Ukraine in 1901 to French parents, Cassandre moved to Paris and studied art in 1915. He aspired to become a painter and studied at the Écoles des Beaux Arts in Paris. At the age of 22, he had to turn to graphic design as a quick financial fix. He grew to prefer graphic design as an art form because it “gave the painter the golden opportunity to communicate with the large public” (Lynsey Harte, 2013). Cassandre’s artworks should be considered Art Deco because he uses symmetrical, stylized features in his designs. Cassandre “used stencils and an airbrush to create his posters, and drew upon the styles of Cubism and Futurism (an Italian variation of Cubism) for his inspiration” (Arty Factory). Not only was he one of the pioneers of the movement but he also got a reputation for producing posters that were bold, geometric, and having a strong use of typography. Cassandre even invented some new Art Deco style typefaces by manipulating existing ones as well as creating his own. The Art Deco typefaces he designed were: “Bifur” (1929), Acier Noir (1935) and Piegnot (1937). The way in which Cassandre links his typography with the images he uses in his designs is one of his
The art deco style, which above all reflected modern technology, was characterized by smooth lines, geometric shapes, streamlined forms and bright, sometimes garish colours. Initially a luxury style (a reaction against the austerity imposed by World War I) employing costly materials like silver, crystal, ivory, jade and lacquer, after the Depression it also used cheaper and mass-produced materials like chrome, plastics, and other industrial items catering to the growing middle class taste for a design style that was elegant, glamorous and
For the Formal Analysis Essay, the following artist and work of art to discuss is: Artemisia Gentileschi (Italian 1593-1653), Judith and Maidservant with the Head of the Holofernes, c. 1625, oil on canvas, approx. height: 72 1/2 x 55 3/4 inches. Detroit Institute of Arts. The following will mention the subject of the artwork, elements of design including: line, shape, and color. In addition, the principles of design will be discussed in termed of movement, emphasis, and balance.
He used the ideas from Art Nouveau, Art Deco, constructivism, and fellow artists like Wassily Kandinsky. Art Nouveau was a movement from the late 19th early 20th century, that inspired the use of geometric, and organic forms, ultimately making natural forms more angular. Art Deco was a material style movement from the 1920s, that was a blend of modernity with classical pasts. Those were expressed through geometric shapes and streamlined forms; it was a sophisticated kind of elegant. Constructivism movement was one of art and architecture that was geared towards unity or social change since it developed after World War I. The style of the movement was abstract and accepted modernity, normally geometric, but was preferred to be of objective form not subjective. Artists like Wassily Kandinsky were abstract expressionists, embracing the expressionism movement, that was geared towards showing emotion and universal themes. They blended the concepts of surrealism and abstract art to generate a style that fit postwar moods (anxiety, trauma). Bubbles used key elements of all these movements that were before his time in his work, which defined his style. He used the elements of color, geometry, symbols, and art history, as well as others in his visual designs. The styles used in Bubbles work always went against what society accepted as design
Modernism indicates a branch of movements in art (Impressionism, Post-Impressionism, Fauvism; Cubism; Expressionism; Dada, Surrealism, Pop Art. Etc.) with distinct characteristics, it firmly rejects its classical precedent and classical style, what Walter Benjamin would refer to as “destructive liquidation of the traditional value of the cultural heritage”; and it explores the etiology of a present historical situation and of its attendant forms of self-consciousness in the West. Whereas Modernity is often used as ...
The purpose of this Essay is to discuss an example of design from the late 1800s, I will relate it to the social, economic, technical and cultural context of that time. . I intend on delivering details of the artist and his life experiences as well as his style and possible interests. I will also evaluate the subject with my own opinion, likes and dislikes, with comparisons of work and artists from within that period up to the present date
Art Deco as an art mover has had a lot of influence in the history of arts and was under the influence of the past art movements and different cultures, the present lifestyle and the societies of the life changing World War I and II. In design Art Deco was glamorous and in style it was luxurious. Major influences were the styles of art and the French crafts of high standards, different cultures and avant-grade art. It wasn’t just a normal style that reflected adventure, entertainment and leisure but a highly enjoyed taste by all classes of people with different minds after Second World War. It handed down its concepts of design and traditional and modern visual styles to younger generations while at the same time its styles influencing many present-day designers (Hillier & Escritt, 2004).
In the early twentieth century the Modern movement of architecture and industrial design came about. This movement was a reaction to the change within society and the introduction of new technologies. The ever changing world and technology meant artists to evolve alongside the changing world and this kind of ‘industrial revolution’ that was happening. Modernists ideas have seeped into every form of design especially architecture and design. Although most modernists insisted they were not following any style in particular, their work is instantly
The Art Nouveau style and movement, at its height between 1890 and 1910, enabled a sense of freedom for both its artists and the public as a whole. It offered strikingly original ideologies and transformed both the artistic and the mundane world alike with common characteristics like curvilinear shapes and a sense of the return to the natural and to nature as well as being at the crux of a fundamental change in how artworks were mass produced. The Art Nouveau style seemed to walk between the two worlds: it was simultaneously fantastical and grounded in reality and there was no artist in the period that was better equipped to “know and see the dance of the seven veils,” (Zatlin) than Aubrey Beardsley. It is impossible to fully discuss the value
At the beginning of the nineteenth century, political discomfort had spread over France, and posters became the dominant aspect of visual philosophy in Paris. (MiR appraisal Inc. (2011) Father of the modern poster: Jules Cheret) Posters were an expression of economic, social and cultural life, competing for entertainment audiences and goods consumers (Jeremy Howard (1996), Art Nouveau: The myth, the modern and the national, Manchester University press, The Art poster From Graphic art to design 1890 to 1914). Furthermore, poster design was an outlet for the innovative energies of gifted artists (David Raizman (2003), History of Modern design, Art Nouveau and Cheret, Lawrence King, London, P.56). This was apparent because of the progression and transformation of technology, such as colour lithography.
The impressionist movement is often considered to mark the beginning of the modern period of art. It was developed in France during the late 19th century. The impressionist movement arose out of dissatisfaction with the classical, dull subjects and clean cut precise techniques of painting. They preferred to paint outdoors concentrating more on landscapes and street scenes, and began to paint ordinary everyday people and liked to show the effects in natural light.
From poster design, typography, production processes, and advertising, Art Deco was a combination of various styles that helped advance the way design was seen by the public. The style’s inspiration primarily developed through the analyzation of Modern, Neo-Classic, and Abstract concepts. A.M. Cassandre was known as one of the major contributors to the style, and helped develop an exaggeration of scale and form beyond previous comparison. His works during this time were typically presented in a multitude of travel posters, including his poster for the train Express Nord in 1927 (figure 1), as well as his poster for the ocean liner L’Atlantique in 1931 (figure
Art Deco and Bauhaus are two of the most influential art styles that influenced modern America today. From the avant-garde decorations and design that is still present in Los Angeles, to the flat roof design and simplicity of houses and shops that can be seen almost anywhere, these two designs are still present in our communities. The two movements do have some comparative similarities, but are also very different in design and concept. One should now be able to distinguish the similarities and differences between Art Deco and
Abstract: Contemporary architects have a wide variety of sources to gain inspiration from, but this has not always been the case. How did modernism effect sources of inspiration? What did post-modernism do to liberate the choice of influences? Now that Contemporary architects have the freedom of choice, how are they using “traditional” styles and materials to inspire them? Even after modernism why are traditional styles still around?
In order to explore new venues of creativity Modernists tinkered with the perception of reality. During the Renaissance, the depiction of a subject was very straight forward. A painting had to look like what it represented. The truth was absolute and right and wrong were clearly defined. For Modernists, the world is much more obscure. In Impressionist paintings, lines are not definite and things tend to blur together. Faces usually do not differentiate one person from another.
Towards the end of the nineteenth century, the Art Nouveau style became an international movement. For the first time in decorative arts history there was a simultaneous movement throughout Europe and America. Art Nouveau brought the finest designers and craftsmen together in order to design buildings, furniture, wallpaper, fabrics, ceramics, metalwork and glasswork. Art Nouveau was considered more than a style, it was a philosophy. From this philosophy carefully designed articles for the home were designed intended to fit into the scheme of the whole Art Nouveau style. Line was the most important aspect of the Art Nouveau period. Art Nouveau was a rebellion against machine made articles of the 19th century that were copies of past designs. Art Nouveau was also a reaction against the old Victorian tradition. Art Nouveau designers borrowed from the past but because of the emphasis on line and adaptation of natural forms to design. Art Nouveau is easily distinguishable from any other period in decorative arts.