Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
History of Jules Cheret
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: History of Jules Cheret
At the beginning of the nineteenth century, political discomfort had spread over France, and posters became the dominant aspect of visual philosophy in Paris. (MiR appraisal Inc. (2011) Father of the modern poster: Jules Cheret) Posters were an expression of economic, social and cultural life, competing for entertainment audiences and goods consumers (Jeremy Howard (1996), Art Nouveau: The myth, the modern and the national, Manchester University press, The Art poster From Graphic art to design 1890 to 1914). Furthermore, poster design was an outlet for the innovative energies of gifted artists (David Raizman (2003), History of Modern design, Art Nouveau and Cheret, Lawrence King, London, P.56). This was apparent because of the progression and transformation of technology, such as colour lithography.
Jules Cheret is widely regarded as ‘The father of the poster,’ having originated the mass production of advertisement posters using (chromo) lithography (wet-canvas, no given date, Jules Cheret: the father of the modern poster). In addition, he was further described as the ‘Father of women’s liberation.’ His work was often thought to have reinvented the women of Paris, by introducing new hyper-real role models to women. The consequence was a more noticeable open atmosphere where women were able to engage in former prohibited activities such as smoking in public. (Jules Cheret, The complete works (2002)).
Johannes Gutenberg invented the printing press in 1440 to multiply written documents easily, making books cheaper and more nationally available. In 1798, Alois Senefelder invented Lithography to copy graphical designs, developing the culture of advertising (wet-canvas, no given date, Jules Cheret: the father of the modern poster). Ho...
... middle of paper ...
...ect.php?object_id=5615, (accessed 26/11/2013).
The Colour Orange (2009-2013), Empower-Yourself-With-Color-Psychology, found here: http://www.empower-yourself-with-color-psychology.com/color-orange.html, (accessed 26/11/2013).
Van Gough Gallery, No date given, Jules Cheret, Found here: http://www.vangoghgallery.com/artistbios/Jules_Cheret.html, (accessed 26/11/2013).
Victoria and Albert Museum, no date given, Art Nouveau and the erotic, found here: http://www.vam.ac.uk/content/articles/a/art-nouveau-and-the-erotic/, (accessed 26/11/2013).
Wet Canvas, no date, Jules Cheret: The Father of the modern poster, found here: http://www.wetcanvas.com/Museum/Artists/c/Jules_Cheret/, (accessed 26/11/2013).
World Art Collections Exhibitions, Sainsbury Centre for visual arts, No date given, found here: http://www.scva.ac.uk/education/resources/pdfs/13.pdf, (accessed 26/11/2013).
The October Gallery. (2000, May 19). About the Artist [Online]. Available: http://www.octobergallery.com/sbarnes.htm [2001, March 19].
The printing press was, arguably, the most impactful invention in history. Created by Johannes Gutenberg, the printing press are sets of metal letters set in a frame that could be inked, papered and pressed. The printing press affected the fast and wide spread of new ideas changing everyday life. The Protestant Reformation was a movement that changed people’s mind about Catholic belief and created new sects of Christianity. The Exploration Era led to many discoveries of the Americas and opened up the curiosity of many. Both of these historical events were important consequences of the printing press. The Exploration Era was the more important consequence of the printing press than the Protestant Reformation.
Caillebote’s “Paris Street; Rainy Day”. The painting was begun in 1876 and finished early in
In the Wallach Gallery exhibition of Anna Hyatt Huntington’s sculpture (1876-1973), the viewer gets to discover different versions of the emblematic figure that is Joan of Arc, from small bronze medals, to much bigger works of art. A digital replication of the initial statue that was unveiled at Riverside Drive and 93rd Street in December 1915 is also available the public in the gallery. The success of the Joan of Arc – or The Maid of Orleans’s depictions results from the symbol that she fosters in European and American culture: a French medieval patriotic heroine who received visions directly from God and who was told to help France combat the English domination and who died burned at the stake, as a martyr.
Posters were mainly used to sway public opinion. They were aimed at brainwashing society to think and act a certain way. Each poster was designed specificly for a particular community, playing upon the cultural norm. Since posters were rather inexpensive, they were not made to last, but were effectively used as a visual tool of propaganda. They were usually very graphic, therefore allowing even the illiterate to be swayed in the direction of the artists choosing.
In the figure 1920’s they initiated a series of propaganda poster to attract volunteers. Done by a number of different artists and illustrators, these images were designed to strike an emotional and patriotic cord of the observes. The propaganda poster Our Greatest Mother Join, the artist/ illustrator of the propaganda poster was by Cornelius Hicks, he was born in Massachusetts and he was a student at Pratt Institute and had showed tremendous talent in the flied of art, he painted two posters for the American Red Cross. Cornelius Hicks died in 1930 of Tuberculosis at the age of 32.
In addition to the notably simplistic design, the collection itself provides access to a remarkable breadth and depth of both classic and contempora...
Shea, R. 2004. Marcia Myers: Twenty Years Paintings & Works on Paper 1982–2002. Manchester, United States: Hudson Hills.
The first movie poster was thought to be designed by Jules Cheret in 1890 for an independent short film (“Movie Poster Art- A Short History”). Before the 1900s, movie posters only contained typed wording that broadcasted the movie title, the producer, and the director (“Movie Poster Art- A Short History”). Over the years, movie posters have noticeably progressed into something much more significant. On nearly every movie poster, an image is presented giving one a slight understanding of what the movie may be about. The posters also typically includes prominent cast members. Since the initial poster, it has advanced into a brief foretaste of the movie. In today’s society, a movie poster can arouse something inside a potential viewer that makes
Nash, Susan. Oxford History of Art: Norther Renaissance Art. 2nd. New York: Oxford University Press, 2009. 30-65. eBook.
Osborne, Harold. The Oxford Companion to Twentieth Century Art. New York: Oxford University Press, 1981.
... considered documents of Paris capital of modernity to a great extent. Their subjects, style, and juxtaposition of the transitive and the eternal give effective depictions of life in Paris at the time. Impressionist paintings will stand alongside written documents as records of late nineteenth century Paris for years to come.
‘Savage Beauty’ was an exhibition that pushed the boundaries of museology, in its artistic, social and critical undertakings. The questions brought to bear by the exhibition of contemporary art and culture in various situations is something I am interested in researching further with a degree in curating.
Barnett, Peter. “The French Revolution in Art”. ArtId, January 7th 2009. Web. 5th May 2013.
The Graffiti and Printing these posters was a means of communication that the students and strikers had that would remain untainted. The posters were distributed for free and seen on barricades, carried in demonstrations and plastered on walls all over France.