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Albert camus view on existentialism
The stranger camus book analysis
Camus as an existentialist writer
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The Hero of Albert Camus' The Guest
Although some have called Albert Camus an existentialist, he never consented to the label. Still, he saw many things the way an existentialist sees them. Camus talks of humanity’s aloneness in the universe and their complete freedom and responsibility for their own lives, themes he pulls together with his idea of the absurd. Camus’ story The Guest powerfully expresses his thought on these prevailing ideas by his story and descriptions of an open landscape and solitary schoolhouse. In the midst of the vastness and solitude is Daru, the hero of an existentialist world who has stood up against the universe.
To be able to make sense of his characters, one must understand Camus’ philosophy of the world. As an atheist, Camus took a gloomy view of humankind’s condition. His list of favorite words, “the world, suffering, the earth, the mother, men, the desert, honor, misery, summer, the sea,” are closely tied with his understanding of life and the human condition, and nearly all of them appear in the story of The Guest (Bree 83). Profoundly aware of the “unbearable suffering of the world,” Camus believed every artist should make it her business to voice this through her art (Sprintzen vii). Although he scorned the idea of Christian hope, he wanted to show that people can take control of their own circumstances. The Guest presents Camus’ claim that humans can change their condition through acts and his belief in the power of the individual to create her own meaning in a cruel universe.
The story of The Guest tells about Daru, a lonely schoolteacher in Camus’ boyhood home of Algeria. Daru likes living in solitude, but he must learn to recognize that choices are...
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...on the plateau, more alone under the Algerian sunshine than when the story opened.
Works Cited
Bloom, Harold. Introduction. Albert Camus. Ed. Harold Bloom. New York: Chelsea House Publishers, 1989. 1-7.
Bree, Germaine. Camus. New Jersey: Rutgers University Press, 1972.
Camus, Albert. "The Guest." Trans. Justin O'Brien. The Longman Anthology of Short Fiction. Ed. Dana Gioia and R. S. Gwynn. New Yrk: Lamar University, 2001.
Guicharnaud, Jacques. "Man and His Acts: Jean-Paul Sartre and Albert Camus." Ed. Harold Bloom. Albert Camus. New York: Chelsea House Publishers, 1989. 27-41.
Hall, H. Gaston. " Aspects of the Absurd." Yale French Studies
25 (1960): 26-32. 28 Nov. 2005 sici=00440078%281960%3A25%3C26%3AAOTA%E2.0.CO%3B2-4>.
Sprintzen, David. Camus: A Critical Examination. Philadelphia: Temple University Press, 1988.
Finding Enlightenment in the Dark: An analysis of light in Camus’s The Stranger. In The Stranger, the protagonist Mersault becomes ostracized from his society due to his emotional separation and unwillingness to play by societal rules. His continual apathy and expression that everything “didn’t matter” eventually led to his death sentence (8). Mersault focuses on his physical surroundings, commenting on the light and the heat around him. He perceives the world through his senses, not through his emotions.
By Existentialist belief life is absurd, in The Guest there are materials of explosive action- a revolver, a murderer, a state of undeclared war, an incipient uprising, a revenge note- but nothing happens which only serves to show life actually is absurd. There’s no question Camus was an Existentialist, and I believe Daru is a representation of Camus. A schoolmaster carrying Camus’ wish to be a teacher, Daru a French-Algerian like Camus and also believing himself more an Algerian than a French, and the story takes place in northern Algeria, Camus’ birthplace.
The Stranger by Albert Camus is a story of a sequence of events in one man's life that cause him to question the nature of the universe and his position in it. The book is written in two parts and each part seems to reflect in large degree the actions occurring in the other. There are curious parallels throughout the two parts that seem to indicate the emotional state of Meursault, the protagonist, and his view of the world.
Amid the feverish horror of rampant sickness and death, The Plague is a parable of human remoteness and the struggle to share existence. In studying the relationships which Camus sets forth, the relationship between man and lover, mother and son, healer and diseased, it can be seen that the only relationship Camus describes is that between the exiled, and the kingdom for which he searches with tortured longing.
In many works of literature, a character conquers great obstacles to achieve a worthy goal. Sometimes the obstacles are personal impediments, at other times it consists of the attitude and beliefs of others. In the book The Stranger by Albert Camus, shows the character Meursault who is an emotionless character that let’s other people show their opinions and emotions into him, giving him a type of feeling even if Meursault doesn’t care. Meursault is a victim of emotional indifference between his friends and social indifference. This essay will be about the character’s struggle that contributes to the meaning of the work as a whole.
Albert Camus is a skillful writer noted for showing aspects of culture and society through the depiction of his characters. In The Stranger, Camus illustrates the existentialism culture and how that comes into play in the life of the protagonist Meursault. The Stranger, as suggested by the title, is a novel revolving around the protagonist, Meursault, who is a stranger to the French-Algerian society as he challenges its values. Camus vividly portrays Meursault’s journey through the use of imagery, irony, and symbolism. In The Stranger, Albert Camus uses the minor character, Raymond Sintes, to illustrate the contrasting nature of Meursault and how his friendship with Raymond leads to his downfall.
It is a random Thursday night on the first floor of Brewster Hall and the Campus of State University when a frazzled young girl wanders into the room of a fellow student inquiring about The Stranger by Albert Camus. She needs to have a three page paper completed by tomorrow and cannot find a kick start on the essay writing process. Since her peers are on the level of the common doormat concerning Camus, she was left without any further help. However, had she just typed “the stranger, camus” into Google, three of the first ten sites listed would have directed her to either free or paid essay sites.
The emotionless anti-hero, Monsieur Meursault, embarks on a distinct philosophical journey through The Stranger. Confident in his ideas about the world, Meursault is an unemotional protagonist who survives without expectations or even aspirations. Because of his constant indifference and lack of opinions about the world, it can be denoted that he undergoes a psychological detachment from the world and society. It is through these characteristics that exist in Meursault that Camus expresses the absurd. Starting from the very first sentence of the book, “Maman died today. Or maybe yesterday, I don’t know.” (Camus 1) The indifferent tone from these short sentences convey a rather apathetic attitude from Meursault’s part. Not only does he not feel any sorrow, he also “felt like having a smoke.” (Camus 4) Communicating perfectly Meursault’s disinterest, “[he] hesitate, [he] didn’t know if [he] could do it with Maman right there. [He] thought it over; it really didn’t matter.” (Camus 4) The death of his mother prompts an absurdist philosophy in which he experiences a psychological awakening and begins to place no real emphasis on emotions, but rather on the physical aspect of life.
Milan Kundera contends, “A novel that does not discover a hitherto unknown segment of existence is immoral” (3). In this it is seen that the primary utility of the novel lies in its ability to explore an array of possible existences. For these possible existences to tell us something of our actual existence, they need to be populated by living beings that are both as whole, and as flawed, as those in the real world. To achieve this the author must become the object he writes of. J.M. Coetzee states, “there is no limit to the extent to which we can think ourselves into the being of another. There are no bounds to the sympathetic imagination” (35). Through this sympathetic faculty, a writer is able to give flesh, authenticity and a genuine perspective to the imagined. It is only in this manner that the goal of creating living beings may be realized. Anything short of this becomes an exercise in image and in Kundera’s words, produces an immoral novel (3).
Meursault and Daru are both “strangers” because they are not able to understand the other characters, which are each indirectly associated with an aspect of society. Camus uses the actions and words of seemingly unimportant characters to allude to the shortcomings of society. In both texts the protagonists view the other characters in the story from an outsider view, allowing for a new perspective in which society and its problems can be assessed. By making the protagonists detached from society, the underlying issues within society can be explored from an objective viewpoint.
The thought of Albert Camus creating a character like Meursault is absurd because ‘The Outsider’ was published in 1942, midway through the Second World War. Also with economies falling and poverty reigning, people turned to God for hope and it took everything they had to hold onto that faith. Amidst thi...
In 1962, writer Mark Esslin took pleasure in composing the novel Theatre of the Absurd and quickly became a major influence on the works of many inspired writers. Esslin subsequently made ensuing plays and stories which focused on nonspecific existentialist concepts and which did not remain consistent with his ideas, rejecting the “narrative continuity and the rigidity of logic.” As a result, the protagonist of these stories is often not capable of containing himself within his or her disorderly society (“Theatre”). Writer Albert Camus made such an interpretation of the “Absurd” by altering the idea into his view of believing it is the rudimentary absence of “reasonableness” and consistency in the human personality. Not only does Camus attempt to display the absurd through studied deformities and established arrangements; he also “undermines the ordinary expectations of continuity and rationality” (“The Theatre”). Camus envisions life in his works, The Stranger and “The Myth of Sisyphus,” as having no time frame or significance, and the toiling endeavor to find such significance where it does not exist is what Camus believes to be the absurd (“Albert”).
Sometimes reading fiction not only makes us pleasure but also brings many knowledge about history and philosophy of life. ‘The Guest’ by the French writer Albert Camus is a short story and reflects the political situation in French North Africa in 1950s. According to this story, we know the issues between the France and the Arab in Algeria, and the protagonist, Daru, refuses to take sides in the colonial conflict in Algeria. This is not a boring story, because Camus uses a suspenseful way to show the character, conflicts and symbol and irony.
My first impression of Albert Camus’ “The Guest” was that the guests were the two men coming up the hill. As Daru watches them come up the hill, one on horseback and one walking, is that he was describing them broadly because he didn’t know who they were. He could only assume things he got from observations, such as that one man knew the region because he knew where the path was supposed to be under all of the snow. However, as the men grow closer, he recognizes one of them as a gendarme (an armed police officer) named Balducci; other other is an unfamiliar Arab. But who the title truly refers to is the unnamed Arab.
Klinkowitz, Jerome and Patricia B Wallace. The Norton Anthology of Americal Literature. Seventh. Vol. Volume D. New York City: Norton, 2007, 2003, 1998, 1994, 1989, 1985, 1979. 5 vols.