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How to understand the plague by albert camus
The plague albert camus text
How to understand the plague by albert camus
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The Fruitless Search Exposed in Camus’ The Plague
Amid the feverish horror of rampant sickness and death, The Plague is a parable of human remoteness and the struggle to share existence. In studying the relationships which Camus sets forth, the relationship between man and lover, mother and son, healer and diseased, it can be seen that the only relationship Camus describes is that between the exiled, and the kingdom for which he searches with tortured longing.
"Thus the first thing that plague brought to our town was exile."(p.71). The first exile Camus writes is the physical exile of a diseased town from the world, and consequently, the exile of the town's people from the kingdom of everyday. The particular torture of this exile is memory; once expelled from a kingdom, the kingdom ceases to exist, living on only as "a memory that serves no purpose... ha[s] a savor only of regret."(p.73). Thus the townspeople are haunted by memories of their distant loved ones and their interrupted lives, creating islands of their own exile- an exile intensified by years of monotonous selfish habit. "The truth is that everyone is bored, and devotes himself to cultivating habits."(p.4). The pea-counter is the ultimate representation of this exile; he is completely removed from the reality of man, measuring his life in the perpetual repetition of an absurd activity. Through the character of Rambert, Camus defines plague as precisely this selfish exile of habit, this doing "...the same thing over and over and over again..."(p.161).
Exile is further compounded by the desperation with which many of the characters fling themselves into the quest of trying to regain their personal remembered kingdoms. Rambert the visiting journalist is the ...
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...he reader that Rieux is Camus' hero. It is precisely this sense of "common decency" which sets him apart, renders him uncommon in a town of men exiled from eachother by selfishness. Rieux is not searching for anything, he is merely doing what has to be done to fight the plague. His will to see man healed has freed him from his own search, and thus from exile; no longer in exile, Rieux has found eternal kingdom.
For Camus tells us there is no kingdom but present humanity, though we spend lifetimes searching in isolation for assurance in a future or a past. And there is no exile except that which the selfish man imposes on himself. It is by giving up the fruitless search for the non-existent that man can ultimately free himself from exile, and gain the eternal kingdom of present.
Works Cited
Camus, Albert. The Plague. New York: Vintage International, 1995.
Kody Dejohn Scott, a future infamous gang leader was born in south central Los Angeles, California in 1963. He was one of six children as his step father left his family in 1970. Kody suspected that his real father was actually NFL quarterback Dick Bass and felt that his step father never treated him like his real son because of that (Kody, 2008). Throughout Kody’s younger years his step father physically abused him and his family.
Think of a North America without electricity, no running water, no government, almost no buildings left intact, and ravaged by a Chinese manufactured plague, even though it’s hard to imagine that's what happened in Jeff Hirsch’s The Eleventh Plague. In Jeff Hirsch’s Eleventh Plague a family made up of the Dad, Mom, Grandfather, and son are trying to survive in a North America ravaged by a Chinese Plague , But then the mom and grandpa die and dad and Stephen are left on their own, but when the dad gets injured running away from some slavers, A Town named Settlers Landing that seems too good to be true takes them in. Then Stephen befriends a girl named Jenny, and when they play a prank that sends Jenny, and when they play a prank that sends the town into chaos. A war is started and it is up to them to help stop it. I thought that The Eleventh Plague was a believable piece of Speculative Fiction because of Hirsch's use of elements of Conflict, Theme, and Red Herrings.
...iod when Camus writes this novel. Camus obviously knew the time period and explored different ideas and philosophies about pointless of life in people which comes out in his character, Meursault. In prison Meursualt also realizes that he’s trapped, and there’s no way out as he remembers what the nurse once said to him. His growth in self reflection results in unimportance of emotional values of life and help focus what’s directly ahead of him. This significant change results him in understanding himself and his voice, and figuring out his capabilities and philosophies. Time spent in prison helps Meursault finally understands himself, the meaninglessness of life, and the unimportance of time which shows the shift in the character after sent to prison.
New York: Vintage Books, 1991. Print. The. Cervo, Nathan A. -. " Camus' 'The Plague'" Explicator 62.3 (2004): 169+.
The emotionless anti-hero, Monsieur Meursault, embarks on a distinct philosophical journey through The Stranger. Confident in his ideas about the world, Meursault is an unemotional protagonist who survives without expectations or even aspirations. Because of his constant indifference and lack of opinions about the world, it can be denoted that he undergoes a psychological detachment from the world and society. It is through these characteristics that exist in Meursault that Camus expresses the absurd. Starting from the very first sentence of the book, “Maman died today. Or maybe yesterday, I don’t know.” (Camus 1) The indifferent tone from these short sentences convey a rather apathetic attitude from Meursault’s part. Not only does he not feel any sorrow, he also “felt like having a smoke.” (Camus 4) Communicating perfectly Meursault’s disinterest, “[he] hesitate, [he] didn’t know if [he] could do it with Maman right there. [He] thought it over; it really didn’t matter.” (Camus 4) The death of his mother prompts an absurdist philosophy in which he experiences a psychological awakening and begins to place no real emphasis on emotions, but rather on the physical aspect of life.
In Camus' The Plague we recognize that the plague took away peoples health on both a physical and mental level. Yet despite this, it generally left ones capacity to love, in an excellent condition. Although not everyone remained able to love like they did prior to the infestation of the pestilence, most endured the emotional challenges, and upheld, if not strengthened their desire for human affection.
First and foremost are Yalom and Thelma’s first meeting. In beginning, Yalom is intrigued with her love obsession with Matthew and couldn’t understand why her former therapist that was considerably younger would even want to have sexual relations Thelma as he describes her as, “a shabby old woman” (Yalom, 2000). The possibly of helping her move past her obsession to ease her suffering, were the reasons why Yalom ultimately decides to treat her. I personally thought that though Yalom had good intentions from the start to treat her, I think that he was thrown off by her demands as she tells him right from the start, “Eight years ago I had a love affair with my therapist. Since then he has never left my mind. I almost killed myself once and I believe I will succeed the next time. You are my last hope.” (Yalom, 2000 p. 18) A person that has been seeing therapists for over twenty years and be stuck on an obsession for ten, I thought, was rather intimidating and I personally think that Yalom did the best he could to remain optimistic. If I had a patient like Thelma that told me that I was her last hope and if...
The interesting concept of the absurd hero is classically presented by the author, Albert Camus in many of his novels, including The Plague. An absurd hero is a person who does what he has to do regardless of whether or not he can control that situation. Dr. Rieux, a physician in the plagued town, for example, still performs his job daily and just as diligent as he ever has, instead of caving in to the worry and fear that his town experiences because of this widespread epidemic. Camus uses this concept of the absurd hero to develop the four main characters, Tarrou, Rambert, Grand, but especially Dr. Bernard Rieux.
Albert Camus’s The Plague is a novel about an ordinary town that is suddenly stricken by plague. A few of Camus’s philosophies such as the absurd, separation, and isolation are incorporated in the events of the story. The absurd, which is the human desire for purpose and significance in a meaningless and indifferent universe, is central to the understanding of The Plague. In The Plague, Camus uses character development and irony to show that even through the obvious superiority of the universe, man is in constant effort to outlive the absurd. The Plague is crafted around the belief that humans live life in search of a value or purpose that will never be revealed to them because it does not exist.
“The very conveyances of his lands will scarcely lie in this box, and must th’ inheritor himself have no more, ha?” Hamlet’s realization in 5.1.88 is one of great weight and resulted in more deep thought on the concept of death. Throughout Shakespeare’s “Hamlet” the subject is deeply considered and consistent breakthroughs and new realizations are revealed through Hamlet’s character. The primary evolution of Hamlet’s understanding stands with the coping, dealing with the finality of death, conflicts with morality and revenge in its intimate relationship with death as it applies to Hamlet.
... evening, on leaving the office, they forgather, at an hour that never varies, in the cafes, stroll the same boulevard, or take the air on their balconies. The passions of the young are violent and short-lived; the vices of older men seldom range beyond an addiction to bowling, to banquets and "socials," or clubs where large sums change hands on the fall of a card (Camus,The Plague)." Here it shows an example of existentialism as it did in The Stranger. In both novels the main characters of interest are consumed by repetitive redundant lives; which reflects the philosophy. But this novel, The Plague, also shows possibly a reason why Camus denies existentialism. In The Plague it is expressed that man is good of at least has potential to be good.
Dr. Rieux is the strongest character in The Plague because he was able to distance himself from the events of the plague and not allow his feelings and beliefs sway the reader’s outlook on the plague. This shows tremendous engagement strength by Rieux because he could focus working on ending the plague while also telling a story and not being completely objective to the terrible experiences that he went through. He was in a very stressful environment that would drive most doctors insane. Dr. Rieux didn’t go insane but was a professional about his job. Camus’ best decision about writing this novel was making sure that the reader didn’t know that Rieux was the narrator until the end.
Several presidents came to power through a coup d’état. They know that without the loyalty of the military, their powers are ephemeral. Therefore, they spend a lot on presidential security brigades, and other elite troops, whose command is given to people close to the president. These units are composed of individuals from the same clan, the same ethnic group, or the same party. The army becomes not only a tool of conquest but also for keeping power, protecting regimes and not states, and generating corruption permeating all levels of command. Thus, more than half a century after independence, and with the exception of a handful of countries with actual military capabilities, almost no African army is able t...
Camus' inability to accept Christian theology is voiced in The Plague by Riex and juxtaposed against the beliefs preached by Father Paneloux (Rhein 42). Paneloux's attitude toward the plague contrasts sharply with Rieux's. In his first sermon, he preaches that the plague is divine in origin and punitive in its purpose. He attempts to put aside his desires for a rational explanation and simply accepts God's will. In this way he is not revolting and therefore falls victim to the plague.
Camus writes in a simple, direct, and uncomplicated style. The choice of language serves well to convey the thoughts of Meursault. The story is told in the first person and traces the development of the narrator's attitude toward himself and the rest of the world. Through this sort of simple grammatical structure, Camus gives the reader the opportunity to become part of the awareness of Meursault. In Part I, what Meursault decides to mention are just concrete facts. He describes objects and people, but makes no attempt to analyze them. Since he makes no effort to analyze things around him, that job is given to the reader. The reader therefore creates his own meaning for Meursault's actions. When he is forced to confront his past and reflect on his experiences, he attempts to understand the reasons for existence. At first, Meursault makes references to his inability to understand what's happening around him, but often what he tells us seems the result of his own indifference or detachment. He is frequently inattentive to his surroundings. His mind wanders in the middle of conversations. Rarely does he make judgments or express opinions about what he or other characters are doing. Meursault walks through life largely unaware of the effect of his actions on others.