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The themes in edgar allan poe
Haunted palace by edgar allan poe analysis
The themes in edgar allan poe
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Whether people like it or not, a multitude of aspects of life inevitably change overtime. Likewise, this was the case for the once glorious palace in the poem, The Haunted Palace, by Edgar Allan Poe. The speaker explicitly describes how the palace used to be a vivacious, gorgeous place, but overtime it became dreary and the life was sucked out of it. The speaker’s attitude that things that were once marvelous can turn bad was greatly supported through the use of personification, diction, and imagery. Throughout the entire poem, the use of personification allowed the palace’s characteristics to mimic that of a human face. It’s “yellow, glorious, [and] golden” banners represented the gorgeous, blonde, flowing hair of a woman. The fair palace door was once glowing “with pearl and ruby”. These jewels compare to the colors of teeth and lips on a human face. All of these positive attributes are used to show the true beauty that the palace once had. Unfortunately, as the palace became derelict, the features of the “face” changed as well. The palace’s new “red-litten windows” symbolize evil eyes. Overall, all of these personifying characteristics clearly captured the speaker's attitude by showing the change …show more content…
of the palace through a human face. Additionally, there was a stark contrast in the diction of the speaker when comparing the first four stanzas to the last two.
In the first four stanzas, the glory days of the palace were present. Constantly, words like “greenest”, “sweet”, and “luminous” were used to describe the physical appearance of the palace. This grand work of architecture was described as a “fair and stately palace”. However, as a dramatic change took place, the “fair palace door” changed to “the pale door.” The positive adjectives once used to describe this palace were now switched out for words like “evil”, “sorrow”, and “desolate”. Evidently, this drastic change in diction further supports the speaker’s attitude that even something as great as a stately palace can turn into a dreary
place. Lastly, the powerful use of imagery further supported the speaker’s attitude by appealing to the senses of the reader. The statement, the “radiant palace--reared] its head,” clearly allows the reader to picture the grandeur of this enormous home. Furthermore, the characterization of the smell of the palace as a “winged odor” makes the reader capable of imaging not only the visual beauty of the place but also the gorgeous odor that made it the magnificent place it was. As disaster came upon the palace, the speakers described it as “evil things” and “robes of sorrow assail[ing] the monarch’s high estate.” The speaker also states that people “smile no more.” Thus, by appealing to the reader’s senses the speaker was able to make the reader truly understand the severe change that the palace underwent. In Poe’s poem, the once glorious estate turned into a haunted palace overtime, absent of life and lively people. The speaker developed his attitude through personification, diction, and imagery. Thus, the reader is able to easily discern the theme that even magnificent aspects of life can take a downturn, as was the case with the palace.
The speaker Lampman creates describes “rows of golden palaces” (4), and “horses springing by” (1) giving the impression that winter is heavenly. The speaker initially describes winter as being something similar to the traditional idea of heaven. The speaker gives a blissful and serene description of winter. Gold is a symbol brought up frequently throughout the poem; this adds to the heavenly description of winter, as gold is a symbol of wealth and purity. Gold is used in nearly every image at the start of the poem to really evoke the bliss in winter.
In the second part of the poem, which is titled “The Palace,” we glance into the mind of El General (Dove). W...
But first let me tell of the rooms in which it was held. These were seven—an imperial suite. In many palaces, however, such suites form a long and straight vista, while the folding doors slide back nearly to the walls on either hand, so that the view of the whole extent is scarcely impeded. Here the case was very different, as might have been expected from the duke’s love of the bizarre. The apartments were so irregularly disposed that the vision embraced but little more than one at a time. There was a sharp turn at every twenty or thirty yards, and at each turn a novel effect. To the right and left, in the middle of each wall, a tall and narrow Gothic window looked out upon a closed corridor which pursued the windings of the suite. These windows were of stained glass whose colour varied in accordance with the prevailing hue of the decorations of the chamber into which it opened. That at the eastern extremity was hung, for example in blue—and vividly blue were its windows. The second chamber was purple in its ornaments and tapestries, and here the panes were purple. The third was green throughout, and so were the casements. The fourth was furnished and lighted with orange—the fifth with white—the sixth with violet. The seventh apartment was closely shrouded in black velvet tapestries that hung all over the ceiling and down the walls, falling in heavy folds upon a carpet of the same material and hue. But in this chamber only, the
in distress, and majestic castles hidden from the vulgarity of daily life by the cool shade of fragrant magnolia and honeysuckle. It was a time and place so far removed from
Poe’s story describes the harmful effects of the narrator’s obsession with the perfection of his deceased wife. The narrator is convinced that his first wife, Ligeia, was perfect. He worshiped her, seeing her as a source of true wisdom. Her eventual de...
Century Interpretations of Poe’s Tales. Ed. William L. Howarth. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1971.
Poe uses figurative language to quickly draw the reader into the story. For example, in the beginning of the story, he personifies the house in saying that it has “vacant eye-like windows,”(Poe 294) and that the house’s horrific appearance is that of “the hideous dropping off of the veil.”(294) His descriptions of the house are luring in the reader in preparation for the story that has already begun.
Poe uses several descriptive words in his portrayal of the house. The reader’s first impression of the house comes from a direct observation from the narrator. This unnamed narrator states, “… with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit.” As the narrator continues to describe the house he uses several similarly dismal adjectives. The gloom experienced by the narrator is not limited to merely the house itself. The vegetation, which surrounds the area, is described as “a few rank sedges and … a few white trunks of decayed trees.” He emphasizes these facets of the house and its environs by restating the descriptions reflected in a “black and lurid tarn.” The narrator points out that the house seems to be in a dilapidated condition. While he claims that the house appears structurally sound, he takes time to comment upon “the crumbling condition of the individual stones.” He also emphasizes the long history of the house by stating that its features recall an “excessive antiquity.”
The actor Keanu Reeves once commented, “Grief changes shape, but it never ends.” Perhaps, nowhere else is this idea of never-ending grief more prevalent than in dark romanticist Edgar Allan Poe’s poem “The Raven.” The popular eighteenth century poem follows the despondent narrator’s encounter with the Raven, the ominous bird later forces him to realize his never-ending isolation and sorrow due to the loss of his love, Lenore. In his poem, through the use of allusions and the literary devices of repetition and comparison in stanza 17, Poe explores the perpetual effects of loss.
“Once upon a midnight dreary, while I pondered, weak and weary,” (“The Raven” 1). “The Raven” arguably one of the most famous poems by Edgar Allan Poe, is a narrative about a depressed man longing for his lost love. Confronted by a talking raven, the man slowly loses his sanity. “The Haunted Palace” a ballad by Poe is a brilliant and skillfully crafted metaphor that compares a palace to a human skull and mind. A palace of opulence slowly turns into a dilapidated ruin. This deterioration is symbolic of insanity and death. In true Poe style, both “The Raven” and “The Haunted Palace” are of the gothic/dark romanticism genre. These poems highlight sadness, death, and loss. As to be expected, an analysis of the poems reveals differences and parallels. An example of this is Poe’s use of poetic devices within each poem. Although different in structure, setting, and symbolism these two poems show striking similarities in tone and theme.
Edgar Allan Poe primarily authored stories dealing with Gothic literature; the stories were often quite dreary. Poe possessed a very sorrowful view of the world and he expressed this throughout his literary works. His goal was to leave an impression with every detail that he included in his stories. Although Poe’s stories seem very wretched and lackluster they all convey a certain idea. A trademark of Poe’s is his use of very long complex sentences. For instance, in his work The Fall of the House of Usher, Poe tried to ensure that every detail was as relevant as possible by integrating a wide variety of emotion. In the third paragraph, of page two hundred ninety-seven, Poe wrote, “Feeble gleams of encrimsoned light made their way through the trellised panes, and served to render sufficiently distinct the more prominent objects around…” This sentence illustrates the descriptiveness and complexity that Edgar Allan Poe’s works consisted of. The tormented cognizance of Poe led him to use a very gloomy diction throughout his writing. Edgar Allan Poe’s use of symbols and the way he conveyed his writing expr...
Within the Beauty and the Beast inspired ten pages of Angela Carter’s short narrative “The Courtship of Mr. Lyon”, the narrator employs the contradicting nature of the Palladian house prior to and succeeding the presence of Beauty to express both the mental and physical deterioration of the Beast. When Beauty first returns to the house after a several month hiatus, she notices a rather “doleful groaning of the hinges” as she opens the door (Carter 50). Such a noise is reflective of the fact that they have not been physically oiled for a long duration of time, and that the Beast has ceased to maintain their smooth transition for her return due to an ever weakening state of hope. Similar to the lamenting of the hinges, it is only his desolate cry that plagues the once silent tranquility of the manor. The extent of his despondency is further illustrated with the interior of the house that was now shrouded in “perfect darkness”
" Twentieth Century Interpretations of Poe's Tales. ED. William L. Howarth, b. 1875. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1971. 94. - 102. - 102.
The abundance of chilling diction and imagery continues through the rest of the story, often in Poe’s description of the house. Any given sentence ...
a dull grey colour as if it had lost the will to live and stopped